- Hardcover: 800 pages
- Publisher: Bloomsbury Publishing PLC (September 30, 2004)
- Language: English
- ISBN-10: 0747570558
- ISBN-13: 978-0747570554
- Product Dimensions: 6.5 x 9.5 x 2.6 inches
- Shipping Weight: 2.9 pounds
- Average Customer Review: 3.9 out of 5 stars See all reviews (1,571 customer reviews)
- Amazon Best Sellers Rank: #1,545,339 in Books (See Top 100 in Books)
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Jonathan Strange and Mr. Norrell Hardcover – September 30, 2004
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It's 1808 and that Corsican upstart Napoleon is battering the English army and navy. Enter Mr. Norrell, a fusty but ambitious scholar from the Yorkshire countryside and the first practical magician in hundreds of years. What better way to demonstrate his revival of British magic than to change the course of the Napoleonic wars? Susanna Clarke's ingenious first novel, Jonathan Strange & Mr. Norrell, has the cleverness and lightness of touch of the Harry Potter series, but is less a fairy tale of good versus evil than a fantastic comedy of manners, complete with elaborate false footnotes, occasional period spellings, and a dense, lively mythology teeming beneath the narrative. Mr. Norrell moves to London to establish his influence in government circles, devising such powerful illusions as an 11-day blockade of French ports by English ships fabricated from rainwater. But however skillful his magic, his vanity provides an Achilles heel, and the differing ambitions of his more glamorous apprentice, Jonathan Strange, threaten to topple all that Mr. Norrell has achieved. A sparkling debut from Susanna Clarke--and it's not all fairy dust. --Regina Marler --This text refers to an out of print or unavailable edition of this title.
From Publishers Weekly
Starred Review. There may be no better marriage of talents than that of Clarke and Prebble. The former spins an enchanting, epic tale of English magic in the age of Napoleon, and the latter brings it to life—footnotes and all—with a full-bodied voice, skill and aplomb that rivals that of noted narrator Jim Dale. Set in a world where the study of theoretical magic is common, but the practice of it is unheard of, this sweeping narrative follows the exploits of England's only two practical magicians, the bookish Mr. Norrell and the affable Jonathan Strange, as they struggle to revive the country's magic in very different ways. Mr. Norrell is content to publish opaque, opinionated pieces on magic's uses and misuses, but Strange is fascinated by the legend and lore of the Raven King, the so-called father of English magic. The voices Prebble lends these two disparate characters nicely reflects their personalities—Norrell's voice is brittle and sometimes shrill, but Strange's is pleasant and ironic. As the two magicians labor together to defeat Napoleon and then separately to pursue their own ends, an elusive faerie known only as the "gentleman with the Thistledown hair" watches and schemes. Clarke's novel likely contains close to 100, if not more, characters, and Prebble juggles them all with ease. Although the heavy price of this audiobook may deter some listeners, there's no better way to experience the material than to hear it performed by such a consummate actor. Based on the Bloomsbury hardcover
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to an out of print or unavailable edition of this title.
Top Customer Reviews
Here's my take: it's NOT Harry Potter. If you want a quick-paced book, with lots of action and easy-to-read prose, THIS IS NOT YOUR BOOK. Here's the test: If, by the end of the first chapter, you have not laughed out loud or even chuckled, YOU WILL PROBABLY NOT LIKE THIS BOOK. And that's perfectly OK - I hope I've saved you from buying it (nothing's worse, IMHO, than buying a book you end up hating).
I personally love this book - I'd easily rate it as one of the best books I've read in years. But I also love Jane Austen, Mervyn Peake and Lord Dunsany. To me, this book is both an homage to and a witty send-up of 19th century literature. But you have to like that kind of literature and "get" the jokes that the author is making (both in the style of the prose as well as the play on historical events) to really enjoy this book.
I want to make it clear that I think it's fine if people hate this book. However, I am troubled by comments that suggest it's a bad book. That's not true - it's simply a matter of preferences. For example, I happen to detest Dickens and like comic books. But I don't think that Dickens is an awful writer and comic book writers are superior to him - Dickens just isn't my style. So I'd emphasize that, in my opinion, Susanna Clarke is a phenomenal writer. But the pleasure of this book lies as much (if not more) in the way it's written as the events that take place - so if you're not interested in prose for its own sake, it'll be hard going.
To begin with, Strange is often referred to as a "fantasy" novel, an "adult" Harry Potter (ignoring Potter's self-obvious claim to millions of "adult" readers). If you're expecting fantasy in the form of Harry Potter magic (though done by bigger people employing bigger words) or Lord of the Rings-like quests and elves, be advised neither is here. Fantastical might be a better genre-word here than "fantasy". There is certainly magic here, both human and faerie (very different forms), but when one of the major storylines is how magic has gradually disappeared from England and when one of the major characters has as his purpose the destruction (not Black Tower hordes of evil monsters destruction but economic, social, or legal destruction) of those who would become magician, as you might imagine there isn't a lot of magic going on, at least not for the first few hundred pages. Those looking for a lot of wand-waving or fireball-flinging would best look elsewhere.
One of the signs of the book's maturity is that one can't really generalize too much about the magic in it. Magic is almost invisible in the beginning and near-constant toward the end. It is scholarly, bookish and tedious and also vigorous, physical and exciting. It is human and Faerie and a melding of the two. It is all-powerful (Spain complains about the rearrangement of several of their country's geographic landmarks) and ineffective (you can see visions in water but they seldom are helpful).Read more ›
. Unlike most of the better modern fantasy, this book is not a page-turner, and I mean that as a compliment; rather, it is a book to savor. Not that the plot isn't engaging - it is - but I frequently found myself comparing how many pages I'd read to how many I had left, deciding that I was burning through the book too quickly, and setting it down while I turned the passages I'd just read over in my head.
As befits a character-driven fantasy, almost all the characters are likeable, or at least understandable; even when they take larger-than-life action, they do so for incredibly human reasons. There are also a number of historical-character cameos, all of them well-drawn and believable..
I do not agree with Mr. Gaiman's statement that this is "the finest English novel of the fantasticke to appear in the past 70 years." Tolkien is better; his work has an epic grandeur that this book lacks, perhaps because Susanna Clarke so realistically and concretely evokes the precise historical era at which she aims : the imagination has a somewhat wider canvas to paint on when reading Tolkien or similar high fantasy, with more blank space to be filled in by the reader.Read more ›
Most Recent Customer Reviews
I was concerned that book could be too much in every way - too big and too much magic. But it proved me wrong and worked perfectly as a light evening (before bed time)... Read morePublished 2 days ago by Kristine Linina
Not at all what was advertised. Said it would be a signed copy. It was not. I won't purchase anything else from this seller.Published 11 days ago by waltermelon
First of all a confession. Yes I saw the TV series before reading the book. Yes I hadn't heard of Strange or Norrell until the TV series, I am a heretic square I admit it. Read morePublished 11 days ago by T. Edmund
Stories within stories within stories. This novel is well thought out, deep in characters and dialogue and immensely imaginative. Read morePublished 13 days ago by Lynne Jacobs
I love the TV version, so I wanted to get the book. All in all, a good story, but the type is way too small (understandable, I suppose, considering the length) and if your eyes are... Read morePublished 15 days ago by Peteprint
It's a sturdy paperback. The print is very small.
But it is a very fine book.
I love the writing style. I feel as if I was reading an older gothic novel. Read more