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King Dork Hardcover – April 11, 2006
| Frank Portman (Author) Find all the books, read about the author, and more. See search results for this author |
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Being in a band could possibly be the secret to the girl thing–but good luck finding a drummer who can count to four.
- Print length352 pages
- LanguageEnglish
- PublisherDelacorte Books for Young Readers
- Publication dateApril 11, 2006
- Grade level9 - 12
- Reading age14 years and up
- Dimensions5.86 x 1.21 x 8.51 inches
- ISBN-109780385732918
- ISBN-13978-0385732918
- Lexile measure1060L
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Editorial Reviews
Amazon.com Review
Frank Portman (aka Dr. Frank) is not just an author, he's also a musician. We were lucky enough to get a few tracks and a few words from the man behind King Dork, his band The Mr. T. Experience, and the relationship between his book and his music.
"King Dork"
This is the "title track" for my new book. No matter how many times I say that (and I've now said it at least twice by my count) it still sounds strange...Anyhow, I wrote this song for my band, the Mr. T Experience, back in the mid-nineties (you can hear the electrified rock and roll version on the MTX album The Mr. T Experience... and the Women Who Love Them). While I was gingerly, sheepishly exploring the idea of trying to write a book, and not really knowing where to begin, Krista Marino (who was to become my editor at Delacorte) suggested that I try to turn a song into a novel as a way of getting started. I can't remember why I settled on "King Dork" as the song to "novelize," but I started thinking about the narrator/character of this song and after quite a bit of staring at a blank Word document and banging my head against the bar I eventually started typing. I didn't tell anyone at the time, but for months the file entitled "King Dork_(novel)_ms" had only the words "there's no way I can write a whole book, absolutely no way, who am I kidding?" on it. The fact that this did turn into a sort of novel in the end continues to mystify me. So this is an acoustic recording of the song that started it all, in effect. "I'm King Dork and I want you to be my Queen..."
- Listen to "King Dork"
"Thinking of Suicide"
The narrator of King Dork, Tom Henderson, has a band and is trying to figure out how to play his guitar and how to write songs. He writes several songs through the course of the book, and I thought it might be fun actually to come up with the songs rather than just alluding to them in the text. The songs were written by me "as Tom Henderson," know what I mean? "Thinking of Suicide" is one of the first complete songs Tom writes. The title comes from an informational pamphlet for troubled teens handed out by the school. He likes the drawing of the girl on the cover. "This would make a pretty good song," he thinks: "all I had to do was give the girl a name and feel sorry for myself while pretending to be her. And figure out some lyrics and chords and stuff." This song, which incidentally ends up echoing through and complicating his family life, his social life, and his psychological life, is the result.
- Listen to "Thinking of Suicide"
"I Wanna Ramone You"
This one is a little hard to "set up," but I'll give it a shot. There are three strands all tangled up in this song. Strand A: Tom is doing research on the life and times of his mysteriously deceased father, and part of that involves poring over ancient texts like the Bible and The Catcher in the Rye. It's a long story, but in the course of this research he inadvertently learns that the French verb ramoner (which literally means "to scrub out a chimney") can be used as a sexual metaphor. As a rock and roller, he of course immediately thinks of the Ramones, and, voilà, a new English euphemism for sex is born - I ramone, you ramone, he, she or it ramones... (This is useful to him, as it gives him a much cooler metaphor for sex than any of the other ones available; and it proved useful to the author, i.e., me, as well, for pretty much the same reason.) Strand B: Tom is taking Advanced French, which he describes as "a form of the French language in which only the present tense is used. Primarily employed for telling time and for describing the activities of this one guy named Jean and this other guy named Claude." So in writing his song about the timeless power of love, he decides to include some sophisticated, romantic French phrases in the lyrics. Strand C: He has this pretty big crush on a girl from a neighboring town, so he writes a song about her. (As one does in those situations.) "I Wanna Ramone You" is the result, one of his first full-on love songs.
- Listen to "Thinking of Suicide"
From School Library Journal
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From Booklist
Copyright © American Library Association. All rights reserved
Review
-John Green, author of Looking for Alaska
About the Author
Excerpt. © Reprinted by permission. All rights reserved.
KING DORK
They call me King Dork.
Well, let me put it another way: no one ever actually calls me King Dork. It's how I refer to myself in my head, a silent protest and an acknowledgment of reality at the same time. I don't command a nerd army, or preside over a realm of the socially ill-equipped. I'm small for my age, young for my grade, uncomfortable in most situations, nearsighted, skinny, awkward, and nervous. And no good at sports. So Dork is accurate. The King part is pure sarcasm, though: there's nothing special or ultimate about me. I'm generic. It's more like I'm one of the kings in a pack of crazy, backward playing cards, designed for a game where anyone who gets me automatically loses the hand. I mean, everything beats me, even twos and threes.
I suppose I fit the traditional mold of the brainy, freaky, oddball kid who reads too much, so bright that his genius is sometimes mistaken for just being retarded. I know a lot of trivia, and I often use words that sound made-up but that actually turn out to be in the dictionary, to everyone's surprise--but I can never quite manage to keep my shoes tied or figure out anything to say if someone addresses me directly. I play it up. It's all I've got going for me, and if a guy can manage to leave the impression that his awkwardness arises from some kind of deep or complicated soul, why not go for it? But, I admit, most of the time, I walk around here feeling like a total idiot.
Most people in the world outside my head know me as Moe, even though my real name is Tom. Moe isn't a normal nickname. It's more like an abbreviation, short for Chi-Mo. And even that's an abbreviation for something else.
Often, when people hear "Chi-Mo" they'll smile and say, "Hippie parents?" I never know what to say to that because yes, my folks are more hippie than not, but no, that's not where the name comes from.
Chi-Mo is derogatory, though you wouldn't necessarily know that unless you heard the story behind it. Yet even those who don't know the specific story can sense its dark origins, which is why it has held on for so long. They get a kick out of it without really knowing why. Maybe they notice me wincing when I hear them say it, but I don't know: there are all sorts of reasons I could be wincing. Life is a wince-a-thon.
There's a list of around thirty or forty supposedly insulting things that people have called me that I know about, past and present, and a lot of them are way worse than Moe. Some are classic and logical, like Hender-pig, Hender-fag, or Hender-fuck. Some are based on jokes or convoluted theories of offensiveness that are so retarded no one could ever hope to understand them. Like Sheepie. Figure that one out and you win a prize. As for Chi-Mo, it goes all the way back to the seventh grade, and it wouldn't even be worth mentioning except for the fact that this particular nickname ended up playing an unexpectedly prominent role in the weird stuff that happened toward the end of this school term. So, you know, I thought I'd mention it.
Mr. Teone, the associate principal for the ninth and tenth grades, always refers to Sam Hellerman as Peggy. I guess he's trying to imply that Sam Hellerman looks like a girl. Well, okay, so maybe Sam Hellerman does look a little like a girl in a certain way, but that's not the point.
In fact, Mr. Teone happens to have a huge rear end and pretty prominent man boobs, and looks way more like a lady than Sam Hellerman ever could unless he were to gain around two hundred pounds and start a course of hormone therapy. Clearly, he's trying to draw attention away from his own nontraditionally gendered form factor by focusing on the alleged femininity of another. Though why he decided to pick on Sam Hellerman as part of his personal battle against his own body image remains a mystery.
I'm just glad it's not me who gets called Peggy, because who needs it?
There's always a bit of suspense about the particular way in which a given school year will get off to a bad start.
This year, it was an evil omen, like when druids observe an owl against the moon in the first hour of Samhain and conclude that a grim doom awaits the harvest. That kind of thing can set the tone for the rest of the year. What I'm getting at is, the first living creature Sam Hellerman and I encountered when we penetrated the school grounds on the first day of school was none other than Mr. Teone.
The sky seemed suddenly to darken.
We were walking past the faculty parking, and he was seated in his beat-up '93 Geo Prizm, struggling to force his supersized body through the open car door. We hurried past, but he noticed us just as he finally squeezed through. He stood by the car, panting heavily from the effort and trying to tuck his shirt into his pants so that it would stay in for longer than a few seconds.
"Good morning, Peggy," he said to Sam Hellerman. "So you decided to risk another year." He turned to me and bellowed: "Henderson!" Then he did this big theatrical salute and waddled away, laughing to himself.
He always calls me by my last name and he always salutes. Clearly, mocking me and Sam Hellerman is more important than the preservation of his own dignity. He seems to consider it to be part of his job. Which tells you just about everything you need to know about Hillmont High School society.
It could be worse. Mr. Donnelly, PE teacher and sadist supreme, along with his jabbering horde of young sports troglodytes-in-training, never bother with Moe or Peggy, and they don't salute. They prefer to say "pussy" and hit you on the ear with a cupped palm. According to an article called "Physical Interrogation Techniques" in one of my magazines (Today's Mercenary), this can cause damage to the eardrum and even death when applied accurately. But Mr. Donnelly and his minions are not in it for the accuracy. They operate on pure, mean-spirited, status-conscious instinct, which usually isn't very well thought out. Lucky for me they're so poorly trained, or I'd be in big trouble.
But there's no point fretting about what people call you. Enough ill will can turn anything into an attack. Even your own actual name.
"I think he's making fun of your army coat," said Sam Hellerman as we headed inside. Maybe that was it. I admit, I did look a little silly in the coat, especially since I hardly ever took it off, even in the hottest weather. I couldn't take it off, for reasons I'll get to in a bit.
Product details
- ASIN : 0385732910
- Publisher : Delacorte Books for Young Readers; First Edition (April 11, 2006)
- Language : English
- Hardcover : 352 pages
- ISBN-10 : 9780385732918
- ISBN-13 : 978-0385732918
- Reading age : 14 years and up
- Lexile measure : 1060L
- Grade level : 9 - 12
- Item Weight : 1 pounds
- Dimensions : 5.86 x 1.21 x 8.51 inches
- Best Sellers Rank: #3,857,229 in Books (See Top 100 in Books)
- Customer Reviews:
About the author

I am also known as Dr. Frank, and I write books and songs.
***The paperback edition of King Dork Approximately is out now, and includes a free download of the accompanying King Dork Approximately the Album. Basically if you want the book it comes with a free album and if you want the album it comes with a free book.***
I've put out a couple of solo records, and my band The Mr. T Experience (MTX) has released around a dozen albums or so over the years.
They can be found here:
http://www.amazon.com/s/ref=nb_sb_noss?url=search-alias%3Ddigital-music&field-keywords=mr+t+experience&rh=n%3A163856011%2Ck%3Amr+t+experience&ajr=0
and also here:
http://www.amazon.com/s/ref=nb_sb_noss_2?url=search-alias%3Ddigital-music&field-keywords=dr+frank (the two on the right at that last link -- the chubby German guy, that's not me.)
(Apologies for the ugly formatting: for some reason Amazon doesn't allow html links to its own content in these things.)
King Dork is my first novel. Andromeda Klein is my second. King Dork Approximately is my third.
Behold, my web presence: frankportman.com
http://www.facebook.com/frankportman
http://doktorfrank.tumblr.com/
doktorfrank.com (blog)
Sounds Radical webstore: http://www.soundsradical.com/store/c1/Featured_Products.html
My interests include tomatoes, swords, guitars, calculators, movies, TV, and things made of vinyl, wood, and metal.
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What I liked most about the book is how it combined a very funny first person narrative with a surprisingly interesting and compelling plot. The latter sneaks up almost unawares. I thought the novel was going proceed almost exclusively has a coming-of-age narrative, the only story being what Henderson reveals about his own inner transformation. But the overarcing story pulls everything together in ways that I scarcely anticipated at the time. The plot isn't as interesting as Henderson's narrative voice, but it is a nice addition.
I got a huge kick out of Tom Henderson's musical judgments. Some of them are great (I completely agree that the Doors are the most overrated band in history -- they weren't bad, but neither were they anywhere near as good or important as contemporary bands like the Who), some iffy (he rates bands like Black Sabbath and the Sweet rather higher than most musically knowledgeable people do).
Holden Caulfield, step aside for the new king in town: Tom Henderson, great American nobody, Chi-mo, Sheepie, and King Dork. His Hillmont High School life is a combination of unsuccesses--from his exploits with girls, to his wannabe band that doesn't even have a drummer and amps...or guitars, to his father killed in a hit and run (or is that just what they told everyone?), to his ground-proximity position on the social totum pole.
But when his alphabetical-order friend, Sam Hellerman, drags him to this party where he meets the mysterious fake-mod Fiona (who disappears and leaves him wanting), his life spirals into a humorously-obsessed scavenger hunt for the first girl he's ever made out with. The spiral gets bigger when he finds an old copy of C.I.T.R. in a load of his Dad's old books and discovers a secret code within the pages. The Catcher Code, or something.
Tom's desire to know more about his Dad, and making out with Fiona for that matter, leads him into experiences he never thought he'd have. Dead bodies, devil heads, shrinks, bloody noses, monks, a little red book, laundry receipts, the Bible, police investigations, an accidental fight, and tranquilizers. Cause without that kind of stuff, life stays sort of typical, you know?
For a book that's as random as it is strategic, fresh as it is a copy, ordinary as it is hilarious, and smallscale as it is worldchanging, it won't be dethroning CATCHER IN THE RYE anytime soon. It's just a half step away from that special something a novel can do to my insides. I don't even know I can put my finger on it, besides to say that I didn't have to think. But I laughed out loud till I started to wonder if people thought I was faking it. And Tom's forever enshrined in my brain right there next to Holden. Maybe therein lies its genius.
Reviewed by Jonathan Stephens
Top reviews from other countries
しかも主人公の造形はアンチ・アンチヒーローとも呼べたりアメリカの高校生活のかなり細かい描写(どこまで本当か知りませんが)(誰も言わない醜い部分まで)とそれにまつわるジョークなどそれなりに知識を要求されたり。
日本人がすらすら読めるにはちょっと勉強しないと無理かもでその頃には高校あるあるネタについていけなくなってる可能性大(実際俺がそうだった)。
しかし彼の音楽的背景を知るには最適!そのためだけに読んでもいい(リストとブログでも知れるけど)。あとアメリカ社会の階層構造についても勉強になるといったら言い過ぎ?
映画化もされるようです。向こうではいくつぐらいの人がこういうのを読むんだろう?




