JuicedLink Riggy Micro Low-Noise Preamp
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- 1 Year Warranty
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3XLR inputs low-noise preamp with 48V/12V phantom power. It means that Juicedlink Riggy Micro Low-Noise Preamp is super small/light/power efficient and has numerous mounting and accessory options. It has audio output bracketing for camera overload protection and Alkaline/ LiPolymer operation with Selective power-down mode.The Riggy-Micro RM333 is a feature rich low noise preamp, built tough, and refined to provide the best power efficiency, smallest size, and lightest weight. It's small size and light weight also makes it unique in terms of flexibility for mounting it to your gear. Additionally, it has features that make it even more useful, allowing you to mount other accessories (mics, wireless receivers, etc) to the preamp.It is more than just a low-noise preamp with sweet audio features. It takes advantage of the valuable real estate when mounted to your camera to be able to mount more accessories to your camera (mics, wireless receivers, etc.).First, the Riggy-Micro has Riggy mounting points allowing you to mount a RB401 Riggy Bracket, which has 4 cold shoe mounts and lots of mounting holes for attaching more accessories to your camera, like microphones and wireless receivers, etc.The Riggy-Micro is also so small and light, that it can be mounted on top of your camera in the hot-shoe. It's quite nice to get the preamp off of the bottom of your camera. Now, you can attach a battery grip, or just cradle the camera/lens in the palm of your hand, like a DLSR is traditionally held. You will separately purchase a cold-shoe to 1/4-20 male to mount to the 1/4-20 female on the bottom of the Riggy-Micro. While mounted on top of your camera, you can add cold shoe mounts (one on the top, and another on the right side) directly to the Riggy-Micro enclosure, using the RB101 Riggy Cold Shoe Attachment.Features: Camera Overload Protection - Audio Output Bracketing: The Riggy-Micro incorporates Audio Output Bracketing (patent pending) for camera overload protection. All
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As an aside, Robert (the designer / company) has produced some excellent videos and notes to explain how to capture good sound, how to preclude ground loops, how to keep noise low, etc. for newbies (which I am not), and his guidance is camera-specific (e.g. for the BMCC). This is above and beyond, and many devotees of the BMCC have benefited from his expertise.
One thing to keep watch for with this preamp. As the battery is about to die, the preamp starts to make noise. It's hard to gauge when this is about to happen, and terribly inconvenient in the middle of a long interview.