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Kairos Hardcover – June 6, 2023
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Jenny Erpenbeck’s much anticipated new novel Kairos is a complicated love story set amidst swirling, cataclysmic events as the GDR collapses and an old world evaporates
Jenny Erpenbeck (the author of Go, Went, Gone and Visitation) is an epic storyteller and arguably the most powerful voice in contemporary German literature. Erpenbeck’s new novel Kairos―an unforgettably compelling masterpiece―tells the story of the romance begun in East Berlin at the end of the 1980s when nineteen-year-old Katharina meets by chance a married writer in his fifties named Hans. Their passionate yet difficult long-running affair takes place against the background of the declining GDR, through the upheavals wrought by its dissolution in 1989 and then what comes after. In her unmistakable style and with enormous sweep, Erpenbeck describes the path of two lovers, as Katharina grows up and tries to come to terms with a not always ideal romance, even as a whole world with its own ideology disappears. As the Times Literary Supplement writes: “The weight of history, the particular experiences of East and West, and the ways in which cultural and subjective memory shape individual identity has always been present in Erpenbeck’s work. She knows that no one is all bad, no state all rotten, and she masterfully captures the existential bewilderment of this period between states and ideologies.”
In the opinion of her superbly gifted translator Michael Hofmann, Kairos is the great post-Unification novel. And, as The New Republic has commented on his work as a translator: “Hofmann’s translation is invaluable―it achieves what translations are supposedly unable to do: it is at once ‘loyal’ and ‘beautiful.’”
- Print length336 pages
- LanguageEnglish
- PublisherNew Directions
- Publication dateJune 6, 2023
- Dimensions5.8 x 1.1 x 8.3 inches
- ISBN-100811229343
- ISBN-13978-0811229340
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Strange, she thinks, all these years a little bit of my life has gone on existing in this stranger’s head. And now he’s given it back to me.208 Kindle readers highlighted this
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The longing to maintain control must be at least as powerful as the desire to lose it.204 Kindle readers highlighted this
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Kairos, the god of fortunate moments, is supposed to have a lock of hair on his forehead, which is the only way of grasping hold of him. Because once the god has slipped past on his winged feet, the back of his head is sleek and hairless, nowhere to grab hold of.182 Kindle readers highlighted this
Editorial Reviews
Review
― Claire Messud, The New York Times
"The brutality of her subjects, combined with the fierce intelligence and tenderness at work behind her restrained, unvarnished prose is overwhelming."
― Nicole Krauss
"Erpenbeck’s handling of characters caught within the mesh (and mess) of history is superb. Threats loom over their love and over their country. Hans is jealous, weak-willed, vindictive, Katharina self-abasing. At heart the book is about cruelty more than passion, about secrets, betrayal, and loss."
― Kirkus Reviews
"In Erpenbeck, Germany has a rare national writer whose portrayals of a ruptured country and century are a reminder that novelists can treat history in ways that neither historians nor politicians ever could, cutting through dogma, fracturing time, preserving rubble."
― Gal Beckerman, The Atlantic
"With Kairos, Erpenbeck proves the impossibility, irresponsibility even, of an easy binary and reminds us that the only thing we can be certain of is an ending that will bring along change."
― Amber Ruth Paulen, Full Stop
"Erpenbeck is among the most sophisticated and powerful novelists we have. Clinging to the undercarriage of her sentences, like fugitives, are intimations of Germany’s politics, history and cultural memory. It’s no surprise that she is already bruited as a future Nobelist....I don’t generally read the books I review twice, but this one I did."
― Dwight Garner, The New York Times
"Erpenbeck presents the intimate and the momentous with equal emphasis, so that personal and historical time run on nearly parallel tracks, until they have no choice but to converge."
― Robert Rubsam, Washington Post
"What is past, what is present, and what persists are questions that haunt Kairos a novel concerned with continuity in politics and culture but also with passion and character. … Erpenbeck's spare style, seamlessly blending dialogue, thought, narrative and allusions to German culture, echoes the ideas that animate Kairos, and occasionally the disorientation at its core."
― Ellen Akin, Minneapolis Star-Tribune
"In Kairos, Erpenbeck brilliantly uses distortions of memory and distance to elucidate the ways in which history is constantly happening; the future can be made clear if only one pays acute attention to the minutiae of the present––politically, personally, socially."
― Regan Mies, Necessary Fiction
"A writer with a roving, furious, brilliant mind…Erpenbeck has done it again."
― Charles Finch, Los Angeles Times
"One of the bleakest and most beautiful novels I have ever read. … Erpenbeck never reaches for the stock phrase or the known response. While the novel is indeed bleak in its view of love and politics, spending time with Erpenbeck’s rigorous and uncompromising imagination is invigorating all the way to the final page."
― Natasha Walter, The Guardian
"Pain and pleasure do the tango in the engrossing new novel Kairos, the story of a love affair set in East Germany right before and after the fall of the Berlin Wall. It's the latest book from the East Berlin born Jenny Erpenbeck who I fully expect to win the Nobel Prize sometime in the next five years. Erpenbeck―in Michael Hofmann's crystalline translation―provides the richest portrait I've read of what happened to East Germans when their glumly repressive communist state was replaced overnight by a cocky, shopping-mad West Germany that instantly set about erasing the reality they knew – devaluing their money, dismantling their media, denying their values."
― John Powers, NPR
"Erpenbeck astutely conveys the affair's quotidian beats...[she] is not a writer who coddles her readers, starting with the coolly dispassionate narrative voice of her fiction, a studied craft that skillfully heightens emotional heft by maintaining tension between what is being conveyed and how it is conveyed."
― Cory Oldweiler, The Boston Globe
"Erpenbeck is frequently named on lists of Nobel Prize contenders and, for newcomers to her work, Kairos easily demonstrates why. Its mix of intimacy and historical sweep is astounding. So is its prose. In poet and translator Michael Hofmann's rigorous translation, Kairos' writing feels purified, as if any emotional irrelevancy had been burned out."
― Lily Meyer, NPR
"Another major work…ice-pick precise and gorgeously written."
― Barbara Hoffert, Library Journal
"Erpenbeck is wary of swift and unequivocal resolutions, choosing instead to reside in extended moments of tension. In effect, almost everything about Erpenbeck’s latest novel, from the musical texture of its prose to its occasionally synoptic narration, is arranged to allow these tensions to remain wonderfully unresolved...There is serendipity in the relationship’s beginning, and necessity in its ending."
― Bailey Trela, Commonweal Magazine
"Erpenbeck is adept at exploring big subjects via the intimate relationships between people... [Kairos is] a clear-eyed book, morally neutral and the more interesting for it."
― Rumaan Alam, The New Republic
"Erpenbeck’s narration artfully alternates between the perspectives of Katharina and Hans, inviting us to read the mirrored thoughts of this couple, unequal both in terms of age and power. … Her eagle-eyed observations are both poignant and accurate. … Kairos can be read as the downfall of a controlling relationship, but it becomes much more: an analysis of the power balance between a state and its subjects. A compulsive read."
― Catherine Venner, World Literature Today
"Erpenbeck’s hypnotic prose and brilliant accounting of German history feel particularly profound. Kairos is an absorbingly bleak look at lost love that will stay with you long after it ends."
― TIME 100 Must-Read Books of 2023
"An expertly braided novel about the entanglement of personal and national transformations, set amid the tumult of 1980s Berlin. Kairos unfolds around a chaotic affair between Katharina, a 19-year-old woman, and Hans, a 53-year-old writer in East Berlin. Erpenbeck’s narrative prowess lies in her ability to show how momentous personal and historical turning points intersect, presented through exquisite prose that marries depth with clarity. She masterfully refracts generation-defining political developments through the lens of a devastating relationship, thus questioning the nature of destiny and agency. Kairos is a bracing philosophical inquiry into time, choice, and the forces of history."
― Jury of the 2024 International Booker Prize
About the Author
The award-winning translator Michael Hofmann has also translated works by Jenny Erpenbeck, Gert Hofmann, Franz Kafka, Heinrich von Kleist, and Joseph Roth for New Directions.
Product details
- Publisher : New Directions (June 6, 2023)
- Language : English
- Hardcover : 336 pages
- ISBN-10 : 0811229343
- ISBN-13 : 978-0811229340
- Item Weight : 2.31 pounds
- Dimensions : 5.8 x 1.1 x 8.3 inches
- Best Sellers Rank: #150,825 in Books (See Top 100 in Books)
- #726 in Cultural Heritage Fiction
- #3,349 in Contemporary Women Fiction
- #10,198 in Literary Fiction (Books)
- Customer Reviews:
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Customers find the plot uninspired and boring. Opinions are mixed on the writing style, with some finding it great and skillful, while others say it's hard to read.
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Customers are mixed about the writing style. Some mention that the author writes with great skill, while others say it's very hard to read.
"Written so beautifully, even in translation, that now I have to learn German just to read the original." Read more
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"I would not recommend this book. Very hard to read...." Read more
Customers find the plot uninspired, boring, and not believable.
"...Katherina is fairly interesting but not believable; Hans is entirely believable but of very little interest...." Read more
"...Erpenbeck’s "Kairos" is a workmanlike but uninspired and boring book—2 stars." Read more
"Too long and even dull when describing the hard-to-believe abusive relationship and not enough about why this is set in the former GDR...." Read more
"Succeeded in accomplishing that goal in this book. My reaction to this book was very negative...." Read more
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Top reviews from the United States
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Jenny Erpenbeck’s novel Kairos is a novel that attempts to come to terms with a more extensive past, which now includes not only the Third Reich but also the rise and fall of the GDR. It is a reflection on history largely through flashbacks, as it tells the story of an affair between the nineteen-year-old Katherina and a novelist named Hans who is ten years older than her father. The story is told as a series of vignettes, in which you cannot always distinguish a clear chronology. The lines between past and present, as well as reality and imagination are fluid. Katherina is initially completely devoted to Hans to a point where she does not even care that he is married with a son about her age. But gradually, as more of his past surfaces, he becomes sadistic and tyrannical. At times the two seem to merge into a single character, divided against itself, and perhaps a metaphor for the GDR. The book ends as the GDR is abolished and Hans dies with it.
The East German intelligentsia were always far more enthusiastic about Communism than their counterparts in the Soviet Union or the rest of Eastern Europe, and it is not hard to see why. Communism was a philosophy heavily based on the work of German thinkers such as Marx and Hegel so it fitted in well with their traditions. By contrast, the Russians always felt it was a foreign import. Even while recognizing that the reality was far from utopian, German intellectuals such as Christa Wolf and Stefan Heym clung to the Communist ideal and passionately resisted the dissolution of the GDR until the very end. The playwright Heiner Mȕller saw the Communist system as perhaps doomed from the start yet viewed its fall as a majestic tragedy.
Erpenbeck is in that tradition. The initial innocence of Katherina represents the hopes that initially attended East German Communism, and its demise is observed with sadness yet a sense of inevitability. This is a vision that will resonate with American readers, since the hopes associated with the GDR in many ways resemble the American Dream. But artistic flaws in the book point to ways in which her attempt at Vergangenheitsbewältigung has been less than successful. For all the philosophical weight it is made to carry, the relationship at the center is still largely the stuff of melodrama. Katherina seems absurdly naïve and innocent, while Hans is irredeemably corrupt. Katherina is fairly interesting but not believable; Hans is entirely believable but of very little interest. Even the background of global history, with all the grandeur invested in it by German philosophy, is not enough to make their relationship deeply tragic or profound.
Over the next two years, we watch as the affair sours just as the East German government is souring and failing as reunification looms. Hans is controlling, desperate to dictate every moment of Katharina's life. She begins to rebel against this and eventually has an affair with a man close to her own age. This insures that Hans beats her down psychologically for the rest of their time together.
At the end of the novel, reunification has happened. Katharina has moved on, into a theatre career in set design and finds a more stable love. Hans is caught in the fact that his talents are no longer needed as a radio commentator and that his ideas have passed. His relevance is over and he has a hard time adjusting to the new reality of reunification.
This book is on the 2024 shortlist for the International Booker Prize. It is an allegory using the doomed love affair to shadow the doomed government of East Germany and the control of the government similar to the control Hans needs to have over all around him. Hans is a despicable character and we only learn the depths of his degradation at the end of the novel but Katharina also has issues as the hope of the future. Jenny Erpenbeck is recognized as one of the leading voices of German literature and she lived through this time period and experienced much of what was happening. This book is recommended for literary fiction readers.
Top reviews from other countries
Even though, i can imagine that some readers will love this book, but it's not me.
the edition of the book is nice. nice to touch, easy to hold and font of the text is comfortable
Unreadable run-on sentences with paragraphs that are sometimes over a page long.
Some actual dialog instead of pseudo-dialog buried in these paragraphs wouldn't hurt.







