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The Killer Angels: The Classic Novel of the Civil War Mass Market Paperback – August 12, 1987
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In the four most bloody and courageous days of our nation’s history, two armies fought for two conflicting dreams. One dreamed of freedom, the other of a way of life. Far more than rifles and bullets were carried into battle. There were memories. There were promises. There was love. And far more than men fell on those Pennsylvania fields. Bright futures, untested innocence, and pristine beauty were also the casualties of war. Michael Shaara’s Pulitzer Prize–winning masterpiece is unique, sweeping, unforgettable—the dramatic story of the battleground for America’s destiny.
Praise for The Killer Angels
“Remarkable . . . a book that changed my life . . . I had never visited Gettysburg, knew almost nothing about that battle before I read the book, but here it all came alive.”—Ken Burns
“Shaara carries [the reader] swiftly and dramatically to a climax as exciting as if it were being heard for the first time.”—The Seattle Times
“Utterly absorbing.”—Forbes
- Print length355 pages
- LanguageEnglish
- PublisherBallantine Books
- Publication dateAugust 12, 1987
- Dimensions4.2 x 1 x 6.9 inches
- ISBN-100345348109
- ISBN-13978-0345348104
- Lexile measure610L
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Editorial Reviews
Amazon.com Review
Review
“My favorite historical novel . . . a superb re-creation of the Battle of Gettysburg, but its real importance is its insight into what the war was about, and what it meant.”—James M. McPherson
“Remarkable . . . a book that changed my life . . . I had never visited Gettysburg, knew almost nothing about that battle before I read the book, but here it all came alive.”—Ken Burns
“Shaara carries [the reader] swiftly and dramatically to a climax as exciting as if it were being heard for the first time.”—The Seattle Times
“Utterly absorbing.”—Forbes
From the Publisher
Ron Lundquist, Ballantine Sales Rep.
From the Inside Flap
JAMES M. McPHERSON
Author of BATTLE CRY OF FREEDOM
Winner of the 1975 Pulitzer Prize for fiction
In the four most bloody and courageous days of our nation's history, two armies fought for two dreams. One dreamed of freedom, the other of a way of life. Far more than rifles and bullets were carried into battle. There were memories. There were promises. There was love. And far more than men fell on those Pennsylvania fields. Shattered futures, forgotten innocence, and crippled beauty were also the casualties of war. Unique, sweeping, an unforgettable, THE KILLER ANGELS is a dramatic re-creation of the battleground for America's destiny.
About the Author
Excerpt. © Reprinted by permission. All rights reserved.
He rode into the dark of the woods and dismounted. He crawled upward on his belly over cool rocks out into the sunlight, and suddenly he was in the open and he could see for miles, and there was the whole vast army below him, filling the valley like a smoking river. It came out of a blue rainstorm in the east and overflowed the narrow valley road, coiling along a stream, narrowing and choking at a white bridge, fading out into the yellowish dust of June but still visible on the farther road beyond the blue hills, spiked with flags and guidons like a great chopped bristly snake, the snake ending headless in a blue wall of summer rain.
The spy tucked himself behind a boulder and began counting flags. Must be twenty thousand men, visible all at once. Two whole Union Corps. He could make out the familiar black hats of the Iron Brigade, troops belonging to John Reynold’s First Corps. He looked at his watch, noted the time. They were coming very fast. The Army of the Potomac had never moved this fast. The day was murderously hot and there was no wind and the dust hung above the army like a yellow veil. He thought: there’ll be some of them die of the heat today. But they are coming faster than they ever came before.
He slipped back down into the cool dark and rode slowly downhill toward the silent empty country to the north. With luck he could make the Southern line before nightfall. After nightfall it would be dangerous. But he must not seem to hurry. The horse was already tired. And yet there was the pressure of that great blue army behind him, building like water behind a cracking dam. He rode out into the open, into the land between the armies.
There were fat Dutch barns, prim German orchards. But there were no cattle in the fields and no horses, and houses everywhere were empty and dark. He was alone in the heat and the silence, and then it began to rain and he rode head down into monstrous lightning. All his life he had been afraid of lightning but he kept riding. He did not know where the Southern headquarters was but he knew it had to be somewhere near Chambersburg. He had smelled out the shape of Lee’s army in all the rumors and bar talk and newspapers and hysteria he had drifted through all over eastern Pennsylvania, and on that day he was perhaps the only man alive who knew the positions of both armies. He carried the knowledge with a hot and lovely pride. Lee would be near Chambersburg, and wherever Lee was Longstreet would not be far away. So finding the headquarters was not the problem. The problem was riding through a picket line in the dark.
The rain grew worse. He could not even move in under a tree because of the lightning. He had to take care not to get lost. He rode quoting Shakespeare from memory, thinking of the picket line ahead somewhere in the dark. The sky opened and poured down on him and he rode on: It will be rain tonight: Let it come down. That was a speech of murderers. He had been an actor once. He had no stature and a small voice and there were no big parts for him until the war came, and now he was the only one who knew how good he was. If only they could see him work, old cold Longstreet and the rest. But everyone hated spies. I come a single spy. Wet single spy. But they come in whole battalions. The rain began to ease off and he spurred the horse to a trot. My kingdom for a horse. Jolly good line. He went on, reciting Henry the Fifth aloud: “Once more into the breech . . .”
Late that afternoon he came to a crossroad and the sign of much cavalry having passed this way a few hours ago. His own way led north to Chambersburg, but he knew that Longstreet would have to know who these people were so close to his line. He debated a moment at the crossroads, knowing there was no time. A delay would cost him daylight. Yet he was a man of pride and the tracks drew him. Perhaps it was only Jeb Stuart. The spy thought hopefully, wistfully: If it’s Stuart I can ask for an armed escort all the way home. He turned and followed the tracks. After a while he saw a farmhouse and a man standing out in a field, in a peach orchard, and he spurred that way. The man was small and bald with huge round arms and spoke very bad English. The spy went into his act: a simple-minded farmer seeking a runaway wife, terrified of soldiers. The bald man regarded him sweatily, disgustedly, told him the soldiers just gone by were “plu” soldiers, Yankees. The spy asked: What town lies yonder? and the farmer told him Gettysburg, but the name meant nothing. The spy turned and spurred back to the crossroads. Yankee cavalry meant John Buford’s column. Moving lickety-split. Where was Stuart? No escort now. He rode back again toward the blue hills. But the horse could not be pushed. He had to dismount and walk.
That was the last sign of Yankees. He was moving up across South Mountain; he was almost home. Beyond South Mountain was Lee and, of course, Longstreet. A strange friendship: grim and gambling Longstreet, formal and pious old Bobby Lee. The spy wondered at it, and then the rain began again, bringing more lightning but at least some cooler air, and he tucked himself in under his hat and went back to Hamlet. Old Jackson was dead. Good night, sweet Prince, and flights of angels sing thee to thy rest . . .
He rode into darkness. No longer any need to hurry. He left the roadway at last and moved out in to a field away from the lightning and the trees and sat in the rain to eat a lonely supper, trying to make up his mind whether it was worth the risk of going on. He was very close; he could begin to feel them up ahead. There was no way of knowing when or where, but suddenly they would be there in the road, stepping phantomlike out of the trees wearing those sick eerie smiles, and other men with guns would suddenly appear all around him, prodding him in the back with hard steel barrels, as you prod an animal, and he would have to be lucky, because few men rode out at night on good and honest business, not now, this night, in this invaded country.
He rode slowly up the road, not really thinking, just moving, reluctant to stop. He was weary. Fragments of Hamlet flickered in his brain: If it be not now, yet it will come. Ripeness is all. Now there’s a good part. A town ahead. A few lights. And then he struck the picket line.
There was a presence in the road, a liquid Southern voice. He saw them outlined in lightning, black ragged figures rising around him. A sudden lantern poured yellow light. He saw one bleak hawkish grinning face; hurriedly he mentioned Longstreet’s name. With some you postured and with some you groveled and with some you were imperious. But you could do that only by daylight, when you could see the faces and gauge the reaction. And now he was too tired and cold. He sat and shuddered: an insignificant man on a pale and muddy horse. He turned out to be lucky. There was a patient sergeant with a long gray beard who put him under guard and sent him along up the dark road to Longstreet’s headquarters.
He was not safe even now, but he could begin to relax. He rode up the long road between picket fires, and he could hear them singing in the rain, chasing each other in the dark of the trees. A fat and happy army, roasting meat and fresh bread, telling stories in the dark. He began to fall asleep on the horse; he was home. But they did not like to see him sleep, and one of them woke him up to remind him, cheerily, that if there was no one up there who knew him, why, then, unfortunately, they’d have to hang him, and the soldier said it just to see the look on his face, and the spy shivered, wondering, Why do there have to be men like that, men who enjoy another man’s dying?
Longstreet was not asleep. He lay on the cot watching the lightning flare in the door of the tent. It was very quiet in the grove and there was the sound of the raindrops continuing to fall from the trees although the rain had ended. When Sorrel touched him on the arm he was glad of it; he was thinking of his dead children.
“Sir? You asked to be awakened if Harrison came back.”
“Yes.” Longstreet got up quickly and put on the old blue robe and the carpet slippers. He was a very big man and he was full-bearded and wild-haired. He thought of the last time he’d seen the spy, back in Virginia, tiny man with a face like a weasel: “And where will your headquarters be, General, up there in Pennsylvania? ’Tis a big state indeed.” Him standing there with cold gold clutched in a dirty hand. And Longstreet had said icily, cheerily, “It will be where it will be. If you cannot find the headquarters of this whole army you cannot be much of a spy.” And the spy had said stiffly, “Scout, sir. I am a scout. And I am a patriot, sir.” Longstreet had grinned. We are all patriots. He stepped out into the light. He did not know what to expect. He had not really expected the spy to come back at all.
The little man was there: a soggy spectacle on a pale and spattered horse. He sat grinning wanly from under the floppy brim of a soaked and dripping hat. Lightning flared behind him; he touched his cap.
“Your servant, General. May I come down?”
Longstreet nodded. The guard backed off. Longstreet told Sorrel to get some coffee. The spy slithered down from the horse and stood grinning foolishly, shivering, mouth slack with fatigue.
“Well, sir”—the spy chuckled, teeth chattering—“you see, I was able to find you after all.”
Longstreet sat at the camp table on a wet seat, extracted a cigar, lighted it. The spy sat floppily, mouth still open, breathing deeply.
“It has been a long day. I’ve ridden hard all this day.”
“What have you got?”
“I came through the pickets at night, you know. That can be very touchy.”
Longstreet nodded. He watched, he waited. Sorrel came with steaming coffee; the cup burned Longstreet’s fingers. Sorrel sat, gazing curiously, distastefully at the spy.
The spy guzzled, then sniffed Longstreet’s fragrant smoke. Wistfully: “I say, General, I don’t suppose you’ve got another of those? Good Southern tobacco?”
“Directly,” Longstreet said. “What have you got?”
“I’ve got the position of the Union Army.”
Longstreet nodded, showing nothing. He had not known the Union Army was on the move, was within two hundred miles, was even this side of the Potomac, but he nodded and said nothing. The spy asked for a map and began pointing out the positions of the corps.
“They’re coming in seven corps. I figure at least eighty thousand men, possibly as much as a hundred thousand. When they’re all together they’ll outnumber you, but they’re not as strong as they were; the two-year enlistments are running out. The First Corps is here. The Eleventh is right behind it. John Reynolds is in command of the lead elements. I saw him at Taneytown this morning.”
“Reynolds,” Longstreet said.
“Yes, sir.”
“You saw him yourself?”
The spy grinned, nodded, rubbed his nose, chuckled. “So close I could touch him. It was Reynolds all right.”
“This morning. At Taneytown.”
“Exactly. You didn’t know any of that, now did you, General?” The spy bobbed his head with delight. “You didn’t even know they was on the move, did ye? I thought not. You wouldn’t be spread out so thin if you knowed they was comin’.”
Longstreet looked at Sorrel. The aide shrugged silently. If this was true, there would have been some word. Longstreet’s mind moved over it slowly. He said: “How did you know we were spread out?”
“I smelled it out.” The spy grinned, foxlike, toothy. “Listen, General, I’m good at this business.”
“Tell me what you know of our position.”
“Well, now I can’t be too exact on this, ’cause I aint scouted you myself, but I gather that you’re spread from York up to Harrisburg and then back to Chambersburg, with the main body around Chambersburg and General Lee just ’round the bend.”
It was exact. Longstreet thought: if this one knows it, they will know it. He said slowly, “We’ve had no word of Union movement.”
The spy bobbed with joy. “I knew it. Thass why I hurried. Came through that picket line in the dark and all. I don’t know if you realize, General—”
Sorrel said coldly, “Sir, don’t you think, if this man’s story was true, that we would have heard something?”
Product details
- Publisher : Ballantine Books (August 12, 1987)
- Language : English
- Mass Market Paperback : 355 pages
- ISBN-10 : 0345348109
- ISBN-13 : 978-0345348104
- Lexile measure : 610L
- Item Weight : 12 ounces
- Dimensions : 4.2 x 1 x 6.9 inches
- Best Sellers Rank: #586,045 in Books (See Top 100 in Books)
- #2,168 in Military Historical Fiction
- #5,888 in War Fiction (Books)
- #6,663 in Family Saga Fiction
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About the author

With the release of a newly discovered unpublished novel--The Rebel in Autumn--and the ebook releases of his three classic backlist titles: his first novel, The Broken Place; his science fiction novel, The Herald; and his beloved baseball novel, For Love of the Game; and the upcoming ebook publication of 46 short stories, the works of Michael Shaara stand poised to take their place in America's literary pantheon. While his Pulitzer Prize winning novel The Killer Angels has sold millions of copies, and For Love of the Game was made into a movie that seems to be constantly on TV, his other works remain virtually unknown. Twenty-five years after his death, Michael Shaara is on the verge of being rediscovered as the versatile, talented man of letters that he was.
Michael Shaara was born in 1928 in Jersey City, N.J., the son of Michael Joseph Shaara, Sr., an Italian immigrant and union organizer, and Allene (Maxwell) Shaara. He married Helen Elizabeth Krumwiede in 1950 (marriage which ended in 1980), and had two children: Jeffrey and Lila Elise. Shaara graduated from Rutgers University with a B.A. in 1951, and continued with graduate studies at Columbia University (1952-53) and University of Vermont (1953-54). He knew in college that he wanted to write for a living, and his short story career began in the 1950s, selling mainly science fiction and fantasy stories to the pulp fiction magazines as well as to Cosmopolitan, Galaxy, Fantastic Universe, Playboy, Redbook and the Saturday Evening Post, winning several awards. Shaara's themes reflected his times and dealt with everyday events, as well as with aliens, and the devastation of complete cities from nuclear disasters. In 1959, Shaara was hired as an instructor of English at Florida State University, and by 1968, he had risen to the position of Associate Professor.
Michael Shaara was teaching creative writing at Florida State University while writing his first novel, The Broken Place. Shaara had worked numerous odd jobs before becoming a teacher, including time spent as a merchant seaman and police officer. Under contract to deliver The Broken Place, the stress of the writing and teaching a full course load caused him to have a serious, nearly fatal heart attack. He was even pronounced dead while the ER doctors attempted to revive him. This near-death experience no doubt colored his writing of The Broken Place, as did his army experience (a paratrooper with the 82nd Airborne during peace time), his amateur boxing career, and his marriage to his college sweetheart, Helen Elizabeth Krumwiede, the model for Lise Hoffman. The Broken Place was published to great literary acclaim--Shaara was often compared to Ernest Hemingway in the reviews--but few sales.
His second novel, The Rebel In Autumn, was based on an event at Florida State. Rebel was written during the campus protests of the late 1960s and is set in 1969. His agent began shopping the book in 1970, just a few short months before the Ohio National Guard shot into a crowd of student protesters at Kent State University, killing four, in an eerie echo of Rebel's climactic scene. And so the book never saw the light of day, although it is a beautifully written and artfully crafted novel, perhaps the equal of his next novel, The Killer Angels.
In 1972, while teaching an FSU abroad program in Italy, Shaara had a devastating motorcycle accident, leaving him unconscious for weeks. He suffered from a severe brain injury, and Shaara later said that his eyes were not "working together" and that he could not read very much. Shaara also had difficulty with both speech and thought patterns. Emotionally, he suffered from bouts of depression.
Shaara won the Pulitzer Prize for Fiction in 1975 for The Killer Angels, his second published novel, a brilliant portrayal of the Battle of Gettysburg. But even that was a struggle. It took Shaara years to research the book, even enlisting his then teenage son Jeff to crawl around under the brush at Gettysburg in order to find long-covered up markers. The Killer Angels was rejected by fifteen publishers before the small, independent, and long defunct David McKay Company purchased the manuscript. The Killer Angels was another critical success and commercial flop, as the public wasn't interested in war stories in the aftermath of the Vietnam War. It wasn't until five years after Shaara's death that The Killer Angels hit the bestseller lists, climbing all the way to #1 on The New York Times list.
It would be seven years before Shaara would publish another novel. The Herald came out in 1981 and hearkened back to Shaara's early career writing science fiction for magazines. The Herald is a very dark post-apocalyptic story, perhaps related to Shaara's continuing financial failures as a writer. The glimmer of hope at the end of the novel speaks to the spark that lurked beneath Shaara's misanthropic outlook. While it garnered some positive reviews, it was clear that The Herald was not going to find commercial success either.
A second heart attack killed Shaara in 1988 at the age of 59.
Shaara's first financially successful novel was published posthumously--For Love of the Game. The beloved baseball novel was quickly snapped up by the movies and made into a film with Kevin Costner playing the lead. But before Game came the movie "Gettysburg" directed by Ron Maxwell, financed by Ted Turner. Starring Martin Sheen as Robert E. Lee and Jeff Daniels as Joshua Lawrence Chamberlain, Sam Elliot and Tom Berenger among others. The movie was a hit, and turned the forgotten novel behind it--The Killer Angels--into a huge success. It is now required reading at many schools, including West Point, and is generally considered one of the greatest Civil War novels ever written.
With the publication of The Rebel in Autumn, and the release of The Broken Place, The Herald and For Love of the Game as ebooks, all the Shaara novels will now be available for the first time. The publication of Rebel is a major literary event--how often does a lost manuscript from a Pulitzer Prize winning author turn up...43 years after it was written and 25 years after its author's death?
Michael Shaara's son, Jeff Shaara, has taken up his father's mantle of writing historical fiction, writing bestselling novels of the Civil War, Mexican War, WWI and WWII, enjoying commercial success in his lifetime the way his father was never able to. Michael Shaara's daughter, Lila, also published two novels.
The Michael Shaara papers today reside at the Bienes Museum at the Broward County Public Library in Florida. http://www.broward.org/library/bienes/pages/bienesshaara.aspx
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The Killer Angels tells the story of the Battle of Gettysburg from the points of view of some of the military leaders involved. There are 23 chapters. Seven are told from the point of view of Union colonel Joshua Chamberlain, six from the point of view of Confederate general James Longstreet. The third-most featured is Confederate commander-in-chief Robert E Lee, who gets four chapters. I was surprised that so much attention was given to two relatively obscure (to me, at the time) men. Now I know all you Civil War buffs out there are scoffing at me for calling Chamberlain and Longstreet "obscure". Fair enough. But I am not, I think, telling a lie when I say that a kid who learned what he or she knew about the American Civil War in public school in the northeastern USA might never have heard the names of Chamberlain and Longstreet, or at least not heard them in such a way as to be likely to remember a few years later. That was me.
The Killer Angels was the first step in remedying this educational defect. Although still far from expert on the Civil War, I have read many a book (including, for instance, Shelby Foote's masterful Civil War trilogy, not to mention that I am at this moment reading Elizabeth Varon's new biography of Longstreet). And I spent one of the more memorable days of my life wandering around Gettysburg National Military Park.
Chamberlain is in one way an obvious choice for point of view, because he led one of the most exciting and important actions of the battle, the Defense of Little Round Top. Longstreet is a less obvious choice. Longstreet's role in the battle became controversial because after the war he became a Radical Republican -- a prominent defender of the rights of black people. For this he was vilified as a traitor by Lost Cause Confederate veterans and retroactively blamed for the loss at Gettysburg. Shaara's picture of Longstreet is relatively sympathetic.
If you want an exciting, readable, yet for the most part detailed and accurate fictional presentation of one of the most important battles in American history, you will not do better than The Killer Angels.
The Killer Angels is a fictional account of what happened over the days leading up to and during the days of The Battle of Gettysburg which is named by some as the turning point of The American Civil War (In Firefly, The Battle Of Serenity Valley is listed by some as the turning point of the war against the Alliance and the Independents). It tells the story of the battle in graphic detail through the eyes of both sides, The Confederacy and The Union. It was written using notes and historical documents that were left after The Battle Of Gettysburg. What I love about this novel is how descriptive the author writes without insulting my intelligence. One thing a lot of authors do (looking at you George R.R. Martin) is they will be descriptive to the point of making me feel stupid. I'm going to hate on Game Of Thrones here (love the show hate the books) but George R.R. Martin will do this. He will spend 4 chapters on a dinner describing a sword to me as if I don't know what a sword looks like. He is so descriptive to the point of sheer annoyance that instead of me seeing the battle in my head or the conversation in my head I just feel like i'm in Kindergarten. Michael Shaara doesn't do this. Instead he writes as if you're in the front lines with the men. He writes as if you've grabbed a Colt or a Griswold and Gunnison (btw the Griswald was the Confederate copy of the Colt and it makes an appearance in a conversation in Firefly but it's listed as a Griswold Grenade rather than a revolver) and you're pushing those blue-bellies or grey coats back. When you read this book you hear the bombs bursting and you hear the shots ring out. You feel the cold air and you smell the smoke as if you were right there with those men on those days.
Now sadly I have to give some cons to the book and it's why I deducted a star. Thankfully it's really only one thing that bugs me about the book but it's big enough that I had to deduct a star. The book's characters are a bit hard to follow. Now we know the main characters such as Lee, Hooker, Grant, etc. However smaller characters like John Reynolds for example are harder to follow. The reason I say this is because it's hard to follow which faction they are a part of. The way Michael Shaara writes is rather than going from Confederate to Union and stating as such he will just jump right in. So you'll be reading about General Lee and then he'll bring up a new character by name who will be a Union character. Well the thing is he'll just state him by name and not by rank or by faction. So for an entire chapter I may think that this character is part of the Confederacy when he's actually a part of the Union. It makes it a bit hard to follow when a character you think is part of the Confederacy is actually part of the opposing side. You can go multiple chapters with that mindset until the author will list them as talking with Grant and then you put two and two together and go "oh okay he's with the Union we switched factions in the story". This get particularly annoying as the books go on and they start naming more and more and more Sergeants and Officers that are not as well known as Hooker or Reynolds or Grant. If you're a history buff, major, or professor with extensive knowledge of the American Civil war this won't be a problem at all but for people like me who've only studied it in passing or watched a bit of Ken Burns Civil War it's a tad bit annoying. However it doesn't take too much away from the fact that this book is a fantastic read and well worth the money. The author also adds maps within chapters to show you troop placements and where certain regiments are stationed which I thought was a really nice tough and it added a lot more to the experience.
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und Südstaatler gleichberechtigt behandelt werden. Obwohl Englisch, ist das Buch sehr gut zu lesen.
Auch die Karten sind gut gestaltet.


















