You past adolescence and enter the world of adult literature. At first, you read anything and everything that found its way to your hands; then, slowly you begin discovering your own, unique literary taste, and you become selective. The more you read, the more selective you become. Your list of favorite authors and genres grows; you find literary voices that speak directly to your soul. By now, you have reached mid age, and you have over two decades of serious reading under your belt. Any new book that you open, any new author that you discover is judged against your favorites, against the voices that stimulated your mind over the years. Words and phrases are judged against those that provided comfort when you felt down; ideas and executions are compared against the benchmarks established over the years. You think you know what you like; you think you know what to expect. Well, perhaps you do. New books come along, and some attempt to quietly sneak in to your consciousness, while others attempt to shatter your world. Most, if not all, pale with your favorites, do not fit with your ideas, or leave you cold.
Then, one day, you come across a gently used book. It's small, it looks interesting, and you buy it. That book manages to get under your skin in a very inconspicuous way, without you even noticing. Such was my encounter with Invisible Cities.
My first Italo Calvino. He arrived on the heels of Bolaño, Borges, Ungar, and Girondo. Good company, you might say. I say no. Bolaño left me lukewarm—I was expecting more. Borges blew my mind—but only temporarily—he is amazing, but very systematic. Ungar was great—while reading him. Girondo was thought-provoking—entertaining but not mind-altering.
Calvino managed to deliver where all of the above failed. He did not force his way to me, he came unsuspected, veiled in beautiful prose. All of the aforementioned authors wrote fine literature, amazing actually. Yet, they were all "in your face" at times. Calvino is like a spy who sneaks in under the cover of darkness. And here comes the strangest part: I haven't even noticed.
To be honest, I cannot quite describe what kind of book is Invisible Cities. At first, I thought I knew. Then I thought I did not know, then I thought I knew again, and, in the end, I was reminded that I did not know.
The book is simply beautiful. It is irrelevant and relevant at the same time, pointless and necessary at other times, while remaining non-contradictory. Does this make sense? I thought so.
To me, Invisible Cities is not a single book, but three separate books.
The first one is a wonderful study of humanity. These are the cities that reflect human behavior, the cities that serve as metaphor for greed, anger, vanity, et cetera.
The second book is a book of cautionary tales. These are the cities that tell a story, a story of what will happen if we, as humans, do not change our ways.
The third book is a book of philosophy. These are the cities as metaphors for mortality, actions and consequences, continuity, faith... To this book also belong the conversations between Marco Polo and Kublai Khan, for these are truly philosophical.
Then again, I am probably wrong on all counts. One thing is certain, and that is the undeniable truth that Italo Calvino was an amazing writer. His prose is magical.
So now, after more than two decades of reading what I consider to be quality literature, I have to shuffle my mental shelf and make room for Calvino, right next to my all-time favorites where he belongs.
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Damaged
The book itself is a great book. But the delivery was awful. I opened it and my book had been bent in many places and is dirty. It looks like it’s been used for years when it’s supposed to be new. Very disappointed.
Top reviews from other countries
Nasko Kondakov
Must-read for Architecture students and enthusiasts
Reviewed in the United Kingdom on October 3, 2020