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I Know This Much Is True Hardcover – Abridged, Deckle Edge
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Oprah Book Club® Selection, June 1998: What if you were a 40-year-old housepainter, horrifically abused, emotionally unavailable, and your identical twin was a paranoid schizophrenic who believed in public self-mutilation? You'd either be a guest on the Jerry Springer Show or Dominick Birdsey, the antihero, narrator, and bad-juju magnet of I Know This Much Is True. Somewhere in the recesses of this hefty 912-page tome lurks an honest, moving account of one man's search, denial, and acceptance of self. This is no easy feat considering his grandfather seemed to take parenting tips from the SS and his grandmother was a possible teenage murderess, his stepfather a latent sadist, and his brother, Thomas, a politically motivated psychopath. Not one to break with tradition, Dominick continues the dysfunctional legacy with rape, a failed marriage, a nervous breakdown, SIDS, a car crash, and a racist conspiracy against a coworker--just to name a few.
A stretch, both literally and figuratively from his Oprah-christened bestseller, She's Come Undone, Lamb's book ventures outside the confines of the tightly bound beach read and marathons through a detailed, neatly cataloged account of every familial travesty and personal failure one can endure. At its heart lies Freud's "return of the repressed": the more we try to deny who we are, the more we become what we fear. Lamb takes Freud's psychological abstraction to the realm of everyday living, packing his novel with tender, believable dialogue and thoughtful observation. --Rebekah Warren
From Publishers Weekly
This much is true for sure: Lamb's second novel (after the bestselling, Oprah-selected She's Come Undone) is a hefty read. Some may be daunted by its length, its seemingly obsessive inclusion of background details and its many digressions. The topics it unflinchingly exploresAmental illness, dysfunctional families, domestic abuseAare rendered with unsparing candor. But thanks to well-sustained dramatic tension, funky gallows humor and some shocking surprises, this sinuous story of one family's dark secrets and recurring patterns of behavior largely succeeds in its ambitious reach. The narrative explores the theme of sibling responsibility, depicting the moral and emotional conundrum of an identical twin whose love for his afflicted brother is mixed with resentment, bitterness and guilt. Narrator Dominick Birdsey, once a high-school history teacher and now, at 40, a housepainter in upstate Connecticut, relates the process that led to his twin Thomas's schizophrenic paranoia and the resulting chaos in both their lives. The book opens with a horrific scene in which Thomas slices off his right hand, declaring it a sacrifice demanded by God. Flashbacks illuminate the boys' difficult childhoods: illegitimate, they never knew their father; diffident, gentle Thomas was verbally and physically abused by their bullying stepfather, who also terrorized their ineffectual mother. Scenes from the pivotal summer of 1969, when Dominick betrayed Thomas and others in crucial ways, are juxtaposed with his current life: his frustrating relationship with his scatterbrained live-in, Joy; his enduring love for his ex-wife, Dessa; his memories of their baby's death and of his mother's sad and terrified existence. All of this unfolds against his urgent need to release Thomas from a mental institution and the psychiatric sessions that finally force Dominick to acknowledge his own self-destructive impulses. Lamb takes major risks in spreading his narrative over more than 900 pages. Long stretches are filled with the raunchy, foul-mouthed humor of teenaged Dominick and his friends. Yet the details of working-class life, particularly the prevalence of self-righteous male machismo and domestic brutality, ring absolutely true. Though the inclusion of a diary written by the twins' Sicilian immigrant grandfather may seem an unnecessary digression at first, its revelations add depth and texture to the narrative. Lastly, what seems a minor subplot turns out to hold the key to many secrets. In tracing Dominick's helplessness against the abuse of power on many levels, Lamb creates a nuanced picture of a flawed but decent man. And the questions that suspensefully permeate the novelAthe identity of the twins' father; the mystery of the inscription on their grandfather's tomb; the likelihood of Dominick's reconciliation with his ex-wifeAcontribute to a fully developed and triumphantly resolved exploration of one man's suffering and redemption. BOMC main selection; author tour; simultaneous audio.
Copyright 1998 Reed Business Information, Inc.
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I read on my iPhone during my lunch hour and started this book with great anticipation. The first chapter is quite gruesome but sets the tone for all that is to come. If you can get yourself through the beginning, I'm pretty sure you can get through the rest. I kept reading. And reading. The percent read that my kindle happily tracks for me, barely moved. Day after day I watched my barely existent progress. When I'd had enough I finally checked the statistics of the book. It has a whopping 982 pages! I will be sucking down the battery on my phone for the next ten years reading the story on a 4 1/2 by 3 inch screen. But I persisted.
Thomas and Dominic are twins, one born on December 31st and the other born on January 1st. They are even born in different decades, one in 1959 and the other in 1960. Their mother, Connie is not married but thank goodness her strict Italian father died before he discovered she was pregnant. The boys are never told who their biological father is and both have an very contentious relationship with Ray, their step father, who adopts them as toddlers.
The brothers are angry. The tone of their story is filled with anger because everyone here has issues. Thomas is mentally ill and finds himself living in a variety of mental institutions. Dominic, the supposedly sane twin, is Thomas' self appointed protector. Dominic's life is a train wreck and he blames Thomas for all that is wrong with him.
There is so much going on here, that Mr. Lamb needed those 982 pages. The story blew up slowly until is became a big abscess and it finally burst, letting the infection run freely out. The story ended all tied up in a neat little bow. I couldn't stop reading this book but I wasn't always engaged in this book. I Know This Much is True requires a commitment of time and energy. The treatment of mental illness in this country is spread out for the reader to live and experience. The story is worth reading but beware. It's exhausting.