I think Morozova has a wonderful rhythmic sense in these pieces which serves her to good effect. On the other hand, I wish she was more faithful to the actual text. In the Gershwin Concerto in F, she adds notes, tremolos, etc. to the manuscript that are clearly not in the original. This essentially creates an "arrangement" of an "arrangement"! In other places, her playing lacks the subtlety one would expect, especially in the etudes, which are played without much dynamic contrast and color. If you go to Earl Wild's performances just afterwards, you can hear everything Morozova misses.
Worth acquiring for this exact combination of repertoire, which is not repeated elsewhere.
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