Automotive Deals Best Books of the Month Amazon Fashion Learn more nav_sap_plcc_ascpsc Crown the Empire Fire TV Stick Health, Household and Grocery Back to School Handmade school supplies Shop-by-Room Amazon Cash Back Offer harmonquest_s1 harmonquest_s1 harmonquest_s1  Amazon Echo  Echo Dot  Amazon Tap  Echo Dot  Amazon Tap  Amazon Echo Introducing new colors All-New Kindle Oasis Enter for the chance to win front row seats to Barbra Streisand Segway miniPro

In A Better World 2011

R CC
4.6 out of 5 stars (59) IMDb 7.7/10

Despite his father's plea for tolerance, a bullied schoolboy and his friend choose revenge over forgiveness in this provocative drama about family relationships and world events.

Starring:
Mikael Persbrandt, Wil Johnson
Runtime:
1 hour, 58 minutes

Available to watch on supported devices.

When renting, you have 30 days to start watching this video, and 48 hours to finish once started.

Rent Movie HD $3.99
Buy Movie HD $12.99

Rent

When renting, you have 30 days to start watching this video, and 48 hours to finish once started.

Rent Movie HD $3.99
Rent Movie SD $2.99

Buy

Buy Movie HD $12.99
Buy Movie SD $9.99
More Purchase Options
By placing your order, you agree to our Terms of Use. Sold by Amazon Digital Services LLC. Additional taxes may apply.

Other Formats

Customer Reviews

Top Customer Reviews

By Jesse Kornbluth on June 28, 2011
I saw "In a Better World" --- this year's winner of the Academy Award for Best Foreign Film and the Golden Globe for Best Foreign Film --- in a theater with a dozen people.

This was in cosmopolitan New York.

The evening show on a weekday night.

Depressing.

Even more depressing when you consider that the director --- Susanne Bier --- is also the director of After the Wedding, an exceptional movie that was nominated for Best Foreign Film in 2007. (It lost to the German entry, "The Lives of Others.")

I don't rank film directors by the awards they get --- when I say that Ms. Bier is one of the greatest filmmakers on the planet, it's because that's what I really think. My reasons? Her movies are strong melodramas. Her actors are not beautiful in the way movie stars are beautiful --- no Botox, no surgery. The dialogue in her movies doesn't show off a screenwriter's cleverness. She doesn't telegraph the emotions she wants you to feel with music.

No wonder "In a Better World" has grossed just $230,000 in the United States.

If you stand outside a theater showing "In a Better World" and other movies and watch people leaving, you can easily identify who saw the Bier film --- they're the people who are silent. Slack-jawed. Maybe even weeping.

How is a Bier film different from a movie we all liked --- "The King's Speech," for example? Ah, that's the thing. There's no comparison. "The King's Speech" is entertainment: a formula movie, a buddy film. It's "Rocky" --- only here the underdog is the King of England. And the moral? You've heard it a zillion times: You can make it if you try.
Read more ›
5 Comments 37 people found this helpful. Was this review helpful to you? Yes No Sending feedback...
Thank you for your feedback.
Sorry, we failed to record your vote. Please try again
Report abuse
Can revenge ever be justified or does violence simply lead to an ever-widening cycle of more violence? Should we use reason to confront an opponent or does turning the other cheek only make the problem worse? There are no easy answers in Suzanne Bier's In a Better World, winner of the Oscar for Best Foreign Film at the 2011 Oscars. It is a thought-provoking film about several subjects: bullying and how best to respond, parents who are too involved with their own problems to reach out to their children, and how the seeds of anger need to be addressed before they are acted out.

Written by Anders Thomas Jensen, In a Better World, whose Danish title is translated as "Revenge", begins on a dusty landscape in an unnamed African country as young children run after the car of Anton (Mikael Persbrandt), a volunteer doctor at a refugee camp. Violence rears its ugly head almost immediately as we see a young pregnant woman wheeled into the camp, the victim of mutilation by a tribal warlord. Later, Anton has to face a moral dilemma when he must confront the opposition of his nurses and assistants and decide whether or not to treat the badly wounded tribal leader responsible for the death and mutilation of so many women.

The scene then shifts back home in Denmark to a parallel incident (though obviously not on the same scale) where the doctor's pre-teen son, Elias (Markus Rygaard) is bullied by bigger students who call him "rat face" because he wears braces. The bullying is witnessed by a new boy, Christian (William Jøhnk Nielsen), who has just moved from London and who is still feeling the anger over his mother's recent death from cancer and his father's perceived indifference.
Read more ›
Comment 29 people found this helpful. Was this review helpful to you? Yes No Sending feedback...
Thank you for your feedback.
Sorry, we failed to record your vote. Please try again
Report abuse
Since the days of Louis Malle's Au revoir les enfants in 1987, I had not watched such powerful film in which the leading voice would have been carried by two children.

The artistic greatness of the film resides in what concerns its multidimensional messsage. It deals with the enormous risk of leaving the children free with his own demons, on the other side the visible lack of communication between parents and sons, and the stubborness remarked over and over about the unerring ethic agaisnt the adversary so disturbing in the case of Elias' father, faced agaisnt the moral dilemma of saving the life of the nasty killer of the village or the infinite patience when deals with the mechanic.

Prized with the Golden Globe and The Academy as Best Foreign Film, the movie is beatifully filmed with towering performances, although we should make special mention about Christian, the driving force of the drama.

Denmark, once more returns for saying present (after its glorious golden decade with Babette's feast and Pelle the Conqueror and then with extraordinary films from the enigmatic and creative director Lars von Triers, such as Zentropa -one of my top ten films of the Nineties- Breaking the waves or Dogville) and Celebration.

A must-see.
Comment 12 people found this helpful. Was this review helpful to you? Yes No Sending feedback...
Thank you for your feedback.
Sorry, we failed to record your vote. Please try again
Report abuse
Format: Blu-ray
There is no denying the message brought out in `In a Better World'. Susanne Bier (god, I love her) has a way of working with situations and actors to create such visceral chemistry. I've seen all of her works, and while `In a Better World' is far from her strongest (just watch `After the Wedding' and tell me it isn't one of the single greatest cinematic achievements of the past decade...I dare you) it still carries her trademark aura.

`In a Better World' explores a different theme for Bier. Here she tackles violence, its root and the steady escalation of untreated anger. It is within this theme, and the overall construction of its elements, that the film falters for me. While I find it more compelling than the lauded `A History of Violence', it doesn't quite capture the unsettling realities of violence that any one of Michael Haneke's masterpieces has done (especially `Cache'). Instead, `In a Better World' is a little too calculated for its own good. I actually loved the assessment given by the sites reviewer, Robert Horton. He states "this film is rendered with great care and each new strand of the plot is thought out and carefully placed...maybe, if anything, slightly too carefully placed--the story is so neatly plotted and balanced it comes close to being a closed system", and I concur with this sentiment. The film is so obvious in its construction that the eventualities bare less impact than they would if there was that element of surprise, and that element is a big one when considering violence as an act. Violence is often senseless and careless and unwarranted, and while this film touches on those areas (school bullies, ruthless warlords) it doesn't allow that energy to seep into the skin of the picture.
Read more ›
Comment 11 people found this helpful. Was this review helpful to you? Yes No Sending feedback...
Thank you for your feedback.
Sorry, we failed to record your vote. Please try again
Report abuse

Most Recent Customer Reviews