Kiss Me Deadly
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Aldrich and screenwriter A. I. Bezzirides took on Mickey Spillane's popular P.I. Mike Hammer, but aside from keeping the basic plot outline of the original novel, they completely changed the nature of the character in a very reactionary move. Spillane's Mike Hammer is a New York detective-avenger, a self-righteous vigilante who deals out justice when the paralyzed forces of the law can do nothing: he's a vicious knight on a mean-spirited quest to right wrongs through brute force. (The title of the first Hammer novel, "I, the Jury" pretty much sums up his attitude.) The movie relocates Hammer to Los Angeles and turns him into a shallow con-artist who only cares about his car and his looks. He's a lousy detective too, relying on knocking people around for information, often innocent inoffensive folks, and never really paying attention to the important details of the case. His detective work is entirely matrimonial, where he and his `assistant' Velda put the squeeze on couples to blackmail them. Hammer's motto is simple: "What's in it for me?" Ralph Meeker is perfect in the role, looking as if someone carved him out of slab of meat.
No doubt, in this story Hammer is in way over his head...if only he knew it. He picks up a nearly naked girl (Cloris Leachman in an early role) who throws herself in front of his sports car. Later, they're run off the road, and faceless gangsters torture her to dearth and leave Hammer for dead.Read more ›
Everything was so innovative in this movie from the initial credits rolling backwards over Cloris Leachman running half-naked on the road and gasping in Mike Hammer's car with a quite erotic intensity. From the sadistic torture scene of Christina Bailey to the character of Maxine -Velda- Cooper who helps Mike Hammer to nail adultery husbands by seducing them. From the secondary characters so well written that it seems that they all have a tremendously important role in the story.
At last, the performance of Ralph -Mike Hammer- Meeker is so perfect that it's hard to imagine another actor in the role. I personally can't. And Nick Dennis, Mike Hammer's friend, whose onomatopeia are now part of Movie History. And, and...
OK ! check for yourselves if you still don't know this movie. Superb copy with various subtitles, the alternate ending and the original trailer.
A DVD zone your library.
L.A. "bedroom dick," Mike Hammer (Ralph Meeker) picks up a blonde in a trenchcoat named Christina (Cloris Leachman) that he finds running barefoot down a lonely road in the middle of the night. Shortly thereafter, his car is run off into a ditch, and he and his hitchhiker are abducted. The girl is tortured to death by unseen assailants, and both her body and the unconscious Hammer are put in his car and pushed off a cliff. Hammer survives and soon finds himself embroiled in a search to find a mysterious and valuable box - "the great whatsit" - a prize which he hopes will pay off big. Unfortunately, the slick P.I. is in over his head, playing a game far bigger than he can imagine.
Director Aldrich and screenwriter A.I. Bezzerides made no secret of their dislike of Spillane's novel and the character of Mike Hammer, who they perceived as a stupid thug. So their story portrays Hammer exactly that way, and ignores the various virtues of the literary version. In the film, Hammer is a sleazy operator who uses his secretary Velda (Maxine Cooper) to entrap married men in sexual honey traps, enabling him to go to their wives with incriminating - and profitable - photos. Despite Christina being murdered while in his company, he doesn't pursue the case out of any noble effort to find justice for the girl; he just smells an opportunity to make a score. Like his literary counterpart, this Hammer is often violent, but unlike the Hammer of the books, he's portrayed as a cowardly sadist who only beats up on those weaker than himself.Read more ›
Most Recent Customer Reviews
Great Deal! Excellent Product!! Super Fast Delivery!!! Thanks a Bunch!!!!Published 1 month ago by Brett
I did enjoy this movie. I like just about any movie from the 40s and 50s. What I didn't like are the two contemporary pop critics projecting today's morally bankrupt culture into... Read morePublished 2 months ago by L. A. Wright