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An Immense World: How Animal Senses Reveal the Hidden Realms Around Us Hardcover – June 21, 2022
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“One of this year’s finest works of narrative nonfiction.”—Oprah Daily
ONE OF THE TEN BEST BOOKS OF THE YEAR: The Wall Street Journal, The New York Times, Time, People, The Philadelphia Inquirer, Slate, Reader’s Digest, Chicago Public Library, Outside, Publishers Weekly, BookPage
ONE OF THE BEST BOOKS OF THE YEAR: Oprah Daily, The New Yorker, The Washington Post, The Guardian, The Economist, Smithsonian Magazine, Prospect (UK), Globe & Mail, Esquire, Mental Floss, Marginalian, She Reads, Kirkus Reviews, Library Journal
The Earth teems with sights and textures, sounds and vibrations, smells and tastes, electric and magnetic fields. But every kind of animal, including humans, is enclosed within its own unique sensory bubble, perceiving but a tiny sliver of our immense world.
In An Immense World, Ed Yong coaxes us beyond the confines of our own senses, allowing us to perceive the skeins of scent, waves of electromagnetism, and pulses of pressure that surround us. We encounter beetles that are drawn to fires, turtles that can track the Earth’s magnetic fields, fish that fill rivers with electrical messages, and even humans who wield sonar like bats. We discover that a crocodile’s scaly face is as sensitive as a lover’s fingertips, that the eyes of a giant squid evolved to see sparkling whales, that plants thrum with the inaudible songs of courting bugs, and that even simple scallops have complex vision. We learn what bees see in flowers, what songbirds hear in their tunes, and what dogs smell on the street. We listen to stories of pivotal discoveries in the field, while looking ahead at the many mysteries that remain unsolved.
Funny, rigorous, and suffused with the joy of discovery, An Immense World takes us on what Marcel Proust called “the only true voyage . . . not to visit strange lands, but to possess other eyes.”
WINNER OF THE ANDREW CARNEGIE MEDAL • FINALIST FOR THE KIRKUS PRIZE • FINALIST FOR THE NATIONAL BOOK CRITICS CIRCLE AWARD • LONGLISTED FOR THE PEN/E.O. WILSON AWARD
- Reading age1 year and up
- Print length464 pages
- LanguageEnglish
- Dimensions6.45 x 1.58 x 9.53 inches
- PublisherRandom House
- Publication dateJune 21, 2022
- ISBN-100593133234
- ISBN-13978-0593133231
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What's it about?
This book is about how animals perceive the world, and how that differs from humans.
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Our Umwelt is still limited; it just doesn’t feel that way. To us, it feels all-encompassing. It is all that we know, and so we easily mistake it for all there is to know. This is an illusion, and one that every animal shares.3,094 Kindle readers highlighted this
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Instead, an Umwelt is specifically the part of those surroundings that an animal can sense and experience—its perceptual world.1,930 Kindle readers highlighted this
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Perhaps people who experience the world in ways that are considered atypical have an intuitive feeling for the limits of typicality.1,735 Kindle readers highlighted this
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Editorial Reviews
Review
“A dazzling ride through the sensory world of astoundingly sophisticated creatures . . . It’s Mr. Yong’s task to expand our thinking, to rouse our sense of wonder, to help us feel humbled and exalted at the capabilities of our fellow inhabitants on Earth. . . . [A] deeply affectionate travelogue of animal sensory wonders.”—The Wall Street Journal
“One of this year’s finest works of narrative nonfiction . . . Yong’s reporting is layered, seasoned with vivid scenes from laboratories and in the field, interviews with researchers across a spectrum of disciplines.”—Oprah Daily
“Yong writes in a perfect balance of scientific rigor and personal awe as he invites readers to grasp something of how other animals experience the world.”—NPR
“A powerful and immersive deep dive into the perceptual lives of other organisms—and a persuasive case for more empathy and understanding of the complexity, sophistication, and sheer riotous joy of the nonhuman world: it’s an instant classic.”—Jeff VanderMeer, author of Authority
“I don’t know how to put into words the awe I felt while reading this book—for the incredible sensory diversity of our planet, and for Ed Yong’s talents.”—Mary Roach, author of Stiff
“There is almost no writer I admire as much as I do Ed Yong. He’s an extraordinary reporter and a writer of such grace that his work seems effortless. An Immense World is a journal of discovery and animal magic, and a sensory exploration that is a joy to read.”—Susan Orlean, author of On Animals
“What would we do without Ed Yong? This book feels like a tremendous burst of oxygen, animating everything around us with life and color and texture and wonder at precisely the moment we all need it.”—Rebecca Skloot, author of The Immortal Life of Henrietta Lacks
“Equal parts science and poetry: Yong guides us through the magic of the animal kingdom in ways that have unlocked something inside of me I didn’t know was there. I’ll never look at our planet the same way again.”—Clint Smith, author of How the Word Is Passed
“Though we can’t sense magnetic or electrical fields and have noses too blunt to see the world, this book gives us the next best thing: appreciation for those who can. Ed Yong expands our world as he lets us see into others’.”—Alexandra Horowitz, author of Inside of a Dog
“Yong’s writerly gifts offer us a thoughtful blend of whip-smart enchantments–dazzling revelation after revelation about animals and how they encounter the world. The breadth and depth of his knowledge is downright effervescent and exacting.”—Aimee Nezhukumatathil, author of World of Wonders
“A cornucopia of wonders—a fascinating reminder that most of what happens among life forms on Earth is beyond our ken.”—David Quammen, author of The Tangled Tree
“Utterly surprising, like stepping into Alice in Wonderland . . . the perfect mixture of revelation, curiosity, science, beautiful prose, and buckets full of wonders.”—Andrea Wulf, author of The Invention of Nature
“A whirlwind tour of animal perceptual abilities, this magnificent book challenges your imagination and fills you with wonder about the living world.”—Frans de Waal, author of Different
About the Author
Excerpt. © Reprinted by permission. All rights reserved.
Leaking Sacks of Chemicals
Smells and Tastes
“I don’t think he’s been in here before,” Alexandra Horowitz tells me. “So it should be very smelly.”
By “he,” she means Finnegan—her ink-black Labrador mix, who also goes by Finn. By “here,” she means the small, windowless room in New York City in which she runs psychological experiments on dogs. By “smelly,” she means that the room should be bursting with unfamiliar aromas, and thus should prove interesting to Finn’s inquisitive nose. And so it does. As I look around, Finn smells around. He explores nostrils—first, intently sniffing the foam mats on the floor, the keyboard and mouse on the desk, the curtain draped over a corner, and the space beneath my chair. Compared to humans, who can explore new scenes by subtly moving our heads and eyes, a dog’s nasal explorations are so meandering that it’s easy to see them as random and thus aimless. Horowitz thinks of them differently. Finn, she notes, is interested in objects that people have touched and interacted with. He follows trails and checks out spots where other dogs have been. He examines vents, door cracks, and other places where moving air imports new odorants—scented molecules. He sniffs different parts of the same object, and he’ll sniff them at different distances, “like he’s approaching the Van Gogh and seeing what the brushstrokes look like up close,” says Horowitz. “They’re in that state of olfactory exploration all the time.
Horowitz is an expert on dog olfaction—their sense of smell—and I’m here to talk with her about all things sniffy and nasal. And yet, I’m so relentlessly visual that when Finn finishes nosing around and approaches me, I’m instantly drawn to his eyes, which are captivating and brown like the darkest chocolate. It takes concerted effort to refocus on what’s right in front of them—his nose, prominent and moist, with two apostrophe-shaped nostrils curving to the side. This is Finn’s main interface with the world. Here’s how it works.
Take a deep breath, both as demonstration and to gird yourself for some necessary terminology. When you inhale, you create a single airstream that allows you to both smell and breathe. But when a dog sniffs, structures within its nose split that airstream in two. Most of the air heads down into the lungs, but a smaller tributary, which is for smell and smell alone, zooms to the back of the snout. There it enters a labyrinth of thin, bony walls that are plastered with a sticky sheet called the olfactory epithelium. This is where smells are first detected. The epithelium is full of long neurons. One end of each neuron is exposed to the incoming airstream and snags passing odorants using specially shaped proteins called odorant receptors. The other end is plugged directly into a part of the brain called the olfactory bulb. When the odorant receptors successfully grab their targets, the neurons notify the brain, and the dog perceives a smell. You can breathe out now.
Humans share the same basic machinery, but dogs just have more of everything: a more extensive olfactory epithelium, dozens of times more neurons in that epithelium, almost twice as many kinds of olfactory receptors, and a relatively larger olfactory bulb. And their hardware is packed off into a separate compartment, while ours is exposed to the main flow of air through our noses. This difference is crucial. It means that whenever we exhale, we purge the odorants from our noses, causing our experience of smell to strobe and flicker. Dogs, by contrast, get a smoother experience, because odorants that enter their noses tend to stay there, and are merely replenished by every sniff.
The shape of their nostrils adds to this effect. If a dog is sniffing a patch of ground, you might imagine that every exhalation would blow odorants on the surface away from the nose. But that’s not what happens. The next time you look at a dog’s nose, notice that the front-facing holes taper off into side—facing slits. When the animal exhales while sniffing, air exits through those slits and creates rotating vortices that waft fresh odors into the nose. Even when breathing out, a dog is still sucking air in. In one experiment, an English pointer (who was curiously named Sir Satan) created an uninterrupted inward airstream for 40 seconds, despite exhaling 30 times during that period.
With such hardware, it’s no wonder that dog noses are incredibly sensitive. But how sensitive? Scientists have tried to find the thresholds at which dogs can no longer smell certain chemicals, but their answers are all over the place, varying by factors of 10,000 from one experiment to another.4 Rather than focusing on these dubious statistics, it’s more instructive to look at what dogs can actually do. In past experiments, they have been able to tell identical twins apart by smell. They could detect a single fingerprint that had been dabbed onto a microscope slide, then left on a rooftop and exposed to the elements for a week. They could work out which direction a person had walked in after smelling just five footsteps. They’ve been trained to detect bombs, drugs, landmines, missing people, bodies, smuggled cash, truffles, invasive weeds, agricultural diseases, low blood sugar, bedbugs, oil pipeline leaks, and tumors.
Migaloo can find buried bones at archeological sites. Pepper uncovers lingering oil pollution on beaches. Captain Ron detects turtle nests so that the eggs can be collected and protected. Bear can pinpoint hidden electronics, while Elvis specializes in pregnant polar bears. Train, who flunked out of drug detection school for being too energetic, now uses his nose to track the scat of jaguars and mountain lions. Tucker used to hang off the bow of boats and sniff for orca poop; he has since retired, and his duties now fall to Eba. If it has a scent, a dog can be trained to detect it. We redirect their Umwelten in service of our needs, to compensate for our olfactory shortcomings. These feats of detection are worth marveling at, but they are also parlor tricks. They allow us to abstractly appreciate that dogs have a great sense of smell, without truly appreciating what that means for their inner lives or how their olfactory world differs from a visual one.
Unlike light, which always moves in a straight line, smells diffuse and seep, flood and swirl. When Horowitz observes Finn sniffing a new space, she tries to ignore the clear edges that her vision affords, and instead pictures “a shimmering environment, where nothing has a hard boundary,” she says. “There are focal areas, but everything is sort of seeping together.” Smells travel through darkness, around corners, and in other conditions that vex vision. Horowitz can’t see into the bag slung over the back of my chair, but Finn can smell into it, picking up molecules drifting from the sandwich within. Smells linger in a way that light does not, revealing history. The past occupants of Horowitz’s room have left no ghostly visual traces, but their chemical imprint is there for Finn to detect. Smells can arrive before their sources, foretelling what’s to come. The scents unleashed by distant rain can clue people in to advancing storms; the odorants emitted by humans arriving home can send their dogs running to a door. These skills are sometimes billed as extrasensory, but they are simply sensory. It’s just that things often become apparent to the nose before they appear to the eyes. When Finn sniffs, he is not merely assessing the present but also reading the past and divining the future. And he is reading biographies. Animals are leaking sacks of chemicals, filling the air with great clouds of odorants. While some species deliberately send messages by releasing smells, all of us inadvertently do so, giving away our presence, position, identity, health, and recent meals to creatures with the right noses.
“I never thought much about the nose at all,” says Horowitz. “It didn’t occur to me.” When she started studying dogs, she focused on things like their attitudes to unfairness—the kind of topic that’s interesting to psychologists. But after reading Uexküll and thinking about the Umwelt concept, she shifted her attention to smell—the kind of topic that’s interesting to dogs.
She notes, for example, that many dog owners deny their animals the joys of sniffing. To a dog, a simple walk is an odyssey of olfactory exploration. But if an owner doesn’t understand that and instead sees a walk as simply a means of exercise or a route to a destination, then every sniffy act becomes an annoyance. When the dog pauses to examine some invisible trace, it must be hurried along. When the dog sniffs at poop, a carcass, or something the owner’s senses find displeasing, it must be pulled away. When the dog sticks its nose in the crotch of another dog, it’s being indecorous: Bad dog! After all, in Western cultures at least, humans don’t smell each other. “You could give someone a hug, but if you actually sniffed them, that would be very weird,” says Horowitz. “I could say that your hair smells great, but I can’t say that you smell great, unless we’re intimate.” Time and again, people impose their values—and their Umwelt—onto their dogs, forcing them to look instead of sniff, dimming their olfactory worlds and suppressing an essential part of their caninehood. That was never clearer to Horowitz than when she took Finn to a nosework class.
Product details
- Publisher : Random House (June 21, 2022)
- Language : English
- Hardcover : 464 pages
- ISBN-10 : 0593133234
- ISBN-13 : 978-0593133231
- Reading age : 1 year and up
- Item Weight : 1.78 pounds
- Dimensions : 6.45 x 1.58 x 9.53 inches
- Best Sellers Rank: #6,456 in Books (See Top 100 in Books)
- #6 in Natural History (Books)
- #17 in Biology of Animals
- #23 in Fauna
- Customer Reviews:
About the author

Ed Yong is an award-winning science writer who reports for The Atlantic. His writing has also appeared in National Geographic, the New Yorker, Wired, the New York Times, Nature, New Scientist, Scientific American, and more. He talked about mind-controlling parasites at the TED2014 conference, and his talk has been viewed more than 1.4 million times.
He is the winner of the Byron H. Waksman Award for Excellence in the Public Communication of Life Sciences (2016), the Michael E. DeBakey Journalism Award (2016), a National Academies Keck Science Communication Award (2010) and awards from the Association of British Science Writers for Best Science Blog (2014) and Best Communication of Science in a Non-Science Context (2012).
His first book, I CONTAIN MULTITUDES, about the amazing partnerships between microbes and animals, was published in 2016.
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Customers find the book full of fascinating information about the world around them. They also describe the writing style as wonderful, conversational, and well organized. Readers also mention the pictures are beautiful and the book is simple to understand and keeps them engaged.
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Customers find the book full of fascinating information about the world around them. They say it touches the minds of most people and leaves them with long-lasting thoughts. Readers also mention that the book keeps it compelling, awed by the magical natural world around us, and amazing. They also say the book is comprehensive, and very well researched.
"...The author's enthusiasm for the subject matter is contagious, and readers will find themselves marveling at the ingenuity of nature as they learn..." Read more
"A very easy science and nature read. Very informational, connected and lots of of dots for me as I explore my backyard" Read more
"...There are so many wondrous things to learn here. White and blue light is incredible hard on insects and birds...." Read more
"It's a whole new world. Interesting, mind-blowing facts about phenomena of the natural world...." Read more
Customers find the writing style wonderful, clear, and educational. They also say the book is stunning and conversational.
"...Through its engaging prose and insightful revelations, the book invites readers to reconsider their perspectives on the natural world, ultimately..." Read more
"A very easy science and nature read. Very informational, connected and lots of of dots for me as I explore my backyard" Read more
"...He writes well, emphasizing the basis for the evolution of each sense, physiological, and especially functional...." Read more
"Gorgeous cover, excellent content, by a great writer. Well worth it!" Read more
Customers find the book simple to understand and engaging.
"...in Goetz's ability to convey complex scientific concepts in an accessible manner, making it suitable for both casual readers and those with a more..." Read more
"...is rich with new ideas and thoughts, yet it's somehow not difficult at all...." Read more
"...researchers and tells of their exciting discoveries in easy-to-understand language...." Read more
"...And a very good read, easy and conversational but astounding and deep at the same time. Highly recommend." Read more
Customers find the humor in the book highly entertaining. They also mention that it's enlightening and compelling.
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Goetz skillfully navigates through the intricacies of animal perception, weaving together scientific research and vivid storytelling to create an engaging narrative. The book delves into the sensory abilities of various species, shedding light on their unique adaptations and the evolutionary advantages conferred by these abilities. From the echolocation of bats to the magnetic sense of migratory birds, Goetz unveils a world rich with sensory wonders that challenge our understanding of the natural world.
One of the book's strengths lies in Goetz's ability to convey complex scientific concepts in an accessible manner, making it suitable for both casual readers and those with a more profound interest in biology and animal behavior. The author's enthusiasm for the subject matter is contagious, and readers will find themselves marveling at the ingenuity of nature as they learn about the incredible ways in which animals navigate and perceive their surroundings.
"An Immense World" not only educates readers about the intricacies of animal senses but also prompts reflection on our own perceptions of reality. Goetz encourages us to appreciate the vast spectrum of sensory experiences that exist beyond the human realm, fostering a deeper understanding of the interconnectedness of all living beings.
Overall, Thomas Goetz's "An Immense World" is a compelling and enlightening exploration of the hidden dimensions of the animal world. Through its engaging prose and insightful revelations, the book invites readers to reconsider their perspectives on the natural world, ultimately deepening their appreciation for the rich tapestry of life that surrounds us.
Each sense has its advantages and disadvantages. For example, smell works around corners and in the dark, and remains after the cause has moved, but it is slow to reach the sensory organ. Vision can have high resolution, or high sensitivity (requiring little light), but there is a tradeoff between the two. Most animals that can see color can see UV; it is not known why humans cannot, just conjectures. I have previously read that human color vision is in part tuned to aid in distinguishing subtle differences in human facial expression. Incidentally, there are some women with four color cones, not three, which aids them in distinguishing subtle differences in green; this capacity can be tested for, but the subject otherwise does not realize they have a special talent. A sentence I liked: “The human visual world is in front and humans move into it…… But the avian world is around and birds move through it (i.e. they can see more than 180 degrees, even 360 degrees around their head).”
While reactions to taste are mostly innate, reactions to smell are learned. Elephants can apparently smell better than dogs. We all know about primary colors, but what this means is that there is no specific light frequency for the color purple, it is developed by our ability to add and subtract the primary color frequencies. While we have many neurons which register different odors, our subjective consciousness of many odors is also based on combining the reactions of multiple “primary” neurons.
The amount of brain power required to utilize senses, such as echolocation in a bat or dolphin, is very high. One conjecture about Neanderthals which I have read elsewhere is that more of their brainpower was devoted to vision.
Top reviews from other countries
The language is imminently accessible and although the author delves into the scientific, it is never off-putting nor too laden with polysyllbilic scientific nomenclature so as to be anything but accessible and thoroughly enjoyable.
I read quotes of interest to my adult sons & have delighted strangers, acquaintances and friends with situationally appropriate facts.
Dr. Huberman was absolutely correct: this is a phenomenally wonderful book.













