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Condition: Used: Good
Comment: The item shows wear from consistent use, but it remains in good condition and works perfectly. All pages and cover are intact (including the dust cover, if applicable). Spine may show signs of wear. Pages may include limited notes and highlighting. May include "From the library of" labels.
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Jane Eyre (Dover Thrift Editions) Paperback – January 16, 2003

4.3 out of 5 stars 5,658 customer reviews

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"Renowned artists are commissioned to design the binding for each of [White's Books]'s beautifully crafted hardcovers."  —Fuck Yeah, Book Arts!

--This text refers to an out of print or unavailable edition of this title.

Book Description

Cambridge Literature is a series of literary texts edited for study by students aged 14-18 in English-speaking classrooms. It will include novels, poetry, short stories, essays, travel-writing and other non-fiction. --This text refers to an out of print or unavailable edition of this title.
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Product Details

  • Series: Dover Thrift Editions
  • Paperback: 448 pages
  • Publisher: Dover Publications; 1 edition (January 16, 2003)
  • Language: English
  • ISBN-10: 0486424499
  • ISBN-13: 978-0486424491
  • Product Dimensions: 1.2 x 5.2 x 8.2 inches
  • Shipping Weight: 12 ounces (View shipping rates and policies)
  • Average Customer Review: 4.3 out of 5 stars  See all reviews (5,658 customer reviews)
  • Amazon Best Sellers Rank: #80,800 in Books (See Top 100 in Books)

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Top Customer Reviews

Format: Paperback
This review is aimed more toward the Norton edition than to JANE EYRE. We all know this is a classic. Bronte was simply a genius and a harbinger of romantic, dramatic, gothic, and horror writing. (However, it still irks me that she couldn't end a simple sentence with a period. Every declarative statement, it seems, must be qualified with a colon or semi-colon. Oh well. Sign of the times.)

As for the Norton edition, it's the only one to buy. Bronte makes the assumption that you have read the Bible cover-to-cover a zillion times, and for those of us who have not read it through once, Norton's annotations are more than helpful---they're essential to understanding the novel's Christian allusions. This edition also provides the reader with critical essays, contexts of Bronte's life, Bronte's reactions to critics of her day, etc.

Bottom line: you can get the Dover Thrift edition for a couple bucks, but, if you are interested in giving this classic more than a cursory read, this edition is worth the extra money.
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Format: Paperback
Rather than delve on the contents of this strangest and strongest of English novels, so intensely poetic in its haunting darkness and otherness, I'll comment briefly on the best editions available for a good first contact:

A) Text oriented editions (that is, editions with few materials added: normally an Introduction, annotation, and perhaps Charlotte's Peface and Biographical Notice and some bibliographical indications).

1. Oxford World's Classics: authoritative text, good annotation,
excellent introduction.

2. Penguin's Classics: same as above, everything looks a little shorter but is excellent nonetheless.

3. Wordsworth Classics edition. This would be a rather fine edition as befitting this collection, if it had a good 1847 text and not the heavily tampered-with Charlotte's 1850 edition. The text itself reflects accurately that of the 1900 Haworth Edition -a careful one-. The wording changes aren't perhaps so worrying nor is the toning-down of the dialectal tirades -although funny and useless-. What is worrying is the disappearance of more than six hundred paragrapph entries (I mean just the paragraphing, not the contents itself!), that makes for a different -and worse- reading experience. Very good and full -if brief- annotation. Mass-market, glued paperback.

4. Heather Glen's for Routledge. One of the finest text-oriented editions, especially for the excellent Introduction and Epilogue together with its good annotation, out-of-print for rather obscure reasons. If you find still a very good to fine copy at amazon Canadian branch (or at abebooks.com, it would be a good buy.

5. Orchises two-volume facsimile reprint of the 1847 edition. No notes nor any additional material. the books are well produced if a little expensive.
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Format: Hardcover Verified Purchase
You know all those 'classic' novels you read in high school? How many of them do you actually remember? Well, if Jane Eyre was one of those long-forgotten books, pick up a copy. To read it as an adult is a joy: it's a sweeping, disturbing, intense, thrilling, very romantic gothic love story, written in the voice of a very intense, almost claustrophobically self-aware young heroine. Jane is no Ophelia - she's a complicated, remarkable character, and a very strong female character in a genre that usually draws women as beautiful victims at best.

There's something for everyone in this book: Windswept castles, difficult and neurotic family members, dark secrets about tragic former lovers, good triumphing over evil, all that good juicy stuff that makes a great romantic story. What elevates Jane Eyre is Bronte's remarkable style & skill and her sharp and complex characterizations.

Trust me on this: If you don't remember it from your teens, you should give it a try now. Here is one novel that more than lives up to it's 'classic' status.
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Format: Kindle Edition
It's unfortunate that Wuthering Heights often gets lumped into the category of Victorian chick lit, because it probably has more in common with Dickens or Balzac than with Jane Austen. The various film adaptations often make much of the love between Heathcliff and Catherine, but that doesn't begin to cover the scope of this book. Wuthering Heights is no conventional romance novel. It is in fact an epic examination of human wickedness involving an ensemble cast that spans two generations over the course of almost 50 years. Filled with powerful imagery and unforgettable characters, it makes for a profoundly entertaining read.

Heathcliff, a gypsy-looking street urchin from Liverpool, is adopted by the Earnshaw family, who live among the moors of northern England at the secluded estate of Wuthering Heights. Mr. Earnshaw treats Heathcliff as his favorite, much to the consternation of his eldest son Hindley. When the father dies, Hindley seizes the opportunity to retaliate against Heathcliff, revoking his favored family position and forcing him to labor in the fields. Meanwhile, Heathcliff and his adopted sister Catherine develop a love for each other, but due to his servant status, dirty boots, and surly demeanor, she spurns him for her more elegant and refined neighbor Edgar Linton. Heathcliff resolves to revenge himself upon all who have hurt him, and the following generation of Earnshaws, Lintons, and Heathcliffs must also suffer the repercussions of his passionate vengeance.

The joy of Wuthering Heights is that there isn't a single character in the book who could be described as a good person. They are all at best selfish and petty, at worst deplorably evil.
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