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The King Must Die: A Novel Paperback – February 12, 1988
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Renault starts with Theseus' early years, showing how the mystery of his father's identity and his small stature breed the insecurities that spur his youthful hijinx. As he moves on to Eleusis, Athens, and Crete, his playfulness and fondness for pranks matures into the courage to attempt singular heroic feats, the gallantry and leadership he was known for on the battlefield, and the bold-hearted ingenuity he shows in navigating the labyrinth and slaying the Minotaur. In what is perhaps the most inventive of all her novels of Ancient Greece, Renault casts Theseus in a surprisingly original pose; she teases the flawed human out of the bronze hero, and draws the plausible out of the fantastic.
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About the Author
- Print length338 pages
- LanguageEnglish
- PublisherVintage Books
- Publication dateFebruary 12, 1988
- Dimensions5.21 x 0.63 x 8 inches
- ISBN-100394751043
- ISBN-13978-0394751047
- Lexile measure730L
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Product details
- Publisher : Vintage Books; First Edition (February 12, 1988)
- Language : English
- Paperback : 338 pages
- ISBN-10 : 0394751043
- ISBN-13 : 978-0394751047
- Lexile measure : 730L
- Item Weight : 9.2 ounces
- Dimensions : 5.21 x 0.63 x 8 inches
- Best Sellers Rank: #129,988 in Books (See Top 100 in Books)
- #751 in Historical British & Irish Literature
- #1,619 in Folklore (Books)
- #8,658 in Literary Fiction (Books)
- Customer Reviews:
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About the author

Mary Renault (1905-1983) was best known for her historical novels set in Ancient Greece with their vivid fictional portrayals of Theseus, Socrates, Plato and Alexander the Great.
Born in London in 1905 and educated at the University of Oxford, she trained as a nurse at Oxford's Radcliffe Infirmary where she met her lifelong partner, fellow nurse Julie Mullard. After completing her training she wrote her first novel, Purposes of Love, in 1937. In 1948, after her novel North Face won a MGM prize worth $150,000, she and Mullard emigrated to South Africa.
It was in South Africa that Renault was able to write forthrightly about homosexual relationships for the first time - in her last contemporary novel, The Charioteer , published in 1953, and then in her first historical novel, 1956's The Last of the Wine, the story of two young Athenians who study under Socrates and fight against Sparta. Both these books had male protagonists, as did all her later works that included homosexual themes. Her sympathetic treatment of love between men would win Renault a wide gay readership.
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The two books are, of course, a retelling of the classic myth of Theseus -- the demigod son of a mortal woman and Poseidon (god of the sea and also the Earthshaker) and Aegeus, king of Athens. (Son of two fathers? Yup, apparently that's something a god can do.) In classical myth Theseus went to Crete, where he killed the Minotaur with the help of the princess Ariadne, whence he returned to Athens (not yet the democracy it was famously to become) to be King. In Renault's telling most of the magical events of the myth are rationalized so that, if you want to, you can view them as nonmagical. For instance, instead of having a bull's head, Renault's Minotaur is just the large, brutal son of Queen Pasiphaë. Drawing on Cretan archeology, Renault portrays Theseus in the Cretan court as a bull-dancer, one of the youths who risk their lives in shows with live bulls.
I remember The King Must Die as a very sexy novel. (Not that, as a High School student in the 70s, I had a lot of basis for comparison.) It is no more explicit than you would expect of a novel published for a general audience in 1958. But Renault leaves you in no doubt that Theseus was a man who wanted to have sex with women, and whom women wanted to have sex with, and did. In my memory there is no convincing love story in the novel.
In contrast to several of Renault's other novels, relationships in The King Must Die are, as far as my High school memories serve me, exclusively heterosexual. (For the record, let's just stipulate that if there were subtle hints of queer relationships in The King Must Die (or even unsubtle hints), high school me undoubtedly missed them.) Theseus is a man who is proud of his masculinity. Several of Renault's other books feature queer relationships -- something that was almost unheard of in popular literature of that time.
The reader learns the customs, mores, fears and joys of the people of various Greek cities in which Theseus lived during the few years of his young life covered in this novel.
One cannot help but be struck by how the unknown ruled the lives of ancient peoples, how they transformed the unknown into myths and superstitions to abate their fears, and how our own rituals and ridiculous Western religious rites eventually emerged from such human history - myth or not. Natural phenomena were seen as caused by angry (or happy) gods and goddesses, and how the barbaric ritual of the animal (and human) sacrifice gave strange power to the leaders of the ignorant. And yet, in Theseus, we see a young man who literally takes responsibility for his own life and fate, charging off into unknown situations with bravery and courage. The ever-active forces and counter-forces between mythology to explain the unknown and reality in dealing with life in the moment are what gives Renault's tale life and substance - and relevance today.
Even then-practiced and rather well-accepted homosexuality is treated with sensitivity by Renault (as she does in all of her works of ancient Greeks and modern Brits - see, "The Last of the Wine," and "The Charioteer" for examples, as well as her trilogy of Alexander the Great). "The King Must Die" is irredeemably heterosexual, make no mistake, with Theseus' development as a lover of women one of the central features of the story. Remember these works were all written by this Oxford-educated woman in the 1950s and 1960s.
It is gorgeously written, flows remarkably well from chapter to chapter, and makes this reader appreciate even more the role that the ancients played in the development of a civilized world. She certainly brings Theseus to life with exquisite detail and superior attention to even the smallest aspect of his surroundings, feelings and his exploits. He becomes a human before your very eyes. Some of her best passages describe the psychological states of the main characters, their coping mechanisms and the ways that they conquered their at-times overwhelming fears. And, there was always time for love.
I rate it a 4.4 or 4.5 on Amazon's 5 point scale, but round the rating down to a 4.0, despite enjoying it immensely. It's an interesting and fun read, educational and stimulating, full of color, liveliness and realistic people.
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Having said all this, please do not get the idea that this is a dry philosophical work. It is exactly the opposite of "dry" and although it is certainly very philosophical, suggesting deep ideas on love, self, greatness, honour &c., the philosophy is all suggested; it teases the reader like reefs of gold, just below the surface of the brilliant narrative. It is nail-bitingly exciting at times!
I recommend this with absolutely NO reservation!









