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Journey into the Past Paperback – 2009

3.9 out of 5 stars 17 customer reviews

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Paperback, 2009
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Editorial Reviews

From Publishers Weekly

A focused new translation of the late Zweig's (1881–1942) gorgeous and sad novella spotlights the hopeless passion between a young man and his employer's wife. Ludwig, an ambitious young man from an impoverished background, finds employment with a famous industrialist in Frankfurt-am-Main and is eventually pressed into service as the industrialist's private secretary, living in his house, where he befriends his boss's radiant, sympathetic wife and finds in her an artistic kinship. A passion develops, cut short by the exigencies of the metals business, then by the eruption of WWI, and the two, despite the intervening years and Ludwig's own marriage, eventually embark on an overnight trip together. Moving back and forth through time, Zweig pursues the couple to their destination, where they are confronted by a military demonstration that bludgeons their fragile memories with the cold, crass present. Bell's faultless translation easily conveys the smoldering engine of Zweig's writhing inner consciousness. (Nov.) (c)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to an out of print or unavailable edition of this title.


"A brilliant Austrian writer whose work brings to mind that of his compatriot Joseph Roth…a treat of prewar European literature" —Sylvia Brownrigg, The New York Times

“The latest novella available to English-speaking readers, Journey Into the Past—found among Zweig’s papers after his death and now published by New York Review Books Classics in a masterly translation by Anthea Bell and with an introduction by André Aciman…” —Words Without Borders 

"Journey into the Past is vintage Stefan Zweig—lucid, tender, powerful and compelling.” —Chris Schuler, The Independent

“The art is in the telling…a powerful love story…Excellent Foreword by writer Paul Bailey” —David Herman, The Jewish Chronicle

"One hardly knows where to begin in praising Zweig’s work. One gets the impression that he actively preferred to write about women, and about the great moral crises that send shivers down the spines of polite society" —Nicholas Lezard, The Guardian

"My advice is that you should go out at once and buy his books" —Anthony Daniels, The Sunday Telegraph

“a brilliant writer." —The New York Times

"Admired by readers as diverse as Freud, Einstein, Toscanini, Thomas Mann and Herman Goering." —The New York Times

"A remarkable tour de force…this is a masterclass in the language of beautiful storytelling." —Paul Blezard, The Lady

"Zweig belongs with three very different masters who each perfected the challenging art of the short story and the novella: Maupassant, Turgenev and Chekhov" —Paul Bailey --This text refers to an out of print or unavailable edition of this title.

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Product Details

  • Paperback: 144 pages
  • Publisher: Pushkin Press (2009)
  • Language: English
  • ISBN-10: 1906548099
  • ISBN-13: 978-1906548094
  • Product Dimensions: 5 x 0.4 x 7.8 inches
  • Shipping Weight: 5 ounces
  • Average Customer Review: 3.9 out of 5 stars  See all reviews (17 customer reviews)
  • Amazon Best Sellers Rank: #9,016,903 in Books (See Top 100 in Books)

Customer Reviews

Top Customer Reviews

Format: Paperback Verified Purchase
A quick note about the edition and translation: It seem Mr. Blumenau (above) refers to a slightly different edition by Pushkin Press, with another introduction.

This is of some importance because André Aciman's introduction here in the NYRB edition, although enthusiastic and insightful, reveals far too much of the plot, and would have best been switched with translator Anthea Bell's afterword. First time readers are hereby cautioned. Indeed, it would be best to read the novella first, and the supplementary material after.

That said, Mr. Blumenau (and others) are quite right: Zweig is an important writer of the first rank. On par with close contemporaries Arthur Schnitzler and Joseph Roth, Zweig is a product of that enormously rich and fertile time/place of Vienna in the years just before World War I. And even if `Journey Into The Past' is firmly set in the German speaking world, its vision is much broader.

For the twenty or so years preceding the Great War, there was an enormous confluence (with significant parallels) in the music, painting, and literature of Vienna. So much so that its clear to even a casual observer that Egon Scheile, Arthur Schnitzler, and Gustav Mahler all arose from the same milieu, that heady time of Freud and Schoenberg, the growth of socialist movements, and the nationalist intrigues which inevitably lead to war.

Zweig's posthumously published `Journey Into The Past' concerns the return of a young man to the home of a woman he loved many years before. She is older, and is now widowed. Circumstance heightened the intensity of their passion then while keeping them from consummating their relationship. Yet the memory of each other and that time has not dimmed in either.
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Format: Paperback Verified Purchase
Stefan Zweig possesses a fluid and elegant voice, which he uses to achieve precise and evolving insight into the state of mind of Ludwig, the protagonist of JOURNEY INTO THE PAST. With this fine instrument, Zweig shows Ludwig become infatuated with his boss's wife, discover she reciprocates, endure a nine-year separation from his beloved, and then reappear in the wife's life, when he attempts to restore their bond and the emotion of their single rapturous no-no-not-here moment. This novella, I suppose, shows how an innocent emotional connection can become a time-locked fixation, as well as a cause of pathetic wistful frustration. Ludwig, my dear fellow, learn to let things go...

In telling this story, the articulate Zweig focuses on Ludwig's obsessive attachment to the wife. The story moves rapidly, with Ludwig's reflections reaching immediate clarity before scooting onto the next point, which usually reads as both brilliantly spot-on and somehow inevitable. Nonetheless, JitP is first and foremost a story of obsessive love, which means Zweig does write toward such passages as:

"He felt a kind of bridal expectation, sweet and sensuous yet vaguely mingled with anticipatory fear of its own fulfillment, with the mysterious shiver felt when something endlessly desired suddenly comes physically close to the astonished heart. But he... must simply stay like this, carried on into the unknown as if in a dream, carried on by a strange torrent, without physical sensation and yet still feeling, desiring yet achieving nothing, moving on into his fate..."

In his final few paragraphs, Ludwig (SPOILER ALERT!) acknowledges the difficulty of restoring the past to life and the folly of assuming memory foretells the future.
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Format: Paperback
This is the latest volume in the Pushkin Press' admirable undertaking to make more of the brilliant works of Stefan Zweig available in English. The novella of just 81 pages is flanked by a Foreword by Paul Bailey and an Afterword by the superb translator Anthea Bell.

Ludwig, a young German of humble social origins, had fallen passionately in love with the wife of his wealthy industrialist employer, and she with him. Zweig - and his translators - have always excelled in descriptions of tempestuous emotions which sweep the reader along. Ludwig was sent on what was intended to be a two-year business mission to Mexico, but before the end of those two years the First World War had broken out, and it would be nine years before he returned to Germany and met her again, and the journey of the title is in part a train journey they take together from Frankfurt to Heidelberg. He was now married, and the industrialist had died. On the train he recalls the history of their relationship in the past. And now? And in the future?

One part of what lies ahead is when they came across a massive Nazi parade - just three years after the end of the First World War and twelve years before the Nazis came to power - as they left the station at Heidelberg. The novella itself was started in 1924, and Zweig probably worked on it as late as the 1930s. As the complete typescript was not found and then published (in a French translation) until 2008, it is impossible to know whether this episode, laden with menace, was part of the original draft. Zweig had always loathed war and the nationalism that gave rise to it, so it may well have been an example of his highly-strung prescience.
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