Riveting from the start, Rodriguez's account tells the story of one Michigan woman's quest to help women in Afghanistan after the fall of the Taliban the best way she knows how: by opening a beauty school. Indeed, when beautician Rodriguez opens her salon and school, she doesn't realize how desperately Kabul, especially the women of Kabul, need her. After spending a couple of years in her adopted city, she realizes that she is giving women the power to earn both money and autonomy, and fights fiercely to keep the school open. Refreshingly charismatic and gossipy, Rodriguez's voice is endearingly unguarded, just like that of a chatty hairdresser. The women she meets are described in loving detail, and it is hardly a surprise when "Miss Debbie" marries an Afghani man and settles into a rocky but ultimately encouraging marriage. Rodriguez's are Western eyes, and it is easy to imagine an Afghan woman being offended by some details she divulges, but underneath the culture clash is genuine care, respect, and juicy storytelling. Emily Cook
Copyright © American Library Association. All rights reserved
Review
“Deborah Rodriguez went to Afghanistan to transform her own life and ended up revolutionizing the lives of many of her Afghan sisters. This book made me feel like I was right there in the beauty salon, sharing in the tears and laughter as, outside my door, an entire country changed. KABUL BEAUTY SCHOOL is inspiring, exciting, and not to be missed.”
–Masha Hamilton, author of The Distance Between Us and The Camel Bookmobile
"An enthralling story from the opening page. Rodriugez's memoir captivated me with its humor and feminine power. A more apt name for a salon could not be found: that small building, where the practice of beauty is both an act of defiance and tradition, is indeed an oasis. A place I was very happy to linger in."
–Marsha Mehran, author of Pomegranate Soup
“Terrifically readable, and rich in personal stories.”
–Kirkus Reviews
“Colorful, suspenseful, funny… witty and insightful.”
–Publishers Weekly (starred)
“ Rodriguez writes an eye-opening and heart rendering story of tenacity and courage as she empowers, employs and enriches the women of Kabul to run their own beauty parlor businesses. In her writing she gives a new voice to the people of Afghanistan. You will finish it and want to meet her!”
–Carol Fitzgerald, Founder/President of Bookreporter.com
About the Author
Deborah Rodriguez has been as a hairdresser since 1979, except for one brief stint when she worked as a corrections officer in her hometown of Holland, Michigan. She currently directs the Kabul Beauty School, the first modern beauty academy and training salon in Afghanistan. Rodriguez also owns the Oasis Salon and the Cabul Coffee House. She lives in Kabul with her Afghan husband.
From The Washington Post
Reviewed by Pamela Constable
Almost anywhere in the world, a beauty parlor is a sanctuary from the male world, a hive of gossip, a school of feminine wiles and fount of sage advice for jittery brides-to-be.
In Afghanistan, where war and religious oppression have long kept women socially isolated, and where displays of sensual allure became criminal offenses under Taliban rule in the 1990s, the reopening of beauty parlors after the Taliban regime fell in 2001 was a widely noted symbol of the country's democratic rebirth.
But when Deborah Rodriguez, an American hairdresser, decided to contribute to Afghan women's emancipation by establishing a beauty school in Kabul, her project exposed the constraints of conservative tradition and male-ruled culture that still trap many Afghan girls and women into lives of suffering and injustice.
As readers of her Kabul Beauty School watch the makeup being applied and the curls being coiffed, we also hear the confessions of Roshanna, a tearful young bride who is terrified that her in-laws will discover she is not a virgin -- a cardinal sin by Afghan standards -- when her consummation ceremony fails to produce a bloody sheet.
We also learn the story of Mina, forcibly married to an ugly old man in repayment of a debt, then later beaten, disowned and threatened with having her only child taken away because families are feuding over her dowry money.
These women, and many others, find in Rodriguez's classes both a temporary safe haven and the seeds of future emancipation. Inevitably, though, the school has to be shut down after it becomes a target of suspicious scrutiny and bureaucratic greed -- neighbors complain there is "too much laughter" inside, while officials try to confiscate a fortune in beauty products donated from the United States.
Kabul Beauty School is not a work of literature. Its writing is clunky in some spots, breezy in others, and the text is full of clichéd epiphanies about the hardships of Third World living. A good editor would have looked up how to spell "salaam aleikum" and taken out the author's whine about having to boil water on an old gas stove. Since the book's publication, a variety of people, including her former partners, have complained that it contains numerous inaccuracies and overplays the author's role in establishing the beauty school.
But the real-life victims we meet and the tortures they routinely endure give the book its power. No reader will fail to wince at the description of a bride forced to have every pubic hair plucked so she looks as young as possible for the groom. No reader will fail to be outraged at the image of a girl's scarred back and burned feet -- all punishments inflicted by her pious Taliban husband.
When Rodriguez describes Roshanna's wedding celebration in an ornate hotel, it is with compassion born of terrible insight. "She and her husband sit without touching, without smiling, like bride and groom mannequins propped in the chairs. . . . For a moment, it's hard to believe that this woman with the dead eyes and rigid body is my Roshanna. . . . I realize she is so stunned with fear that she can't do anything other than stare. I don't even see her breathing."
Rodriguez also takes a personal plunge into the minefield of Afghan romance by marrying a man she meets there. The subplot of that tempestuous bicultural relationship is revealing, but it also has a self-indulgently confessional quality. In contrast, her story of the beauty school and the Afghan women who found refuge there is an important testimonial to the stubborn misogyny of a country many earnest Westerners are trying so hard to change.
Copyright 2007, The Washington Post. All Rights Reserved.
Excerpt. © Reprinted by permission. All rights reserved.
Chapter 1
The women arrive at the salon just before eight in the morning. If it were any other day, I’d still be in bed, trying to sink into a few more minutes of sleep. I’d probably still be cursing the neighbor’s rooster for waking me up again at dawn. I might even still be groaning about the vegetable dealers who come down the street at three in the morning with their noisy, horse-drawn wagons, or the neighborhood mullah, who warbles out his long, mournful call to prayer at four-thirty. But this is the day of Roshanna’s engagement party, so I’m dressed and ready for work. I’ve already had four cigarettes and two cups of instant coffee, which I had to make by myself because the cook has not yet arrived. This is more of a trial than you might think, since I’ve barely learned how to boil water in Afghanistan. When I have to do it myself, I put a lit wooden match on each of the burners of the cranky old gas stove, turn one of the knobs, and back off to see which of the burners explodes into flame. Then I settle a pot of water there and pray that whatever bacteria are floating in the Kabul water today are killed by the boiling.
The mother-in-law comes into the salon first, and we exchange the traditional Afghan greeting: we clasp hands and kiss each other’s cheeks three times. Roshanna is behind her, a tiny, awkward, blue ghost wearing the traditional burqa that covers her, head to toe, with only a small piece of netting for her to see out the front. But the netting has been pulled crooked, across her nose, and she bumps into the doorway. She laughs and flutters her arms inside the billowing fabric, and two of her sisters-in-law help her navigate her way through the door. Once inside, Roshanna snatches the burqa off and drapes it over the top of one of the hair dryers.
“This was like Taliban days again,” she cries, because she hasn’t worn the burqa since the Taliban were driven out of Kabul in the fall of 2001. Roshanna usually wears clothes that she sews herself— brilliant shalwar kameezes or saris in shades of orchid and peach, lime green and peacock blue. Roshanna usually stands out like a butterfly against the gray dustiness of Kabul and even against the other women on the streets, in their mostly drab, dark clothing. But today she observes the traditional behavior of a bride on the day of her engagement party or wedding. She has left her parents’ house under cover of burqa and will emerge six hours later wearing her body weight in eye shadow, false eyelashes the size of sparrows, monumentally big hair, and clothes with more bling than a Ferris wheel. In America, most people would associate this look with drag queens sashaying off to a party with a 1950s prom theme. Here in Afghanistan, for reasons I still don’t understand, this look conveys the mystique of the virgin.
The cook arrives just behind the women, whispering that she’ll make the tea, and Topekai, Baseera, and Bahar, the other beauticians, rush into the salon and take off their head scarves. Then we begin the joyful, gossipy, daylong ordeal of transforming twenty-year-old Roshanna into a traditional Afghan bride. Most salons would charge up to $250—about half the annual income for a typical Afghan—for the bride’s services alone. But I am not only Roshanna’s former teacher but also her best friend, even though I’m more than twenty years older. She is my first and best friend in Afghanistan. I love her dearly, so the salon services are just one of my gifts to her.
We begin with the parts of Roshanna that no one will see tonight except her husband. Traditional Afghans consider body hair to be both ugly and unclean, so she must be stripped of all of it except for the long, silky brown hair on her head and her eyebrows. There can be no hair left on her arms, underarms, face, or privates. Her body must be as soft and hairless as that of a prepubescent girl. We lead Roshanna down the corridor to the waxing room—the only one in Afghanistan, I might add—and she grimaces as she sits down on the bed.
“You could have done it yourself at home,” I tease her, and the others laugh. Many brides are either too modest or too fearful to have their pubic hair removed by others in a salon, so they do it at home—they either pull it out by hand or rip it out with chewing gum. Either way, the process is brutally painful. Besides, it’s hard to achieve the full Brazilian—every pubic hair plucked, front and back— when you do it on your own, even if you’re one of the few women in this country to own a large mirror, as Roshanna does.
“At least you know your husband is somewhere doing this, too,” Topekai says with a leer. My girls giggle at this reference to the groom’s attention to his own naked body today. He also must remove all of his body hair.
“But he only has to shave it off!” Roshanna wails, then blushes and looks down. I know she doesn’t want to appear critical of her new husband, whom she hasn’t yet met, in front of her mother-in-law. She doesn’t want to give the older woman any reason to find fault with her, and when Roshanna looks back up again, she smiles at me anxiously.
But the mother-in-law seems not to have heard her. She has been whispering outside the door with one of her daughters. When she turns her attention back to the waxing room, she looks at Roshanna with a proud, proprietary air.
The mother-in-law had picked Roshanna out for her son a little more than a year after Roshanna graduated from the first class at the Kabul Beauty School, in the fall of 2003, and opened her own salon. The woman was a distant cousin who came in for a perm. She admired this pretty, plucky, resourceful girl who had been supporting her parents and the rest of her family ever since they fled into Pakistan to escape the Taliban. After she left Roshanna’s salon, she started asking around for further details about the girl. She liked what she heard.
Roshanna’s father had been a doctor, and the family had led a privileged life until they fled to Pakistan in 1998. There, he was not allowed to practice medicine—a typical refugee story—and had to work as a lowly shoeshine man. By the time they returned to Kabul, he was in such ill health that he couldn’t practice medicine. Still,
he staunchly carried out his fatherly duties by accompanying Roshanna everywhere to watch over her. The mother-in-law had detected no whiff of scandal about Roshanna, except perhaps her friendship with me. Even that didn’t put her off, since foreign women are not held to the same rigorous standards as Afghan women. We are like another gender entirely, able to wander back and forth between the two otherwise separate worlds of men and women; when we do something outrageous, like reach out to shake a man’s hand, it’s usually a forgivable and expected outrage. The mother-in-law may even have regarded me as an asset, a connection to the wealth and power of America, as nearly all Afghans assume Americans are rich. And we are, all of us, at least in a material sense. Anyway, the mother-in-law was determined to secure Roshanna as the first wife for her elder son, an engineer living in Amsterdam. There was nothing unusual about this. Nearly all first marriages in Afghanistan are arranged, and it usually falls to the man’s mother to select the right girl for him. He may take on a second or even third wife later on, but that first virginal lamb is almost as much his mother’s as his.
I see that Roshanna is faltering under her mother-in-law’s gaze, and I pull all the other women away from the waxing room. “How about highlights today?” I ask the mother-in-law. “My girls do foiling better than anyone between here and New York City.”
“Better than in Dubai?” the mother-in-law asks.
“Better than in Dubai,” I say. “And a lot cheaper.”
Back in the main room of the salon, I make sure the curtains are pulled tight so that no passing male can peek in to see the women bareheaded. That’s the kind of thing that could get my salon and the Kabul Beauty School itself closed down. I light candles so that we can turn the overhead lights off. With all the power needed for the machine that melts the wax, the facial lamps, the blow dryers, and the other salon appliances, I don’t want to blow a fuse. I put on a CD of Christmas carols. It’s the only one I can find, and they won’t know the difference anyway. Then I settle the mother-in-law and the members of the bridal party into their respective places, one for a manicure, one for a pedicure, one to get her hair washed. I make sure they all have tea and the latest outdated fashion magazines from the States, then excuse myself with a cigarette. I usually just go ahead and smoke in the salon, but the look on Roshanna’s face just before I shut the door to the waxing room has my heart racing. Because she has a terrible secret, and I’m the only one who knows it—for now.
both engagement parties and weddings are lavish events in Afghanistan. Families save money for years and even take on huge debt to make these events as festive as possible, sparing no expense. After all, this is a country with virtually no public party life. There are no nightclubs, no concerts, only a few restaurants—and the ones that have opened since the Taliban left are frequented mostly by Westerners. There are a few movie theaters, but it’s primarily men who go to them. If a woman happens to show up, as I once did when I insisted that a male friend take me, then she becomes the show, with every turban in the room turned her way so that the men can gawk at her. There are just about no venues where Afghan men and women dress up and mingle. They don’t exactly mingle at engagement parties and weddings, either. At big gatherings, the hundreds of men and ...
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