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The Knife and the Butterfly Hardcover – January 1, 2012
| Ashley Hope Pérez (Author) Find all the books, read about the author, and more. See search results for this author |
After a marijuana-addled brawl with a rival gang, 16-year-old Azael wakes up to find himself surrounded by a familiar set of concrete walls and a locked door. Juvie again, he thinks. But he can't really remember what happened or how he got picked up. He knows his MS13 boys faced off with some punks from Crazy Crew. There were bats, bricks, chains. A knife. But he can't remember anything between that moment and when he woke behind bars.
Azael knows prison, and something isn't right about this lockup. No phone call. No lawyer. No news about his brother or his homies. The only thing they make him do is watch some white girl in some cell. Watch her and try to remember.
Lexi Allen would love to forget the brawl, would love for it to disappear back into the Xanax fog it came from. And her mother and her lawyer hope she chooses not to remember too much about the brawl―at least when it's time to testify.
Lexi knows there's more at stake in her trial than her life alone, though. She's connected to him, and he needs the truth. The knife cut, but somehow it also connected.
- Print length216 pages
- LanguageEnglish
- PublisherCarolrhoda Lab ®
- Publication dateJanuary 1, 2012
- Grade level9 - 12
- Reading age14 - 18 years
- Dimensions5.5 x 1 x 7.75 inches
- ISBN-100761361561
- ISBN-13978-0761361565
- Lexile measureHL790L
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Editorial Reviews
Review
"Martin 'Azael' Aravelo wakes up one day and finds himself locked in a jail cell. The 15-year-old struggles to recount the still-hazy last few days: 'I've got no memory of being brought in here… it's like my brain's a jacked-up DVD player that skips back again and again.' There was a fight between Azael's MS13 boys and some punks from rival Houston gang Crazy Crew, but Azael can remember only a few details―his brother Eddie's blue shirt, a flash of red clothing, someone's hands covered in blood. So why is he behind bars? And what is the connection between the girl he is being made to observe―some white girl he has never seen before―and him? Short chapters alternate between 'Now' and 'Then,' doling out clues in small bursts and generating a fast pace. Azael is a dynamic and sympathetic main character with an authentic voice. On the other hand, Lexi―the object of Azael's study―is not wholly believable. The author's choice to have Azael (and readers) digest large chunks of plot through her journal hinders the pacing at times, while the trite way in which Lexi often writes fails to match up with her character's streetwise persona. Still, Pérez sets up the mystery well enough in the story's first act to overcome any inconsistency in character, making this hard-hitting novel an assured success in libraries serving high school students." --School Library Journal
, Journal"After a violent confrontation with a rival gang, Azael wakes up in a juvenile detention center, an environment that he knows well. The familiarity of these surroundings, however, believes something much stranger and more profound than Azael could begin to expect from this experience―he isn't allowed to call anyone, hasn't meant with a lawyer, and is made to observe a fellow inmate, Lexi, through one-way glass for hours at a time. Azael's caseworker, Gabe, cryptically insists that there isn't much time left for Azael to accomplish what he is supposed to do through these observations. As Azael pieces Lexi's life together, he is struck by how familiar they both are with loss―home, family, friends, safety, and stability. Is this what Gabe wants him to figure out, or is there something else?
"Perez gives the reader sympathetic yet critical insight into the world of gangs in Houston, Texas, and is careful to show the narratives of loss that drive so many young people to join them." --The ALAN Review
, Journal
"Like Ashley Hope Pérez, I have been a teacher in inner-city Houston and a writer of young adult fiction. I am in a perfect position to watch in awe as she completely nails our students' experiences in her harrowing, heart-rending, and ultimately hopeful The Knife and the Butterfly. This is the book I wish I'd had the guts to write!" --Jordan Sonnenblick, author of After Ever After and Drums, Girls, and Dangerous Pie
, Other Print"This is a well-written, compelling story of the lost lives of young gang members. Azael is part of MS-13 and loves to draw graffiti, while Lexi is a member of the Crazy Crew gang. After a brawl, Azael wakes up in a prison cell which is very different from juvie. He is not allowed to associate with other inmates, and spends his time observing Lexi’s private conferences with her lawyer or reading her notebook. He begins to sketch as he recovers his memory of the day he was imprisoned, and figures out that Lexi is about to testify at a trial, but doesn’t know if it's his trial or hers. The drama of the story propels the reader to find out what happens to these kids. Strong language and graphic sexual content make this a senior high school choice." --Library Media Connection
, Journal"The lives of two teens become inexplicably intertwined in this gritty novel with a paranormal twist. Fifteen-year-old Salvadoran Martín 'Azael' Arevalo awakens in a cell remembering bits and pieces of a fight in a Houston park between his gang, Mara Salvatrucha or MS-13, and Crazy Crew. Yet he cannot recall how the fight ended or why he is behind bars again. Azael narrates his life in chapters set alternatively in the present and at various points in his past, giving readers glimpses of a childhood of love and loss. In the present, Azael finds himself assigned to the secret observation of a white 17-year-old girl named Alexis 'Lexi' Allen, although he fails to see any connection the two might have had on the outside. While Azael hates Lexi at the beginning, he finds himself beginning to empathize with the struggles she has faced over her life. Pérez creates two nuanced characters in Azael and Lexi, both of whom could have easily become caricatures. The use of profanity and descriptions of violence add realism to the novel, although the backmatter could have benefitted from a Spanish glossary. The author demonstrates why gangs appeal to many teens with family problems without glorifying the violence that often accompanies their activities. An unflinching portrait with an ending that begs for another reading." --Kirkus Reviews
, Journal"Fifteen-year-old Azael Arevalo lives on the mean streets of Houston. Son of illegal Salvadoran immigrants, his mother dead and his father deported, Azael and his older brother, Eddie, join the MS-13 gang as their adopted family. Between rumbles with rival gangs, Azael paints murals on whatever large surfaces he can find, such as walls, buildings, or railroad cars―inspired masterpieces that are quickly erased by rival gangs. His only real attachment is to his girlfriend, Becca, whom he consistently disappoints with his stealing, violence, and troubles with police. The novel begins with Azael in lockup following a bloody gang fight he can only partially remember. Weeks pass while Azael is made to observe Lexi, also in lockup, during her group therapy sessions. Azael cannot understand the system―no phone calls, no lawyers, no contacts from anyone outside―but knows his time there is limited and moving toward some conclusion. Meanwhile, Lexi, who is even more hostile and rebellious than Azael, seems to know his name although they are strangers. A second novel by bi-lingual author Perez, The Knife and the Butterfly is a bleak, disgusting, and poignant portrait of gang life among youths of color in Houston. Language (often peppered with Spanish words) and sexual depictions, while offensive, are appropriate for the characters, who are really children trapped in desperate circumstances. Based on a true incident, this work of fiction is gritty, sad, and not for the faint-hearted." --VOYA
, Journal"The last thing gangbanger Azael remembers is he and his Salvadorian MS-13 brothers brutally kicking the asses of a rival Houston gang called the Crazy Crew. Then he wakes up in a strange jail where his charges are not explained and the only punishment―if you want to call it that―is observing through a one-way window a girl he doesn't know named Lexi, who is preparing for some kind of trial of her own. Any reader who has been around the block is going to see this novel’s final twist coming right from the start. But that's a minor issue, as Pérez's concerns are centered around the gritty day-to-day struggles of both hardened, cynical, uncooperative teens to break through their respective emotional walls. Half the book is spent in flashback to Azael's former life, and it's an unvarnished, unsentimental portrait of a vulgar, sex-obsessed, drug-using, paint-tagging gang member whose inkling to go straight revolves around the girlfriend to whom he can't quite commit. An uncompromising look at two characters most readers would otherwise look away from." --Booklist
, JournalAbout the Author
Ashley Hope Pérez is the author of the YA novels Out of Darkness (Carolrhoda Lab, 2015), The Knife and the Butterfly (Carolrhoda Lab, 2012), and What Can't Wait (Carolrhoda Lab, 2011). Her debut novel What Can't Wait won a spot on the 2012 YALSA Best Fiction for YA list, and The Knife and the Butterfly was included in the 2015 YALSA Popular Paperbacks list. Ashley grew up in Texas and taught high school in Houston before pursuing a PhD in comparative literature. She is now a visiting assistant professor of comparative studies at The Ohio State University and spends most of her time reading, writing, and teaching on topics from global youth narratives to Latin American and Latina/o fiction. She lives in Ohio with her husband, Arnulfo, and their son, Liam Miguel. Visit her online at http://www.ashleyperez.com/.
Product details
- Publisher : Carolrhoda Lab ® (January 1, 2012)
- Language : English
- Hardcover : 216 pages
- ISBN-10 : 0761361561
- ISBN-13 : 978-0761361565
- Reading age : 14 - 18 years
- Lexile measure : HL790L
- Grade level : 9 - 12
- Item Weight : 12 ounces
- Dimensions : 5.5 x 1 x 7.75 inches
- Best Sellers Rank: #1,215,059 in Books (See Top 100 in Books)
- Customer Reviews:
About the author

Ashley Hope Pérez is the author of three award-winning novels for young adults. Her most recent, OUT OF DARKNESS, received a 2016 Printz honor for excellence in young adult literature and the 2016 Tomás Rivera Book Award. THE NEW YORK TIMES called it a "layered tale of color lines, love and struggle" where “a tragedy, real and racial, swallows us whole.” BOOKLIST named it among "50 Best YA Books of All Time." Ashley is an assistant professor of world literatures at The Ohio State University and lives in Columbus with her two sons. Visit her online at www.ashleyperez.com and on Facebook, Twitter, and Instagram (@ashleyhopeperez).
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A great addition to YA classroom libraries everywhere!
The Knife and the Butterfly is about a 15 year old kid named Martin "Azael" Arevalo, or Azz for short. He's a member of the MS-13, the Mara Salvatrucha gang, known for its pervasiveness and brutality. The story opens with Azz in a cell. This is nothing new for him, but this time, he can't remember exactly what happened to land him there.
The story takes place primarily in Azz's cell, where he racks his brains trying to figure out what happened to him -- he can't even get anyone to tell him what he's accused of, and suspects that they're trying to manipulate him into confessing... but for what crime?
We see parts of Azz's life on the outside through flashbacks, and when Azz is taken to observe a girl named Lexi, a second perspective of the story begins to unfold, told from her perspective in therapy sessions and diary entries. Azz believes that his observation of Lexi is supposed to result in some kind of confession...either from him or Lexi. But he doesn't recognize her, or know what information she might have about him.
The voice of Azz is pitch perfect... for anyone who has worked with gang members or troubled youth in the Texas area, Azz could be a dozen kids you know. His sense of loyalty to his friends, his denial that he needs any kind of adult support or intervention, and his playboy posturing and heartfelt love of his girlfriend all ring true. Some of the scenes described are intense, but Perez walks a fine line between including enough information to make the story believable, while not treading into TMI territory (she mostly succeeds, though there are a few lines where I thought she pushed it a little far). Substance abuse, especially huffing and taking "bars" or Xanax, is described in detail, as tagging and mural-painting are a key theme throughout the story.
Sex is mentioned -- both the kind found in a loving relationship, as well as throwaway one night stand, and drug-addled varieties -- but not described. Some of the words used, are not curse words, but are a bit vulgar and crude and may make some adults wince (blow job, tits, cum, etc) but they all make sense in the place they're being used, and the characters who are using them. Don't get me wrong, though... there's plenty of profanity!
If I compare this story to any others, it will give away the twist, so I'll refrain from doing that, but I will say that the book follows in the growing trend of magical realism, and that while the story is certainly one of redemption, the message isn't too heavy handed. One might even quibble that it's a little too obscure... at the end, I wasn't entirely sure what message I was being left with, though it was undoubtedly positive.
The characters are the one thing holding me back from a five-star review at this juncture. There was a lot of information whizzing around, and while I definitely saw some character growth and development in the story, I felt a queer lack of empathy for either character. This is unusual for me, since I work with this population, and experience empathy for them on a daily basis. With both characters, whenever I was getting even a little bit close to them, there would be something in the story that would push you away again. While both characters are flawed, I felt like I should have been closer to both kids at the end of the story, and was surprised at how detached I felt at the end. Near the end of the story, just when you think Azz may be developing some sympathy for Lexi - and when he says he is himself -- he calls her the "girl with big tits and blow job lips" in the same breath as he's saying something sympathetic about her, and it makes his whole sentiment ring false at a time when we should be rooting for him. The relationship with Azz's aunt and uncle also needed a bit more depth for me. Lexi's family was much better fleshed out, so it was easier to sympathize with her, but Azz remained standoffish, all the way to the end.
There were so many elements I was excited to see (finally!) in print in a book for teens, but at some points, it felt a little bit like an academic exercise to try and fit them all into the story... it was almost as if I were checking off things in my head when I came across them (abandoned child, check. hard core gangbanger, check. romance, check. struggling reader, check. misunderstood and lonely girl, check.) but I think Ms. Perez did a good job of weaving them all together into a cohesive whole.
The story is a very compelling one, and I truly believe it will find a welcome audience in teens who are struggling with gang violence in their lives. The mystery may reveal itself a little early on for adults, but that doesn't lessen the desire to have a solid answer to your questions as a reader. While the ending to Azz's story leaves some room for interpretation, the end of Lexi's story is fully spelled out, including an epilogue and an author's note that provides more back story.
I'm going to have to reserve final judgement on this one until I share it with my incarcerated teens -- I'm very interested in their response. On the one hand, I could see them absolutely loving it... it's very raw and real and the pacing is pretty quick. On the other hand, I could see them having a hard time swallowing the magic realism. Their tastes tend towards realistic fiction, but this one has so many realistic elements that they might overlook their preference for "realistic" stories... if they can be convinced to care about the characters, and the decisions they ultimately make.
This is only Perez's second novel though it's clear she already has a talent for creating three dimensional main characters. The reader is allowed to see the many sides of Azeal has he contemplates his future. Then there's Lexi, I didn't know what to make of her at first and by the end I was moved by how the two characters stories intersected. As you can probably already tell I really enjoyed The Knife and the Butterfly and its a wonderful follow up to the author's excellent debut, What Can't Wait.
Azael isn't a bad kid. At least, he doesn't think he is. At 16 he's found himself kinda homeless, abandoned by family other than his brother, and running with a gang. The gang is his family, his brother has recently been brought into the fold, he's a wonderful artist and he has a great girl. But his girl, Becca, wishes things were different. She wants Az to go straight, to do right by her. And Az swears he's trying -- he just can't seem to get his head on straight. This is what Azael remembers anyway. In his nearly-bare cell, he only has some partially blacked-out police records and a contraband sketchbook hidden under his mattress to fill in the blanks.
On the other side, there's Lexi. She's also being held, and she's trying not to remember the brawl that got her here. These are two teens that normally wouldn't cross each others paths. And it takes Azael a few "observation" to realize it, but now he knows she knows something. He thinks she's the key to his memory...and possibly his freedom.
THE KNIFE AND THE BUTTERFLY is a striking, surprising novel, one to watch later this year during award season. Its a novel that really shook me, and one that I'm excited to have experienced.
Top reviews from other countries
The suspense in this book was masterfully interwoven into the interchanging scenes from Azael's present and past. This idea of time running out only made me ask more questions. I was in the same boat as Azael. All we knew was that he had to make a decision but we knew nothing about what this decision was except that it somehow correlated with this other girl who is locked up with him. Somehow, these two unlikely people are connected by an event in their pasts, and Azael seems to be the only one who can't remember and the girl doesn't want to talk about it.
It creates this feeling of panic for Azael as people start to disappear from the cells around him, as people "move on" but he doesn't know where. This book had me up untill six in the morning just so that I could find out what happened, and what was going to happen to these two characters.
This wasn't a book based on action. It had a couple great fight scenes, after all its dealing with gangs, but this book was more than just about rumbles between gangs. This was a book built off characterization. Liza and Azael are two really messed up characters who've had s***ty lives that just results in one s***ty move to another. these kids don't have a lot to live for in life, and not a lot of people rooting for them to excel. As humans, so many of our actions are based off of the feedback we get from both those we do care about and even those we don't care about at all. But when everyone is in the same s***ty situation as you, and the only feeling of unity you can achieve with these peers is to join them in a gang... it makes it hard to choose to live a straight life. For Azael, this is his reality. He's only got his brother. His sister moved away, his mother died and his father's gone. Him and his brother turn to their friends, turn to a gang even if it means risking their lives in rumbles. With a life based off of aggression and violence, it makes it hard to choose the compassionate action, the one where no one gets hurt. For both Liza and Azael, so many of these choices based off of aggression have led up to this moment. Its at this point that a decision has to be made that will dictate their lives from now on. A decision that could be founded out of the hurt and pain of the past or founded in the hope for the future.
For them, it becomes a choice between the knife and the butterfly, no matter how hard that choice might be.
