Customers Who Bought This Item Also Bought
Top Customer Reviews
Esthetics! Esthetics! Esthetics! Beautiful people, beautiful set, beautiful music wrapped into the warm womb of blood sucking and immortality and escapism. The storyline doesn't move me, though every performance is stellar. I never develop any empathy for the characters, though I would like to sit down and have lunch with them (on the condition I'm not on the desert menu.)
This is the kind of film one might call a guilty pleasure. No social or intellectual message or value, but imprints itself upon the emotional psyche. It provides a window into another side of one's usual self. Do I believe in vampires and the creature feature scifi world, no. But it can be fun.
The dvd quality is excellent. Much better transfer than the video we've had all these years. Really glad it's available and in our film library. Enjoy this world where beauty and pointlessness meet for no other reason than to entertain you.
THE HUNGER is a very good film, even though, at times, it moves rather slowly. Deneuve plays Miriam, a stone-faced centuries-old vampire who has had a string of lovers of the many years of her life. As the film opens, she and her longtime bloodsucking paramour, John (played by Bowie), are coping with their own mortality. That's right, I said mortality. In THE HUNGER, vampires can die of old age.
Bowie's appearence in the film is somewhat brief, but he makes the most of the time he has with a well-developed character. The makeup used to age him into a shriveled old man is complemented by Bowie's ability to play age well, both physically and emotionally. There is a quiet poignancy to the romance of between Miriam and John, but when scientist Sarah Roberts (Susan Sarandon) visits the Blaylock mansion one day, Miriam's real romance begins.
As I mentioned, the movie can sometimes feel slow, but it's well worth sitting through as the film is not so much horror and gore (although when it's bloody, it's nicely bloody), but erotic and intellectual. Sarandon and Denueve are both excellently cast and create some rather arousing scenes together. Although there is little action, there are many themes and ideas to be explored in this story. As such, I would say THE HUNGER is definitely for fans of art films, rather than those who are attracted to Hollywood productions.
As the film credits roll and the film begins, the gothic rock group Bauhaus is heard playing their famous song, Bela Lugosi's Dead, a nod to one of the most famous interpreters of Count Dracula in vampire films.
The action takes place in present-day New York. The beautiful and elegant Miriam Blaylock (Catherine Deneuve) shares a life of luxury and indolence with her husband John (David Bowie). Miriam, born in Egypt some 4,000 years ago, is an immortal being. Her continued survival depends on a diet of human blood, which she must consume once every seven days. She is also able to pass along, through "friendly" bites, some of her genetic material to human beings, thereby turning them into creatures like herself, in exchange for their eternal love. Miriam belongs to an ancient race of vampires, but since in life nothing is perfect, her progeny are not truly immortal as she is, and sooner or later, usually after 300 years or so, they find themselves suddenly and rapidly getting old. However, the progeny are unable to die, but continue to live forever withered, in a fully conscious, vegetative state. Miriam "packs" their decaying, aging bodies in caskets that she keeps in the attic of her residence.Read more ›
Most Recent Customer Reviews
Loved it. David Bowie's role was far too short. Catherine Dueneve was wonderful.Published 9 days ago by Andie
I did enjoy this. It wasn't amazing. I felt that it had a weak ending and not much of a story. Small differences could have really made it a great movie.Published 12 days ago by amanda
Lesbian vampires, David Bowie, and Tony Scott. Movie has never looked better. Still creepy after all these years.Published 17 days ago by John Brune
Beautiful, Bowie, and blood.
A remake of a 1940s classic that is a frightening visual turn-on.