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The King of Plagues: A Joe Ledger Novel (Joe Ledger, 3) Paperback – March 29, 2011
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Saturday 09:11 Hours: A blast rocks a London hospital and thousands are dead or injured… 10:09 Hours: Joe Ledger arrives on scene to investigate. The horror is unlike anything he has ever seen. Compelled by grief and rage, Joe rejoins the DMS and within hours is attacked by a hit-team of assassins and sent on a suicide mission into a viral hot zone during an Ebola outbreak. Soon Joe Ledger and the Department of Military Sciences begin tearing down the veils of deception to uncover a vast and powerful secret society using weaponized versions of the Ten Plagues of Egypt to destabilize world economies and profit from the resulting chaos. Millions will die unless Joe Ledger meets the this powerful new enemy on their own terms as he fights terror with terror.
- Print length448 pages
- LanguageEnglish
- Publication dateMarch 29, 2011
- Dimensions6 x 1.85 x 8.3 inches
- ISBN-100312382502
- ISBN-13978-0312382506
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“Breakneck pacing, nonstop action, and a subtle sense of humor, this is an utterly readable blend of adventure fiction, suspense thriller, and horror.” ―Publishers Weekly
“A fast-paced, brilliantly written novel. The hottest thriller of the New Year! In The King of Plagues, Jonathan Maberry reigns supreme.” ―Brad Thor, #1 New York Times bestselling author of The Athena Project
“Joe Ledger and the DMS are back in their most brutal tale yet as they face off against a diabolical organization who is always one step ahead. As the sinister plot is exposed and the body count rises, THE KING OF PLAGUES is impossible to put down. Be prepared to lose some sleep.” ―Jeremy Robinson, author of THRESHOLD and INSTINCT
“While most are content to sleepwalk through the third book in a successful series, Jonathan Maberry wages all-out destructive war on complacency. "The King of Plagues" expands the Joe Ledger universe, deepens existing characters while introducing bold new ones, and unleashes a runaway brain of a thriller plot turbocharged with a depraved spirit of invention. Next to Joe Ledger, Jack Bauer, Fox Mulder and Jason Bourne are rank amateurs.” ―Javier Grillo-Marxuach, Emmy Award winning writer/producer, "Lost," "Medium," "The Middleman.
About the Author
Excerpt. © Reprinted by permission. All rights reserved.
The King of Plagues
A Joe Ledger NovelBy Jonathan MaberrySt. Martin's Griffin
Copyright © 2011 Jonathan MaberryAll right reserved.
ISBN: 9780312382506
Prologue
Harley Street, London
Seven Weeks Ago
“Unless you do exactly what you’re told,” whispered a voice, “we’ll kill your wife and daughter.”
The words dug into Trevor Plympton’s brain like railroad spikes. He sat on the chair, wrists bound to the arm rests with plastic pipe ties, ankles tied to the wheeled feet of the chair. A hood over his head that let in no light. He was lost in a world of darkness and fear. And those words.
He could barely remember what happened. He’d taken the elevator to the basement parking garage, clicked open the locks on his Vauxhall Astra, felt a sharp burn against the back of his neck and then nothing. When he finally woke up he was already lashed to the chair. He’d cried out in alarm, tried yelling for help.
A heavy had belted him across the face. A savage blow, made worse by the absolute surprise of it. He couldn’t see it coming, could not even brace against it or turn away.
Then the whispering voice.
“W…what…?” It was the best response he could muster. Nothing made sense; the world was a confusion of disorientation, fear and pain.
“Did you understand what I said?” asked the voice. A male voice. Was there an accent? It was hard to tell with the whisper.
“Yes,” Plympton gasped.
“Tell me what I said.”
“T-that you’d k-kill my family--.”
A hand clamped onto Plympton’s crotch and squeezed with sudden and terrible strength. The pain was white hot and immense. The grip was there and gone, as abrupt as the snap of a steel trap.
“That’s incorrect,” said the voice. “Try again.”
Plympton whimpered and then suddenly flinched backward, imagining another grab or blow. But there was nothing. After a handful of seconds Plympton relaxed a little.
Which is when the hand grabbed him again. Harder this time.
Plympton screamed.
“Shhhh,” cautioned the whisperer. “Or next time I’ll use pliers.”
The scream died in Plympton’s throat.
“Now,” said the whisper, “tell me what I said.”
“You…said that…” Plympton wracked his brain for the exact words. “Unless…I did exactly what you said, you’d…kill my wife…and daughter.” The words were a tangle of fishing hooks in his throat. Ugly words; it was impossible that he was saying them.
When the hand touched him again it was a gentle pat on the cheek. Even so, Plympton yelped and jumped.
“Better.” The man smoothed the hood over Plympton’s cheek.
“W-what do you want me to do?”
“We’ll get to that. What concerns us in this minute is whether you will agree to do whatever I ask. It will be easy for you. It will be just another day at work.”
“At work?”
A million dreadful possibilities flooded Plympton’s mind.
The whisperer said, “I’m going to remove the hood because I want to show you something. If you turn your head, your family will die. If you yell or try to escape, your family will die. Do you understand me?”
“God,” Plympton said again. Then, before the whisperer could punish him again he said, “Yes.”
“There won’t be a second warning.”
“I swear.”
The whisperer placed his hand on Plympton’s head; fingers splayed like a skullcap, and then slowly curled them into a fist around a fold of the hood. He whipped it off so violently that it tore a handful of hairs from Plympton’s scalp.
Plympton almost screamed with the pain, but the warning was too present.
“Open your eyes,”
Plympton obeyed, blinking against the light. As his eyes adjusted he stared in shock and confusion.
He was in his own house, tied to the chair in his own office. The desk before him was neat and tidy, as he’d left it, but the computer monitor had been turned away. No reflection, he thought with bizarre clarity.
Plympton could not se the man, but he could feel him. And smell him. An odd combination of scents--expensive cologne, cooked meat, gasoline and testosterone. The overall effect was of something large and powerful and wrong behind him, and with a jolt Plympton realized that he’d started to think of his captor as a thing rather than a person. A force.
“I want you to look at some pretty pictures,” the stranger whispered.
The man’s hand came into Plympton’s peripheral vision. Thick forearm, thick wrist, black leather glove. The man laid a photograph down on the desk. The hand vanished and returned with a second picture, and a third, and more until there were six four by six inch photos on the green desk blotter. What Plympton saw in those pictures instantly separated him from the pain that still hummed in his nerve endings.
Each picture was of a different woman or teenage girl. Three women, three girls. All nude. All dead. The unrelenting clarity of the photos revealed everything which had been done to them. Plympton’s mind rebelled against even naming the separate atrocities. To inventory such deliberate savagery was to admit that his own mind could embrace the knowledge that his mind could understand them, and that would be like admitting kinship to the devil Himself. It would break him, and he knew it, so he forced his eyes not to see, his mind not to record. He prayed with every fiber of his being that these things had been done to these women after they were dead.
Though…he knew that wasn’t true.
The arm reappeared and tapped each photo until it was neat and square with the others in a neat line.
“Do you see?” he asked. “Aren’t they beautiful?”
“God…” It was all Plympton could force past the bile in his throat.
“See this one?” The whisperer placed a finger on the corner of the third photo. One of the teenagers. “She was the same age as your daughter.”
“Please!” Plympton cried. “Please don’t hurt my daughter! For the love of God, please don’t hurt my little girl…”
Pain exploded in Plympton’s shoulder. It was only after several gasping, inarticulate moments that he was able to understand what had just happened. The whisperer had struck him on a cluster of nerves in the valley between the left trapezes and the side of his neck. It had been fast and horribly precise. The whole left side of his body seemed to catch fire and go numb at the same time.
“Shhhh,” cautioned the whisperer. After a long moment the man patted Plympton’s shoulder. “Good. Now…I have two more pictures to show you.”
“No,” sobbed Plympton. He closed his eyes, but then the whisperer’s lips were right there by his ear.
“Open your eyes or I’ll cut off your eyelids, yes?”
Plympton mumbled something, nodded.
The whisperer placed two more four-by-six photos on the desk, arranging them in the center and above the line of six prints. A strangled cry gurgled from Plympton’s throat.
The photos were of his wife and daughter.
In the first photograph, his wife was wearing only a pair of sheer panties and a demi-cup bra as she leaned her hips against the sink and bent close to the mirror to apply her make-up. Her face wore the bland expression of someone who believes they are totally alone and who is completely absorbed in the minutiae of daily routine. The picture had been taken from behind so that she was seen from the backs of her knees to above her head, with the front of her from hips to hair in the mirror. Plympton’s heart sank. Laura looked as pale and beautiful now as she had when they’d first met twenty-two years ago. And he loved her with his whole heart.
That heart threatened to tear loose from his chest as he looked at the second picture.
His daughter, Zoë. Fifteen years old and the image of her mother, except that instead of mature elegance Zoë had a lush coltish grace. In the photo, Zoë was naked, her young body steaming with hot water as she stepped out of the shower over the rim of the tub, on hand raised to push aside a shower curtain that had a pattern of swirling stars. Plympton saw his daughter in her unguarded nakedness and it awoke in him a hot fury –an inferno of murderous rage that flooded his arms with power. His whole body tensed, but then the whisperer said: “We have someone watching them both right now. We are watching them every minute or every day. We have their cell phones tapped. We’re in their computers. We know their passwords, their travel routes, all their habits. Six times each day I have to make calls to tell my people not to kill them.”
As fast as the rage had built in him it was gone, leaving only a desolated shell of impotent anger.
The whisperer said nothing for a whole minute, letting those words tear through the chambers of his mind and overturn all the furniture and smash out every window. Then he reached past Plympton and slid two of the photos out of the line of six. He placed one next to the picture of Laura; the other next to the picture of Zoë. The woman in the picture was about Laura’s age, she had the same basic coloring. The same for the girl next to Zoë. He did this without comment, but the juxtaposition was dreadful in its eloquence.
“Now,” said the whisperer after another quiet minute, “tell me again what I told you?”
Plympton licked his dry lips. “Unless…I do exactly what I’m told you’ll kill my wife and daughter.”
“You believe me, yes?”
“Yes.” Tears broke and fell, cutting acid lines down Plympton’s cheeks.
“Will you do what I want?”
“Yes.”
“Anything? Will you do absolutely anything that I want?”
“Yes.” Each time Plympton said the word he lost more of himself. All that remained now was a frayed tether of hope.
“Good.”
“If…if I do,” Plympton said, dredging up a splinter of nerve, “will you leave them alone? Will you leave my family alone?”
“We will,” promised the whisperer.
“How do I know that you’ll keep your word?”
There was a pause, then, “Are you a man of faith, Mr. Plympton?”
It was such a strange question, its placement and timing so disjointed that Plympton was caught off guard and answered by reflex.
“Yes,” he said.
“So am I.” The whisperer leaned close so that once more his breath was a nauseating caress on Plympton’s ear. “I swear before the Almighty Goddess that if you do what we want –and if you never talk about this with anyone—then I will not harm your wife or daughter.”
“Don’t fuck with me,” Plympton snarled and heard the man chuckle at the sudden ferocity in his voice. “You said ‘I’. I want your word that none of you will ever come near them. Or harm them in any way.”
“I so swear,” said the whisperer. “And may the Goddess strike me down and curse my family to seven generations if I lie.”
Goddess? The word floated in the air between them. Even so, as weird and grotesque as the promise was, Plympton—for reasons he could not thereafter understand—believed him. He nodded.
“When…when do you want me to do…it?”
The whisperer told him what he wanted Plympton to do.
“I…can’t!”
“You can. You promised.” There were no more blows, no grabs or taunts. The photos and the value of that strange promise was enough now to have established a strange species of trust between them.
Even so, Plympton said, “If I did that…I’d be arrested. People could die---.”
“People will die,” corrected the whisperer. “You have to decide if they will be people you work with and patients whose names you would never know, or if they will be your lovely wife and daughter.”
“They’d never let me…that facility is too well protected.”
“Which is why we came to the one person who is positioned to bypass that security. You weren’t picked at random, Mr. Plympton.”
The whisperer touched the photo of his daughter, drawing a slow line along the life of her thigh toward the damp curls of her pubic hair.
“All right! God damn you! All right.”
The whisperer withdrew his hand.
“I’m going to put the hood back on your head. Then I’ll cut you loose. You will sit there and say the names of your wife and daughter aloud one thousand times before you remove the hood or stir from that chair, yes? I will know if you betray our trust. You know that we’re watching. You know that we can see what goes on inside this house. If you move too soon then I will know, and I will not make the calls that I need to make in order to keep your loved ones alive.”
Plympton sat there, weeping, trembling.
“Tell me that you understand.”
“I understand.”
“You are the architect of your own future, Mr. Plympton. Like the Goddess Almighty you can decide who lives and who dies. It feels glorious, doesn’t it?”
“Fuck you.”
The whisperer laughed.
Then he pulled the hood over Plympton’s head.
Keith Plympton sat in an envelope of darkness and despair and said the names. When the knife cut through his bonds he flinched as if he’d been stabbed, but otherwise did not move.
“Laura and Zoë.”
He said their names one thousand times. Then he said their names another hundred times. Just to be sure.
After that he removed the hood. The apartment was empty. The ugly photos were gone. The photos of his wife and daughter were gone. The hood and plastic cuffs were gone. Except for the Taser burn on his neck and the aches from the torture, this might all have been a dream.
He went into the bathroom and splashed cold water on his face.
“God help me,” he whispered.
Continues...
Excerpted from The King of Plagues by Jonathan Maberry Copyright © 2011 by Jonathan Maberry. Excerpted by permission.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.
Product details
- Publisher : St. Martin's Griffin (March 29, 2011)
- Language : English
- Paperback : 448 pages
- ISBN-10 : 0312382502
- ISBN-13 : 978-0312382506
- Item Weight : 13.8 ounces
- Dimensions : 6 x 1.85 x 8.3 inches
- Best Sellers Rank: #781,506 in Books (See Top 100 in Books)
- #3,083 in Ghost Fiction
- #3,546 in Military Thrillers (Books)
- #13,086 in Thriller & Suspense Action Fiction
- Customer Reviews:
About the author

JONATHAN MABERRY is a New York Times bestselling author, 5-time Bram Stoker Award-winner, 3-time Scribe Award winner, Inkpot Award winner, anthology editor, writing teacher, and comic book writer. His vampire apocalypse book series, V-WARS, was a Netflix original series starring Ian Somerhalder. He writes in multiple genres including suspense, thriller, horror, science fiction, epic fantasy, and action; and he writes for adults, teens and middle grade. His works include the Joe Ledger thrillers, Kagen the Damned, Ink, Glimpse, the Rot & Ruin series, the Dead of Night series, The Wolfman, X-Files Origins: Devil’s Advocate, Mars One, and many others. Several of his works are in development for film and TV. He is the editor of high-profile anthologies including The X-Files, Aliens: Bug Hunt, Out of Tune, Don’t Turn out the Lights: A Tribute to Scary Stories to Tell in the Dark, Baker Street Irregulars, Nights of the Living Dead, and others. His comics include Black Panther: DoomWar, The Punisher: Naked Kills and Bad Blood. His Rot & Ruin young adult novel was adapted into the #1 comic on Webtoon and is being developed for film by Alcon Entertainment. He the president of the International Association of Media Tie-in Writers, and the editor of Weird Tales Magazine. He lives in San Diego, California. Find him online at www.jonathanmaberry.com
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The second Joe Ledger novel, Dragon Factory, kept my interest in the same way. You can't read a Maberry novel without realizing how good of a job he does fleshing out his villains. As a reader, I *loathed* them -- but they aren't just caricatures. The details of how they came to be such dastardly villains made sense, motivating their actions. Again, I snuck in paragraphs or pages of reading when I should have been spending time doing other things. Arrgh.
So I saved the 3rd Ledger novel for a while (selfishly, I had to devote all my time to my own book's release and promotion, LOL) before realizing, "Hey! It's on my TBR pile, and I need to finish the series!" I had a few days open - and knew it would be a "quick read" by the mere fact that I would never be able to put it down. So I started it off... and was proven right once more. Poor Joe - all he wanted/needed after the heartbreak ending in Dragon Factory was a bit of R&R. But he was dragged back into the "terrorist" fight in the nick of time, because Maberry upped the stakes even more with his ingenious "Seven Kings" warfare. He also gives us another beastly villain, and ties up all three novels quite nicely. No spoilers here, of course, although what some reviewers might say is a "spoiler typo" and "how can people miss that?" wasn't missed by my eagle eye. I've read too many mysteries -- and it only verified my guess of one of the Kings' identities. That didn't bother me. I was too curious to see how things would turn out. And I loved the twist at the end with an interesting reveal about Church's character - again, no spoilers from me.
In fact, I would say the King of Plagues is THE BEST of the three. Why? Because of the "larger world scope" and Tolkien-esque treatment of "this is only a battle we're in, and the war is far beyond us" philosophy. I totally zoned in on that and agreed - anyone with a solid history background would recognize that as the truth in reality. Take Afghanistan - the British were fighting (and losing) along the Pakistan/India/Afghan border back in the 1800s, and that's only one example. I applaud Jonathan Maberry for addressing the issue in his fiction.
So go get the ENTIRE SERIES now. And don't miss out on the freebie offer of a short story featuring Ledger. That's also worth more than a quick skim! I see that The Assassin's Code is coming out in April 2012. I'll probably use it as a reward after finishing my own next novel. That gives me plenty of time. Clearly I need to write faster to keep up with such a prolific author. I'm curious if Maberry ever sleeps.
Guess I'll have to ask his wife.
The Seven Kings led by the mysterious "Goddess" are hellbent on taking control of the financial wealth of the world and they are employing both modern and biochemical weapons to create a modern version of the biblical 10 Plagues of Egypt. Their fiendish plans incorporate psychological torture and coercion of everyday citizens, the creation of mindless obedient soldiers, and the destruction of tens of thousands of lives to create compliant and tractable governments. Old enemies and friends reappear as do new enemies and new friends--the trick is to discern which is which in this new full frontal attack that has spies in every level of power on every continent.
Joe has his own new friend, a beautiful white German Shepard named Ghost that will quickly steal your heart. Joe Ledger really grows in this novel, as a hero, as a person, and as a protagonist; indeed, he becomes a fully fleshed character in "The King Of Plagues" and not just the narrowly defined warrior we are used to. There are deadly assassins to be dealt with, traitors to muck up the pursuit, and even one character who smacks of supernaturalism.
This is indeed a great effort by Maberry for all Joe Ledger fans as well as any fan of full throttled non stop action thrillers. The pacing is breath taking, the mysteries challenging, and the action and thrills are completly satisfying. The characterizations are much more thorough and compelling this time around also. If you are a fan of this genre, do not miss this one.
You can't help but like the whole echo team and the DMS. The characters are so alive and so believable. The plot and twists are amazing. I could read the Joe ledger series many times over and never tire of what I was reading. I love the action and excitement that Maberry packs into this installment.
In this one Maberry focused on the 10 plagues of Egypt that can be read about in Exodus. Very interesting plot to the story. And playing the roles of our villains are is a would be Goddess and 7 would be kings, one of them being the King of plagues. Joe and the DMS must stop these new terrorists from wreaking havoc all over the world. A lot of action and excitement in this one and I loved every minute of it.
The characters are at their best I think in this installment. I love them all and it is hard to pick favorites along with Joe, because he will always be my favorite. A lot of new villains to love to hate, along with a couple that we are already familiar with, Gault and Toys.
If you love Jonathan Maberry, then this series is a must read for any fan of his work. I look forward to the next installment, Assassin's Code
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Whilst it doesn't come close to hitting the heights of Patient Zero, this third DMS book is a definite improvement on The Dragon Factory. This is a more streamlined effort than its predecessor, and whilst its undoubtedly a work of fantastical fiction its doesn't veer so far into the realms of implausibility as The Dragon Factory did. Maberry also appears to have reigned in his most self-indulgent tendencies. Whilst his prose still sometimes strays into the realm of the overly-melodramatic it does so less frequently and he's scaled back on the cod-psychology and rambling internal monologues from Ledger (although they do still pepper the book and you still have to suffer the Modern Man/Cop/Warrior claptrap).
The previous two book's strong points, namely pacing and action, remain in place for this third outing. There are some great action set-pieces on offer here, especially an intense shootout at a Starbucks coffee shop. The only disappointment on the action front is the grand-finale, which feels somewhat rushed and rather anti-climatic, although thankfully there are no mythical creatures or scorpion dogs on display this time. This slightly weak ending does allow Maberry to leave some promising plot threads dangling for future DMS adventures to pick up, and the book's pacing as a whole is pretty good, with less flab than The Dragon Factory had. The author has retained his habit of disrupting the flow of current events with multiple flashbacks, or 'interludes' as he rather pretentiously calls them, but these are generally more relevant to the plot and less disruptive to the narrative than they were in The Dragon Factory.
What 'The King of Plagues' really lacks however, is a solid, compelling hook to the plot. Patient Zero had it (Zombies!) and even The Dragon Factory had the race against time factor of a threatened bio-weapon attack to keep you reading, but The King of Plagues doesn't have a similarly strong attention grabbing plot device. The real motives and ultimate inentions of the 'Seven Kings' are, admitedly for dramatic reasons, kept opaque and uncertain until comparatively late on. The reader is aware that the stakes are high, but not what the ultimate price of failure for Ledger and the DMS may be (although you can guess). The result is a plot that moves forward at high speed but without a real sense of direction. When the ultimate destination and the 'Kings' true plan is revealed it also feels rather anti-climatic. I greeted it with a shrug of 'is that it' rather than an excited 'wow' or 'I didn't see that coming'.
Similarly the true identities of certain parties, which are supposed to keep you guessing until they are revealed near the end to lend a twist to the tale, are blindingly obvious from early on. If these thin attempts at adding further mystery were intended to make up for the lack of a truly compelling plot then they don't come anywhere close to achieving that goal.
Despite these flaws however, I liked and enjoyed The King of Plagues. Action packed and full of great set-pieces it expands Ledger's world further, introduces us to some great new characters and is worthy, just, of its four stars. I just hope that next time Jonathan Maberry comes up with a truly compelling adventure for the DMS to tackle. I'd happily wait a bit longer for the next Joe Ledger novel if the results were up to Patient Zero-like standards.
Oh and please, no more cringe-making cameos from Bono. Ever.
If you arrive here an established fan of the series, then I am delighted to report all is well in the World of the DMS - in the sense that this is another rip-roaring page turner of plausible bio-terrorism.
Mr Maberry has made some refinements to the ingredients that go into this novel - gone are the clunky psychological second guessings of the team Psychologist Dr Sanchez, and instead we find Joe Ledger more attuned to the stresses of his bizarre and dangerous life.
The emphasis on the villainy has also changed slightly - where in the previous 2 entries, the biochemistry has been fetishised and revelled in by the 'bad guys', here, it is merely a tool, and the main focus of the story shifts to the plausability of secret societies, and their potential influence on world events.
This shift of focus requires the DMS to approach their foes in a different way, which is good, because without fresh challenges, as enjoyable as the premise is, the series could run the risk of becoming formulaic.
Another interesting twist is the suggestion of an unexplainable, genuinely supernatural character in the book, who may return in the future to give another spin on the encounters of the DMS- after all, how does military science counter that which confounds the laws of science?
Maberry's prose and charecterisation are as strong as ever, but his real strength remains the wonderful ability to tell disparate elements of the story, dancing between timelines, drawing the threads together as the book reaches its finale and the timelines and characters converge. It is a very clever piece of storytelling, as every chapter finishes on a cliffhanger of its own, and the big picture of the story becomes clear to the reader in the same timeframe as Joe Ledger and the team put the pieces together for themselves.
This entry in the series strengthens its position as one of the best and most exciting in modern fiction. Recommended without reserve.
For those of you simply browsing this is the third book in the series. "The king of plagues" features Joe Ledger, a brilliant and funny lead. Now, what's he doing this time around? Joe is back to lead his team against another villain out to cause havoc. I don't want to reveal too much for fear of ruining the surprise for anyone so I won't explain any further than that.
I did lend this to a friend who had read the series too and they felt this was less gripping than the previous two but I disagree. The reason for this being, I felt the second book ended on a massive hook and so this book would explain a few things. The introduction of a couple of new characters and a new plot was also great and kept me on my toes. I can understand why some might feel this was the weakest of the three because it wasn't as action packed as the previous two so if this is what you loved the most you might be disappointed in that respect.
I felt that I was still engaged though and wanting to know more so for that reason I've rated this a four star. A sign of a good book to me is when you finish and are hoping the next one has already been written. I'm interested to see where Maberry will go from here with Joe and his team - A fantastic series in my opinion and well worth a read.
Bring on Joe Ledger 4 - "ASSASSIN'S CODE". So far seems to be scheduled for release late March 2011!!
It's not the best of the first 3 Joe Ledger books but still deserves the 4 stars that I have given it. The characters are as brilliantly OTT as ever, especially mysterious hard guy "Church" who seems to head up the DMS whilst nibbling on vanilla wafers. Top and Bunny are as ridiculously masculine and pumped up on testosterone as they've always been. In this instalment we get their female equivalent in the form of a Circe O'Tree, a good looking 30s web analyst who happens to be able to scream, aim and fire with the big guns!
All in all, total hokum. But total hokum that you can't help but enjoy. A great way to forget the troubles of the word and immerse yourself in a crazy, fast moving, hilarious and ofttimes moving piece of fiction. Can't wait for the next instalment!








