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Human Accomplishment: The Pursuit of Excellence in the Arts and Sciences, 800 B.C. to 1950 Paperback – November 9, 2004
| Charles Murray (Author) Find all the books, read about the author, and more. See search results for this author |
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A sweeping cultural survey reminiscent of Barzun's From Dawn to Decadence.
"At irregular times and in scattered settings, human beings have achieved great things. Human Accomplishment is about those great things, falling in the domains known as the arts and sciences, and the people who did them.'
So begins Charles Murray's unique account of human excellence, from the age of Homer to our own time. Employing techniques that historians have developed over the last century but that have rarely been applied to books written for the general public, Murray compiles inventories of the people who have been essential to the stories of literature, music, art, philosophy, and the sciences—a total of 4,002 men and women from around the world, ranked according to their eminence.
The heart of Human Accomplishment is a series of enthralling descriptive chapters: on the giants in the arts and what sets them apart from the merely great; on the differences between great achievement in the arts and in the sciences; on the meta-inventions, 14 crucial leaps in human capacity to create great art and science; and on the patterns and trajectories of accomplishment across time and geography.
Straightforwardly and undogmatically, Charles Murray takes on some controversial questions. Why has accomplishment been so concentrated in Europe? Among men? Since 1400? He presents evidence that the rate of great accomplishment has been declining in the last century, asks what it means, and offers a rich framework for thinking about the conditions under which the human spirit has expressed itself most gloriously. Eye-opening and humbling, Human Accomplishment is a fascinating work that describes what humans at their best can achieve, provides tools for exploring its wellsprings, and celebrates the continuing common quest of humans everywhere to discover truths, create beauty, and apprehend the good.
- Print length688 pages
- LanguageEnglish
- PublisherHarper Perennial
- Publication dateNovember 9, 2004
- Dimensions6 x 1.1 x 9 inches
- ISBN-109780060929640
- ISBN-13978-0060929640
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About the Author
Charles Murray is the W. H. Brady Scholar in Culture and Freedom at the American Enterprise Institute for Public Policy Research in Washington, D.C. He is the author of seven other books, including Losing Ground and The Bell Curve, with Richard J. Herrnstein.
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Product details
- ASIN : 0060929642
- Publisher : Harper Perennial (November 9, 2004)
- Language : English
- Paperback : 688 pages
- ISBN-10 : 9780060929640
- ISBN-13 : 978-0060929640
- Item Weight : 1.57 pounds
- Dimensions : 6 x 1.1 x 9 inches
- Best Sellers Rank: #596,768 in Books (See Top 100 in Books)
- #1,372 in History of Civilization & Culture
- #1,564 in Medical Social Psychology & Interactions
- #1,744 in General Gender Studies
- Customer Reviews:
About the author

Charles Murray is a political scientist, author, and libertarian. He first came to national attention in 1984 with the publication of "Losing Ground," which has been credited as the intellectual foundation for the Welfare Reform Act of 1996. His 1994 New York Times bestseller, "The Bell Curve" (Free Press, 1994), coauthored with the late Richard J. Herrnstein, sparked heated controversy for its analysis of the role of IQ in shaping America's class structure. Murray's other books include "What It Means to Be a Libertarian" (1997), "Human Accomplishment" (2003), "In Our Hands" (2006), and "Real Education" (2008). His 2012 book, "Coming Apart" (Crown Forum, 2012), describes an unprecedented divergence in American classes over the last half century. His most recent book is "By the People: Rebuilding Liberty Without Permission" (Crown Forum, 2015).
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Take one page, 588. It has the following errors. Under "National Origin", he misclassifies people:
+ AlKindi was Arabian not from Persia in "National Origin"
+Saadia Gaon was Egyptian/Babylonian Jew not from Persia in "National Origin"
+Manichaeus was Persian not from Rome in "National Origin"
+Plutarch was Greek not from Rome in "National Origin"
+Philo Judaeus was an Egyptian/Mizrahi Jew not from Greece in "National Origin"
+Porphirius was Phoenician not from Greece in "National Origin"
+Tertullian was a Berber not from Rome in "National Origin"
+Posidonius was Apamean Syrian not from Greece in "National Origin"
+Zeno was Cypriot Phoenician from Kition not from Greece in "National Origin"
+Maimonides was a Sephardic Jew not a Spaniard, and if Spaniard then Averroes also born in Cordova shd be so. And Seneca also born in Spain is deemed to be from Rome in "National Origin".
The principal method is to check with standard, encyclopedic and historical sources and see the degree of attention accorded to particular individuals and accomplishments. Corrections for national bias are made, so that, e.g., non-English sources are used to assess English accomplishments.
The results are predictable with a few exceptions. Rousseau, e.g., is accorded more attention that I believe he deserves. Ditto Sir Walter Scott. However, I can see the reasons for some of these assessments. Dead white European males predominate in the inventories and CM is at pains to demonstrate why this is the case. At bottom, the book attempts to relieve us of our concerns that we are biased because our initial impressions (which turn out largely to be true) are justified with elaborate statistical argument. Approximately 200 pp. are devoted to appendices, notes, bibliography, index and, in general, explanations for the methods employed. (For those unfamiliar with regression analysis, e.g., CM provides explanatory descriptions of the method.)
The key takeaway is an old key takeaway—the importance of religion and faith and the worldview that they entail. CM positions himself against the arid secularism and abandonment of the notions of truth, goodness and beauty embraced by much of the modern arts community, attributing the decline in human achievement (in part) to the loss of a worldview that produced, e.g., the great art of the renaissance. He supports his argument with statistics. One can find another instance of this argument in the magisterial work of George Steiner (using philosophy, theology, language, literature and science to make the case). Camille Paglia (herself an atheist) has also made this case.
Bottom line: a very interesting and important book, particularly in a world where the very notion of excellence and accomplishment is under constant fire. This book leaves no room for participation trophies; many contemporary academics leave no room for beauty, goodness and truth. That is why CM must go to such lengths (a book of nearly 700 pp.) to reassure us that Shakespeare, Beethoven, Mozart, Newton, Einstein, Galileo, Michelangelo, Pasteur, Lavoisier, Darwin, Euler, Lyell, Edison, Aristotle, et al. should be familiar to all educated citizens and should be taught in all of our universities and colleges. We need to stay in touch with greatness; it elevates and inspires us as human beings.
Now then, a dose of reality. It is too little too late.. Even if we teach our children the things he develops it will only allow them to see and understand the collapse. Mr. Murray peripherally acknowledges the overriding importance of worldview in the culture(s) that drives accomplishment. I think he may have been a little weak with respect to this but not entirely.
I heartily recommend this book to those who enjoy the patterns and subtleties of long term cultural history. Mr Murray provides many, many insights.
Top reviews from other countries
He finds (Spoilers!) that almost all the great scientists and artists of the world have been European. At one point he faces the figure of 97% being western. And he is extremely kind to Asian, Indian and Arab history throughout, inflating the role of these parts of the globe, which at times diminishes the whole point of his statistical method:
It is something of a contradiction to have to include Confucious as the number one Asian eminent figure, scholars in Neo-Confuciansm close behind, Buddhist thinkers also in the list, and later explain how their thinking was a main reason for Asian society being restricted, lacking curiosity and inspiration, and producing few noteworthy talents.
He also avoids/underplays the most obvious reason for western achievement for the majority of the book - which is Christianity. It is no coincidence that the places in which Christian culture bloomed with a sense of individual freedom and purpose - Renaissance Italy, and Protestant Northern Europe - are the exact places which contribute the vast majority of significant accomplishments.
It's a good book, and I applaud him for again going where he knows politically correct commentators don't want to look. However, in trying to keep their cries of disquiet to a minimum and maintain the possibility of discussion he rather misses the major points of his work. Michelangelo is often mentioned, but never the subjects about which his great works were concerned; he was a great artist because of his ability but also because of what he painted and sculpted: the touch between God and man, the Biblical David, etc. So many of the scientists he mentions did what they did because they were exploring God's laws. Greatness amongst human achievement is unequivocally linked to seeing the greatness of the Christian God, and living in a society that does, and Murray's statistics attest to this throughout.








