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Judge Dredd: Megacity Masters 01 Paperback – August 17, 2010
2000 AD is Britain’s most celebrated sci-fi comic anthology, which has been at the cutting edge of contemporary pop culture since 1977. The longest running strip in 2000 AD is Judge Dredd and over the years many internationally renowned artists have contributed some stunning art to the Dredd legacy. This compilation features some of that artwork collected together for the first time.
- Print length272 pages
- LanguageEnglish
- Publisher2000 AD
- Publication dateAugust 17, 2010
- Dimensions7.3 x 0.3 x 10 inches
- ISBN-101906735921
- ISBN-13978-1906735920
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- Publisher : 2000 AD; 0 edition (August 17, 2010)
- Language : English
- Paperback : 272 pages
- ISBN-10 : 1906735921
- ISBN-13 : 978-1906735920
- Item Weight : 1.65 pounds
- Dimensions : 7.3 x 0.3 x 10 inches
- Best Sellers Rank: #4,545,317 in Books (See Top 100 in Books)
- #11,259 in Mystery Graphic Novels
- #17,198 in Science Fiction Graphic Novels (Books)
- #60,650 in Superhero Comics & Graphic Novels
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About the author

Jock is the three times New York Times best-selling British artist best known for his comics work with writer Andy Diggle on DC/Vertigo's The Losers, the award-winning Batman: The Black Mirror, and Wytches with writer Scott Snyder. Jock has also produced key art and concept design for films including Dredd, Annihilation, Star Wars: The Last Jedi, and the Oscar-winning Ex Machina. Born in Glasgow, Scotland, he now lives and works in Devon, England.
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Volume 3 is okay, but 2 and 3 are fantastic.
If you want a complete chronological collection of stories, get the Case Files books. They are huge and you can read it from the beginning. Keep in mind the first several volumes are in black and white, as they were originally in black and white. If this is an issue, you may not like it and that is a shame.
Following a short but succinct and well-informed history of Judge Dredd and his various creators over the years by editor and Tharg's representative on Earth, Matt Smith, Judge Dredd: Mega-City Masters 01 is not a chronological catalog of every single Dredd strip in order. Readers desiring the entire publication history should consult the now nearly twenty volume Judge Dredd: The Complete Case Files. Instead and smartly, Rebellion/2000AD have organized the volumes thematically, with the first installment focusing on the visualizations of Dredd over the decades by artists well-known and critically acclaimed here in America. While the majority of the strips are penned by John Wagner and Alan Grant, along with single entries by Gordon Rennie and Al Ewing, the varied artists, even beyond those listed on the cover, are some of the best, British sequential illustrators. Names already on the cover such as Bolland, Gibbons, and Adlard to name but a few hardly need any introduction for their various work with US comic publishers. Yet, readers will be pleasantly surprised by the inclusion of, in no particular order, pJohn Byrne, Brendan McCarthy, John Higgins, Chris Weston, Mark Farmer, Staz Johnson, Collin Wilson, Kevin Walker, Duncan Fegredo, Glen Fabry, Carlos Ezquerra, and Jock.
As with most anthologies, some stories are more memorable than others. And, while some audiences may not immediately appreciate or understand the satirical irreverence of the Mega-City judges in their dispensing of justice, Dredd's by-the-book, extremely black and white interpretation of law and order is sure to shock and thrill readers simultaneously. Even though the majority of the scripts are tight and well-developed, their brevity, as opposed to their longer, serialized fiction counterparts in the US, may be a slight hurdle for some uninitiated readers. Yet, the stars of this volume are the artists more than the individual tales, and this is where the book truly succeeds.
Even in black and white, there is no mistaking Dave Gibbons' beautiful work. His heavy, thick ink lines shape and reinforce the stark, post-apocalyptic nature of Mega-City alongside contributions from Alan Davis. Contrasted with the sharp, crisp line work of Steve Dillon, Kevin O'Neill, or Cam Kennedy, the black and white adds tones of gray and an even greater depth of power and vitality to the momentum and havoc of the authoritarian state. On the other end of the spectrum, full-colored strips from Brian Bolland and Dredd's co-creator Carlos Ezquerra join with a somewhat digital but fully psychedelic palette by John Higgins on "Joe Dredd's Blues," two iconic designs by Simon Bisley, and stellar entries by Chris Weston, Jock, Duncan Fegredo, and Charlie Adlard that could not be more different from each other. Fans who adore Bisley's fully painted cover work on Doom Patrol or Lobo will revel in his vision of Dredd. Weston brings the intensity and draftsmanship readers have come to know through his time on The Invisibles, The Filth, and The Fantastic Four. The Kirby-fusion of Jock with his more angular lines and thick ink pops against the darker, more sinister style of Fegredo. One aspect that may escape some readers is comparing the amazing color work by Chris Blythe on all three of these strips as he variates his hues and tones, playing to the pencillers' strengths and interpretations. Lastly, the master of horror, Adlard, cooks his Dredd in cooler tones, obscuring and over-saturating the images to give them a far more sinister, vicious emotion.
There is no better time to jump aboard the Dredd caravan as the summer winds down and more of this long, sought after material finally becomes available here in the US. Especially beneficial for readers wary of superhero continuity and parallel worlds, continuous big events, deaths and rebirths, and massive, unwieldy cross-overs, Judge Dredd: Mega-City Masters 01 is a vital infusion to the static, superhero genre of the mainstream comic industry.
-- Nathan Wilson
Megacity Masters is a collection of more than 20 short stories from different periods in Dredd's history. Some are light satires, others mindless action, and a few very serious ones. The great thing is all of them tell a complete and very entertaining story in very few pages. Many of the 8-page stories have more content than a 22-page American comic.
There's art by John Byrne, Brian Bolland, David Gibbons, Kevin O'Neill, Simon Bisley and many others. This is definitely the best $20 I've spent on comics this month.
If you're looking for a change of pace from superhero comics or manga you should definitely pick up this book!


