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From the Artist
This recording was done in my small studio. It has very dry sound and we didn't want to have the recording sound like anything but exactly what we were hearing while we played. So it is direct and straightforward. I chose to use the American Steinway that really isn't at all in the best of shape, yet I have this strange connection with it, and it is better for a kind of informality and slight funkiness that was going to work with the music. With a choice of songs this good, it was hard not to become engaged right away. We did not rehearse per se, but went over chords when necessary. This was really a session that came as a result of doing an interview for a film about Charlie, after which we played a couple tunes. We had not played in over thirty years, but something magical happened and I then invited Charlie and his wife to the house to do some playing for a few days with no assurance that we'd have anything (including sound) that we'd want to release. Over close to three years we lived with these tapes, talked a lot about them, disputed over choices, but eventually I found Charlie to be the most remarkable and sensitive helper in getting this finally assembled. I wanted only the distilled essence of what we had, and it took some time to wean ourselves from going for hip solos or unevenly played tunes (even though they had wonderful things inside them). Some were too long; others were somehow out of character. Charlie and I listened to this many many times (mostly late at night) and became aware that there were some that just had more magic, more moments of surrender to the mood while retaining their essential integrity. This is what I was looking for; and then I had the unenviable job of finding the right order. After I thought I found it, Charlie called me and said, "How did you figure that out?" I think I said that none of the rational ideas of how to order things made sense, so I went into "not thinking" mode and came up with (dare I say it?) the only perfect order of these great versions.
I hope many of you can hear this on a good system. There are nuances abounding and the details make the music what it is. Jasmine is a night-blooming flower with a beautiful fragrance and I hope you can hear what went into this, as there is no way to do anything as touching as this by rehearsing it until it dies. This is spontaneous music made on the spot without any preparation save our dedication throughout our lives that we won't accept a substitute: it's either the real thing or it's nothing. It's either real life or it's a cartoon.
Call your wife or husband or lover in late at night and sit down and listen. These are great love songs played by players who are trying, mostly, to keep the message intact. I hope you can hear it the way we did.
Top Customer Reviews
The 'best of the best' on this CD include a wonderful interpretation of the rarely heard Cy Coleman gem "I'm Gonna Laugh You Right Out Of My Life" (12 minutes), a jumping and imaginative version of "No Moon At All", an awesome 11 minute version of "Body and Soul", and a charming "One Day I'll Fly Away" which was composed by Crusader pianist Joe Sample for singer Randy Crawford. In all, this is one great CD of ballads recorded with the trademark ECM soundscape by engineer Martin Pearson (Haden is particularly impressed with how his sound is captured: courtesy of Mr Pearson) and propelled along by two of the giants of jazz. "Jasmine"-like, indeed! Highly Recommended. Five BEAUTIFUL Stars (This review is based on an Amazon.com MP3 download of 8 tracks, 62:32 total time; and the outstanding National Public Radio interview "Charlie Haden and Keith Jarrett Channel The Standards": see second note below.)
Give this one a go!
Most Recent Customer Reviews
decided not to buy after seeing many who
confirmed there is serious humming and whining and
orgasmic sounds fumbling the quiet music.
no thanks man
Doesn't get much better than this folks! especially when relaxing at home!Published 15 months ago by oscar riley
If you like Charlie Haden, I think this captures his sound and approach in a truly fantastic way. Its an extremely warm, natural sound and of course Jarrett has his unique Keith... Read morePublished 18 months ago by Jerzin'
Regardless of how many times I listen to this CD, I keep hearing new beautiful sounds that keep me wanting to hear more and more. Read morePublished 20 months ago by Robert Sorensen
Wonderful album. Especially nice to have now that Charlie Haden has passed.Published 20 months ago by Joseph Spencer