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Hurricane Fever Hardcover – July 1, 2014
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About the Author
TOBIAS S. BUCKELL is a New York Times bestselling author whose books and his fifty-plus short stories have been translated around the world. He is the author of the novels Crystal Rain, Ragamuffin, Sly Mongoose, Halo ®: The Code Protocol, and Arctic Rising. Buckell hails from the Caribbean, where as a child he lived on boats in Grenada and the British and US Virgin Islands. When he was a teenager, a series of hurricanes destroyed the boat his family was living on and they moved to Ohio, where he still lives today with his wife and daughters.
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Overall, I thought Hurricane Fever was an okay read. The plot wasn’t extremely complex and was a bit predictable, which isn’t always a bad thing, depending on your mood and what you’re looking for in a book. I didn’t mind guessing what happened next, because it propelled me further throughout the book (i.e. helped me finish it faster). Some of the writing was a bit choppy. Sometimes characters would have whole paragraphs of dialogue without being properly introduced, and other times we’re left to infer what’s going on, when a simple line of exposition could’ve helped connect the dots. Another semi-small part of the book that tripped me up were the mechanics of sailing, since I’m not in any way familiar with it, but luckily that wasn’t the focus. And yes, some parts were cheesy and cliche, but most action novels are, so…
The genetic terrorism, and the racial motive to the plague was an interesting twist. It was like Beauchamp’s twisted version of a racial cleansing, though I’m still confused as to how it only targets people of color, or people with even the slightest amount of melanin. Zee died from it, but it’s repeatedly said that he could pass for white? I read Buckell’s acknowledgements where he said he purposefully left that part out so no crazies would get any funny ideas, but I’m still curious as to how something like this would even succeed.
Roo as a main character still feels like a bit of an enigma to me. And I think it’s because he’s missing some interiority. I get that he’s fueled by vengeance for Delroy, but I feel like his pain is never really addressed? He just jumps in headlong and goes on this kill-or-be-killed mission (and makes SUPER big mistakes) all in the name of his nephew. It’s a valiant effort, but the vengeance arc gets tiring after a while, especially since I think adding some of his feelings would’ve made the reader even more sympathetic for him. Buckell does an excellent job describing the physical pain Delroy is in, but I found that the emotional part was severely lacking about Delroy’s death, about the racial angle of the genetic terrorism, and also about the microaggressions he repeatedly faces from (white) people assuming that he’s the help at all those fancy functions.
One thing that really amazed me were Roo’s resources. I know he was in the CIG, but it’s never really discussed how much he was paid for being a part of it (or maybe I missed that part?). He promises Jacinta heavy metal (did he ever come through on that? If not, God help him). And he also promises Elvin (RIP) three years worth of income and shows him all the gold he has, which he says was a gift. I know there was a book before this one, but I’m still wondering where in the world he’s getting all these resources and money from.
Would love to see this as a movie on the SyFy channel.
This is how all climate related literature should start .
This is how all climate related literature should start .
Everything in this book is palpable and vibrant. The land masses the movements, even the buildings are easily internalized and projected, allowing the reader to place the characters in an environment that feels natural. With all of this close and intricate detail any well written character could be made fascinating with minimal effort. The smallest amount of personality would echo off of each new situation eventually filling the space with one phrase that is large enough to carry that character’s existence within the story. Basically, any regular character can be made interesting by this world. Even one note character would be memorable due to an infinite amount of unknowable changes and situations that can be provided by the book’s universe.
Sadly, the characters of Hurricane Fever sort of miss the singular note they were intended to play and become either plot fodder or props. I didn’t feel anything towards any of the book’s central figures, I didn’t hate them, I didn’t like them; they weren’t unique, bad, or funny. They were just words, descriptions without any emotion. Normally, I hate exposition, or long breaks in the plot where the characters spend hours discussing the most boring aspects of their lives as a means to be accessible, but Hurricane Fever needed something endearing to happen and for sincerity to result.