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Ireland: A Novel Paperback – Illustrated, February 5, 2008
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“Dramatic, adventurous, heroic, romantic. . . these historical chronicles, legends, myths, tall tales and fables, featuring warriors, kings, monks, explorers and clever common folk, imaginatively tell the history of Ireland.” — Philadelphia Inquirer
This New York Times bestselling epic is an unforgettable tour de force that marries the intimate, passionate texture of the Irish spirit with a historical scope that is sweeping and resplendent. Storyteller extraordinaire Frank Delaney takes his readers on a journey through the history of Ireland, stopping along the way to evoke the dramatic events and personalities so critical to shaping the Irish experience.
In the winter of 1951, a storyteller, the last practitioner of an honored, centuries-old tradition, arrives at the home of nine-year-old Ronan O'Mara in the Irish countryside. For three wonderful evenings, the old gentleman enthralls his assembled local audience with narratives of foolish kings, fabled saints, and Ireland's enduring accomplishments before moving on. But these nights change young Ronan forever, setting him on a years-long pursuit of the elusive, itinerant storyteller and the glorious tales that are no less than the saga of his tenacious and extraordinary isle.
- Print length560 pages
- LanguageEnglish
- PublisherHARPER
- Publication dateFebruary 5, 2008
- Dimensions5.31 x 0.92 x 8 inches
- ISBN-100061244430
- ISBN-13978-0061244438
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Editorial Reviews
Review
“History, legend, memory and myth come seamlessly together in Frank Delaney’s wonderfully engaging new novel, IRELAND, an intimate epic that is at once a sprawling account of 2,000 years of tumultuous Irish history and a meditation on the enduring importance of stories.” — Washington Post
“An epic novel of history and storytelling.” — U.S. News & World Report
“Delaney gracefully collects essential myths—and invents a few, too—in his heartfelt ode to the oral tradition.” — Entertainment Weekly
“Dramatic, adventurous, heroic, romantic, slyly comic, these historical chronicles, legends, myths, tall tales and fables, featuring warriors, kings, monks, explorers and clever common folk, imaginatively tell the history of Ireland.” — Philadelphia Inquirer
“Epic. . . . Combines Irish history with the fictional tale of a Senchai, a wandering storyteller who enchants a family with stories of Ireland and its people.” — USA Today
“In the end, IRELAND is, as the Irish themselves are fond of saying about everything from cabbage to castles, brilliant.” — San Antonio Express-News
“IRELAND touches the heart and moves the soul.” — Richmond Times-Dispatch
“A sweeping saga of Ireland.” — Los Angeles Times
“Extraordinary … mixes history and fiction in an epic narrative that traces the entire history of [the] country. Delaney is such a fabulous storyteller.” — Connecticut Post
“Warm, intelligent, and unapologetically nostalgic ... Delaney is as much in love with the art of storytelling as he is the story’s subject.” — Christian Science Monitor
“IRELAND both reinforces and rethinks what it means to be Irish … celebrates the island nation’s history through the words of a storyteller.” — Pittsburgh Tribune-Review
“A wonderfully engaging novel, an intimate epic that is at once a sprawling account of 2,000 years of Irish history and a meditation on the enduring importance of stories.” — San Jose Mercury News
“[A] grand sweep of a novel.” — Lisa Ko, author of The Leavers
“It succeeds both as folk history and as a novel...and in exalting the art of storytelling as well as demonstrating the author’s love of all things Irish -- people, place and language.” — Baton Rouge Advocate
“A sprawling, riveting read. . . the stories utterly captivate. . . in this rich and satisfying book.” — Publishers Weekly
“A vivid rendering of Irish history, imagined and real... reminiscent of the best of James Michener in scope and sheer crowd-pleasing potential.” — Kirkus Reviews
“Highly recommended … both touching and real. An accomplished historian and novelist, Delaney deftly weaves the story of a people and a country with a poignant coming-of-age tale …. fans of Edward Rutherford’s historical sagas will love it.” — Library Journal (Starred Review)
“An absolute masterpiece. With this extraordinary novel Frank Delaney joins the ranks of the greatest of Irish writers. James Joyce would have been proud of him.” — Jack Higgins, New York Times bestselling author of Edge of Danger
From the Back Cover
In the winter of 1951, a storyteller, the last practitioner of an honored, centuries-old tradition, arrives at the home of nine-year-old Ronan O'Mara in the Irish countryside. For three wonderful evenings, the old gentleman enthralls his assembled local audience with narratives of foolish kings, fabled saints, and Ireland's enduring accomplishments before moving on. But these nights change young Ronan forever, setting him on a years-long pursuit of the elusive, itinerant storyteller and the glorious tales that are no less than the saga of his tenacious and extraordinary isle.
About the Author
Frank Delaney was born in Tipperary, Ireland. A career in broadcasting earned him fame across the United Kingdom. A judge for the Booker Prize, several of his nonfiction books were bestsellers in the UK, and he writes frequently for American and British publications. He now lives with his wife, Diane Meier, in New York and Connecticut. Ireland is his first novel to be published in the United States.
Excerpt. © Reprinted by permission. All rights reserved.
Ireland
By Frank DeLaneyHarper Paperbacks
Copyright © 2008 Frank DeLaneyAll right reserved.
ISBN: 9780061244438
Chapter One
Wonderfully, it was the boy who saw him first. He glanced out of his bedroom window, then looked again and harder - and dared to hope. No, it was not a trick of the light; a tall figure in a ragged black coat and a ruined old hat was walking down the darkening hillside; and he was heading toward the house.The stranger's face was chalk-white with exhaustion, and he stumbled on the rough ground, his hands held out before him like a sleepwalker's. He looked like a scarecrow deserting his post. High grasses soaked his cracked boots and drenched his coat hems. A mist like a silver veil floated above the ground, broke at his knees, and reassembled itself in his wake. In this twilight fog, mysterious shapes appeared and dematerialized, so that the pale walker was never sure he had seen merely the branches of trees or the arms of mythic dancers come to greet him. Closer in, the dark shadows of the tree trunks twisted into harsh and threatening faces.
Across the fields he saw the yellow glow of lamplight in the window of a house, and he raised his eyes to the sky in some kind of thanks. With no fog on high, the early stars glinted like grains of salt. He became aware of cattle nearby, not yet taken indoors in this mild winter. Many lay curled on the grass where they chewed the cud. As he passed, one or two lurched to their feet in alarm and lumbered off.
And in the house ahead, the boy, nine years old and blond as hay, raced downstairs, calling wildly to his father.
The stranger's bones hurt, and his lungs ached almost beyond endurance. Hunger intensified his troubles; he'd eaten one meal in three days. The calm light in the window ahead pulled him forward in hope. If he held their attention, he might get bed and board for a week - and maybe more. In the days of the High King at Tara, a storyteller stayed seven days and seven nights. Did they know that? Nobody knew anything anymore.
With luck, though, the child in this house would help. Children want stories, and the parents might stretch their hospitality, fired by the delight in the boy's eyes. Unlike last night's billet; high up on a hill farm, he had slept in a loft above the cows, where the east wind got at his bones. The ignorant people there, who had no use for stories, gave him no food and closed their fireside to him. It happened more and more.
But this house would surely prove better; and it was, after all, Halloween, the great time of the year for telling stories, the time of All Souls', when the dead had permission to rise from their graves and prowl the land.
Over the last few hundred yards the fog dispersed into flitters and wisps. At the house, a small white gate opened from the lane into a country garden, which in summer would shine with bunched roses and morning glories and tresses of sweet pea. The tall man in the black coat rapped twice on a brass knocker. Immediately, the husband of the house opened the door.
"Aha!"
The stranger and the householder exchanged a solid handshake, eye to eye. Behind his father, the boy waited in the hallway, jigging from foot to foot.
"God save all here," said the stranger; he hunched his shoulders nervously.
Over the years, his voice had grown deep and rotund. His manner and speech had an unusual formality, with trace elements of stately English from an earlier century and a hint of classical learning. Consequently, his language rang generally more colorful than the speech of the people he met every day.
The man of the house smiled and stood aside.
"Come in. You brought clear skies to us."
"With your permission, I'll bring clear thoughts too."
"Your coat is wet - let me take it."
The man extended a cold, bony hand to the boy peeking around his father's waist.
"A fine boy. God save you too, ma'am!" called the Storyteller to the woman of the house.
She looked irked, and he guessed that he, this stringy, unwashed man, with skin like canvas, would disrupt her rigorous household; nonetheless she set a place for him while her husband, pleased and comfortable, poured the visitor a drink.
The boy watched the stranger attacking the food like a tired hound. He sensed that the man's hunger fought with the man's decorum. Nobody spoke because the newcomer seemed too famished to be interrupted. The boy examined the man's face, saw the long, thin scar, wondered if he had been in a knife fight, perhaps with a sailor on some foreign quayside.
And the sodden boots - in his mind he saw the stranger fording streams, climbing out of gullies, traversing slopes of limestone shale on his endless travels across the country. Did he have a dog? Seemingly not, which was a pity, since a dog could have sat guard by the fire at night. Did the man ever sleep in caves? They said that bears and wolves had long been extinct in Ireland - but had they?
That evening, in that white house among the fields, a boy's most passionate dream came true. His father had long talked of the traveling storytellers. He said they possessed brilliant powers; they brought the long-gone past to life vividly, without what he called "the interference of scholars. Those professors," he said. "They dry out history in order to put it down on paper." In his father's view, a tale with the feeling taken out of it had "no blood and was worth very little."
But the old stories, told by traveling storytellers round the fireside on winter evenings - they came hurtling straight down the long, shiny pipeline of the centuries, and the characters, all love and hate and fire, "tumbled out on our own stone floor."
Continues...
Excerpted from Irelandby Frank DeLaney Copyright © 2008 by Frank DeLaney. Excerpted by permission.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.
Product details
- Publisher : HARPER (February 5, 2008)
- Language : English
- Paperback : 560 pages
- ISBN-10 : 0061244430
- ISBN-13 : 978-0061244438
- Item Weight : 14.7 ounces
- Dimensions : 5.31 x 0.92 x 8 inches
- Best Sellers Rank: #65,796 in Books (See Top 100 in Books)
- #456 in Historical British & Irish Literature
- #628 in Contemporary Literature & Fiction
- #1,478 in Family Saga Fiction
- Customer Reviews:
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About the author

'The Most Eloquent Man in the World', says NPR, about the writer, broadcaster, BBC host and Booker Prize Judge, Frank Delaney. Over a career of interviews that has lasted more than three decades, Delaney, an international-best-selling author himself, has interviewed more than 3,500 of the world's most important writers.
Frank Delaney has earned top prizes and best-seller status in a wide variety of formats, from prolific author, a polished broadcaster on both television and radio, to journalist, correspondent, screenwriter, lecturer, playwright and scholar. He has been the president of the Samuel Johnson Society, president of the UK Book Trust, and the Literary Director of the famed Edinburgh Festival.
A judge of many literary prizes (including the famous Booker), Delaney also created landmark programs and passionate documentaries on many subjects including Joyce, Shaw, Oscar Wilde, Emily Dickinson, Robert Frost, Hemingway, Mailer, Matisse, Van Gogh and the vitality and organic growth of the English language - his famed BBC show on the way we speak, Word of Mouth, is still heard all over the English-speaking world. And his six-part series, The Celts, originally broadcast in forty countries, is still in active DVD distribution, some twenty years after its launch.
Mr. Delaney lectures all over the world, writes every day, and has created a significant podcast series: Re:Joyce, deconstructing, examining and illuminating James Joyce's Ulysses line-by-line, in accessible and entertaining five-minute broadcasts, posted each week on this website. The project is estimated to run a quarter of a century.
Born and raised in County Tipperary, Ireland, Delaney spent more than twenty-five years in England before moving to the United States in 2002. His first 'American' book was the New York Times Bestseller, Ireland. His second, the non-fiction Simple Courage, was chosen as one of the top five books of the year by the American Library Association. Since 2006, he has published five Novels of Ireland, all addressing, decade by decade, the twentieth century history of his homeland. His latest novel, "The Last Storyteller" (Random House, February 7th 2012) celebrates the mysteries of the ancient oral tradition as the last itinerant storytellers work their magic in 1950's Ireland.
Mr. Delaney lives in Litchfield County, Connecticut, with his wife, writer and marketer, Diane Meier.
Delaney broadcasts "Re:Joyce," a weekly podcast on James Joyce's "Ulysses" on his website www.frankdelaney.com. You can find his daily writing tips on Twitter: http://twitter.com/FDbytheword
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Delaney’s book is full of historical information, as well as Irish legends and lore. It delves into the remote past and even begins the story with the last Ice Age when glaciers carved out the hills and valleys of Ireland. This extensive historical novel covers a wide variety of material in Irish history. Delaney writes of the English oppression, the Irish resistance, heroes and myths, and the skill of storytellers. Even the different counties in Ireland are addressed with their distinctive cultural flavors.
Itinerant storytellers frequented the area in Tipperary where the author grew up. The oral tradition was very strong. Stories, often with some elaboration, were handed down through the generations.
Frank Delaney’s book centers on an itinerant storyteller and Rolan, a boy who had heard this amazing storyteller when his father invited him to his parent’s home. After a couple of days, his mother had made the storyteller leave, but Rolan, who was only a young boy at the time, had desperately wanted him to stay and never forgot him.
Rolan’s mother was remote and cold. His father was also somewhat distant. Rolan was lonely and yearned for a feeling of belonging. He became consumed with this storyteller. “Like a plowman opening a field, he had carved out the beginnings of my imagination; he and helped me recognize instinctively the country and the people of whom I belonged”.
Rolan followed this mysterious storyteller over the countryside but always missed seeing him. At times, Rolan received notes from the storyteller. The storyteller had promised to teach him, and, yes, certain notes gave Rolan information about the techniques of good storytelling.
The storyteller’s disappearance was puzzling. At the end of the book, Rolan finds out some secrets that shed light on the storyteller’s behavior and his own relationship to the storyteller.
The book is really an epic story. It was much longer than I expected. Unfortunately, sometimes it just dragged on and on, and I wanted it to be over. I had to read other books to get a break from it at times. Often I felt like I was reading a history book and had to really concentrate to take it all in. However, fact and fiction was so intertwined in sections that sometimes I was confused as to the historical facts. Sometimes more caffeine was needed to get me through some sections. However, the author’s research was excellent, and I really did learn a great deal about Ireland from reading this book.
Now, before I go further, let’s go back to the stories that the old man told Ronan and company. These stories are quite a pleasant diversion from our “main” story. The stories that the stranger tells are about the people’s homeland and history -the history of Ireland. True, there’s a lot of myth, fable, and tradition within these yarns, but the storyteller knows how to enrapture an audience. It doesn’t surprise us in the least that Ronan can’t rest until he finds out where the man is after he leaves. At the very least, it would be nice to find out who he is.
Reading this wonderful novel allows you to suspend any sort of disbelief you may have. Is it really common to invite a complete stranger into your house for a week simply because he can tell stories? Is this man even real? Or is he a figment of young Ronan’s imagination? Does the existence of this character serve only to aid Ronan discover his destiny? Good stories really are rare, and Frank Delaney simply entertains us to the point that we simply don’t want to add too much logic within the pages we’re reading. These stories of Ireland that are juxtaposed through the pages are simply wonderful tales, and many times altogether too brief.
As Ronan embarks on his journey, he seems to be forever one or two steps behind the storyteller. But this doesn’t stop Ronan from hearing more of the stranger’s stories. Wherever Ronan goes, it seems he’s allowed to hear more stories from the stranger in many different forms. Sometimes, he hears the stories secondhand. Other times, the story teller leaves Ronan written tales that the storyteller composed for him to enjoy. It seems the stranger knows Ronan might be searching for him.
What makes this novel more pleasurable as that we also get to know Ronan and his family quite well. Had these extra tales not been thrown into the main storyline, this still would have been a terrific book. Ronan, like all of us, has his own life to live, and as the story progresses, we learn more about his own personal history and the events that shape his character. So maybe a great way to describe this book is “several wonderful stories told within a story”.
Although this book takes place in Ireland and all of the stories are about Ireland’s history, the overall feel is quite light. This isn’t a densely packed James Michener type of book. I feel that had author Frank Delaney wanted to write such a book, he could have easily done so, however. But overall, this book is rather light on the historical narratives of the country. The main objective here is Ronan, and his quest to find his calling.
I loved this book. As someone who reads quite a bit of fiction, I never take great writing for granted. The story is the point of a good book, but more important is how the author tells the story. How else could John Grisham become so popular? On the surface, dozens of books about the law profession don’t sound very exciting, but Grisham is a great storyteller.
And so is Frank Delaney. After reading this book (Summer 2018) I was sad to discover that Mr. Delaney passed away about a year ago. Fortunately, he has several other books that he penned (all seem to be somewhat related to Ireland), and I’m eagerly looking forward to reading more by this author.
Top reviews from other countries
Es handelt sich um einen Geschichtenerzähler der jahrhundertealte Sagen, Mythen, Legenden und Geschichten von Irland im Buch erzählt. Selbst eingewoben in eine Story. Es macht Geschichte lebendig und ist wunderbar geschrieben. Man erfährt so z.B. wie New Grange erbaut wurde.
Einfach schön für jemand der sich mit Irlands Historie beschäftigt.
個々の物語は日本で言えば,天岩戸伝説,里見八犬伝,義経と弁慶の物語...といった感じで,おそらくアイルランド人には馴染み深いものなのだろうが,自分は知らないものが大半だったので,その点でも非常に面白く,勉強になった.アイルランドの歴史は,ヨーロッパの中でも特異なもので,イングランドとの確執は今も続いているが,その背景を理解するのにおおいに役立だった.これ1冊でアイルランドの歴史を鳥瞰できる,たいへん充実した読後感であった.








