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Hughes & Turner Project
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Audio CD, Import, December 10, 2002
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Product details
- Is Discontinued By Manufacturer : No
- Package Dimensions : 5.5 x 4.9 x 0.4 inches; 3.22 Ounces
- Manufacturer : Shrapnel
- Date First Available : January 20, 2007
- Label : Shrapnel
- ASIN : B00008J2IR
- Number of discs : 1
- Best Sellers Rank: #453,374 in CDs & Vinyl (See Top 100 in CDs & Vinyl)
- #10,737 in Album-Oriented Rock (AOR) (CDs & Vinyl)
- #35,994 in Metal
- #180,796 in Rock (CDs & Vinyl)
- Customer Reviews:
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Customer reviews
4.6 out of 5 stars
4.6 out of 5
61 global ratings
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Top reviews from the United States
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Reviewed in the United States on June 26, 2011
The album still has the screaming vocals of Glenn Hughes which I find a bit irritating after awhile. As someone who accidently purchased Brazen Abbot's Glenn Hughes CD and still wants to kick herself in the head, I can say that the price of this CD makes me want to kick myself again; however, I do like the guitar and band backing up the well written kicking songs. I wish Joe Lynn Turner did more of his melodic singing and more of the singing overall. Joe Lynn Turner seems to do more backgrounds than leads on this album. The backgrounds are great. I like this album better than the HTP2 which I paid half as much for. So I guess mathematically it evens out...The chorus and guitar make this album better than most hard rocking screamo bands that I have heard coming out of my son's iPod. I think this album will appeal to people who like the older rock bands and some of the newer ones. Maybe I should listen to it on a day I am not listening to Steve Perry and the new Night Ranger CD too. Joe Lynn Turner is a fantastic singer and I'm glad he's still out there singing his lungs out!
Reviewed in the United States on May 27, 2017
Glenn Hughes + Joe Lynn Turner = EXCELLENCE!!!
Reviewed in the United States on August 4, 2015
Love The Product, Excellent Seller, THANK YOU!
Reviewed in the United States on December 16, 2012
Two of rock and rolls most prominent and underrated singers present a rollicking retrospective of their days in Rainbow and Deep Purple with an abundance of energy and pure magical memories of yesteryear. With out a doubt the combined efforts of Hughes and Turner present an album that is effortlessly superior to anything that they have done individually. Thus the news of a potential sequel comes with equally great anticipation.
While Glenn Hughes has flirted with solo efforts that touch on his Deep Purple roots, only "Burning Japan Live" has come close to such a personification. Meanwhile, Joe Lynn Turner's most recent solo album "Slam" showed signs of things to come but it only acts as a teaser when compared with this album. Simply put, the Hughes Turner Project oozes the colors of Rainbow and Purple almost to the point that it is a tribute album. The only difference is that the cd is new material that parallels the wealthy and healthy heritage of arguably two of rock and rolls greatest bands.
From the opening chords of Devil's Road layered with Vince Di Cola's Hammond organ and Shane Gaalaas' crashing cymbals, to the closing track of On The Ledge which brings to mind Purple's "You Keep On Moving" there is simply no filler here. This is the album that I have longed for both Hughes and Turner to produce.
For those of you that love the funk of Hughes and the blues of Turner step away as this is as close to pure rock and roll as it comes as declared by the anthem like You Can't Stop Rock N'Roll. With a simplistic guitar riff offset by a gnarly bass groove of Hughes, along with some great interchanging vocals, the impressive chanting chorus is almost overshadowed. Add the guest guitar work of former Mr. Big's Paul Gilbert and this track sizzles in its simplicity.
The album continues at warp speed with a riff and drum pattern reminiscent of Rainbow's "Lost In Hollywood" courtesy of Missed Your Name. Otherwise, the similarities stop there as the funky harmonies of Hughes and Turner via the chorus presents a nice twist. Add a very cool guitar bridge from JJ Marsh bouncing off Di Cola's keyboard work and low and behold you have a solo fight used to wonderful effect in the past by Purple and Giuffria.
So we finally get to Mystery Of The Heart that slows the pace down bringing comparisons to Rainbow's "Street Of Dreams". And by this time the break is needed while Turner takes full control of vocal duties. As does Hughes on the slow builder Heaven's Missing An Angel with a little harmony assistance from John Sykes. Throw in Sykes signature guitar work and this song is a little cracker despite its slow start. This particular track clocks in at over 7 minutes and I can only begin to imagine the results of a full Hughes/Sykes project that was once considered and is now on the backburner. Fade Away continues the pattern of the Hughes/Sykes collaboration starting slowly and building effectively into a moody and mystical track that eventually, for the lack of a better phrase, fades away.
To say that the Deep Purple/Rainbow comparisons continue would be an understatement. Check out the parallels of the funky yet heavy and sultry Better Man with Purple's "Sail Away" from the album "Burn". Otherwise, Ride The Storm lives out its title at warp speed allowing Turner's guitarist Akira Kajiyama to rip the fret-board of his guitar. Run Run Run pretty much follows suit while the album concludes with the previously mentioned On The Ledge.
Some reviewers are mentioning this album as being a lead candidate for the best album of 2002. I certainly would concur with this vote of confidence. However, I would also venture to say that this cd could be discussed as one of rock's most feverish albums come the end of the decade. And I make that outlandish statement on the very clear evidence heard here.
While Glenn Hughes has flirted with solo efforts that touch on his Deep Purple roots, only "Burning Japan Live" has come close to such a personification. Meanwhile, Joe Lynn Turner's most recent solo album "Slam" showed signs of things to come but it only acts as a teaser when compared with this album. Simply put, the Hughes Turner Project oozes the colors of Rainbow and Purple almost to the point that it is a tribute album. The only difference is that the cd is new material that parallels the wealthy and healthy heritage of arguably two of rock and rolls greatest bands.
From the opening chords of Devil's Road layered with Vince Di Cola's Hammond organ and Shane Gaalaas' crashing cymbals, to the closing track of On The Ledge which brings to mind Purple's "You Keep On Moving" there is simply no filler here. This is the album that I have longed for both Hughes and Turner to produce.
For those of you that love the funk of Hughes and the blues of Turner step away as this is as close to pure rock and roll as it comes as declared by the anthem like You Can't Stop Rock N'Roll. With a simplistic guitar riff offset by a gnarly bass groove of Hughes, along with some great interchanging vocals, the impressive chanting chorus is almost overshadowed. Add the guest guitar work of former Mr. Big's Paul Gilbert and this track sizzles in its simplicity.
The album continues at warp speed with a riff and drum pattern reminiscent of Rainbow's "Lost In Hollywood" courtesy of Missed Your Name. Otherwise, the similarities stop there as the funky harmonies of Hughes and Turner via the chorus presents a nice twist. Add a very cool guitar bridge from JJ Marsh bouncing off Di Cola's keyboard work and low and behold you have a solo fight used to wonderful effect in the past by Purple and Giuffria.
So we finally get to Mystery Of The Heart that slows the pace down bringing comparisons to Rainbow's "Street Of Dreams". And by this time the break is needed while Turner takes full control of vocal duties. As does Hughes on the slow builder Heaven's Missing An Angel with a little harmony assistance from John Sykes. Throw in Sykes signature guitar work and this song is a little cracker despite its slow start. This particular track clocks in at over 7 minutes and I can only begin to imagine the results of a full Hughes/Sykes project that was once considered and is now on the backburner. Fade Away continues the pattern of the Hughes/Sykes collaboration starting slowly and building effectively into a moody and mystical track that eventually, for the lack of a better phrase, fades away.
To say that the Deep Purple/Rainbow comparisons continue would be an understatement. Check out the parallels of the funky yet heavy and sultry Better Man with Purple's "Sail Away" from the album "Burn". Otherwise, Ride The Storm lives out its title at warp speed allowing Turner's guitarist Akira Kajiyama to rip the fret-board of his guitar. Run Run Run pretty much follows suit while the album concludes with the previously mentioned On The Ledge.
Some reviewers are mentioning this album as being a lead candidate for the best album of 2002. I certainly would concur with this vote of confidence. However, I would also venture to say that this cd could be discussed as one of rock's most feverish albums come the end of the decade. And I make that outlandish statement on the very clear evidence heard here.
Reviewed in the United States on February 15, 2003
Through the years, it has been interesting to witness the number of classic rock artist combinations have joined together having the Ritchie Blackmore connection. Certainly England has an incestuous history in the classic rock department, as almost all of the artists that are associated with Black Sabbath, Whitesnake, Rainbow, Deep Purple, and The Gary Moore Band are interlinked. So, I guess it makes perfect sense then that Glenn Hughes and Joe Lynn Turner have finally joined forces to put out this, very smooth, classic rock-influenced one off. Glenn's influence is more evident here, likely due to the fact his solo style is more well defined than that of Turner, who has released two albums of cover material in his later years. Right out of the gates this record burns serious rubber with "Devils Road," which is on par with the classics of Rainbow and earlier Hughes output, especially with Hughes/Thrall. The high spiritedness continues on the next two selections, "You Can't Stop Rock n' Roll" and "Missed Your Name." Then in an instant, things are brought back to Rainbow circa 1983 with Turner's "Mystery of the Heart," a trademark AOR ballad topped with one of Joe's more subtle croons.
Not surprising given the fact that JJ Marsh handles lead guitar chores, much of the material sounds like Hughes' recent solo outings, heavy into funk beats and churchy organs. This is particularly evident on "Sister Midnight," which could have easily come off of sessions from either one of his past two solo efforts. On the later songs, Hughes vocals tend to drown out those of Turner, who seems to be doing more color commentating than lead vocalizing. A minor complaint though, as it's always a joy to hear Glenn's soulful inflection riding over smooth but gutsy melodies. To complete the classic rock circle, they've called upon none other than guitar meistros John Sykes and Paul Gilbert to burn it up with a couple of solo breaks, Sykes on the Hughes led ballad "Heaven's Missing an Angel" and Gilbert on the aforesaid thud romper "You Can't Stop Rock N' Roll." Without a doubt, these inclusions cap off the calculated nostalgia trip to a tee.
Fans of any of the above mentioned bands will undoubtedly be intrigued by this release. I have to say personally that this impresses more than it could, or I ever thought it would. Obviously a good deal of enthusiam and thought was put into this project, which is more than can be said for most commerically cynical pairings. This record actually builds towards its cresendo, as to end the proceedings there is the record's crowning achievement, the 7 minute opus "On the Ledge." Beautiful, powerful... dramatic. Nuff said, now go and buy the thing.
Not surprising given the fact that JJ Marsh handles lead guitar chores, much of the material sounds like Hughes' recent solo outings, heavy into funk beats and churchy organs. This is particularly evident on "Sister Midnight," which could have easily come off of sessions from either one of his past two solo efforts. On the later songs, Hughes vocals tend to drown out those of Turner, who seems to be doing more color commentating than lead vocalizing. A minor complaint though, as it's always a joy to hear Glenn's soulful inflection riding over smooth but gutsy melodies. To complete the classic rock circle, they've called upon none other than guitar meistros John Sykes and Paul Gilbert to burn it up with a couple of solo breaks, Sykes on the Hughes led ballad "Heaven's Missing an Angel" and Gilbert on the aforesaid thud romper "You Can't Stop Rock N' Roll." Without a doubt, these inclusions cap off the calculated nostalgia trip to a tee.
Fans of any of the above mentioned bands will undoubtedly be intrigued by this release. I have to say personally that this impresses more than it could, or I ever thought it would. Obviously a good deal of enthusiam and thought was put into this project, which is more than can be said for most commerically cynical pairings. This record actually builds towards its cresendo, as to end the proceedings there is the record's crowning achievement, the 7 minute opus "On the Ledge." Beautiful, powerful... dramatic. Nuff said, now go and buy the thing.
Top reviews from other countries
塩田 浩一
5.0 out of 5 stars
良かったです。
Reviewed in Japan on September 30, 2023
良かったです。
Jose B.
5.0 out of 5 stars
Buen tándem.
Reviewed in Spain on April 22, 2023
Es el primer lp de estos dos genios del rock duro. Han hecho otro álbum más, pero éste es mejor ya que es más potente y melódico con grandes temas para disfrutar de sus grandes voces.
Christian Benke
4.0 out of 5 stars
Zwei Rockröhren mit viel Funk und Soul
Reviewed in Germany on October 5, 2023
Die zwei Rockröhren sind gut gelaunt und singen munter drauf los und zwar nicht nur rockig sondern auch sehr viel Funk and Soul.
Zeit tolle Sänger, doch vorrallem dann, wenn sie beide singen, wird's oft a bisserl viel, muß man mögen!
Zeit tolle Sänger, doch vorrallem dann, wenn sie beide singen, wird's oft a bisserl viel, muß man mögen!
Daniel Blais
5.0 out of 5 stars
Perfect Transaction & Product Received
Reviewed in Canada on December 17, 2020
Item arrived quick 2 weeks before projected delivery date. Well packaged for transit. Arrived as described, nothing wrong with item. Will buy from seller again.
Dario
5.0 out of 5 stars
Grandissimo album!
Reviewed in Italy on September 14, 2021
Una chicca per veri rockettari
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