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Juliana Hall: Love's Signature - Songs for Countertenor and Soprano | O Mistress Mine; Syllables of Velvet, Sentences of Plush; Propriety [World Premiere Recordings]

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Audio CD, December 10, 2016
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Editorial Reviews

LOVE'S SIGNATURE traverses time and space to celebrate various types of love: characters from the plays of William Shakespeare (1564-1616) reveal universal human experiences of love throughout different times in our lives; the letters of Emily Dickinson (1830-1886) exemplify the love we have for those specific people in our circles who touch us more personally; and the poems of Marianne Moore (1887-1972) speak of how one's love for an art form like music can provide inspiration and beauty to enrich life.

Juliana Hall is an American art song composer whose works have been described as genuinely moving and brilliant. Hall has written more than 40 song cycles, vocal chamber works and instrumental solo and chamber works, and her music has been heard in concerts worldwide, with performances at the Ambassador Auditorium, Isabella Stewart Gardner Museum, Herbst Theatre, Library of Congress, Ordway Theater, Chatelet Theatre, Weill Recital Hall and Wigmore Hall. Widely performed, Hall's work has been programmed by the ANA Trio, Calliope's Call, Capital Fringe, Casement Fund Song Series, CHAI Collaborative Ensemble, Cincinnati Song Initiative, Contemporary Undercurrent of Song Project, Denver Art Song Project, Ensemble for These Times, Feminine Musique, Fourth Coast Ensemble, Joy in Singing, Lynx Project, Lyric Fest, Mallarmé Chamber Players, Song in the City, Sparks & Wiry Cries, Voices of Change and Zenith Ensemble. Special performances include selections from her song cycle Night Dances on Dawn Upshaw's First Songs project at the Morgan Library & Museum in New York and a performance of her tenor song cycle The Holy Sonnets of John Donne at a Holy Week meditation service in St. Paul's Cathedral in London.

Countertenor Darryl Taylor sang the title role in Phillip Glass' Akhnaten for Long Beach Opera, Los Angeles Opera's groundbreaking production of Dido and Aeneas and Gluck's Orfeo ed Euridice for the Utrecht Games at the Soestdijk Palace in the Netherlands. He has also performed Pergolesi's and Vivaldi's Stabat Mater with Lyra Baroque Orchestra of St. Paul, and has appeared with the Carmel Bach Festival, Bach Collegium San Diego under Richard Egarr, and in Havana and Shanghai. In addition to recitals at Weill Recital Hall at Carnegie Hall and Merkin Hall in New York, Liszt Music Academy in Budapest and Spanish television and radio broadcasts from Barcelona s Palau de la Musica, Taylor has also been heard in Handel's Messiah at the Kennedy Center for the Performing Arts in Washington D.C.

With luminous tone and distinctive artistry, soprano Susan Narucki has earned international acclaim for nearly three decades of performances. She has appeared with the Cleveland Orchestra, Los Angeles Philharmonic, Netherlands Opera, San Francisco Symphony, Met Chamber Ensemble and on the Great Performers Series at Lincoln Center and Carnegie Hall with conductors such as Boulez, de Leeuw, Knussen, Levine, Salonen and Tilson Thomas. A dedicated advocate of the music of our time, Narucki has given more than 100 world premiere performances, and has enjoyed close collaborations with notable composers, including Andriessen, Carter, Crumb, Dusapin and Kurtág. Her extensive discography includes both a Grammy Award and Grammy Nomination for Best Classical Vocal Performance.

Pianist Donald Berman is recognized as a chief exponent of new works by living composers, overlooked music by 20th century masters and recitals that link classical and modern repertoire. Berman's two CD releases, The Unknown Ives and The Uncovered Ruggles (New World), feature the only available recordings of the complete short piano works of Charles Ives and Carl Ruggles. Other recordings include the 4-CD set Americans in Rome: Music by Fellows of the American Academy in Rome, The Piano Music of Martin Boykan and Scott Wheeler: Tributes and Portraits (Bridge).

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