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I Am Legend Paperback – Bargain Price, October 30, 2007
An incurable plague has mutated every other man, woman, and child into bloodthirsty, nocturnal creatures who are determined to destroy him. By day, he is a hunter, stalking the infected monstrosities through the abandoned ruins of civilization. By night, he barricades himself in his home and prays for dawn.... Richard Matheson's classic novel has now been transformed by Warner Bros. into a major motion picture starring Academy Award nominee Will Smith. Directed by Francis Lawrence ("Constantine"), the film opens nationwide in December 2007.
- Print length320 pages
- LanguageEnglish
- PublisherTor Books
- Publication dateOctober 30, 2007
- Dimensions5.48 x 0.92 x 8.3 inches
- ISBN-100765357151
- ISBN-13978-0765357151
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Editorial Reviews
Review
"Matheson is one of the great names in American terror fiction."--The Philadelphia Inquirer
"Matheson inspires, it's as simple as that."--Brian Lumley
About the Author
Excerpt. © Reprinted by permission. All rights reserved.
PART ONE: January 1976
CHAPTER ONE
On those cloudy days, Robert Neville was never sure when sunset came, and sometimes they were in the streets before he could get back.
If he had been more analytical, he might have calculated the approximate time of their arrival; but he still used the lifetime habit of judging nightfall by the sky, and on cloudy days that method didn’t work. That was why he chose to stay near the house on those days.
He walked around the house in the dull gray of afternoon, a cigarette dangling from the corner of his mouth, trailing threadlike smoke over his shoulder. He checked each window to see if any of the boards had been loosened. After violent attacks, the planks were often split or partially pried off, and he had to replace them completely; a job he hated. Today only one plank was loose. Isn’t that amazing? he thought.
In the back yard he checked the hothouse and the water tank. Sometimes the structure around the tank might be weakened or its rain catchers bent or broken off. Sometimes they would lob rocks over the high fence around the hothouse, and occasionally they would tear through the overhead net and he’d have to replace panes.
Both the tank and the hothouse were undamaged today.
He went to the house for a hammer and nails. As he pushed open the front door, he looked at the distorted reflection of himself in the cracked mirror he’d fastened to the door a month ago. In a few days, jagged pieces of the silver-backed glass would start to fall off. Let ’em fall, he thought. It was the last damned mirror he’d put there; it wasn’t worth it. He’d put garlic there instead. Garlic always worked.
He passed slowly through the dim silence of the living room, turned left into the small hallway, and left again into his bedroom.
Once the room had been warmly decorated, but that was in another time. Now it was a room entirely functional, and since Neville’s bed and bureau took up so little space, he had converted one side of the room into a shop.
A long bench covered almost an entire wall, on its hardwood top a heavy band saw, a wood lathe, an emery wheel, and a vise. Above it, on the wall, were haphazard racks of the tools that Robert Neville used.
He took a hammer from the bench and picked out a few nails from one of the disordered bins. Then he went back outside and nailed the plank fast to the shutter. The unused nails he threw into the rubble next door.
For a while he stood on the front lawn looking up and down the silent length of Cimarron Street. He was a tall man, thirty-six, born of English-German stock, his features undistinguished except for the long, determined mouth and the bright blue of his eyes, which moved now over the charred ruins of the houses on each side of his. He’d burned them down to prevent them from jumping on his roof from the adjacent ones.
After a few minutes he took a long, slow breath and went back into the house. He tossed the hammer on the living-room couch, then lit another cigarette and had his midmorning drink.
Later he forced himself into the kitchen to grind up the five-day accumulation of garbage in the sink. He knew he should burn up the paper plates and utensils too, and dust the furniture and wash out the sinks and the bathtub and toilet, and change the sheets and pillowcase on his bed; but he didn’t feel like it.
For he was a man and he was alone and these things had no importance to him.
* * *
It was almost noon. Robert Neville was in his hothouse collecting a basketful of garlic.
In the beginning it had made him sick to smell garlic in such quantity; his stomach had been in a state of constant turmoil. Now the smell was in his house and in his clothes, and sometimes he thought it was even in his flesh. He hardly noticed it at all.
When he had enough bulbs, he went back to the house and dumped them on the drainboard of the sink. As he flicked the wall switch, the light flickered, then flared into normal brilliance. A disgusted hiss passed his clenched teeth. The generator was at it again. He’d have to get out that damned manual again and check the wiring. And, if it were too much trouble to repair, he’d have to install a new generator.
Angrily he jerked a high-legged stool to the sink, got a knife, and sat down with an exhausted grunt.
First, he separated the bulbs into the small, sickle-shaped cloves. Then he cut each pink, leathery clove in half, exposing the fleshy center buds. The air thickened with the musky, pungent odor. When it got too oppressive, he snapped on the air-conditioning unit and suction drew away the worst of it.
Now he reached over and took an icepick from its wall rack. He punched holes in each clove half, then strung them all together with wire until he had about twenty-five necklaces.
In the beginning he had hung these necklaces over the windows. But from a distance they’d thrown rocks until he’d been forced to cover the broken panes with plywood scraps. Finally one day he’d torn off the plywood and nailed up even rows of planks instead. It had made the house a gloomy sepulcher, but it was better than having rocks come flying into his rooms in a shower of splintered glass. And, once he had installed the three air-conditioning units, it wasn’t too bad. A man could get used to anything if he had to.
When he was finished stringing the garlic cloves, he went outside and nailed them over the window boarding, taking down the old strings, which had lost most of their potent smell.
He had to go through this process twice a week. Until he found something better, it was his first line of defense.
Defense? he often thought. For what?
All afternoon he made stakes.
He lathed them out of thick doweling, band-sawed into nineinch lengths. These he held against the whirling emery stone until they were as sharp as daggers.
It was tiresome, monotonous work, and it filled the air with hotsmelling wood dust that settled in his pores and got into his lungs and made him cough.
Yet he never seemed to get ahead. No matter how many stakes he made, they were gone in no time at all. Doweling was getting harder to find, too. Eventually he’d have to lathe down rectangular lengths of wood. Won’t that be fun? he thought irritably.
It was all very depressing and it made him resolve to find a better method of disposal. But how could he find it when they never gave him a chance to slow down and think?
As he lathed, he listened to records over the loudspeaker he’d set up in the bedroom—Beethoven’s Third, Seventh, and Ninth symphonies. He was glad he’d learned early in life, from his mother, to appreciate this kind of music. It helped to fill the terrible void of hours.
From four o’clock on, his gaze kept shifting to the clock on the wall. He worked in silence, lips pressed into a hard line, a cigarette in the corner of his mouth, his eyes staring at the bit as it gnawed away the wood and sent floury dust filtering down to the floor.
Four-fifteen. Four-thirty. It was a quarter to five.
In another hour they’d be at the house again, the filthy bastards. As soon as the light was gone.
* * *
He stood before the giant freezer, selecting his supper. His jaded eyes moved over the stacks of meats down to the frozen vegetables, down to the breads and pastries, the fruits and ice cream.
He picked out two lamb chops, string beans, and a small box of orange sherbet. He picked the boxes from the freezer and pushed shut the door with his elbow.
Next he moved over to the uneven stacks of cans piled to the ceiling. He took down a can of tomato juice, then left the room that had once belonged to Kathy and now belonged to his stomach.
He moved slowly across the living room, looking at the mural that covered the back wall. It showed a cliff edge, sheering off to greenblue ocean that surged and broke over black rocks. Far up in the clear blue sky, white sea gulls floated on the wind, and over on the right a gnarled tree hung over the precipice, its dark branches etched against the sky.
Neville walked into the kitchen and dumped the groceries on the table, his eyes moving to the clock. Twenty minutes to six. Soon now.
He poured a little water into a small pan and clanked it down on a stove burner. Next he thawed out the chops and put them under the broiler. By this time the water was boiling and he dropped in the frozen string beans and covered them, thinking that it was probably the electric stove that was milking the generator.
At the table he sliced himself two pieces of bread and poured himself a glass of tomato juice. He sat down and looked at the red second hand as it swept slowly around the clock face. The bastards ought to be here soon.
After he’d finished his tomato juice, he walked to the front door and went out onto the porch. He stepped off onto the lawn and walked down to the sidewalk.
The sky was darkening and it was getting chilly. He looked up and down Cimarron Street, the cool breeze ruffling his blond hair. That’s what was wrong with these cloudy days; you never knew when they were coming.
Oh, well, at least they were better than those damned dust storms. With a shrug, he moved back across the lawn and into the house, locking and bolting the door behind him, sliding the thick bar into place. Then he went back into the kitchen, turned his chops, and switched off the heat under the string beans.
He was putting the food on his plate when he stopped and his eyes moved quickly to the clock. Six-twenty-five today. Ben Cortman was shouting.
“Come out, Neville!”
Robert Neville sat down with a sigh and began to eat.
* * *
He sat in the living room, trying to read. He’d made himself a whisky and soda at his small bar and he held the cold glass as he read a physiology text. From the speaker over t...
Product details
- ASIN : B001FOR5XU
- Publisher : Tor Books (October 30, 2007)
- Language : English
- Paperback : 320 pages
- ISBN-10 : 0765357151
- ISBN-13 : 978-0765357151
- Item Weight : 5.6 ounces
- Dimensions : 5.48 x 0.92 x 8.3 inches
- Best Sellers Rank: #6,529,227 in Books (See Top 100 in Books)
- #12,125 in TV, Movie & Game Tie-In Fiction
- #15,544 in Deals in Books
- #156,116 in Horror Literature & Fiction
- Customer Reviews:
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About the author

Richard Matheson was born in 1926. He began publishing SF with his short story 'Born of Man and Woman' in 1950. I Am Legend was published in 1954 and subsequently filmed as The Omega Man (in 1971), starring Charlton Heston, and I Am Legend (in 2007), starring Will Smith. Matheson wrote the script for the film The Incredible Shrinking Man, an adaptation of his second SF novel The Shrinking Man. The film won a Hugo award in 1958. He wrote many screenplays as well as episodes of The Twilight Zone. He continued to write short stories and novels, some of which formed the basis for film scripts, including Duel, directed by Steven Spielberg in 1971. A film of his novel What Dreams May Come was released in 1998, starring Robin Williams. Stephen King has cited Richard Matheson as a creative influence on his work.
Photo by JaSunni at PicasaWeb [CC BY-SA 3.0 (http://creativecommons.org/licenses/by-sa/3.0)], via Wikimedia Commons.
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So put the movie out of your mind and enjoy.
The story opens with the protagonist literally boarded up in his home, living off a generator and the food he manages to pilfer during daylight hours. Over time, he has managed to find a way to survive in a world where people (and sometimes animals) are dying of this strange disease that very closely resembles vampirism. Despite the best efforts of the world’s scientists, everyone had gone to rot except Neville (or so we think). So he has shored up his existence with a greenhouse full of garlic, strategically placed mirrors and the occasional Christian cross. All this helps to keep the relentless vampire apocalypse at bay during the wearisome nights. During the day, Neville makes repairs to his fortifications, hunts downed weaken vampires and dispatches them with wooden stakes and picks up supplies around the Los Angeles metropolitan area. The author brings a nice sort of thriller-suspense element to the table as he plays with this constant cycle of safety and danger as the sun rises and sets.
The nights are where the fun begins. At sundown, Neville must be back home safe and sound or risk being overwhelmed by the masses. The vampires are not too strong physically, but at night they are at full strength and they come out in never ending swarms. Every single evening, Neville sits in his home stares at a mural of some nameless and beautiful landscape of a long forgotten time of yore and drinks himself into numbness at he listens to the vampires throw rocks at his windows and mirrors, beat on his walls and (in a particularly chilling way) call out his name.
The author makes interesting leaps into scientific plausibility for this plague that has besot mankind. He mixes in classic vampire legend with microbiology and psychology. It’s a great mix for pleasing modern readers. The theories for how some of the vampire legends evolved from truth (like the chemical qualities in garlic scent being repellent to the vampire germ) and some are just psychological (the Christian vampires fear a cross because somewhere in their infected brains they have memories that tell them they should be). The main character is just a plant worker, an everyman. Yet, we follow along with him over the months as he educates himself with library books on how to learn about microbiology and test out theories and hypothesis on the vampires so that he can learn what happened and why its happened, and see if maybe he can change the course of things. He’s pretty much alone with a lot of time on his hand (in between vampire slayings), but it may be a bit of stretch given that he does have daily maintenance on his home/fortress to keep up and supplies to obtain (and there is nobody around to help him). Still these ideas of working science into legend really help to build up the mystery, suspense, and tension. They are also the precursor elements for many similar books to come.
The true story is here. It’s not about vampires, zombies, or zombie-vampire hybrids. It’s about a man who thinks he’s the only person left in the world. Who has buried and reburied his loved ones. A man utterly broken and alone, fueled on fumes of whisky to carry out the primal instincts of his body. Survival. Some reviews may disagree, but the book has real strength here. We get inside this man’s head and really feel his struggle and his sense of hopelessness. We follow his ups and downs as little glints of hope dash past him and then are snatched away by the cruel reality of this dystopian world: his mind’s struggle with his body’s desire—the impetus of life. Of particular note, is Neville’s struggle with carnal temptation when the female vampires outside his house try to tempt him with their attributes of flesh, his spiral into deeper and deeper alcoholism and his violent lashings of frustration at the trappings of his environment. All of this is felt and related to the reader in a very compelling way. This, my fiends, is the heart of the story.
The ending, which is a bit of a twist, sets a nice perspective on things. It’s dark and sort of unsuspecting. The author goes from spending a vast majority of the book, zoomed tightly and claustrophobically on a sole protagonist to suddenly panning wide and taking in a much broader view. Sort of inline with the Twilight Zone style that the author helped create when he wrote for that show.
Podcast: If you enjoy my review (or this topic) this book and the movie based on it were further discussed/debated in a lively discussion on my podcast: "No Deodorant In Outer Space". The podcast is available on iTunes or our website.
The main character is named Robert Neville
There is a plague of vampires that led to the collapse of civilization
The main character is a human man, ostensibly the last on earth, who is immune to the disease
The main character lost his wife and child after/during the outbreak of the disease
There is a dog
There is a woman
There is science
But enough about the film! Overall, I enjoyed the novel. I was not initially aware that the novel I purchased contained I Am Legend in addition to several short stories, because it was not clearly advertised on my edition. Thus, I was surprised that the story was as short as it was. I only read I Am Legend from the bunch, because that is the reason I purchased it. I feel like Matheson could have made the book longer, and fleshed out the world, the situations, and Neville's past quite a bit more.
One thing about the story that I wasn't a huge fan of was how little actually happened in the book. A big portion of the narrative was devoted to the more mundane events and inner monologues in the post-apocalyptic life of Robert Neville. On the other hand, much of the narrative dealing with Neville's inner thoughts helped vastly with the world-building. Through Neville's erratic, desperate, hopeless thoughts, the reader developed a taste for what it felt like to be the last man on earth, living a daily battle for existence in the midst of a plague of vampires, having lost everyone and everything you once loved.
However, that brings me to my next point -- Neville was surprisingly unfeeling. I don't know if the reader was supposed to chock that up to him being a man who doesn't want to display feelings, his being a man that has given up hope, or what. He faced situations with very little sympathy, or even horror, and seemed largely apathetic about what was happening to him and what he was doing. Throughout several places in the story, I got the idea that Matheson has issues with women. I know that authors don't always write their thoughts into their characters, but it didn't seem like Neville was supposed to be especially misogynistic, because the author wrote it strictly as if his thoughts were fact and entirely acceptable.
There were some things I really liked about I Am Legend. First off, it is number one on my list for most scientific books about vampires I have ever read. As a biology major and pharmacy student, I found it incredibly interesting to read about Neville's discoveries and experiments as he uncovered the origin of the disease. That Matheson invented a somewhat scientifically sound background for the existence of vampires, debunking some elements of mythology and supporting others was original and pleasing to me.
The thing I liked most about the novel (especially compared to the movie) was the ending. The events of the ending portion of I Am Legend really came out of left field for me. I wasn't expecting what happened, at all. It is very much the most important part of the novel. It leaves us with a message, questioning what we have known and what we believe. I thought it was poignant and powerful, and it certainly left me thinking.
It is an unimportant detail, but I also enjoyed that the last line of the novel was "I am legend." I love when books really come full circle, and when they have their title worked into them somehow. Matheson managed to do both, and it brought a smile to my face.
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The story’s also convoluted in places and the author leaves some unexplained loose ends. The reason I didn’t award five stars is because the protagonist got sentimental about the vampires towards the end - why should he do that? Aren’t vampires supposed to be villains?
On the positive side Matheson is very adept at building up suspension. My favorite book of his is The Invisible Man. Another tragic book with a sad ending, but what a wonderful imaginative idea. There’s also a great deal of anger in I Am Legend which was a little grating at times. I know it’s a horror story but a bit of humor now and then, would have alleviated the morbid subject content.
So interesting to read the original text vs the Omega Man Heston 70s movie and more recently 2000’s Will Smith-ified I Am Legend film.
Kinda makes me feel like there’s space for another true I Am Legend movie faithful to the Matheson book and 50s time period. Who’s up for filming. I’ll watch. And more vampires this time please. Just like the brilliant book original! Still can’t believe he published this book when he was only 28! Wow. Read it. You’ll be disappointed if you don’t….
Molte cose però non mi sono piaciute.
La lunga spiegazione scientifica, batterica, che Matheson vuole dare del vampirismo e di tutte le caratteristiche associate ai vampiri è, a essere gentili, infantile: il protagonista va in biblioteca e prende un po' di libri a caso, si porta a case un microscopio e capisce tutto? nessuno aveva analizzato il sangue quando le persone avevano iniziato a stare male?
E poi, non sono riuscito a empatizzare con il protagonista per quanto sia odioso, egoista, misogino, inconcludente.
Anche lo stile di scrittura non mi è piaciuto, l'ho trovato rigido e poco scorrevole, ridondante, come fosse una sceneggiatura più che un romanzo.
The last of the old race
What struck me most about "I am legend" is the feeling of absolute despair, the complete loss of hope that fill every page. A desperation that corrupts the soul, where there can be no salvation (the poor dog...), and this is clear from the very beginning.
But there are many things in the book that I didn't like.
The long scientific (bacterial) explanation that Matheson give of vampirism and all characteristics associated with vampires, is childish to be kind: the protagonist goes to a library, takes some books at random, gets a microscope and immediately understands everything? had no one tested the blood when people started getting sick?
Also, I was unable to empathize with the protagonist, he is hateful, selfish, misogynistic, inconclusive.
And I didn't like the writing style, I found it rigid and not very fluent, redundant, as if it were a screenplay rather than a novel.






![I Am Legend [Gold Medal #417]](https://images-na.ssl-images-amazon.com/images/I/71hiHS8BpVL._AC_UL160_SR160,160_.jpg)








