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Killing Lincoln: The Shocking Assassination that Changed America Forever (Bill O'Reilly's Killing Series) Kindle Edition
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Bill O'Reilly
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Martin Dugard
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LanguageEnglish
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PublisherHenry Holt and Co.
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Publication dateSeptember 27, 2011
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File size40794 KB
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Editorial Reviews
Review
“Newsman O'Reilly...gives us a great dramatic reading. The book resonates like a novel, an adventure story...Pacing is everything; O'Reilly is good at it.” ―AudioFile
“In this fast-paced, enthralling narrative that unfolds more like a true-crime thriller than scholarly analysis, O'Reilly and Dugard offer an account of the events that led up to, surrounded, and unfolded in the aftermath of Lincoln's assassination...O'Reilly's sonorous tone and flair for the dramatic add tremendously to the work's theatrical value.” ―Library Journal, starred review
“This short audiobook is like a crash course on one of the pivotal moments in our nation's history...Bill O'Reilly, of The O'Reilly Factor, is an animated reader, as you might expect.” ―Fort Worth Star-Telegram
“As a history major, I wish my required reading had been as well written as this truly vivid and emotionally engaging account of Lincoln's assassination. And as a former combat infantry officer, I found myself running for cover at the Civil War battle scenes. This is the story of an American tragedy that changed the course of history. If you think you know this story, you don't until you've read Killing Lincoln. Add historian to Bill O'Reilly's already impressive résumé.” ―Nelson DeMille, author of The Lion and The Gold Coast
“Killing Lincoln is a must read historical thriller. Bill O'Reilly recounts the dramatic events of the spring of 1865 with such exhilarating immediacy that you will feel like you are walking the streets of Washington, DC, on the night that John Wilkes Booth shot Abraham Lincoln. This is a hugely entertaining, heart-stopping read.” ―Vince Flynn, author of American Assassin
“If Grisham wrote a novel about April 1865…it might well read like Killing Lincoln.” ―Peter J. Boyer, Newsweek
“[Killing Lincoln] delivers a taut, action-packed narrative with cliff-hangers aplenty...” ―The Christian Science Monitor
“[Killing Lincoln] is nonfiction, albeit told in white-knuckled, John Grisham-like style.” ―New York Post
About the Author
MARTIN DUGARD is the New York Times bestselling author of several books of history, among them the Killing series, Into Africa, and The Explorers. He and his wife live in Southern California with their three sons. --This text refers to the audioCD edition.
Excerpt. © Reprinted by permission. All rights reserved.
Friday, April 14, 1865
Washington, D.C.
3:30 P.M.
"Crook," Abraham Lincoln says to his bodyguard, "I believe there are men who want to take my life. And I have no doubt that they will do it."
The two men are walking down Pennsylvania Avenue, on their way back to the War Department for their second meeting of the day. Lincoln wants a short session with Stanton to discuss the fate of a Confederate ringleader who very recently made the mistake of crossing the border from Canada back into the United States. Stanton is in favor of arresting the man, while Lincoln prefers to let him slip away to England on the morning steamer. As soon as Lincoln makes his point, he aims to hurry back to the White House for the carriage ride he promised Mary.
William Crook is fond of the president and deeply unsettled by the comments.
"Why do you think so, Mr. President?"
Crook steps forward as they come upon a group of angry drunks. He puts his body between theirs and Lincoln's, thus clearing the way for the president's safe passage. Crook's actions, while brave, are unnecessary—if the drunks realize that the president of the United States is sharing the same sidewalk, they give no notice.
Lincoln waits until Crook is beside him again, then continues his train of thought. "Other men have been assassinated," Lincoln says.
"I hope you are mistaken, Mr. President."
"I have perfect confidence in those around me. In every one of you men. I know that no one could do it and escape alive," Lincoln says. The two men walk in silence before he finishes his thought: "But if it is to be done, it is impossible to prevent it."
At the War Department, Lincoln once again invites Stanton and telegraph chief Major Thomas Eckert, the man who can break fireplace pokers over his arms, to attend Our American Cousin that night. Both men turn him down once again. Lincoln is upset by their rejection, but he doesn't show it outwardly. The only indication comes on the walk back to the White House, when he admits to Crook, "I do not want to go." Lincoln says it like a man facing a death sentence.
Inside the White House, Lincoln is pulled into an unscheduled last-minute meeting that will delay his carriage ride. Lincoln hides his exasperation and dutifully meets with New Hampshire congressman Edward H. Rollins. But as soon as Rollins leaves, yet another petitioner begs a few minutes of Lincoln's time. A weary Lincoln, all too aware that Mary will be most upset if he keeps her waiting much longer, gives former military aide Colonel William Coggeshall the benefit of a few moments.
Finally, Lincoln marches down the stairs and heads for the carriage. He notices a one-armed soldier standing off to one side of the hallway and overhears the young man tell another, "I would almost give my other hand if I could shake that of Lincoln."
Lincoln can't resist. "You shall do that and it shall cost you nothing, boy," he exclaims, smiling broadly as he walks over and grasps the young man's hand. He asks his name, that of his regiment, and in which battle he lost the arm.
Only then does Lincoln say his farewells and step outside. He finds Mary waiting at the carriage. She's in a tentative mood—they've spent so little time alone in the past few months that being together, just the two of them, feels strange. She wonders if Lincoln might be more comfortable if they brought some friends along for the open-air ride.
"I prefer to ride by ourselves today," he insists. Lincoln helps her into the barouche and then is helped up from the gravel driveway to take his seat beside her. The four-wheeled horse-drawn carriage features two facing double seats for passengers and a retractable roof. The driver sits in a box seat up front. Lincoln opts to keep the roof open, then covers their laps with a blanket, even though the temperature is a warm sixty-eight degrees.
The war has been hard on their marriage. Mary is delighted beyond words to see that Lincoln is in a lighthearted mood. She gazes into her husband's eyes and recognizes the man who once courted her.
"Dear Husband," she laughs, "you startle me by your great cheerfulness. I have not seen you so happy since before Willie's death."
"And well I may feel so, Mary. I consider this day, the war has come to a close." The president pauses. "We must both be more cheerful in the future—between the war and the loss of our darling Willie we have been very miserable."
Coachman Francis Burns guides the elegant pair of black horses down G Street. The pace is a quick trot. Behind them ride two cavalry escorts, just for safety. The citizens of Washington are startled to see the Lincolns out on the town. They hear loud laughter from Mary as the barouche passes by and see a grin spread across the president's face. When a group calls out to him as the carriage turns onto New Jersey Avenue, he doffs his trademark stovepipe hat in greeting.
• • •Throughout the war, Lincoln has stayed in the moment, never allowing himself to dream of the future. But now he pours his heart out to Mary, talking about a proposed family trip to Palestine, for he is most curious about the Holy Land. And after he leaves office he wants the family to return to their roots in Illinois, where he will once again hang out his shingle as a country lawyer. The "Lincoln & Herndon" sign has never been taken down, at Lincoln's specific request to his partner.
"Mary," Lincoln says, "we have had a hard time of it since we came to Washington, but the war is over, and with God's blessing we may hope for four years of peace and happiness, and then we will go back to Illinois and pass the rest of our lives in quiet. We have laid by some money, and during this term we will try to save up more."
The carriage makes its way to the Navy Yard, where Lincoln steps on board USS Montauk. His intent is just a cursory peek at the storied ironclad, with its massive round turret constituting the deck's superstructure. But soon its crew mobs Lincoln, and he is forced to politely excuse himself so that he can return to Mary. Unbeknownst to Lincoln, the Montauk will soon serve another purpose.
Lincoln offers a final salute to the many admirers as coachman Burns turns the carriage back toward the White House. It's getting late, and the Lincolns have to be at the theater.
John Wilkes Booth is expecting them.
Copyright © 2011 by Bill O'Reilly
Product details
- ASIN : B004ULORYU
- Publisher : Henry Holt and Co.; Reprint edition (September 27, 2011)
- Publication date : September 27, 2011
- Language : English
- File size : 40794 KB
- Text-to-Speech : Enabled
- Enhanced typesetting : Enabled
- X-Ray : Enabled
- Word Wise : Enabled
- Print length : 336 pages
- Lending : Not Enabled
- Best Sellers Rank: #21,842 in Kindle Store (See Top 100 in Kindle Store)
- Customer Reviews:
Customer reviews
Top reviews from the United States
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These books are written in a way that makes the people and places come alive and don't become bogged down with too much dry data, facts and figures, etc. Of course, Bill O'Reilly doesn't do the actual writing himself since all these Killing books have another author listed in small print. In fact it looks like some of the newer ones have dropped the pretense of O'Reilly being one of the actual authors; although the books are still marketed with his name featured prominently on the cover they no longer say "by Bill O'Reilly" (see the Legends and Lies books). No matter- the two of these history books I have read are interesting and are quick reads. I am now reading a Bruce Catton civil war book now so that I can learn more about the war itself. I see that some of the one star reviews for the O'Reilly books complain about the inaccuracies and fictionalizing. I'm sure that's true- I'm no expert but when I went to look up more online about some of the conspirators in Lincoln's assasination, I noticed that the book had the pictures of Samuel Arnold and Michael O'Laughlen mistakenly labeled with each other's names. If this is one little mistake that I noticed, I'm sure there are others. But the bottom line is that Killing Lincoln is not a bad read and has sparked my interest in further reading about the Civil War.
My other problem is "Killing Lincoln" ended half way through the physical book. There were a few pages devoted to the usual credits and references but most of the second half of the book were sales pitches, long sales pitches for his other books including prices for each. Other authors simply list their other books on one page. Almost half of what I paid for Killing Lincoln was a waste of money.
I recommend this book to all those who would like to be a 'fly on the wall' at some of Lincoln's most intimate moments and feel that they are present among the 'first responders' to history's signature moments. Most of all I would recommend this book to the introspective reader who will enjoy seeing the fabric of human destiny emerge before their mind's eye of cognition.
This book becomes a roller coaster after Lincoln's death in the chase that ensued to capture John Wilkes Booth and his band of merrymen. Then O'Reilly goes on to wrap up each participant and major player with epilogues to their lives. If interested in Lincoln I'd suggest pairing this with any of the other books that distinguish the life of this President.
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Top reviews from other countries
One specific criticism is that the first part of the book is a detailed story of the final battles of the US Civil War, which took place shortly before Lincoln’s assassination. While I think this does help provide some context to the assassination, I feel there should have been less detail on these events and instead more time spent providing colour on the North-South divide and broader issues in the Civil War, which would have provided more of a direct context to the assassination. This same criticism applies to Killing Jesus , where the authors devoted a large portion of the book up front to events in the Roman Empire and not enough detail on the direct context of the events related to Jesus.
Its so good that I purchased this book gave it to a family member who lost it so I purchased it again!













