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The Kandy-Kolored Tangerine-Flake Streamline Baby Paperback – November 24, 2009
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"An excellent book by a genius," said Kurt Vonnegut, Jr., of this now classic exploration of the 1960s from the founder of new journalism.
"This is a book that will be a sharp pleasure to reread years from now, when it will bring back, like a falcon in the sky of memory, a whole world that is currently jetting and jazzing its way somewhere or other."--Newsweek
In his first book, The Kandy-Kolored Tangerine-Flake Streamline Baby (1965) Wolfe introduces us to the sixties, to extravagant new styles of life that had nothing to do with the "elite" culture of the past.
- Print length368 pages
- LanguageEnglish
- PublisherPicador
- Publication dateNovember 24, 2009
- Dimensions5.5 x 0.81 x 8.5 inches
- ISBN-100312429126
- ISBN-13978-0312429126
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“Might well be required reading in courses with names like American studies.” ―Time Magazine
“I'm always rereading Tom Wolfe's The Kandy-Kolored Tangerine-Flake Streamline Baby.” ―David Gates
“Tom Wolfe is a terrific writer.” ―The Washington Monthly
“Wolfe can do things with words and settings that few writers are capable of matching.” ―Tom Walker, The Denver Post
“The man's done the impossible. He--Yes!--understands America!” ―Houston Chronicle
“His eye and ear for detailed observation are incomparable; and observation is to the satirist what bullets are to a gun.” ―The Boston Sunday Globe
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- Publisher : Picador; First Edition (November 24, 2009)
- Language : English
- Paperback : 368 pages
- ISBN-10 : 0312429126
- ISBN-13 : 978-0312429126
- Item Weight : 15.2 ounces
- Dimensions : 5.5 x 0.81 x 8.5 inches
- Best Sellers Rank: #203,206 in Books (See Top 100 in Books)
- #596 in Popular Culture in Social Sciences
- #663 in Essays (Books)
- #688 in Cultural Anthropology (Books)
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About the author

Tom Wolfe (1930-2018) was one of the founders of the New Journalism movement and the author of such contemporary classics as The Electric Kool-Aid Acid Test, The Right Stuff, and Radical Chic & Mau-Mauing the Flak Catchers, as well as the novels The Bonfire of the Vanities, A Man in Full, and I Am Charlotte Simmons. As a reporter, he wrote articles for The Washington Post, the New York Herald Tribune, Esquire, and New York magazine, and is credited with coining the term, “The Me Decade.”
Among his many honors, Tom was awarded the National Book Award, the John Dos Passos Award, the Washington Irving Medal for Literary Excellence, the National Humanities Medal, and the National Book Foundation Medal for Distinguished Contribution to American Letters.
A native of Richmond, Virginia, he earned his B.A. at Washington and Lee University, graduating cum laude, and a Ph.D. in American studies at Yale. He lived in New York City.
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While Wolfe wasn't a sociologist, all of his writing contains lengthy passages containing minute, obsessive, clinical detail of his subjects' dress, hairstyles, social interactions and speech patterns. These alternate with some surprisingly folky attitude and some almost Byzantine-like complex passages (which can be very difficult to follow if you are not a native English speaker with an extensive SAT-level vocabulary). The essays included here are among the earliest of Wolfe's "New Journalism" style which, while nonfiction, are not too different from the style of his much later novels. Some of these essays age better than others (all were written in the early 1960s) as they almost universally focus on the pop culture of the day and some of that culture is now totally obscure to anyone who didn't live through it. You've probably realized that I regard this volume as a bit challenging to get through, but it's certainly worth it and is a very rewarding experience. (Wolfe did simplify matters considerably as his writing style evolved throughout this career).
The essays alternate in focus between low-brow culture (disk jockeys, hot rod culture, stock car racing, gossipy tabloid publishers) and high-brow culture (the modern art scene, high society socials). Wolfe's sympathies are almost always with low-brow culture, which sometimes (but not always) allies himself with teenagers, but mostly with working-class midwesterners and Southerners. His high-brow writing is more obviously satirical in tone, and he has little patience for the comedies of manners that passed for etiquitte among New York City's elite in the 1960s.
Most reviewers will single out "The Last American Hero" (an article about early NASCAR legend Junior Johnson) as the book's high point. While that is indeed what I would agree is the best-written article here, I think the true heart of the book is "Girl of the Year" which shows an intersection between the youth culture one would think would have Wolfe's sympathies, and the ritzy New York debutante culture that pops up in tabloids and fashion magazines before falling into obscurity. (It also has a hilarious, if unflattering, portrayal of the Rolling Stones).
Put in the effort to read this collection, and you will be rewarded with an increased vocabulary, a much better understanding of what early 1960s culture was like, and a great idea of where Tom Wolfe's later explorations would take him. This collection is a true treasure.
If Wolfe seems too keen on displaying his erudite at times almost encyclopedic literary and historical antecedents, it is only because he is and was trained to be that way. Unfortunately his critics on E 43 st in Manhattan will never get over this. But let us face he does write for the common in an uncommon fashion.
The strongest pieces are up front, specifically on Las Vegas and the beginnings of stock car racing and the title-piece on kustom car culture in Southern California.
The second half of the book lags a bit as most of the stories about the upper-crust of 1960s New York fall into the we-get-the-idea category. Upon modern reading, some of the material seems dated - winkle-picker boots, etc. - but charmingly so. This is a great snapshot of Wolfe and the send-up style that would come to define him.








