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Condition: Used: Good
Comment: Ex-library book. The item shows wear from consistent use, but it remains in good condition and works perfectly. All pages and cover are intact (including the dust cover, if applicable). Spine may show signs of wear. Pages may include limited notes and highlighting.
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Kate: The Woman Who Was Hepburn Hardcover – October 3, 2006

3.4 out of 5 stars 75 customer reviews

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Editorial Reviews

From Publishers Weekly

Starred Review. Mann, a skilled chronicler of gay Hollywood (Wisecracker: The Life and Times of William Haines), says at the onset it doesn't make sense to try to pin down Katharine Hepburn with modern labels of sexual identity. Mann's careful research on the longstanding rumors about Hepburn's lesbianism suggests that the notoriously feisty and tomboyish actress lived her life as a man with little empathy for women's issues. This interpretation also shatters the legend of her romance with Spencer Tracy—instead, Mann establishes a pattern of relationships in which the sex-averse Hepburn played emotional caretaker to a series of alcoholic, closeted homosexuals that, in addition to Tracy, included director John Ford. Yet the portrait is constructed so carefully that it never feels shocking. Mann also devotes significant attention to Hepburn's rocky relationships with Hollywood studios and with the press, revealing that the self-styled renegade wasn't above collaborating to shape her public image, and depicts her final decline into alcoholism and depression with sensitivity. Hepburn's siblings and contemporaries (now free to speak after her death) make major corrections to earlier Hepburn biographies, creating a picture of a complex woman rather than the icon she worked hard to become in the public's eye. This will surely be the definitive version of Hepburn's life for decades to come, as it is an outstanding example of painstaking research matched with splendid writing. (Oct. 3)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist

When Katharine Hepburn's movie career began in the 1930s, people didn't know what to make of her. It didn't matter; she formed her own image: an iconoclast and a feminist, yet a woman who found her greatest happiness caring for--some would say subjugating herself to--her longtime love, Spencer Tracy. Since her death, there has been some revisionist history. In Kate Remembered (2003), author and friend A. Scott Berg seemingly confirmed rumors of Hepburn's bisexuality. Mann goes further, exploring Hepburn's liaisons with numerous women and even suggesting that the Hepburn-Tracy relationship was never really a romance, except perhaps at the beginning. Moreover, he posits that Tracy had sexuality issues of his own, which may have been the root of his excessive drinking. This gossip has been whispered about in the past, but Mann has done his homework, digging up sources who have never before spoken, finding new facts, revealing how both press and public played their parts in upholding Hepburn's carefully crafted persona. He also avoids the pitfalls of so many biographers: although he puts his subject on the couch, he lets her do the speaking. Rich and vivid, this will garner great attention--and deservedly so. Ilene Cooper
Copyright © American Library Association. All rights reserved

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Product Details

  • Hardcover: 656 pages
  • Publisher: Henry Holt and Co.; First Edition edition (October 3, 2006)
  • Language: English
  • ISBN-10: 0805076255
  • ISBN-13: 978-0805076257
  • Product Dimensions: 6.3 x 2 x 9.6 inches
  • Shipping Weight: 2.4 pounds
  • Average Customer Review: 3.4 out of 5 stars  See all reviews (75 customer reviews)
  • Amazon Best Sellers Rank: #959,002 in Books (See Top 100 in Books)

Customer Reviews

Top Customer Reviews

By Loribee VINE VOICE on December 18, 2006
Format: Hardcover Verified Purchase
Unless the purpose of the book was only to "out" Katharine Hepburn and Spencer Tracy, and, apparently, everyone else Kate knew, in which it tries very hard to achieve its objective.

I found the book to be difficult to read, and often difficult to believe. So many things didn't add up, and I often found myself thinking "now, how did the author know that?" Mann uses a lot of innuendo, and in order to actually KNOW the things he claims, he would have had to have been in the bedrooms of the people involved.

I read a lot of good reviews before purchasing the book, and can only say I was disappointed. After the first chapter I GOT the idea - Kate was gay or bisexual, at least in the author's opinion - so much paper could have been saved without the rest of the book.

When I was about 10, I was a tomboy. I wanted to be a boy. I buy and wear men's jeans because they fit better. I played with my brothers and their friends, not my sister or "dumb dolls". God only knows where the author could go with that information. When I was older, I had close female friends, and close male friends - with that information, the author could write a similar book about me, I think. Except I've never been sexually attracted to other women, and I'm happily married.

My real problem with the book, aside from the fact that it was not interesting reading, is that I couldn't understand why someone would write a book trying to prove a person was gay or bisexual. It just got tedious after a while.

One can always find "someone" who said "something", and the author did have an agenda. Whether or not Kate was bisexual or gay does not a book make. Speculation about it makes even less of a book.

This was not the definitive bio of Kate that people claimed it was.
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Format: Paperback
Mann's take on Hepburn's life seems to be a love it or hate it proposition for many readers; however, approaching this book with no preconceived notions or expectations, I found this biography both fascinating and reflective of the complicated world of wealth, show business and the creative temperament. Movies have long been a great source of escape, but they do create passionate loyalty in fans as we project our own interpretations of great screen characters. Mann looks deeper into Hepburn's years onscreen and off, as well as her motivations, her cultural background and penchant for the bohemian lifestyle that so attracted to those who could indulge themselves, by virtue of entitlement and an appreciation of the arts.

During her youth, Hepburn nurtured a desire to be special, believing in her destiny, although the first years on the stage were not as successful as she hoped. Child of a distant, critical father, Kate was profoundly affected by her father's lack of affection, a gawky girl who later grows into a beauty, half tomboy, half girl, ever straddling the two. As a free spirit ("financial security was something she took for granted"), Kate had a strong drive toward independence, yet was drawn to older men, a recurring cycle of father figures who harbored some private sexual ambiguity. In the 30s and 40s, Kate was in a unique position to avail herself of the diverse lifestyles of Greenwich Village, enjoying the gender ambivalence that appealed to those not constricted by public sanctimony. Pre-tabloid times afforded more privacy; certainly in Hollywood's glory days, the stars were able to indulge their private interests without public scrutiny until the Legion of Decency reared its ugly head.
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Format: Hardcover
Hi, the account-holder's daughter here. I do not reflect the opinion of the person who has this account.

I will not talk about Hepburn's sexuality, because the only person who knew for sure is dead. Instead, I will point out that this book makes many factual errors. It claims that Hepburn had a hysterectomy, ignoring the fact that Hepburn mentions having her period in 1951, eighteen years after the supposed surgery. It gets Spencer Tracy's drinking habits entirely wrong- he was a binge drinker, not a regular drinker. The author uses a witness, Scotty, who has said before that he has lied to biographers. Mann also takes comments out of context and manipulates them to suit his own purposes. An example here:

Mann told an interviewer that Hepburn told Dick Cavett she was a "missing link" between the genders, to support his theory that Hepburn was transgender. Wrong! Though she did say "missing link", it was to refer to her position in the family (her younger siblings were all much younger than she- thus a "missing link" between children and parents), not her gender at all.

Maybe Hepburn was bisexual, or lesbian. Maybe her relationship with Spencer Tracy was exaggerated. And perhaps she was, in fact, transgender. There's no problem in that. However, I personally would need a more credible source than what Mann has provided.
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Format: Kindle Edition Verified Purchase
Perhaps that was the intent of this book: to show that the public image of people of note does not always coincide with what they are really like in private. Especially in Hollywood where image is everything.
And so it was with Kate (and others in the book, I might add), a remarkable survivor of five decades as an actress made possible by several makeovers of her public image, and some incredibly good performances on both stage and screen.
Another purpose of the author, I think, was to set the record straight on Kate's gender identity: seems it really was ambiguous, though the evidence is convincing enough she was primarily lesbian. The author professes to be gay in the last sentence of the book in acknowledging his partner, so perhaps has an advantage in being able to write about the gay-lesbian old Hollywood Cukor crowd. He also had access to private correspondence and intimates, including her niece, who were now willing to be more frank about her after her death. And Katherine Houghton implies her Aunt Jimmy/Kate was indeed a boy/girl. As the private Jimmy, she preferred women, and their companionship. As the public Kate, she liked strong, virile men--much like her father. Though her male preferences were not quite what their public images purveyed--a common thread throughout this biography.
Reading some of the negative reviews here, I think some of her fans are caught up with the public Kate, which we all adored. And maybe that's all that should count--at least to us. And of course her performances. Leave the rest of it to her friends and family. Hamill said the same about Sinatra: all that matters are the songs. Bless you, Kate.
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