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Israel's Dead Soul Paperback – March 25, 2011
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Steven Salaita
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Print length176 pages
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LanguageEnglish
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PublisherTemple University Press
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Publication dateMarch 25, 2011
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Dimensions5.5 x 0.7 x 8.25 inches
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ISBN-101439906386
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ISBN-13978-1439906385
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Product details
- Publisher : Temple University Press (March 25, 2011)
- Language : English
- Paperback : 176 pages
- ISBN-10 : 1439906386
- ISBN-13 : 978-1439906385
- Item Weight : 7.2 ounces
- Dimensions : 5.5 x 0.7 x 8.25 inches
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Best Sellers Rank:
#1,591,607 in Books (See Top 100 in Books)
- #1,145 in Nationalism (Books)
- #1,159 in Jewish Social Studies
- #2,077 in Israel & Palestine History (Books)
- Customer Reviews:
About the author

I'm currently the Edward W. Said Chair of American Studies at the American University of Beirut. My latest book is Uncivil Rites: Palestine and the Limits of Academic Freedom. I tweet here: @stevesalaita
Customer reviews
Top reviews from the United States
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This book answers some of these questions. He brilliantly addresses the question of Jewish identity (another great book to read about this subject is The Wandering Who by Gilad Atzmon); the Anti-Defamation league--answering a very legitimate question about whether the ADL is a hate group; what it is like to be an Arab in modern Israel; finally, he addresses the colonialist narrative in many Israeli movies which actually fails to acknowledge the true nature of the conflict--the Palestinian fight for freedom from an oppressive, terroristic entity that has managed, for over 65 years, to get away with ethnic cleansing without much accountability from the international community.
This book is a great intellectual read. The arguments are intelligent, eloquent, and supported by well-organized analysis and facts. A must read.
Top reviews from other countries
Steven Salaita proceeds to deconstruct what basically amounts to the moral void at the heart of a liberalism which tries to attach a conscience to the Zionist state and thereby render it humane. Or as he bluntly puts it: “Nobody has ever mourned the condition of Israel’s soul without being deeply attached to Israel as an ethnocentric state.” Normalising Israel involves a sleight of hand which claims Israel for enlightenment and modernity, masking the country’s core reality as a violent colonising apartheid state.
This book amounts to five essays which address different aspects of Salaita’s argument. The first three address specifically American aspects of Zionist ideology. The opening essay examines how on American campuses events like “Jewish Awareness Month” are used to promote Israel as a central aspect of Jewish identity. When Israel is criticised the Holocaust and charges of anti-Semitism are promptly invoked. The influential campus organisation Hillel has a budget of $40 million to propagandise for Israel. That it effectively does this under the guise of multiculturalism, Salaita argues, indicates the limitations and inadequacies of that concept. Corporations and American universities both claim to embrace multiculturalism but in reality neither is concerned with racism or injustice.
The second essay asks “Is the Anti-Defamation League a Hate Group?” and deconstructs its pious credentials in searing detail. A third essay argues that the radicalism of the prominent black American philosopher Cornel West and of the black writer and academic Michael Eric Dyson is hollow and duplicitous. Both men are apologists for Israel, Salaita argues, taking refuge in equivocation, vagueness and circumvention. Each carefully avoids addressing the core reality of Zionism as a violent, racist colonising ideology. Salaita concludes that “The silence in liberal American discourses around Palestinian suffering is nearly absolute.”
The fourth essay is a detailed examination of “pinkwashing”, taking apart the argument that Israel is a friendly haven for gays and a shining example of tolerance in the face of Arab prejudice. Along the way Salaita deconstructs the humour of devoted Israel-apologist Sacha Baron Cohen.
The final essay critiques three movies - West Bank Story (a 2005 Oscar winner), Spielberg’s Munich (2005) and Waltz with Bashir (2008). Salaita analyses all three in some detail, finding the first “didactic and subtly propagandistic, at times borderline racist”, arguing that Spielberg “affirms the colonizer’s violence as imperative and just”, while the third movie, though the best of the three, whitewashes Israel’s role in the Sabra and Shatila massacre, lacks empathy for Israel’s victims and evokes “colonialist fantasy”.
Summaries can’t do justice to Salaita’s sophisticated analysis, which is free of academic jargon and scholarship at its finest. It is a bitter irony that a book as critically alert and intelligent as this should have been one of the factors in Salaita subsequently being targeted by the American Israel lobby and losing his employment as an academic.


