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The Hundred-Year Flood Hardcover – September 1, 2015
| Matthew Salesses (Author) Find all the books, read about the author, and more. See search results for this author |
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In the shadow of a looming flood that comes every one hundred years, Tee tries to convince himself that living in a new place will mean a new identity and a chance to shed the parallels between him and his adopted father. This beautiful and dreamlike story follows Tee, a twenty-two-year-old Korean-American, as he escapes to Prague in the wake of his uncle’s suicide and the aftermath of 9/11. His life intertwines with Pavel, a painter famous for revolution; Katka, his equally alluring wife; and Pavel's partner―a giant of a man with an American name. As the flood slowly makes its way into the old city, Tee contemplates his own place in life as both mixed and adopted and as an American in a strange land full of heroes, myths, and ghosts. In the tradition of Native Speaker and The Family Fang, the Good Men Project’s Matthew Salesses weaves together the tangled threads of identity, love, growing up, and relationships in his stunning first novel, The Hundred-Year Flood.
- Print length236 pages
- LanguageEnglish
- PublisherLittle A
- Publication dateSeptember 1, 2015
- Dimensions5.5 x 1 x 8.25 inches
- ISBN-101477829547
- ISBN-13978-1477829547
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Editorial Reviews
Review
A Millions Most Anticipated Book of 2015
A Buzzfeed Pick for 17 Awesome New Books You Need to Read This Fall
A Refinery29 Pick for Best Summer Reading
A Gawker Review of Books Pick for 9 Must-Reads for the Fall
“Salesses’s novel dramatically documents how longing can turn, painfully, into love.” —The Millions, Most Anticipated 2015 Book Preview
“What carries us through the novel is Salesses’s gift for language: here is a meditative, poetic, modern fable crafted in haunting bursts of impressionistic prose.” —Kirkus Reviews
“Through dreamlike language, Salesses toys with our human need to control forces that are larger than us: the flood, secrets, the past, disease, the inevitability of the reality one creates for one’s self. The novel holds a meditative, reflective pace.” —Kirkus Reviews, feature interview
“Salesses delivers an immersive novel about identity, myths, and ghosts...This is an engulfing read.” —Publishers Weekly
“The novel is not only a well-rendered exploration of identity, pain, and love, but also an expertly paced story, incredibly engaging throughout.” —Askmen.com
“The Hundred-Year Flood is admirable for what it tackles, for the depth of its subject, for the risks it takes with structure, for the love triangle it quickly establishes and charges with tension, for the questions it raises about what we inherit from our parents, known or unknown, and how we ground ourselves when we’ve been living on top of lies and murky beginnings—on rising, threatening waters, you might say.” —The Rumpus
“Tee is in Prague. He is running away from memory. He is running toward myth. He is searching. In Prague, Tee meets an artist and the artist's wife. Before long, the three are drawn into a fateful series of events as Prague is laid bare by a flood that only comes every hundred years. This beautiful debut novel by Matthew Salesses is much like that flood—epic and devastating and full of natural majesty.” —Roxane Gay, author of Untamed State and Bad Feminist
"The Hundred-Year Flood yanks you off your feet, whipping you along on a brilliantly crafted adventure. You can’t fight the current and you don’t want to, either. Matthew Salesses is a new force of nature.” —Mat Johnson, author of Loving Day
“A filmic, fast-moving, disjunctive ride, The Hundred-Year Flood rollicks through an exquisitely constructed plot to arrive at a surprising destination. Matthew Salesses writes taut, intelligent, lyrical sentences. He is definitely a writer to watch, and The Hundred-Year Flood is the novel to read right this moment.” —Robert Boswell, author of Tumbledown and The Heyday of the Insensitive Bastards
“Matthew Salesses’s elegant debut is at once both minimalist and expansive, atmospheric yet grounded in vivid, astonishing details. The Hundred-Year Flood captures life distilled to its purest, most potent form. I’ll be thinking about this story for many years to come.” —Kirstin Chen, author of Soy Sauce for Beginners
“The Hundred-Year Flood spins the gorgeous and devastating tale of Tee’s quest to find his place in the world amidst the richly haunted landscape of Prague. This is a phenomenally engrossing novel, cast in prose that is at once searing and poetic, and Matthew Salesses is a once in a lifetime talent.” —Laura van den Berg, author of The Isle of Youth and Find Me
“How artfully Matthew Salesses transports his reader between Prague and the States, past and present. I fell under the spell of his lovely novel as thoroughly as his protagonist, Tee, falls under the spell of Prague and, in particular, of one of its inhabitants. The Hundred-Year Flood is a vivid, cunning, compelling narrative about inheritance and forgiveness. A wonderful debut.” —Margot Livesey, author of The Flight of Gemma Hardy
“The Hundred-Year Flood is a beautifully wrought novel about a young man who goes on a quest for self-discovery and finds himself in a city of legends, demons, and saints. Here, Tee struggles to reconcile his desire to belong with his desire to be free—his desire to be someone with his desire to be no one at all. This book is a deep, wonderful, and incredibly complex investigation into the necessary and fertile tension between resistance and submission, attraction and repulsion, and the need to create versus the need to annihilate. Poetic and dreamlike, aching with loss, and filled with the strange and enduring power of myth, The Hundred-Year Flood builds and builds until everything—the characters, their histories, their relationships and animosities, and even the city in which they live, are borne up, taken over, and forever changed by the inevitable and unpredictable tide of fate. This is an exquisite, unforgettable book about the extraordinary demands of identity and the transformative power of art and love.” —Catherine Chung, author of Forgotten Country
“The Hundred-Year Flood is a beautiful, transporting novel that lays bare the heartbreak and loss of the world while never forgetting its magic. A dreamlike exploration of how the myths and stories we tell—and those that we choose to keep to ourselves—forge our identities, this book will swallow you whole.” —James Scott, author of The Kept
“In this spellbinding novel, Matthew Salesses artfully weaves an intricate tapestry, shifting effortlessly between time, place, and identity while exploring all three subjects in the process. He succeeds in transporting the reader to a ghost Prague—a timeless, kaleidoscopic city layered with wonder and devastating sorrow.” —Kenneth Calhoun, author of Black Moon
“The Hundred-Year Flood is an incredible literary achievement. It’s not often you find a novel that is capable of accomplishing such conceptual sophistication while maintaining the narrative force of compelling fiction. At times poetic and emotional, at times brutal and devastating, this intricate tale about identity, loss, love, and purpose is a force to be reckoned with and an absolute pleasure to read." —Mario Alberto Zambrano, author of Loteria: A Novel (P.S.)
“Like the water that threatens to consume everything in its wake, the narrative is lyrical and winding, but if you have an affinity for soul-searching sagas, The Hundred-Year Flood is for you.”—Gawker Review of Books
About the Author
Matthew Salesses was adopted from Korea at age two. He has written about adoption and race for NPR Code Switch, the New York Times Motherlode blog, and Salon, and his fiction has appeared in Guernica/PEN, Glimmer Train, and American Short Fiction, among others. He is the fiction editor and a contributing writer at the Good Men Project. He is also the author of I’m Not Saying, I’m Just Saying. The Hundred-Year Flood is his first full-length novel.
Product details
- Publisher : Little A (September 1, 2015)
- Language : English
- Hardcover : 236 pages
- ISBN-10 : 1477829547
- ISBN-13 : 978-1477829547
- Item Weight : 13.6 ounces
- Dimensions : 5.5 x 1 x 8.25 inches
- Best Sellers Rank: #1,848,406 in Books (See Top 100 in Books)
- #1,903 in Asian American Literature & Fiction
- #80,125 in Literary Fiction (Books)
- Customer Reviews:
About the author

Matthew Salesses was adopted from Korea. He is the author of the Amazon bestseller, THE HUNDRED-YEAR FLOOD, the national bestseller, CRAFT IN THE REAL WORLD, and the PEN/Faulkner Finalist DISAPPEAR DOPPELGÄNGER DISAPPEAR. His writing can be found in Best American Essays 2020, NPR, The New York Times, The Guardian, VICE.com, and many other publications. His previous books include I'M NOT SAYING, I'M JUST SAYING (a novel); DIFFERENT RACISMS: ON STEREOTYPES, THE INDIVIDUAL, AND ASIAN AMERICAN MASCULINITY (essays); and THE LAST REPATRIATE (a novella). In 2015, Buzzfeed named him one of 32 Essential Asian American Writers. He has taught for Tin House, Kundiman, and One Story, among others.
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I went back and forth on enjoying the author’s sometimes prosaic style; sometimes I liked it and sometimes I didn’t. Salesses is good at creating an insight into a place I have never read about before. Through Tee’s eyes, Prague is beautiful, sensual, and vibrant. It’s a place of self-discovery and sadness, of life and darkness, and Salesses captured all of the nuances and vibrancy very well. Some of the writing is fuzzy and disjointed, but that is because Tee is fuzzy and disjointed.
All in all, I was able to read through the book without any issues as it wasn’t a very dense or difficult read. It was always easy for me to stop reading because nothing was able to keep me going through the night with interest, but it wasn’t so boring that I stopped reading and couldn’t find the energy to pick it back up.
The crux of the problem was that I just did not care for or about any of the characters. Even Tee was just the median, serving as the narrator of the story and nothing more. The storyline was also relatively predictable. I was able to come up with a lot of conclusions about the plot without any real deductions necessary.
That being sad, the book was well-written and had its points of intrigue. Since it was definitely on the slimmer side, I wouldn’t be opposed to picking it back up again someday and re-reading it.
Throughout the story, Tee reflects on fitting in, on belonging. He's one of the few Asians in Prague. Over the course of weeks, he grows closer to Katka. Eventually he learns the truth about his adoption and gains insight into the relationships between his parents, aunt, and uncle.
The prose is finely crafted, and contains many surprising, yet apt descriptions, such as "merciless appetites." One of my favorite passages is the explanation for why Tee chooses Prague:
"He chose Prague for its resistance. A city where, for thousands of years, private lives had withstood the oppression of empires."
The story is told with a disjointed timeline, starting with Tee in Massachusetts General Hospital having suffered a serious head wound. We gradually learn what happened to him and the events around the devastating flood that wiped out parts of Prague, but if you like your tales told in chronological order, this one may not be for you.
Also, the e-book is "not yet enabled for searching," so if that feature is important to you, you may want to wait.
The writing feels rich and consistent. The writing is lyrical and luscious in its metaphor. Salesses has grasped the ability to capture so many intimate moments, his keen eye on things such as making a church steeple with someone's hand.
I adored the legends and stories about Prague. In the end, the plot's resolution felt right to me, felt tightly held and perfectly executed.
I picked this up for free as Amazon's "first read" or "first pick" thing of the month. Very glad I did. I would have been equally as happy paying full price for this. A good read.
The Hundred-Year Flood doesn't fail on these counts, not totally. There is no doubt about the author's sincerity. No one works on a project for this length of time without believing they have something meaningful to say or carthartic to release. But, as a reader, there has to be a "hook" to make me want to share that journey. One would think that a story of Prague and the 2002 flooding would be sufficient, but it was not.
Tee is a very immature, self-centered, selfish Korean-American. Despite at least some reasonable expectation that a young man in his early 20's is going to have an attenuated view of reality, he has very little empathy. The novel deals principally with feelings of how Tee is affected by the universe. We see very little empathic activity on his part....a colder Holden Caulfield?
So, where does that leave us? Me? I suppose I'd recommend Catcher in the Rye to someone who hasn't read it, and any number of travel writers on Prague. But, I wouldn't recommend this novel. Tee is not someone that I liked or sympathized with.
Meh.











