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Jesus Christ Superstar

4.0 out of 5 stars 316 customer reviews

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Editorial Reviews

The stage spectacular makes a stunning debut on DVD! Tim Rice and Andrew Lloyd Webber's Jesus Christ Superstar is now available to own for the first time ever. When it exploded on the scene in 1970, Jesus Christ Superstar changed the way the world watched musicals. At last, the phenomenon has been filmed especially for DVD, so you can see one of the world's best-loved soundtracks come amazingly to life. Powerful performances of Jesus Christ Superstar an unforgettable extravaganza you can't afford to miss!

Special Features

  • The Making of Jesus Christ Superstar
  • Trailer
  • Production Notes
  • Cast and Filmmakers
  • Recommendations

  • Product Details

    • Directors: Gale Edwards
    • Format: Multiple Formats, Anamorphic, Closed-captioned, Color, Dolby, NTSC, Widescreen
    • Language: English (Dolby Digital 5.1)
    • Subtitles: English, French
    • Region: Region 1 (U.S. and Canada only. Read more about DVD formats.)
    • Aspect Ratio: 1.78:1
    • Number of discs: 1
    • Rated:
      NR
      Not Rated
    • Studio: Universal Studios Home Entertainment
    • DVD Release Date: March 20, 2001
    • Run Time: 112 minutes
    • Average Customer Review: 4.0 out of 5 stars  See all reviews (316 customer reviews)
    • ASIN: B000056NX5
    • Amazon Best Sellers Rank: #9,384 in Movies & TV (See Top 100 in Movies & TV)
    • Learn more about "Jesus Christ Superstar" on IMDb

    Customer Reviews

    Top Customer Reviews

    By Alejandra Vernon HALL OF FAMEVINE VOICE on January 25, 2004
    Format: VHS Tape Verified Purchase
    Filmed at Pinewood Studios, this production has sparse sets with scaffolding that serves for nearly every scene, and has the feel of a stage performance; it has been updated to an indeterminate era, but definitely a time one wouldn't want to live in. There are Nazi-like authority figures, punky gun-toting youth, and the walls are covered in graffiti. The colors are provided by the lighting, and are usually in either a monocromatic dark blue or yellow-orange.
    Inevitably, many people will compare this to the 1973 Norman Jewison film, which is a pity, as they are so vastly different. This is much more somber, and the final scenes are wrenching.
    Glenn Carter is astounding as Jesus, vocally exceptional in what must be a difficult part to sing, and looking like an Albrecht Durer painting. His Gethsemane ("I Only Want to Say") is superb, and worth the price of this film alone.
    Jerome Pradon is also excellent as Judas, and Fred Johanson's Pilate is marvelous, though the entire cast is good, both as actors and singers.
    It is interesting in this film how skillfully the evil in a character is portrayed in the song and dance numbers, by Herod (who is so well played by Rik Mayall), and Judas.
    One feels the exhaustion and horror of Jesus' last days palpably in this film. The drama of the scourging is a magnificent piece of staging, and powerful; it is a visual punch to the gut, and the crucifixion scene is brilliantly done and moves me to tears every time I see it.
    Not an easy film to watch, but well worth the purchase, as it gets better with each viewing.
    1 Comment 78 people found this helpful. Was this review helpful to you? Yes No Sending feedback...
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    Format: DVD
    I agree with an earlier reviewer that this version is different than the 73 film. It takes a bit of time to get used to it. For me it was hard not to see some of the actors / singers from the earlier film, particularly Carl Anderson. Once I got over the adjustment, I found this production to be simply wonderful. Because it is shot on a set rather than outdoors, and because of the advances in cameras etc. the viewer is transported into the action. You see all the subtle facial expressions and interactions between the characters that is simply missing from the technically challenged Jewison film. There is for example, no "day for night" film that leaves one barely able to make out Jesus singing the climactic song in the Garden of Gethsemane. Glen Carter is refreshing as Jesus though I, unlike many others, always liked Ted Neeley's performance. Jerome Pradon presents an engaging Judas. Chiaphas and Annas are perhaps a bit over the top, yet they are entertaining, as is Pilot. I still am debating the appropriatness of giving the Romans/Pilot's uniforms a Nazi look, and I think Pilot's Characterization is over stated, but it is very intense, captivating and powerful. Mary is beautiful and has the greatest voice of any of the Marys to date. Her presentation of "I Don't Know Hot to Love Him," in my opinion the most important song in the musical, is breath taking. In my estimation, I think this version, with modern look and feel, will help make the entire piece more approachable to younger viewers. It will better communicate the emotions of fear and pain that Christ experienced. The strength of Superstar has always been the ability to make Jesus more than just an historical figure. He is someone who was real, as was his sacrifice. Another valuable perspective is that of Judas.Read more ›
    4 Comments 48 people found this helpful. Was this review helpful to you? Yes No Sending feedback...
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    Format: DVD
    As Lent rolls around every year, I always pull out my well-worn copy of Jesus Christ Superstar on CD. (I wore out the album, twice). The music of ALW and Rice is superb and moving. I've seen the Jewison version of this movie a number of times, and my fiance and myself actually thought that's what we were buying on DVD when we purchased this copy...however. It didn't take us long to figure out this wasn't the same movie we'd seen before.
    In terms of the sheer power of the story, this newest entry into the market is head and shoulders above the Jewison rendition. While I much preferred the way the first JCSS was filmed (on location, etc.) the performances in the Edwards' film were much more powerful. It pays to remember that when ALW/TR wrote the original score, their goal was to bring Christ to the people of the day. This staging certainly accomplishes that, even if it's not really my 'style.'
    Glenn Carter as Christ is tormented by his 'role' as the Messiah, obviously conflicted about his relationship with Judas (more on Pradon later), often poignantly affected by his coming trials. His voice did seem a bit 'weak' for the material, but it is the scenes of him in the final moments (after his arrest through his cruxifiction) that reduced me to tears. He lives the pain...it is apparent in every move he makes, every expression on his face.
    Judas...what can I say. From the first moment, he captured me. I've never seen Judas as the cold, calculating man he is frequently portrayed to be. To me, he was a puppet in the hands of a power he couldn't begin to understand. He is afraid for Christ and the apostles, that much is made clear. To him, it's a obviously a case of saving Jesus from himself...but it backfires when he realizes what the Romans really have planned.
    Read more ›
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