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Kant's Little Prussian Head and Other Reasons Why I Write: An Autobiography in Essays Hardcover – October 13, 2020
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A glimpse into a beloved novelist’s inner world, shaped by family, art, and literature.
In her fiction, Claire Messud "has specialized in creating unusual female characters with ferocious, imaginative inner lives" (Ruth Franklin, New York Times Magazine). Kant’s Little Prussian Head and Other Reasons Why I Write opens a window on Messud’s own life: a peripatetic upbringing; a warm, complicated family; and, throughout it all, her devotion to art and literature.
In twenty-six intimate, brilliant, and funny essays, Messud reflects on a childhood move from her Connecticut home to Australia; the complex relationship between her modern Canadian mother and a fiercely single French Catholic aunt; and a trip to Beirut, where her pied-noir father had once lived, while he was dying. She meditates on contemporary classics from Kazuo Ishiguro, Teju Cole, Rachel Cusk, and Valeria Luiselli; examines three facets of Albert Camus and The Stranger; and tours her favorite paintings at Boston’s Museum of Fine Arts. In the luminous title essay, she explores her drive to write, born of the magic of sharing language and the transformative powers of “a single successful sentence.”
Together, these essays show the inner workings of a dazzling literary mind. Crafting a vivid portrait of a life in celebration of the power of literature, Messud proves once again "an absolute master storyteller" (Rebecca Carroll, Los Angeles Times).
- Print length336 pages
- LanguageEnglish
- PublisherW. W. Norton & Company
- Publication dateOctober 13, 2020
- Dimensions5.8 x 1.2 x 8.6 inches
- ISBN-101324006757
- ISBN-13978-1324006756
From #1 New York Times bestselling author Colleen Hoover comes a novel that explores life after tragedy and the enduring spirit of love. | Learn more
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Editorial Reviews
Review
― Garth Greenwell, author of Cleanness and What Belongs to You
"Moving and evocative…These intimate, contemplative and probing essays reveal Messud’s rich inner life and generosity of spirit."
― Publishers Weekly (starred review)
"Powerful and inspirational: Messud is as fine a critic as she is a novelist."
― Kirkus Reviews (starred review)
From the Back Cover
Praise for Claire Messud:
"I can think of few writers capable of such thrilling seriousness expressed with so lavish a gift."
– Rachel Cusk, Evening Standard
"Messud writes about happiness, and about infatuation―about love―more convincingly than any author I’ve encountered in years."
– Lionel Shriver, NPR
"Messud brings her own particular brand of astuteness and emotional intelligence through her careful and thoughtful prose."
– S. Kirk Walsh, San Francisco Chronicle
"Messud is an expert storyteller. Her style is precise and illuminating, transforming the mundane into the unusual."
– Tilly Ware, Guardian
About the Author
Product details
- Publisher : W. W. Norton & Company (October 13, 2020)
- Language : English
- Hardcover : 336 pages
- ISBN-10 : 1324006757
- ISBN-13 : 978-1324006756
- Item Weight : 1 pounds
- Dimensions : 5.8 x 1.2 x 8.6 inches
- Best Sellers Rank: #1,187,477 in Books (See Top 100 in Books)
- #3,811 in Essays (Books)
- #5,494 in Author Biographies
- #48,591 in Literary Fiction (Books)
- Customer Reviews:
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- Reviewed in the United States on November 10, 2020I loved this book. Not only did I learn about the writers and artists Claire Messud wrote about, but also how she connected with them as a writer.
- Reviewed in the United States on December 2, 2020These essays were well written and mildly entertaining, but she never said what the deal was with Kant's Prussian Head????
- Reviewed in the United States on April 17, 2021... after having feasted on Alexander Chee's fabulous How to Write an Autobiographical Novel, I've been fascinated with the genre. Of Chee, I wrote, "a beautifully written sonnet."
Kant's Little Prussian Head & Other Reasons Why I Write, is too, yet with a philosophical bent, Kant notwithstanding.
The title derives from Thomas Bernhard's novel, The Loser, "... we study a monumental work, for example Kant's work, and in time it shrivels down to Kant's little East Prussian head and to a thoroughly amorphous world of night and fog, which winds up in the same state of helplessness as all the others ..."
The point is that "Our great philosophers ... shrivel down to a single successful sentence ... often we remember only a so-called philosophical hue."
Yet, Claire Messud, best-selling author of The Emperor's Children, and The Burning Girl, avoids this trap; as a writer, she has "staked her life on the possibility of the original expression of authentic experience."
Part One, Reflections, delves into Messud's personal history; particularly moving, is the chapter, Two Women (her mother and aunt), whose identities "involved profound self-loathing: they believed, as so many women have been brought up to believe that they were inadequate as they were."
Part Two, Criticism: Books, gives us a chance to marvel at not only Messud's writing and perspective, but the authors of whom she writes, also share a connection in her development and maturation. Messud explores the works of Camus (Messud's father also attended the Lycee Bugeaud, where Jaques Derrida was a classmate: ("I always did better than him in philosophy," her father said), Kamel Daoud, who wrote The Mersault Investigation, a response to Camus' The Stranger, and among others, Jane Bowles (Two Serious Ladies), and Saul Friedlander (When Memory Comes).
But I was so taken with Messud's analysis of the authors, Yasmine El Rashida (Chronicle of a Last Summer) and Valeria Luiselli (Lost Children Archive), that I ordered a work from both.
I did the same for Sally Mann, whom Messud describes "... who knew that she could as easily have been a writer as a photographer?"
Mann's work, Hold Still, is featured in Part Three, Images, which also includes the work of Alice Neel and Marlene Dumas.
"I am who I am because I was where I was, when I was; and almost all of it is invisible to the world." Although Messud admits this is true for all of us, quoting T.S. Eliot's The Wasteland, she explains further, "We are as much the sum of our lived literary experiences as our literally lived experiences ...
These are the fragments I have shored against my ruins."
- Reviewed in the United States on November 9, 2020Claire Messud's new work, KANT'S LITTLE PRUSSIAN HEAD AND OTHER REASONS WHY I WRITE, is a magnificent collection of essays by one of our very finest writers. Having read all her fiction, it doesn't surprise me that the quality of introspection and observation is so detailed, but what radiates in this work is the intimacy of Messud's reflections. These are essays that serve as a form of literary memoir, never confessional, but always deeply and profoundly personal. Messud writes in a Proustian fashion about her family -- never shying away from the truth, but always with great and sincere empathy and love. This is a book that brings joy to the reader -- reveling in the beauty of art and family, the power of the written word, and the transcendence found in our own individual experience. This is a book that I will return to again and again for pleasure, insight and rejuvenation.
- Reviewed in the United States on July 2, 2021Ms. Messud has a wonderful gift for vibrant and entertaining prose. The essays and reviews in this collection manage to transform the personal and private into beautiful reflections on more universal truths. Just a fun read!
- Reviewed in the United States on November 22, 2020Bravo. Superb triple hit of personal vignettes (Reflections), literary criticisms (Camus, Ishiguro, and Jane Bowles!), and commentary on visual art. Her compulsion to write is understood, in part of course, and her authenticity is awesome. DAB
- Reviewed in the United States on November 3, 2020Thank you to WW Norton and NetGalley for the Reader's Copy!
Now available.
A legend in literary fiction, Claire Messud's Kant's Little Prussian Head is a series of musings on the author's international childhood, her own career and writing and critiques on other literary works. While I certainly appreciated getting a closer look at Messud's own family life - the way she mimicked her mother's reading preferences for Dostoevsky as a young teenager was both adorable and melancholic - it was Messud's literary critiques that truly captivated me. For example, her analysis of Italo Sveno's "Zeno", one of my favorite books, changed the way I conceptualized the work earlier. Whether it's a deeply personal story about her father's struggles with alcoholism or a stroll through an art gallery, Messud has a way of drawing a reader in with a knowing nod and maternal wink. Definitely recommend whether you are a long term Messud fan or a newcomer to her work.
- Reviewed in the United States on October 16, 2020So tedious...like unprocessed notes, rambling, pointless. I prefer Messud’s fiction.

