A critically acclaimed New York Times bestselling author explores the Christmas holiday, from the original festival through present day traditions.

Christmas has always been a magical time. Or has it? Thirty years after the first recorded Christmas, the Pope was already warning that too many people were spending the day, not in worship, but in partying and eating to excess. By 1616, the playwright Ben Jonson was nostalgically remembering Christmas in the old days, certain that it had been better then.

Other elements of Christmas are much newer – who would have thought gift-wrap is a novelty of the twentieth century? That the first holiday parade was neither at Macy’s, nor even in the USA?

Some things, however, never change. The first known gag holiday gift book, The Boghouse Miscellany, was advertised in the 1760s ‘for gay Gallants, and good companions’, while in 1805, the leaders of the Lewis and Clark expedition exchanged – what else? – presents of underwear and socks.

Christmas is all things to all people: a religious festival, a family celebration, a period of eating and drinking. In Christmas: A Biography, bestselling author and acclaimed social historian Judith Flanders casts a sharp eye on myths, legends and history, deftly moving from the origins of the holiday in the Roman empire, through Christmas trees in central Europe, to what might be the first appearance of Santa Claus – in Switzerland – to draw a picture of the season as it has never been seen before.

From the New York Times bestselling and critically acclaimed author of The Invention of Murder, an extraordinary, revelatory portrait of everyday life on the streets of Dickens' London.
The nineteenth century was a time of unprecedented change, and nowhere was this more apparent than London. In only a few decades, the capital grew from a compact Regency town into a sprawling metropolis of 6.5 million inhabitants, the largest city the world had ever seen. Technology—railways, street-lighting, and sewers—transformed both the city and the experience of city-living, as London expanded in every direction. Now Judith Flanders, one of Britain's foremost social historians, explores the world portrayed so vividly in Dickens' novels, showing life on the streets of London in colorful, fascinating detail.From the moment Charles Dickens, the century's best-loved English novelist and London's greatest observer, arrived in the city in 1822, he obsessively walked its streets, recording its pleasures, curiosities and cruelties. Now, with him, Judith Flanders leads us through the markets, transport systems, sewers, rivers, slums, alleys, cemeteries, gin palaces, chop-houses and entertainment emporia of Dickens' London, to reveal the Victorian capital in all its variety, vibrancy, and squalor. From the colorful cries of street-sellers to the uncomfortable reality of travel by omnibus, to the many uses for the body parts of dead horses and the unimaginably grueling working days of hawker children, no detail is too small, or too strange. No one who reads Judith Flanders's meticulously researched, captivatingly written The Victorian City will ever view London in the same light again.

The idea that 'home' is a special place, a separate place, a place where we can be our true selves, is so obvious to us today that we barely pause to think about it. But, as Judith Flanders shows in her best and most ambitious work to date, "home" is a relatively new idea.

In The Making of Home, Flanders traces the evolution of the house from the sixteenth to the early twentieth century across northern Europe and America, showing how the homes we know today bear only a faint resemblance to homes though history. What turned a house into the concept of home? Why did northwestern Europe, a politically unimportant, sociologically underdeveloped region of the world, suddenly became the powerhouse of the Industrial Revolution, the capitalist crucible that created modernity? While investigating these important questions, Flanders uncovers the fascinating development of ordinary household items--from cutlery, chairs and curtains, to the fitted kitchen, plumbing and windows--while also dismantling many domestic myths.

In this prodigiously researched and engagingly written book, Flanders brilliantly and elegantly draws together the threads of religion, history, economics, technology and the arts to show not merely what happened, but why it happened: how we ended up in a world where we can all say, like Dorothy in Oz, "There's no place like home."

"Superb... Flanders's convincing and smart synthesis of the evolution of an official police force, fictional detectives, and real-life cause célèbres will appeal to devotees of true crime and detective fiction alike." -Publishers Weekly, starred review

In this fascinating exploration of murder in nineteenth century England, Judith Flanders examines some of the most gripping cases that captivated the Victorians and gave rise to the first detective fiction

Murder in the nineteenth century was rare. But murder as sensation and entertainment became ubiquitous, with cold-blooded killings transformed into novels, broadsides, ballads, opera, and melodrama-even into puppet shows and performing dog-acts. Detective fiction and the new police force developed in parallel, each imitating the other-the founders of Scotland Yard gave rise to Dickens's Inspector Bucket, the first fictional police detective, who in turn influenced Sherlock Holmes and, ultimately, even P.D. James and Patricia Cornwell.

In this meticulously researched and engrossing book, Judith Flanders retells the gruesome stories of many different types of murder in Great Britain, both famous and obscure: from Greenacre, who transported his dismembered fiancée around town by omnibus, to Burke and Hare's bodysnatching business in Edinburgh; from the crimes (and myths) of Sweeney Todd and Jack the Ripper, to the tragedy of the murdered Marr family in London's East End. Through these stories of murder-from the brutal to the pathetic-Flanders builds a rich and multi-faceted portrait of Victorian society in Great Britain. With an irresistible cast of swindlers, forgers, and poisoners, the mad, the bad and the utterly dangerous, The Invention of Murder is both a mesmerizing tale of crime and punishment, and history at its most readable.

Summer in London-the sun is finally shining, the flowers are in bloom, and life is humming merrily along for book editor Samantha Clair, off to lunch with her old friend, art-dealer Aidan Merriam. Humming merrily until she learns that his partner has just been found dead in their gallery, slumped over his desk with a gun in his hand. Could anything be worse? Oh yes, the police investigation is being led by Inspector Jake Field, who just happens to be Sam's new boyfriend. And Aidan, who just happens to be Sam's ex-boyfriend, wants Sam's help. Finding herself drawn into another investigation, Sam does the only sensible thing and calls her mother. Before long, Sam finds her loyalties stretched to the limit as she herself is threatened.

Armed with nothing more than her trusty weapons of satire, cynicism and a stock of irrelevant information culled from novels, Sam races to find a killer who is determined to find her first in the newest fast-paced, uproarious novel in the critically acclaimed series from New York Times bestselling author Judith Flanders.

There was every possibility that I was dead, and my brain hadn’t got the memo. Or maybe it was that I wished I were dead. On reflection, that was more likely.

Usually clear-headed editor Samantha Clair stumbles through her post-book-party morning with the hangover to end all hangovers. But before the ibuprofen has even kicked in, she finds herself entangled in an elaborate saga of missing neighbors, suspected arson, and strange men offering free tattoos.

By the time the grisly news breaks that the fire has claimed a victim, Sam is already in pursuit. Never has comedy been so deadly as she faces down a pair from Thugs ’R’ Us, aided by nothing more than a Scotland Yard boyfriend, a stalwart Goth assistant, and an unnerving knowledge of London’s best farmer’s markets.

From the acclaimed bestselling author Judith Flanders, A Cast of Vultures continues the sharp-witted series starring book editor and amateur sleuth Samantha Clair.