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Kings of the Sun
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| Genre | Action & Adventure |
| Format | Multiple Formats, Color, Dubbed, Subtitled, Widescreen, Closed-captioned, NTSC |
| Contributor | Angel Di Steffano, James R. Webb, Ford Rainey, Rudy Solari, Elliott Arnold, George Chakiris, Shirley Anne Field, Armando Silvestre, Yul Brynner, Brad Dexter, Leo Gordon, J. Lee Thompson, Richard Basehart, Victoria Vetri, Barry Morse See more |
| Language | English, French, Spanish |
| Runtime | 1 hour and 48 minutes |
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Product Description
Product description
When his father is killed in battle Balam (George Chakiris) succeeds his father as King and leads his followers out of Mexico to a coastal region. The Mayan's new home however is already the province of a hostile Indian tribe led by Black Eagle (Yul Brynner) who leads a raid against the Mayan's camp. Balam is severely injured but Black Eagle's wife Ixchel (Shirley Ann Field) tends to his wounds and eventually the two leaders agree to settle their differences and coexist in peace. Hunac Ceel (Leo Gordon) Balam's old nemesis is not so forgiving. He has followed the Mayans to their new home where he and his troops mount a furious attack with the Indians and the Mayans leading a united front against the invaders.System Requirements:Running Time: 108 minutes Format: DVD MOVIE Genre: ACTION/ADVENTURE/CLASSICS Rating: NR UPC: 883904103011 Manufacturer No: M110301
Amazon.com
Fans of Mel Gibson's Apocalypto may well enjoy J. Lee Thompson's 1963 Kings of the Sun, an exotic, widescreen adventure about the ancient Mayan civilization and its rocky relationship with a nomadic tribe. George Chakiris plays Balam, a young and inexperienced Mayan king who must lead his people from one part of Mexico to another via ships. Arriving at a seemingly uninhabited coast, Balam oversees the construction of a new kingdom, complete with a tall temple upon which an altar for human sacrifice rests. The problem for Balam is that he doesn't believe in the need for sacrificing people, creating a conflict when his own high priest (Richard Basehart) demands that Black Eagle (Yul Brynner), wounded chief of a local Indian tribe, be offered up to the Mayan gods. Complicating Balam's life even more is that his love interest, Ixchel (Shirley Anne Field), falls for Black Eagle while nursing him back to health. Everything leads to a kind of social experiment in coexistence that gets shaky whenever the subject of Ixchel comes up. Screenwriter Elliott Arnold (Broken Arrow) does a fine job of alternating the big picture of conflicting traditions and peoples with intimate moments of passion and disappointment. Thompson wraps the story in a fever-dream intensity, underscored by the undeniable sexuality of Brynner (who moves like a bronze cat) and Chakiris (who looks like a haughty demigod). The characters' lurches toward a more modern view of sacrifice and cooperation are fascinating and make Kings of the Sun as thoughtful as it is bigger-than-life. --Tom Keogh
Product details
- Aspect Ratio : 2.35:1
- Is Discontinued By Manufacturer : No
- MPAA rating : PG-13 (Parents Strongly Cautioned)
- Product Dimensions : 7.5 x 5.5 x 0.75 inches; 1.6 Ounces
- Director : J. Lee Thompson
- Media Format : Multiple Formats, Color, Dubbed, Subtitled, Widescreen, Closed-captioned, NTSC
- Run time : 1 hour and 48 minutes
- Release date : March 25, 2008
- Actors : Yul Brynner, George Chakiris, Shirley Anne Field, Richard Basehart, Brad Dexter
- Dubbed: : French
- Subtitles: : English, Spanish
- Language : English (Dolby Digital 1.0), Unqualified, Spanish (Dolby Digital 1.0), English (Dolby Digital 2.0 Stereo), French (Dolby Digital 1.0)
- Studio : MGM (Video & DVD)
- ASIN : B0010YSDA4
- Writers : Elliott Arnold, James R. Webb
- Number of discs : 1
- Best Sellers Rank: #103,967 in Movies & TV (See Top 100 in Movies & TV)
- #10,497 in Action & Adventure DVDs
- #18,325 in Drama DVDs
- Customer Reviews:
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The movie was neither commercially nor critically successful. Walter Mirisch of Mirisch Company, the producers, had this to say, "Kings of the Sun was not successful, either critically or commercially. It wasn't made for the right reasons, and that is most often an insuperable handicap. Our creative team lacked passion for what we were doing and its commercial values could not overcome that. Not being enthusiastic about it, I should have taken a position. By just letting the project move from one stage to the next, I allowed it to progress further than it should have. Arnold Picker was enthusiastic and kept pushing it, but the problems of making the film and its content were not his responsibility. I always blamed myself for its failure. I had thought of it as a vehicle for the star power of Yul Brynner, who was an important international star by then. But that was not a good enough reason for doing a film about which I had serious misgivings."
There were many problems but in my opinion two of the greatest were George Chakiris and Richard Basehart who were badly miscast. Anthony Quinn was originally scheduled to make the movie with Yul Brynner. Had that worked out, the movie would have certainly been improved if not saved. Certainly audiences would have been saved from Chakiris' overlong 'deer in the headlights' stares.
Great movie or not, I had a girlfriend in college who loved it. Mainly because of Yul Brynner's costume or lack thereof. She particularly liked the scenes in which he was tied to the bed.
May appeal to other Yul Brynner fans with the judicious use of fast forward.
Although the supporting cast is good for what this film is, make no mistake, Yul Brynner is the reason to watch this. The soundtrack was really good too. The end battle was a bit weak considering how it played out. That's one aspect I just couldn't overlook even with taking the era into consideration mainly because too many aspects of it simply made no sense. But hey, we can't have everything. Still 5*. Made me miss Yul Brynner that much more, probably my favorite actor bar none.
George Chakiris plays Balam, the Maya, king, Black Eagle's rival for her affections, and son of kings to the ninth generation. In spite of being young and impetuous, Chakiris lacks the flair and commanding presence for the role. He is also strapped with a shirt that looks like a Fendi creation for the first scenes and with a jade armour in the war scenes that looks uncomfortably plastic, and which offer little competition for Brynner's virile sensuality in his shirtless and tight Indian pants costume.
A good comparison between these two Indian chiefs, brings to mind another Bryner classic hunk to hunk competition: It is hard to concentrate on Charles Heston's Moses in the Ten Commandments while Bryner's Ramses is in the same scene wearing a magnificent collar-necklace and pretty much nothingelse. Keeping the shaved head look as his trademark for this exotic epic, Brynner yet again steals the show with his macho antics, and 'barbaric' demeanor, at one point climbing a tree with the suppleness of a panther. This movie is clearly a vehicle for his star personality and it outshines all the other players and if you are a Brynner fan, this is a must-see movie.
The movie is great fun, but highly inaccurate in the historical aspects, although the costumes and architecture have been finely reproduced for the most part, the viewer must see Mel Gibson's "Apocalypto" for a more authentic version of the period, still considering other Holywood creations of the time, this is almost scholarly. The opening scenes inside a Maya pyramid are fascinating for the creativity involved in making an entire army attend a funeral and escape into the fields through a secret tunnel while the top pf the pyramid is being assulted by the crazed Hunac Kell.
Richard Basehart is the high priest, and the other major character. He tries to make the king understand that he cannot bring this new life to his people in a new land, without giving a life (human sacrifice) But Balam is ready to change the theology of his nation under the influence of Black Eagle and the desire for peace, so the priest takes his own life in a dramatic moment at the top of the recently constructed pyramid.
Leo Gordon is awful as the tyrant Hunac Kell, the bllodthirsty enemy of Balam and his people. He sounds like a marine gone bezerk while wearing the wrong costume. His strength is a sword of metal, a historical impossibility as the Maya or for that matter Mesoamerican cultures did not use metal for their weapons prior to the arrival of the Spanish Conquistadors.
Filmed beautifully around real Mexican pyramids, lucious vegetation and sandy beaches with perfect surf, Thompson's motion picture is colorful and highly entertaining. Strongly recomended for action film lovers of historical extravaganzas.
Top reviews from other countries
When the Mayan tribe are attacked by Hunac Ceel's (Leo Gordon) army, the King is killed and his son Balam (Chakiris) succeeds the throne. Balam leads his people to new land in the American Gulf Coast region, where they set up a new home from which to flourish again. However, the region is already occupied by an Indian tribe led by Black Eagle (Brynner), can it be possible for two different cultures to co-exist? They need to work it out one way or another because Hunac Ceel and his army are on their way to finish the Mayan's off for good.
As with many other historical epics, Kings of the Sun is no history lesson. But for those who don't mind a dialogue driven narrative that's dressed up splendidly in colour and scenery? Then this should more than cater for your needs. The problems with the film are evident quite early in the piece, non native actors playing different race characters is always a bit iffy, but when they are the centre piece of the story it's never going to go away during the film watching experience. Thankfully Brynner is an exception, he manfully carries the film on his considerable frame and offsets considerably the badly cast Chakiris and the pasty faced (and blue eyed!) Field. The latter of which isn't acting badly, she just looks hopelessly out of place. Brynner is panther like in movements, and able to exude the raw emotion required for the role of Black Eagle.
Other strong points in the film are Bernstein's score, which lands in the ears and rattles the brain with historical thunder, Macdonald's "Panavision" photography around the exotic Mexico locations, and the battle sequence for the big finale. J. Lee Thompson was a fine director of action, and so he proves here with a near 8 minute construction of gutsy sword and arrow play that features reams of extras and high quality stunt work. If it's a battle sequence to win around those who have been bored by the long stretches of chatter and love triangle dalliances? That can't be guaranteed, but it is a blood and thunder battle fit to be mentioned with the best the historical epic genre has to offer.
Thompson (Ice-Cold In Alex/The Guns of Navarone/Cape Fear) copped some flak from the critics for this film, but really the fault lies with the casting director and the writers. You would think that since they were re-jigging history anyway, they may as well have written in some exciting machismo fuelled passages of play long before that final battle, they did after all have the right director for such moments. Still, I liked it quite a bit, yes it's very talky, but there is good interest value in the two different races trying to co-exist, with the big cloud of human sacrifice proving to be the hot topic central to the human interest story that drives the picture on. 7/10
There are some weak spots which could spoil your pleasure, so you better be prepared for a vision of Mayas who look VERY European (lots of them are blue-eyed) and who use metal (bronze) weapons - when in reality Pre-Colombian Mesoamericans fought with weapons made with wood, stone, bone and horn (they knew copper, silver and gold, but those metals were too soft for military use). Dialogues between the Mayans are not exactly the strongest point of this film either, the "romance" between the Mayan chief (Balam) and one of his female subjects (Ixchel) seems to be very forced and is completely unconvincing, the fighting scenes are really, but really weak and finally, the main villain (Hunac Ceel), although supposedly a great conqueror, wages war like a total fool...
There are however also many good points which make this film quite watchable and even enjoyable:
- Yul Brynner is the main treasure of this film. He plays Black Eagle, the chief of a local (Texan) warlike tribe (probably the ancestral nation of Apaches), which the refugees meet in their new land. His character is extremely impressive and he plays this proud warrior in a purely incredible way.
- the main female character, Ixchel, is very interesting and she is played by a very attractive British actress, Shirley Anne Field. She doesn't look very much like a Mayan woman, but on another hand she certainly has more brains and class than the chief of her nation (Balam) or the "evil" Mayan warlord Hunac Ceel.
- the whole idea of a terrible trek of refugees who search to find a new land after their world collapsed is very appealing and rather well filmed. The struggle to create a new city-state in a new, hostile territory is very interesting and it was filmed well.
So, all in all, this is a honest, quite watchable old adventure movie, which I liked and I am going to keep it on my DVDs shelf. Still, this is one old film which could definitely use a more modern remake, without blue-eyed Mayans and bronze weapons and with a little bit more of realistic Pre-Colombian warfare. Although, I do not think anybody could replace Yul Brynner as Black Eagle...








