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Kafka on the Shore Paperback – January 3, 2006
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The opening pages of a Haruki Murakami novel can be like the view out an airplane window onto tarmac. But at some point between page three and fifteen--it's page thirteen in Kafka On The Shore--the deceptively placid narrative lifts off, and you find yourself breaking through clouds at a tilt, no longer certain where the plane is headed or if the laws of flight even apply.
Joining the rich literature of runaways, Kafka On The Shore follows the solitary, self-disciplined schoolboy Kafka Tamura as he hops a bus from Tokyo to the randomly chosen town of Takamatsu, reminding himself at each step that he has to be "the world¹s toughest fifteen-year-old." He finds a secluded private library in which to spend his days--continuing his impressive self-education--and is befriended by a clerk and the mysteriously remote head librarian, Miss Saeki, whom he fantasizes may be his long-lost mother. Meanwhile, in a second, wilder narrative spiral, an elderly Tokyo man named Nakata veers from his calm routine by murdering a stranger. An unforgettable character, beautifully delineated by Murakami, Nakata can speak with cats but cannot read or write, nor explain the forces drawing him toward Takamatsu and the other characters.
To say that the fantastic elements of Kafka On The Shore are complicated and never fully resolved is not to suggest that the novel fails. Although it may not live up to Murakami's masterful The Wind-Up Bird Chronicle, Nakata and Kafka's fates keep the reader enthralled to the final pages, and few will complain about the loose threads at the end. --Regina Marler
From Publishers Weekly
Starred Review. Previous books such as The Wind-Up Bird Chronicle and Norwegian Wood have established Murakami as a true original, a fearless writer possessed of a wildly uninhibited imagination and a legion of fiercely devoted fans. In this latest addition to the author's incomparable oeuvre, 15-year-old Kafka Tamura runs away from home, both to escape his father's oedipal prophecy and to find his long-lost mother and sister. As Kafka flees, so too does Nakata, an elderly simpleton whose quiet life has been upset by a gruesome murder. (A wonderfully endearing character, Nakata has never recovered from the effects of a mysterious World War II incident that left him unable to read or comprehend much, but did give him the power to speak with cats.) What follows is a kind of double odyssey, as Kafka and Nakata are drawn inexorably along their separate but somehow linked paths, groping to understand the roles fate has in store for them. Murakami likes to blur the boundary between the real and the surreal—we are treated to such oddities as fish raining from the sky; a forest-dwelling pair of Imperial Army soldiers who haven't aged since WWII; and a hilarious cameo by fried chicken king Colonel Sanders—but he also writes touchingly about love, loneliness and friendship. Occasionally, the writing drifts too far into metaphysical musings—mind-bending talk of parallel worlds, events occurring outside of time—and things swirl a bit at the end as the author tries, perhaps too hard, to make sense of things. But by this point, his readers, like his characters, will go just about anywhere Murakami wants them to, whether they "get" it or not.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
Top customer reviews
This was my first time reading something from a foreign author, and I was pleasantly surprised. It is written in a very detailed manner which makes it easy to picture landscapes and empathize with the characters, which I liked; however, I felt that all the detail was unnecessary with certain parts of the book, but Murakami leaves nothing unsaid -- even intricate and sometimes disturbing details. Regardless, I did enjoy the book and I believe I will read another of Murakami's books at some point.
Murakami seamlessly brings the magical into the everyday in Kafka on the Shore. Fish bizarrely fall from the sky, cats disappear and enlist the help of old men, and figures such as Johnny Walker and Colonel Sanders pop into the story. There were parts I found difficult to read - especially those relating to Johnny Walker - but this leads to deep satisfaction at the conclusion of Nakata's storyline.
I think the most enjoyable part of this story is trying to figure out how everything fits together, trying to figure out what Nakata and Kafka and Johnny Walker and the creature at the end all have to do with one another. It may be a cause to give up, but I have my theories, and perhaps other readers will too.
Also, I'm beginning to see that some Japanese authors seem to share the predilection of many Japanese animated filmmakers when they use the superstitious beliefs embedded in historical folk tales as plot devices to move the story forward in unusual and sometimes seemingly ambiguous ways. There are parts in the latter half of this book where it's never clearly explained where physical reality ends and the realm of daydreams begins. The reader simply has to sketch out both possibilities in his mind and enjoy sucking the marrow out of the themes that would be implied by both options.
Most recent customer reviews
I just finished it and let me say, I love it.Read more