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Imperial Hardcover – July 20, 2009
| William T. Vollmann (Author) Find all the books, read about the author, and more. See search results for this author |
Named for the corporation that brought it to life, the Imperial Valley, its surrounding regions (including the Coachella and Mexicali Valleys), and the people who live there are the subjects of the latest work by acclaimed author and now published photographer William T. Vollmann (who will release an epic nonfiction book about the area with Viking in 2009). “It’s an incredible area, teeming with secrets and the tension of the border,” says Vollmann of his first pictorial work. “It’s that tension that gives the place its meaning.”
Imperial is a study of a people and place on the margins, familiar territory for its author. Through his exploration, Vollmann uncovers the people and their struggles, which have been so easily pushed aside. It’s a photographic portrait of the Valley’s last decade, in which Vollmann’s pictures provide a visual identity to those who call it home. They have suffered and flourished amidst a landscape that is both breathtaking and heartbreaking, alluring and repelling.
- Print length224 pages
- LanguageEnglish
- PublisherpowerHouse Books
- Publication dateJuly 20, 2009
- Dimensions10.53 x 1.01 x 13.9 inches
- ISBN-101576874893
- ISBN-13978-1576874899
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About the Author
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Product details
- Publisher : powerHouse Books; 1st edition (July 20, 2009)
- Language : English
- Hardcover : 224 pages
- ISBN-10 : 1576874893
- ISBN-13 : 978-1576874899
- Item Weight : 4.25 pounds
- Dimensions : 10.53 x 1.01 x 13.9 inches
- Best Sellers Rank: #3,464,370 in Books (See Top 100 in Books)
- #2,052 in City Photography
- #2,542 in Poverty
- #4,781 in Photo Essays (Books)
- Customer Reviews:
About the author

William Tanner Vollmann (born July 28, 1959) is an American novelist, journalist, war correspondent, short story writer, and essayist. He won the 2005 National Book Award for Fiction for the novel Europe Central. He lives in Sacramento, California, with his wife and daughter.
Bio from Wikipedia, the free encyclopedia. Photo by Øystein Vidnes (http://www.flickr.com/photos/oysteinv/160077312/) [CC BY-SA 2.0 (http://creativecommons.org/licenses/by-sa/2.0)], via Wikimedia Commons.
Customer reviews
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Vollmann's documentary photos are published as 8x10s in black and white, as (approximately) 11x14s in sepia, or as landscape formats of various dimensions printed across two-page spreads. Apart from seven pages at the end, there is no commentary because the Viking Penguin book of the same title has the relevant text.
Some may find this collection of (mostly) posed portraits technically limited. I would not disagree. However, within those limits something eloquent can be found in virtually every page opening. To mention a few of this collection's striking moments at random: the way the shadow falls across the face of the border patrol cop on page 7; the portrait on page 11 in which the man and his cap encapsulate the closeness and distance between haves and have-nots; the contrasting mothers on facing pages 84/85; the similarity of character and visage between the ranch owners on facing pages 154/155.
Vollmann's chief subject is the human condition, and his chief interest as a photographer is capturing what people both present and inadvertently manifest to the unhidden camera. Thus the subtleties in these pictures spring from the undisguised and unpredictable way their willing subjects relate to the camera's eye. In this sense the photographic medium constantly announces itself throughout the collection. Here the camera is no voyeur. The trade-off is a lack of (apparently) unselfconscious moments, which have their own telling power. For those, however, one can view the work of almost any other documentary photographer.
Can this collection stand on its own apart from the text it accompanies? Clearly, the publisher believes so. They have produced a handsome, well edited volume that can without apology continue a lineage extending through "Forgotten Village" and "Let Us Now Praise Famous Men" back to (at least) "People of the Abyss." One doesn't need the companion prose to enjoy Vollmann's pleasure and belief in the power of the artifact and his empathetic witness to and celebration of people and environments seldom encountered by us book readers.
Want to meet Herman Melville or Walt Whitman? Good luck; they're dead. You can catch their homologue when Vollmann does a book reading. Proves that white boys can write.
Top reviews from other countries
A great book.











