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The Institute: A Novel Kindle Edition
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Editorial Reviews
Review
“A big shank of a book that reminded me instantly of many of the reasons I loved (love?) [King]. His characters are the kind of people who hear the trains in the night. The music is always good. He swings low to the ground. He gets closer to the realities and attitudes of working-class life in America than any living writer I can think of.”
—Dwight Garner, The New York Times
"Throughout his long career, King has been committed to the bedrock notion that stories matter, that they help us understand both ourselves and the world we inhabit. The Institute, filled as it is with anger, sorrow, empathy and, yes, hope, reiterates that commitment with undiminished power. It is a first-rate entertainment that has something important to say. We all need to listen.”
—William Sheehan, The Washington Post
“As consummately honed and enthralling as the very best of [King’s] work...How do you maintain your dignity and humanity in an environment designed to strip you of both? That theme, such an urgent one in literature from the 20th century onward, falls well within King’s usual purview...Of all the cosmic menaces that King’s heroes have battled, [the] slow creep into inhumanity may be the most terrifying yet, because it is all too real.”
—Laura Miller, The New York Times Book Review
“The Institute is another winner: creepy and touching and horrifyingly believable, all at once.”
—The Boston Globe
“This is King at his best.”
—The St. Louis Post-Dispatch
“Gripping… This is a thriller — and a good one, at that. There’s little in the way of King’s usual emphasis on the occult beyond the topic of psychic powers, which, according to surveys, as many as 40% of Americans believe are real. But there’s no shortage of monsters, that’s for sure. They just come in the coldblooded, end-justifies-the-means, laws-don’t-apply-to-us human variety. We have no trouble believing that those types of people are real. And they are plenty scary.”
—The Minneapolis Star Tribune
“Fans will draw parallels between Luke’s tight band of friends and the kids at the center of It, in which the Losers Club faces off against a murderous clown, but this is an entirely original story that can only come from the mind of a master teller like King.”
—The Florida Times Union
“King wows with the most gut-wrenching tale of kids triumphing over evil since It….Tapping into the minds of the young characters, King creates a sense of menace and intimacy that will have readers spellbound…Not a word is wasted in this meticulously crafted novel, which once again proves why King is the king of horror.”
—Publishers Weekly, STARRED review
"You don’t need to be a horror fan to read The Institute — or to have The Institute take over your life, since this is generally what happens with King’s novels...His storytelling transcends genre."
—Marion Winnick, Newsday
“Shocking suspense and hallmark thrills…The Institute offers a thrilling reading experience and rousing tribute to the resilience of children and the unending fight against evil.”
—G. Robert Frazier, BookPage
About the Author
Stephen King is the author of more than sixty books, all of them worldwide bestsellers. His recent work includes If It Bleeds, The Institute, Elevation, The Outsider, Sleeping Beauties (cowritten with his son Owen King), and the Bill Hodges trilogy: End of Watch, Finders Keepers, and Mr. Mercedes (an Edgar Award winner for Best Novel and an AT&T Audience Network original television series). His novel 11/22/63 was named a top ten book of 2011 by The New York Times Book Review and won the Los Angeles Times Book Prize for Mystery/Thriller. His epic works The Dark Tower, It, Pet Sematary, and Doctor Sleep are the basis for major motion pictures, with It now the highest-grossing horror film of all time. He is the recipient of the 2020 Audio Publishers Association Lifetime Achievement Award, the 2018 PEN America Literary Service Award, the 2014 National Medal of Arts, and the 2003 National Book Foundation Medal for Distinguished Contribution to American Letters. He lives in Bangor, Maine, with his wife, novelist Tabitha King.
Excerpt. © Reprinted by permission. All rights reserved.
The Institute
Half an hour after Tim Jamieson’s Delta flight was scheduled to leave Tampa for the bright lights and tall buildings of New York, it was still parked at the gate. When a Delta agent and a blond woman with a security badge hanging around her neck entered the cabin, there were unhappy, premonitory murmurings from the packed residents of economy class.
“May I have your attention, please!” the Delta guy called.
“How long’s the delay gonna be?” someone asked. “Don’t sugarcoat it.”
“The delay should be short, and the captain wants to assure you all that your flight will arrive approximately on time. We have a federal officer who needs to board, however, so we’ll need someone to give up his or her seat.”
A collective groan went up, and Tim saw several people unlimber their cell phones in case of trouble. There had been trouble in these situations before.
“Delta Air Lines is authorized to offer a free ticket to New York on the next outbound flight, which will be tomorrow morning at 6:45 AM—”
Another groan went up. Someone said, “Just shoot me.”
The functionary continued, undeterred. “You’ll be given a hotel voucher for tonight, plus four hundred dollars. It’s a good deal, folks. Who wants it?”
He had no takers. The security blond said nothing, only surveyed the crowded economy-class cabin with all-seeing but somehow lifeless eyes.
“Eight hundred,” the Delta guy said. “Plus the hotel voucher and the complimentary ticket.”
“Guy sounds like a quiz show host,” grunted a man in the row ahead of Tim’s.
There were still no takers.
“Fourteen hundred?”
And still none. Tim found this interesting but not entirely surprising. It wasn’t just because a six forty-five flight meant getting up before God, either. Most of his fellow economy-class passengers were family groups headed home after visiting various Florida attractions, couples sporting beachy-keen sunburns, and beefy, red-faced, pissed-off-looking guys who probably had business in the Big Apple worth considerably more than fourteen hundred bucks.
Someone far in the back called, “Throw in a Mustang convertible and a trip to Aruba for two, and you can have both our seats!” This sadly provoked laughter. It didn’t sound terribly friendly.
The gate agent looked at the blond with the badge, but if he hoped for help there, he got none. She just continued her survey, nothing moving but her eyes. He sighed and said, “Sixteen hundred.”
Tim Jamieson suddenly decided he wanted to get the fuck off this plane and hitchhike north. Although such an idea had never so much as crossed his mind before this moment, he found he could imagine himself doing it, and with absolute clarity. There he was, standing on Highway 301 somewhere in the middle of Hernando County with his thumb out. It was hot, the lovebugs were swarming, there was a billboard advertising some slip-and-fall attorney, “Take It on the Run” was blaring from a boombox sitting on the concrete-block step of a nearby trailer where a shirtless man was washing his car, and eventually some Farmer John would come along and give him a ride in a pickup truck with stake sides, melons in the back, and a magnetic Jesus on the dashboard. The best part wouldn’t even be the cash money in his pocket. The best part would be standing out there by himself, miles from this sardine can with its warring smells of perfume, sweat, and hair spray.
The second-best part, however, would be squeezing the government tit for a few dollars more.
He stood up to his perfectly normal height (five-ten and a fraction), pushed his glasses up on his nose, and raised his hand. “Make it two thousand, sir, plus a cash refund of my ticket, and the seat is yours.” --This text refers to the paperback edition.
1
Half an hour after Tim Jamieson’s Delta flight was scheduled to leave Tampa for the bright lights and tall buildings of New York, it was still parked at the gate. When a Delta agent and a blond woman with a security badge hanging around her neck entered the cabin, there were unhappy, premonitory murmurings from the packed residents of economy class.
“May I have your attention, please!” the Delta guy called.
“How long’s the delay gonna be?” someone asked. “Don’t sugarcoat it.”
“The delay should be short, and the captain wants to assure you all that your flight will arrive approximately on time. We have a federal officer who needs to board, however, so we’ll need someone to give up his or her seat.”
A collective groan went up, and Tim saw several people unlimber their cell phones in case of trouble. There had been trouble in these situations before.
“Delta Air Lines is authorized to offer a free ticket to New York on the next outbound flight, which will be tomorrow morning at 6:45 AM—”
Another groan went up. Someone said, “Just shoot me.”
The functionary continued, undeterred. “You’ll be given a hotel voucher for tonight, plus four hundred dollars. It’s a good deal, folks. Who wants it?”
He had no takers. The security blond said nothing, only surveyed the crowded economy-class cabin with all-seeing but somehow lifeless eyes.
“Eight hundred,” the Delta guy said. “Plus the hotel voucher and the complimentary ticket.”
“Guy sounds like a quiz show host,” grunted a man in the row ahead of Tim’s.
There were still no takers.
“Fourteen hundred?”
And still none. Tim found this interesting but not entirely surprising. It wasn’t just because a six forty-five flight meant getting up before God, either. Most of his fellow economy-class passengers were family groups headed home after visiting various Florida attractions, couples sporting beachy-keen sunburns, and beefy, red-faced, pissed-off-looking guys who probably had business in the Big Apple worth considerably more than fourteen hundred bucks.
Someone far in the back called, “Throw in a Mustang convertible and a trip to Aruba for two, and you can have both our seats!” This sadly provoked laughter. It didn’t sound terribly friendly.
The gate agent looked at the blond with the badge, but if he hoped for help there, he got none. She just continued her survey, nothing moving but her eyes. He sighed and said, “Sixteen hundred.”
Tim Jamieson suddenly decided he wanted to get the fuck off this plane and hitchhike north. Although such an idea had never so much as crossed his mind before this moment, he found he could imagine himself doing it, and with absolute clarity. There he was, standing on Highway 301 somewhere in the middle of Hernando County with his thumb out. It was hot, the lovebugs were swarming, there was a billboard advertising some slip-and-fall attorney, “Take It on the Run” was blaring from a boombox sitting on the concrete-block step of a nearby trailer where a shirtless man was washing his car, and eventually some Farmer John would come along and give him a ride in a pickup truck with stake sides, melons in the back, and a magnetic Jesus on the dashboard. The best part wouldn’t even be the cash money in his pocket. The best part would be standing out there by himself, miles from this sardine can with its warring smells of perfume, sweat, and hair spray.
The second-best part, however, would be squeezing the government tit for a few dollars more.
He stood up to his perfectly normal height (five-ten and a fraction), pushed his glasses up on his nose, and raised his hand. “Make it two thousand, sir, plus a cash refund of my ticket, and the seat is yours.” --This text refers to the paperback edition.
Product details
- ASIN : B07N943MFX
- Publisher : Scribner (September 10, 2019)
- Publication date : September 10, 2019
- Language : English
- File size : 3980 KB
- Text-to-Speech : Enabled
- Enhanced typesetting : Enabled
- X-Ray : Enabled
- Word Wise : Enabled
- Print length : 577 pages
- Lending : Not Enabled
-
Best Sellers Rank:
#3,345 in Kindle Store (See Top 100 in Kindle Store)
- #9 in Psychic Thrillers
- #11 in Horror Suspense
- #15 in Genetic Engineering Science Fiction (Books)
- Customer Reviews:
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4.7 out of 5 stars
4.7 out of 5
20,467 global ratings
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Reviewed in the United States on September 16, 2019
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It’s getting old and banal Mr. King. I was hoping to enjoy this book but alas, not to be. A word of advice though... If you continue to write, avoid politics so you don’t alienate half your reading audience because we are after all the force behind your income. Your Trump digs have nothing to do with the story. You're just a sorry old man trying to grand stand. I pick up a book to forget about the trivial day to day political b.s. so why do you feel the need to shove your beliefs down my throat? Wish I could get my money back on this but I won't purchase anything else from this author. I might also add that this book repeated itself over and over, had a slow moving story line and was hard to finish. Might be a good time for you to retire Mr. King...
2,722 people found this helpful
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Reviewed in the United States on September 11, 2019
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Preordered this book some months ago, as was always a fan. Then read some recent SK rants made comparing events in this novel to certain views on law enforcement at our borders. Immediately returned the book for refund before reading it. I will not make another SK purchase.
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Reviewed in the United States on September 11, 2019
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King writes so well about the innocence of kids. He also writes at his best when the subject is pure evil. Slap them together and you have The Institute. The book starts in a simple little town where a cop passing through takes a job as a night knocker. There's a kid, a really smart kid, who's 12 years old and getting ready to attend MIT because he's, you know, special. That's the setting. From there it gets chilling. Even without ghosts, or vampires or outer space boogie men.
The child, Luke, is taken in the middle of the night. His folks are murdered. He wakes up at The Institute in Maine in a room that's just like his - almost. There's other kids there and he gets the skinny from a young girl in the hallway, seemingly smoking a cigarette. She tells him that they "do stuff" to the kids, injections-flickering lights-dunking, but at least they're in the Front Half. You don't want to go to the Back Half. No, that's like the roach motel. Kids go in and don't ever come out.
To say this is a character study of the people throughout history who have told themselves that the horrible, hideous, atrocious things they do are for a "higher good". This book is King at his best. It's tense and I found myself ill at ease throughout the 500 plus pages. But it's good. A good story, good writing, and yeah, sure, it's relevant in the America of today and about our choices.
The child, Luke, is taken in the middle of the night. His folks are murdered. He wakes up at The Institute in Maine in a room that's just like his - almost. There's other kids there and he gets the skinny from a young girl in the hallway, seemingly smoking a cigarette. She tells him that they "do stuff" to the kids, injections-flickering lights-dunking, but at least they're in the Front Half. You don't want to go to the Back Half. No, that's like the roach motel. Kids go in and don't ever come out.
To say this is a character study of the people throughout history who have told themselves that the horrible, hideous, atrocious things they do are for a "higher good". This book is King at his best. It's tense and I found myself ill at ease throughout the 500 plus pages. But it's good. A good story, good writing, and yeah, sure, it's relevant in the America of today and about our choices.
984 people found this helpful
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Reviewed in the United States on September 10, 2019
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As I sometimes do, I’m going to open myself up to you in a way that may, or may not, resonate. I hope it does, but I know it is probable that detractors will hurl insults my way, as they toss expletives at the master of horror himself. Wish I could state that in so doing I share a common ground with King, but, frankly, I am no more qualified to walk in his shadow as a writer than I am to walk in the shadow of Saint Peter as a Christian.
So, why am I such a fan of Stephen King? I became a fan not due to his fiction. That writing took years of exposure before he won me over. His nonfiction writing, though, went straight to my heart. You see, I am a bit old-fashioned when it comes to fiction and writing. I loved some fiction, such as Old Yeller and Shane, but, my interest always was oriented toward the nonfiction tales by the likes of John Goddard (Go North, Young Man), Eric Collier (Three Against the Wilderness) and Bradford Angier (several books on living off the land).
Then, one day, I read “The Stand.” That book was the culmination of everything I felt a novel should be, written in exactly the right language and flow.
In recent years, King has penned a vast number of tales that tickled that nerve hidden deep inside me. While I enjoyed most all of them, not one of them satisfied that itch deep inside. Until, perhaps, “The Institute.
Once again, King is not the ‘artist’ on par with James Michener or John Steinbeck or F. Scott Fitzgerald. When it comes to plain English writing, especially the sort where the writer stays outside the story and lets his characters get through to us so we can see the world through their eyes, though, no master storyteller comes close to Stephen King, in my humble opinion. So, as you peruse the review below, know that I am prejudiced in favor of Stephen King.
In “The Institute,” we begin our journey in a small village of South Carolina. The opening is a masterful way to tug us along as we get to know a key figure and setting. Later, we meet our protagonist in Minneapolis and still later we get to know him (Luke) in Maine. To expound further would lead to spoilers, which I refuse to do…
BLUSH FACTOR: If you’ve never read a Stephen king book, it might surprise you to learn the master of horror does not write for children or for people whose ears are sensitive to foul language. Yet, I found myself enthralled by yet another novel by one of my favorite authors.
POV: Presented in third person point of view.
WRITING & EDITING: In my opinion, no writer alive today gets into the heads of his subjects and tells their story to us better than does Stephen King. I marvel in considering how perfectly he presents these kids in their own words. I mean, King is in his seventies, how in the world can he so perfectly sound as though he is one of those kids?
BOTTOM LINE:
As enthralled as I am by this latest offering from Stephen King, it should be obvious I am rating it five stars out of five.
So, why am I such a fan of Stephen King? I became a fan not due to his fiction. That writing took years of exposure before he won me over. His nonfiction writing, though, went straight to my heart. You see, I am a bit old-fashioned when it comes to fiction and writing. I loved some fiction, such as Old Yeller and Shane, but, my interest always was oriented toward the nonfiction tales by the likes of John Goddard (Go North, Young Man), Eric Collier (Three Against the Wilderness) and Bradford Angier (several books on living off the land).
Then, one day, I read “The Stand.” That book was the culmination of everything I felt a novel should be, written in exactly the right language and flow.
In recent years, King has penned a vast number of tales that tickled that nerve hidden deep inside me. While I enjoyed most all of them, not one of them satisfied that itch deep inside. Until, perhaps, “The Institute.
Once again, King is not the ‘artist’ on par with James Michener or John Steinbeck or F. Scott Fitzgerald. When it comes to plain English writing, especially the sort where the writer stays outside the story and lets his characters get through to us so we can see the world through their eyes, though, no master storyteller comes close to Stephen King, in my humble opinion. So, as you peruse the review below, know that I am prejudiced in favor of Stephen King.
In “The Institute,” we begin our journey in a small village of South Carolina. The opening is a masterful way to tug us along as we get to know a key figure and setting. Later, we meet our protagonist in Minneapolis and still later we get to know him (Luke) in Maine. To expound further would lead to spoilers, which I refuse to do…
BLUSH FACTOR: If you’ve never read a Stephen king book, it might surprise you to learn the master of horror does not write for children or for people whose ears are sensitive to foul language. Yet, I found myself enthralled by yet another novel by one of my favorite authors.
POV: Presented in third person point of view.
WRITING & EDITING: In my opinion, no writer alive today gets into the heads of his subjects and tells their story to us better than does Stephen King. I marvel in considering how perfectly he presents these kids in their own words. I mean, King is in his seventies, how in the world can he so perfectly sound as though he is one of those kids?
BOTTOM LINE:
As enthralled as I am by this latest offering from Stephen King, it should be obvious I am rating it five stars out of five.
681 people found this helpful
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Reviewed in the United States on September 14, 2019
Started to read someone else's copy, but it took him only seven pages for irrelevant, negative political crapola to appear. Won't finish it or recommend it.
688 people found this helpful
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Reviewed in the United States on September 16, 2019
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Did not enjoy the book, I was hoping that the story would really kick in. Never did. The political jabs also just made the book pathetic.
508 people found this helpful
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Reviewed in the United States on September 10, 2019
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Another banger from our Dark Lord. Stephen King's voice is present and engaging in this hearty thriller. While not as horrific as some of his other (over 50!) novels, this is just as addicting. Like his other novels, this one has a steady build and is impossible to put down. Two thumbs way up.
And, incidentally, contrary to what I have read elsewhere, one cannot read The Institute without being reminded of some of the less-than-ideal circumstances many children face today near certain boarders. However, this book sweeps broad in its impact and is not limited to any certain circumstance.
(Also, it's nice to see that Stephen King finally got a proper author photo.)
And, incidentally, contrary to what I have read elsewhere, one cannot read The Institute without being reminded of some of the less-than-ideal circumstances many children face today near certain boarders. However, this book sweeps broad in its impact and is not limited to any certain circumstance.
(Also, it's nice to see that Stephen King finally got a proper author photo.)
505 people found this helpful
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Reviewed in the United States on September 16, 2019
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Disappointing mishmash of King characters from every other novel that he wrote when he was still talented and hungry. Totally predictable plot and ending, after about the first few chapters will leave you desperately hoping that there is a twist or angle that will bring some rational reason for having waited so long for another King novel ......sorry Constant Reader .....this one is even worse than King’s Elevation,and that one was silly and stupid. Sad state of affairs....we deserve better.
494 people found this helpful
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Vicuña
5.0 out of 5 stars
Simply brilliant. King delivers again.
Reviewed in the United Kingdom on September 10, 2019Verified Purchase
I’m a Stephen King fan. His storytelling remains captivating and horrifying in equal measure and he can still make my blood run cold. The Institute is another belting tale, showing his finely honed writing skills to perfection.
There’s a very ordinary start. Something at which King excels, small towns with ordinary people just going about their business. In this case a disgraced former cop settles in Du Pray (he loves his word play! I enjoy finding his hidden references. Eliot’s The Love Song of Alfred J Prufrock is there in a passing conversation and there must be more!) The story shifts to the Institute of the title. A shadowy place which houses children with exceptional gifts. They’re ordinary kids with extraordinary abilities who have little idea why they’re there and are fearful of the director Mrs Sigsby, and Stackhouse, the security manager. There are doctors and other adults who all play a part in a tale of dark secrets and exploitation.
So much of King’s writing is understated. He hooks you in with banal detail about people, places and conversations. It’s ordinary and almost mundane, but bit by bit he’s spinning an intricate web and setting the reader up for one twist after another. As usual, King is exploring a number of wide ranging themes. Saving the human race or maybe the planet, child abuse, extra sensory abilities, the Trump administration, minorities...it’s all there, predominantly adult’s inhumane treatment of children and loss of moral compass. As usual, King creates an array of distinct and memorable characters to shape his tale. He’s a master storyteller and his power to influence and challenge remain as relevant now as when he first started. This is a gripping and horribly plausible tale. Chilling, thought provoking and extraordinary. Simply brilliant.
There’s a very ordinary start. Something at which King excels, small towns with ordinary people just going about their business. In this case a disgraced former cop settles in Du Pray (he loves his word play! I enjoy finding his hidden references. Eliot’s The Love Song of Alfred J Prufrock is there in a passing conversation and there must be more!) The story shifts to the Institute of the title. A shadowy place which houses children with exceptional gifts. They’re ordinary kids with extraordinary abilities who have little idea why they’re there and are fearful of the director Mrs Sigsby, and Stackhouse, the security manager. There are doctors and other adults who all play a part in a tale of dark secrets and exploitation.
So much of King’s writing is understated. He hooks you in with banal detail about people, places and conversations. It’s ordinary and almost mundane, but bit by bit he’s spinning an intricate web and setting the reader up for one twist after another. As usual, King is exploring a number of wide ranging themes. Saving the human race or maybe the planet, child abuse, extra sensory abilities, the Trump administration, minorities...it’s all there, predominantly adult’s inhumane treatment of children and loss of moral compass. As usual, King creates an array of distinct and memorable characters to shape his tale. He’s a master storyteller and his power to influence and challenge remain as relevant now as when he first started. This is a gripping and horribly plausible tale. Chilling, thought provoking and extraordinary. Simply brilliant.
100 people found this helpful
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Dozy Mare
5.0 out of 5 stars
Excellent
Reviewed in the United Kingdom on September 15, 2019Verified Purchase
I am no wordsmith, so my review will be simple and concise.
The story is wonderful. My favourite part is always when the converging stories meet and merge together to deliver shock and awesomeness.
Thank you Mr King
The story is wonderful. My favourite part is always when the converging stories meet and merge together to deliver shock and awesomeness.
Thank you Mr King
57 people found this helpful
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LabRat
5.0 out of 5 stars
It's the journey, not the destination
Reviewed in the United Kingdom on September 14, 2019Verified Purchase
As always with King, the ending might not be the best thing ever written, but the journey getting there is consistently good. It's like a big warm comfy King blanket to snuggle into. He creates characters you can vividly see, and situations you can feel. Very enjoyable.
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Sceptic a la M. Teste
2.0 out of 5 stars
Good for 90 pages then downhill, alas
Reviewed in the United Kingdom on September 13, 2019Verified Purchase
The first section of the book is very well written with many of the fine Stephen King touches that evoke nostalgia alongside fear which is his signature mark.
The rest of the book is muddled and too long. The book indulges the authors' longstanding interest in conspiracies (much better expression in Hearts in Atlantis) and telekinesis (start with Carrie and move on to Tommy Knockers as well as many other places he dwells on psychic powers). There is very little tension, the villains are poorly drawn, and there is not much more to say. Perhaps the great man was just having an off day.
The rest of the book is muddled and too long. The book indulges the authors' longstanding interest in conspiracies (much better expression in Hearts in Atlantis) and telekinesis (start with Carrie and move on to Tommy Knockers as well as many other places he dwells on psychic powers). There is very little tension, the villains are poorly drawn, and there is not much more to say. Perhaps the great man was just having an off day.
39 people found this helpful
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Wurly
5.0 out of 5 stars
Here we are again, folks! Will Mr King ever disappoint?
Reviewed in the United Kingdom on September 13, 2019Verified Purchase
I started reading, foolishly, a few hours before I was supposed to sleep. What was I thinking, this is Mr Stephen King the master of all he purveys, I knew that, and I still thought I would be able to put the book down? Well, of course I was wrong, and many hours later I heaved my usual sigh of satisfaction in the best read this year and sadness that is was over. If you're a fan, you know what I mean, if you've not read a Stephen King before, this is as good a place as any to start. Thank you again Mr King there is a reason your readers are constant. Long may you rule.
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