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A Knight of the Seven Kingdoms (A Song of Ice and Fire) Hardcover – Illustrated, October 6, 2015
by
George R. R. Martin
(Author),
Gary Gianni
(Illustrator)
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George R. R. Martin
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NEW YORK TIMES BESTSELLER • Taking place nearly a century before the events of A Game of Thrones, A Knight of the Seven Kingdoms compiles the first three official prequel novellas to George R. R. Martin’s ongoing masterwork, A Song of Ice and Fire.
NAMED ONE OF THE BEST BOOKS OF THE YEAR BY LOS ANGELES TIMES AND BUZZFEED
These never-before-collected adventures recount an age when the Targaryen line still holds the Iron Throne, and the memory of the last dragon has not yet passed from living consciousness. Before Tyrion Lannister and Podrick Payne, there was Dunk and Egg. A young, naïve but ultimately courageous hedge knight, Ser Duncan the Tall towers above his rivals—in stature if not experience. Tagging along is his diminutive squire, a boy called Egg—whose true name is hidden from all he and Dunk encounter. Though more improbable heroes may not be found in all of Westeros, great destinies lay ahead for these two . . . as do powerful foes, royal intrigue, and outrageous exploits.
Featuring more than 160 all-new illustrations by Gary Gianni, A Knight of the Seven Kingdoms is a must-have collection that proves chivalry isn’t dead—yet.
Praise for A Knight of the Seven Kingdoms
“Readers who already love Martin and his ability to bring visceral human drama out of any story will be thrilled to find this trilogy brought together and injected with extra life.”—Booklist
“The real reason to check out this collection is that it’s simply great storytelling. Martin crafts a living, breathing world in a way few authors can. . . . [Gianni’s illustrations] really bring the events of the novellas to life in beautiful fashion.”—Tech Times
“Stirring . . . As Tolkien has his Silmarillion, so [George R. R.] Martin has this trilogy of foundational tales. They succeed on their own, but in addition, they succeed in making fans want more.”—Kirkus Reviews (starred review)
“Pure fantasy adventure, with two of the most likable protagonists George R. R. Martin has ever penned.”—Bustle
“A must-read for Martin’s legion of fans . . . a rousing prelude to [his] bestselling Song of Ice and Fire saga . . . rich in human drama and the colorful worldbuilding that distinguishes other books in the series.”—Publishers Weekly
NAMED ONE OF THE BEST BOOKS OF THE YEAR BY LOS ANGELES TIMES AND BUZZFEED
These never-before-collected adventures recount an age when the Targaryen line still holds the Iron Throne, and the memory of the last dragon has not yet passed from living consciousness. Before Tyrion Lannister and Podrick Payne, there was Dunk and Egg. A young, naïve but ultimately courageous hedge knight, Ser Duncan the Tall towers above his rivals—in stature if not experience. Tagging along is his diminutive squire, a boy called Egg—whose true name is hidden from all he and Dunk encounter. Though more improbable heroes may not be found in all of Westeros, great destinies lay ahead for these two . . . as do powerful foes, royal intrigue, and outrageous exploits.
Featuring more than 160 all-new illustrations by Gary Gianni, A Knight of the Seven Kingdoms is a must-have collection that proves chivalry isn’t dead—yet.
Praise for A Knight of the Seven Kingdoms
“Readers who already love Martin and his ability to bring visceral human drama out of any story will be thrilled to find this trilogy brought together and injected with extra life.”—Booklist
“The real reason to check out this collection is that it’s simply great storytelling. Martin crafts a living, breathing world in a way few authors can. . . . [Gianni’s illustrations] really bring the events of the novellas to life in beautiful fashion.”—Tech Times
“Stirring . . . As Tolkien has his Silmarillion, so [George R. R.] Martin has this trilogy of foundational tales. They succeed on their own, but in addition, they succeed in making fans want more.”—Kirkus Reviews (starred review)
“Pure fantasy adventure, with two of the most likable protagonists George R. R. Martin has ever penned.”—Bustle
“A must-read for Martin’s legion of fans . . . a rousing prelude to [his] bestselling Song of Ice and Fire saga . . . rich in human drama and the colorful worldbuilding that distinguishes other books in the series.”—Publishers Weekly
-
Print length368 pages
-
LanguageEnglish
-
PublisherBantam
-
Publication dateOctober 6, 2015
-
Dimensions6.3 x 1 x 9.5 inches
-
ISBN-100345533488
-
ISBN-13978-0345533487
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Editorial Reviews
From Publishers Weekly
The three interlocking novellas in this collection, all previously published, make for a rousing prelude to Martin's bestselling Song of Ice and Fire saga. Set 90 years before the events in A Game of Thrones, they chronicle the experiences of Ser Duncan the Tall, a humble hedge knight whose honorable comportment is often at odds with the schemes of the royals who rule the Seven Kingdoms. In "The Hedge Knight," Duncan is forced to fight a brutal trial by combat for defending a commoner against a cruel prince's son. In both "The Sworn Sword" and "The Mystery Knight," Duncan advances further toward fulfilling his destiny as a knight of the Kingsguard, foreseen in dreams throughout the stories. The stories are top-heavy with tournaments and bloody battles, but also rich in human drama and the colorful worldbuilding that distinguishes other books in the series. The appearance of youthful versions of characters who figure in the later novels makes this collection a must-read for Martin's legions of fans. (Oct.)\n
Review
“Readers who already love [George R. R.] Martin and his ability to bring visceral human drama out of any story will be thrilled to find this trilogy brought together and injected with extra life.”—Booklist
“The real reason to check out this collection is that it’s simply great storytelling. Martin crafts a living, breathing world in a way few authors can. . . . [Gary Gianni’s illustrations] really bring the events of the novellas to life in beautiful fashion.”—Tech Times
“Stirring . . . As Tolkien has his Silmarillion, so [George R. R.] Martin has this trilogy of foundational tales. They succeed on their own, but in addition, they succeed in making fans want more.”—Kirkus Reviews (starred review)
“Pure fantasy adventure, with two of the most likable protagonists George R. R. Martin has ever penned.”—Bustle
“A must-read for Martin’s legion of fans . . . a rousing prelude to [his] bestselling Song of Ice and Fire saga . . . rich in human drama and the colorful worldbuilding that distinguishes other books in the series.”—Publishers Weekly
“The real reason to check out this collection is that it’s simply great storytelling. Martin crafts a living, breathing world in a way few authors can. . . . [Gary Gianni’s illustrations] really bring the events of the novellas to life in beautiful fashion.”—Tech Times
“Stirring . . . As Tolkien has his Silmarillion, so [George R. R.] Martin has this trilogy of foundational tales. They succeed on their own, but in addition, they succeed in making fans want more.”—Kirkus Reviews (starred review)
“Pure fantasy adventure, with two of the most likable protagonists George R. R. Martin has ever penned.”—Bustle
“A must-read for Martin’s legion of fans . . . a rousing prelude to [his] bestselling Song of Ice and Fire saga . . . rich in human drama and the colorful worldbuilding that distinguishes other books in the series.”—Publishers Weekly
About the Author
George R. R. Martin is the #1 New York Times bestselling author of many novels, including the acclaimed series A Song of Ice and Fire—A Game of Thrones, A Clash of Kings, A Storm of Swords, A Feast for Crows, and A Dance with Dragons—as well as Tuf Voyaging, Fevre Dream, The Armageddon Rag, Dying of the Light, Windhaven (with Lisa Tuttle), and Dreamsongs Volumes I and II. He is also the creator of The Lands of Ice and Fire, a collection of maps from A Song of Ice and Fire featuring original artwork from illustrator and cartographer Jonathan Roberts, and The World of Ice & Fire (with Elio M. García, Jr., and Linda Antonsson). As a writer-producer, Martin has worked on The Twilight Zone, Beauty and the Beast, and various feature films and pilots that were never made. He lives with the lovely Parris in Santa Fe, New Mexico.
Gary Gianni graduated from the Chicago Academy of Fine Art in 1976. He has worked on numerous magazines, children’s books, graphic novels, and paperbacks. He has illustrated a variety of subjects including Batman, 20,000 Leagues Under the Sea, and Michael Chabon’s Gentlemen of the Road. He also drew the Prince Valiant comic strip from 2004 to 2012. Gianni is influenced by the masters of the golden age of illustrating, such as Joseph Clement Coll and Franklin Booth.
Gary Gianni graduated from the Chicago Academy of Fine Art in 1976. He has worked on numerous magazines, children’s books, graphic novels, and paperbacks. He has illustrated a variety of subjects including Batman, 20,000 Leagues Under the Sea, and Michael Chabon’s Gentlemen of the Road. He also drew the Prince Valiant comic strip from 2004 to 2012. Gianni is influenced by the masters of the golden age of illustrating, such as Joseph Clement Coll and Franklin Booth.
Excerpt. © Reprinted by permission. All rights reserved.
THE HEDGE KNIGHT
The story offered here takes place about a hundred years prior to the events described in A Game of Thrones.
The spring rains had softened the ground, so Dunk had no trouble digging the grave. He chose a spot on the western slope of a low hill, for the old man had always loved to watch the sunset. “Another day done”—he would sigh—“and who knows what the morrow will bring us, eh, Dunk?”
Well, one morrow had brought rains that soaked them to the bones, and the one after had brought wet, gusty winds, and the next a chill. By the fourth day the old man was too weak to ride. And now he was gone. Only a few days past, he had been singing as they rode, the old song about going to Gulltown to see a fair maid, but instead of Gulltown he’d sung of Ashford. Off to Ashford to see the fair maid, heigh-ho, heigh-ho, Dunk thought miserably as he dug.
When the hole was deep enough, he lifted the old man’s body in his arms and carried him there. He had been a small man, and slim; stripped of hauberk, helm, and sword belt, he seemed to weigh no more than a bag of leaves. Dunk was hugely tall for his age, a shambling, shaggy, big-boned boy of sixteen or seventeen years (no one was quite certain which) who stood closer to seven feet than to six, and had only just begun to fill out his frame. The old man had often praised his strength. He had always been generous in his praise. It was all he had to give.
He laid him out in the bottom of the grave and stood over him for a time. The smell of rain was in the air again, and he knew he ought to fill the hole before it broke, but it was hard to throw dirt down on that tired old face. There ought to be a septon here, to say some prayers over him, but he only has me. The old man had taught Dunk all he knew of swords and shields and lances, but had never been much good at teaching him words.
“I’d leave your sword, but it would rust in the ground,” he said at last, apologetic. “The gods will give you a new one, I guess. I wish you didn’t die, ser.” He paused, uncertain what else needed to be said. He didn’t know any prayers, not all the way through; the old man had never been much for praying. “You were a true knight, and you never beat me when I didn’t deserve it,” he finally managed, “except that one time in Maidenpool. It was the inn boy who ate the widow woman’s pie, not me, I told you. It don’t matter now. The gods keep you, ser.” He kicked dirt in the hole, then began to fill it methodically, never looking at the thing at the bottom. He had a long life, Dunk thought. He must have been closer to sixty than to fifty, and how many men can say that? At least he had lived to see another spring.
The sun was westering as he fed the horses. There were three; his swaybacked stot, the old man’s palfrey, and Thunder, his warhorse, who was ridden only in tourney and battle. The big brown stallion was not as swift or strong as he had once been, but he still had his bright eye and fierce spirit, and he was more valuable than everything else Dunk owned. If I sold Thunder and old Chestnut, and the saddles and bridles too, I’d come away with enough silver to… Dunk frowned. The only life he knew was the life of a hedge knight, riding from keep to keep, taking service with this lord and that lord, fighting in their battles and eating in their halls until the war was done, then moving on. There were tourneys from time to time as well, though less often, and he knew that some hedge knights turned robber during lean winters, though the old man never had.
I could find another hedge knight in need of a squire to tend his animals and clean his mail, he thought, or might be I could go to some city, to Lannisport or King’s Landing, and join the City Watch. Or else…
He had piled the old man’s things under an oak. The cloth purse contained three silver stags, nineteen copper pennies, and a chipped garnet; like most hedge knights, the greatest part of his worldly wealth had been tied up in his horses and weapons. Dunk now owned a chain-mail hauberk that he had scoured the rust off a thousand times. An iron halfhelm with a broad nasal and a dent on the left temple. A sword belt of cracked brown leather, and a longsword in a wood-and-leather scabbard. A dagger, a razor, a whetstone. Greaves and gorget, an eight-foot war lance of turned ash topped by a cruel iron point, and an oaken shield with a scarred metal rim, bearing the sigil of Ser Arlan of Pennytree: a winged chalice, silver on brown.
Dunk looked at the shield, scooped up the sword belt, and looked at the shield again. The belt was made for the old man’s skinny hips, it would never do for him, no more than the hauberk would. He tied the scabbard to a length of hempen rope, knotted it around his waist, and drew the longsword.
The blade was straight and heavy, good castle-forged steel, the grip soft leather wrapped over wood, the pommel a smooth, polished, black stone. Plain as it was, the sword felt good in his hand, and Dunk knew how sharp it was, having worked it with whetstone and oil-cloth many a night before they went to sleep. It fits my grip as well as it ever fit his, he thought to himself, and there is a tourney at Ashford Meadow.
Sweetfoot had an easier gait than old Chestnut, but Dunk was still sore and tired when he spied the inn ahead, a tall, daub-and-timber building beside a stream. The warm yellow light spilling from its windows looked so inviting that he could not pass it by. I have three silvers, he told himself, enough for a good meal and as much ale as I care to drink.
As he dismounted, a naked boy emerged dripping from the stream and began to dry himself on a roughspun brown cloak. “Are you the stableboy?” Dunk asked him. The lad looked to be no more than eight or nine, a pasty-faced, skinny thing, his bare feet caked in mud up to the ankle. His hair was the queerest thing about him. He had none. “I’ll want my palfrey rubbed down. And oats for all three. Can you tend to them?”
The boy looked at him brazenly. “I could. If I wanted.”
Dunk frowned. “I’ll have none of that. I am a knight, I’ll have you know.”
“You don’t look to be a knight.”
“Do all knights look the same?”
“No, but they don’t look like you, either. Your sword belt’s made of rope.”
“So long as it holds my scabbard, it serves. Now see to my horses. You’ll get a copper if you do well, and a clout in the ear if you don’t.” He did not wait to see how the stableboy took that but turned away and shouldered through the door.
At this hour, he would have expected the inn to be crowded, but the common room was almost empty. A young lordling in a fine damask mantle was passed out at one table, snoring softly into a pool of spilled wine. Otherwise there was no one. Dunk looked around uncertainly until a stout, short, whey-faced woman emerged from the kitchens and said, “Sit where you like. Is it ale you want, or food?”
“Both.” Dunk took a chair by the window, well away from the sleeping man.
“There’s good lamb, roasted with a crust of herbs, and some ducks my son shot down. Which will you have?”
“He had not eaten at an inn in half a year or more. “Both.”
The woman laughed. “Well, you’re big enough for it.” She drew a tankard of ale and brought it to his table. “Will you be wanting a room for the night as well?”
“No.” Dunk would have liked nothing better than a soft straw mattress and a roof above his head, but he needed to be careful with his coin. The ground would serve. “Some food, some ale, and it’s on to Ashford for me. How much farther is it?”
“A day’s ride. Bear north when the road forks at the burned mill. Is my boy seeing to your horses, or has he run off again?”
“No, he’s there,” said Dunk. “You seem to have no custom.”
“Half the town’s gone to see the tourney. My own would as well, if I allowed it. They’ll have this inn when I go, but the boy would sooner swagger about with soldiers, and the girl turns to sighs and giggles every time a knight rides by. I swear I couldn’t tell you why. Knights are built the same as other men, and I never knew a joust to change the price of eggs.” She eyed Dunk curiously; his sword and shield told her one thing, his rope belt and roughspun tunic quite another. “You’re bound for the tourney yourself?”
He took a sip of the ale before he answered. A nut-brown color it was, and thick on the tongue, the way he liked it. “Aye,” he said. “I mean to be a champion.”
“Do you, now?” the innkeep answered, polite enough.
Across the room, the lordling raised his head from the wine puddle. His face had a sallow, unhealthy cast to it beneath a rat’s nest of sandy brown hair, and blond stubble crusted his chin. He rubbed his mouth, blinked at Dunk, and said, “I dreamed of you.” His hand trembled as he pointed a finger. “You stay away from me, do you hear? You stay well away.”
The story offered here takes place about a hundred years prior to the events described in A Game of Thrones.
The spring rains had softened the ground, so Dunk had no trouble digging the grave. He chose a spot on the western slope of a low hill, for the old man had always loved to watch the sunset. “Another day done”—he would sigh—“and who knows what the morrow will bring us, eh, Dunk?”
Well, one morrow had brought rains that soaked them to the bones, and the one after had brought wet, gusty winds, and the next a chill. By the fourth day the old man was too weak to ride. And now he was gone. Only a few days past, he had been singing as they rode, the old song about going to Gulltown to see a fair maid, but instead of Gulltown he’d sung of Ashford. Off to Ashford to see the fair maid, heigh-ho, heigh-ho, Dunk thought miserably as he dug.
When the hole was deep enough, he lifted the old man’s body in his arms and carried him there. He had been a small man, and slim; stripped of hauberk, helm, and sword belt, he seemed to weigh no more than a bag of leaves. Dunk was hugely tall for his age, a shambling, shaggy, big-boned boy of sixteen or seventeen years (no one was quite certain which) who stood closer to seven feet than to six, and had only just begun to fill out his frame. The old man had often praised his strength. He had always been generous in his praise. It was all he had to give.
He laid him out in the bottom of the grave and stood over him for a time. The smell of rain was in the air again, and he knew he ought to fill the hole before it broke, but it was hard to throw dirt down on that tired old face. There ought to be a septon here, to say some prayers over him, but he only has me. The old man had taught Dunk all he knew of swords and shields and lances, but had never been much good at teaching him words.
“I’d leave your sword, but it would rust in the ground,” he said at last, apologetic. “The gods will give you a new one, I guess. I wish you didn’t die, ser.” He paused, uncertain what else needed to be said. He didn’t know any prayers, not all the way through; the old man had never been much for praying. “You were a true knight, and you never beat me when I didn’t deserve it,” he finally managed, “except that one time in Maidenpool. It was the inn boy who ate the widow woman’s pie, not me, I told you. It don’t matter now. The gods keep you, ser.” He kicked dirt in the hole, then began to fill it methodically, never looking at the thing at the bottom. He had a long life, Dunk thought. He must have been closer to sixty than to fifty, and how many men can say that? At least he had lived to see another spring.
The sun was westering as he fed the horses. There were three; his swaybacked stot, the old man’s palfrey, and Thunder, his warhorse, who was ridden only in tourney and battle. The big brown stallion was not as swift or strong as he had once been, but he still had his bright eye and fierce spirit, and he was more valuable than everything else Dunk owned. If I sold Thunder and old Chestnut, and the saddles and bridles too, I’d come away with enough silver to… Dunk frowned. The only life he knew was the life of a hedge knight, riding from keep to keep, taking service with this lord and that lord, fighting in their battles and eating in their halls until the war was done, then moving on. There were tourneys from time to time as well, though less often, and he knew that some hedge knights turned robber during lean winters, though the old man never had.
I could find another hedge knight in need of a squire to tend his animals and clean his mail, he thought, or might be I could go to some city, to Lannisport or King’s Landing, and join the City Watch. Or else…
He had piled the old man’s things under an oak. The cloth purse contained three silver stags, nineteen copper pennies, and a chipped garnet; like most hedge knights, the greatest part of his worldly wealth had been tied up in his horses and weapons. Dunk now owned a chain-mail hauberk that he had scoured the rust off a thousand times. An iron halfhelm with a broad nasal and a dent on the left temple. A sword belt of cracked brown leather, and a longsword in a wood-and-leather scabbard. A dagger, a razor, a whetstone. Greaves and gorget, an eight-foot war lance of turned ash topped by a cruel iron point, and an oaken shield with a scarred metal rim, bearing the sigil of Ser Arlan of Pennytree: a winged chalice, silver on brown.
Dunk looked at the shield, scooped up the sword belt, and looked at the shield again. The belt was made for the old man’s skinny hips, it would never do for him, no more than the hauberk would. He tied the scabbard to a length of hempen rope, knotted it around his waist, and drew the longsword.
The blade was straight and heavy, good castle-forged steel, the grip soft leather wrapped over wood, the pommel a smooth, polished, black stone. Plain as it was, the sword felt good in his hand, and Dunk knew how sharp it was, having worked it with whetstone and oil-cloth many a night before they went to sleep. It fits my grip as well as it ever fit his, he thought to himself, and there is a tourney at Ashford Meadow.
Sweetfoot had an easier gait than old Chestnut, but Dunk was still sore and tired when he spied the inn ahead, a tall, daub-and-timber building beside a stream. The warm yellow light spilling from its windows looked so inviting that he could not pass it by. I have three silvers, he told himself, enough for a good meal and as much ale as I care to drink.
As he dismounted, a naked boy emerged dripping from the stream and began to dry himself on a roughspun brown cloak. “Are you the stableboy?” Dunk asked him. The lad looked to be no more than eight or nine, a pasty-faced, skinny thing, his bare feet caked in mud up to the ankle. His hair was the queerest thing about him. He had none. “I’ll want my palfrey rubbed down. And oats for all three. Can you tend to them?”
The boy looked at him brazenly. “I could. If I wanted.”
Dunk frowned. “I’ll have none of that. I am a knight, I’ll have you know.”
“You don’t look to be a knight.”
“Do all knights look the same?”
“No, but they don’t look like you, either. Your sword belt’s made of rope.”
“So long as it holds my scabbard, it serves. Now see to my horses. You’ll get a copper if you do well, and a clout in the ear if you don’t.” He did not wait to see how the stableboy took that but turned away and shouldered through the door.
At this hour, he would have expected the inn to be crowded, but the common room was almost empty. A young lordling in a fine damask mantle was passed out at one table, snoring softly into a pool of spilled wine. Otherwise there was no one. Dunk looked around uncertainly until a stout, short, whey-faced woman emerged from the kitchens and said, “Sit where you like. Is it ale you want, or food?”
“Both.” Dunk took a chair by the window, well away from the sleeping man.
“There’s good lamb, roasted with a crust of herbs, and some ducks my son shot down. Which will you have?”
“He had not eaten at an inn in half a year or more. “Both.”
The woman laughed. “Well, you’re big enough for it.” She drew a tankard of ale and brought it to his table. “Will you be wanting a room for the night as well?”
“No.” Dunk would have liked nothing better than a soft straw mattress and a roof above his head, but he needed to be careful with his coin. The ground would serve. “Some food, some ale, and it’s on to Ashford for me. How much farther is it?”
“A day’s ride. Bear north when the road forks at the burned mill. Is my boy seeing to your horses, or has he run off again?”
“No, he’s there,” said Dunk. “You seem to have no custom.”
“Half the town’s gone to see the tourney. My own would as well, if I allowed it. They’ll have this inn when I go, but the boy would sooner swagger about with soldiers, and the girl turns to sighs and giggles every time a knight rides by. I swear I couldn’t tell you why. Knights are built the same as other men, and I never knew a joust to change the price of eggs.” She eyed Dunk curiously; his sword and shield told her one thing, his rope belt and roughspun tunic quite another. “You’re bound for the tourney yourself?”
He took a sip of the ale before he answered. A nut-brown color it was, and thick on the tongue, the way he liked it. “Aye,” he said. “I mean to be a champion.”
“Do you, now?” the innkeep answered, polite enough.
Across the room, the lordling raised his head from the wine puddle. His face had a sallow, unhealthy cast to it beneath a rat’s nest of sandy brown hair, and blond stubble crusted his chin. He rubbed his mouth, blinked at Dunk, and said, “I dreamed of you.” His hand trembled as he pointed a finger. “You stay away from me, do you hear? You stay well away.”
Product details
- Publisher : Bantam; Illustrated edition (October 6, 2015)
- Language : English
- Hardcover : 368 pages
- ISBN-10 : 0345533488
- ISBN-13 : 978-0345533487
- Item Weight : 1.45 pounds
- Dimensions : 6.3 x 1 x 9.5 inches
- Customer Reviews:
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George R.R. Martin is the globally bestselling author of many fine novels, including A Game of Thrones, A Clash of Kings, A Storm of Swords, A Feast for Crows, and A Dance with Dragons, which together make up the series A Song of Ice and Fire, on which HBO based the world’s most-watched television series, Game of Thrones. Other works set in or about Westeros include The World of Ice and Fire, and A Knight of the Seven Kingdoms. His science fiction novella Nightflyers has also been adapted as a television series; and he is the creator of the shared-world Wild Cards universe, working with the finest writers in the genre. He lives in Santa Fe, New Mexico.
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Reviewed in the United States on November 7, 2015
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I've often wanted to review the A Song of Ice and Fire books on this website but, really, there's nothing I could possibly say about them which other websites have not said and better. Likewise, there's no point in bringing more attention to the novels because they're already some of the most famous in fantasy. It's pretty much the same with the spin-offs as there's not much point in talking about Game of Thrones since everyone and their brother is watching that show.
I've made an exception for Telltale's Game of Thrones because that's a side-story but this is the first book I feel comfortable recommending which might have slipped under fans' radars. A Knight of the Seven Kingdoms is a compilation of three novellas (The Hedge Knight, The Sworn Sword, and The Mystery Knight) written by George R.R. Martin for various anthologies.
The premise is a young hedge knight, Ser Duncan the Tall (a self-granted title since his master never knighted him), takes on a squire named Egg after the death of his mentor Ser Arlan. A hedge knight is a knight with no prestige or lineage but has the training as well as equipment to be a mounted soldier in the Seven Kingdoms. At the absolute bottom of the social hierarchy's warrior class but still part of it, Duncan has a unique perspective on events occurring in the century before A Game of Thrones.
The three novellas take place in a very different Westeros from the one described in the books because the Targaryens are still at, if not the height of the rule then some distance from their twilight. The lands have been at peace for a decade and the nobility, if not following the example of chivalry in spirit, is at least trying to follow the example of chivalry in appearance. In a very real way, the book serves as an argument for a Targaryen Restoration because it shows everyone more or less getting along and the peasants able to live reasonably secure lives.
George R.R. Martin, the father of grimdark, still treats the Medieval romance with a good deal of disdain but it's not nearly as cynical in many respects. Ser Duncan's basic decency makes him a far better knight than those born into the role but the absence of Gregor Cleganes, Boltons, Bloody Mummers, and even Lannisters make the villains of a decidedly more sympathetic bent. They're still very realistic fantasy with only the occasional prophetic dream keeping it from being absent magic together but the heart of the stories is a peasant-born warrior trying to navigate the complicated social dynamics of Westeros' knightly class.
The Hedge Knight is, in a weird way, not that dissimilar from Heath Ledger's A Knight's Tale. Duncan is a peasant knight from Fleabottom who has a vision of becoming a famous warrior after Ser Arlan's death. Unfortunately, Ser Duncan lacks William Thatcher's godlike skill with a lance and swiftly finds himself in hot water with a Targaryen prince. In a very real way, this is a sports story and the deadly stakes of the event make it all the more entertaining to read about. Of the three, The Hedge Knight is my least favorite as I never really found that much interest in jousting and its central role in peacetime Medieval life.
The Sworn Sword is a follow up to The Hedge Knight where Duncan has managed to find himself as an actual proper sworn knight to a lord--sort of. Having taken up service to a lord of something which barely qualifies as a tower, Duncan ends up caught up in a conflict between his lord and the beautiful widow across the river. The central conflict turns out to be not one of good and evil but the legacy of a war which had, to quote George Lucas, heroes on both sides. I like how it managed to take a very Medieval concept of fighting for a ladies' honor and play it straight while also illustrating how absurd it was.
The Mystery Knight is, bluntly, one of my favorite stories in fantasy. I've re-read this novella five times and am probably going to do so again. It's a story with a lot of parallels to Bonnie Prince Charlie's revolt and is basically a Medieval spy novel set against the backdrop of a tournament. I love the characters of Lord Butterwell, the Fiddler, and Fireball's bastard. They are eccentric, larger than life, and yet believable. I also loved finally getting a chance to meet
These stories are,obviously, going to be enjoyed more by fans of the books than by the show. Aside from the possible relationship between Duncan and Brienne, many of the details of the history will fly by television viewers. Despite this, I think they would be enjoyable even to those who have no experience with the world. Fans of grimdark will find the stories a good deal more idealistic and pleasant but still possessed of the moral ambiguity as well as "realism" which made the original books so enjoyable.
The chief draw of the books for me is the relationship between Ser Duncan and Egg. Duncan is, to be honest, dumb but decent while Egg is highly-intelligent and somewhat more ruthless than his master. The contrast between their social positions, viewpoints, and attitudes provides an endless array of interesting conversations. It's kind of sad I know how their story works out due to The World of Ice and Fire but their tale is one I could follow through its own series. They're hilarious, insightful, and fun together--and what more can you ask from your heroes?
In conclusion, I really really recommend this book. I almost wish George R.R. Martin would take more time from The Winds of Winter to do more of these stories. They're fun, light, and entertaining reads which deserve to be looked into. This version of the story is illustrated and while I tend to prefer the comic book versions of these story, it lends a sort of "Illustrated King Arthur" feel to things.
9.5/10
I've made an exception for Telltale's Game of Thrones because that's a side-story but this is the first book I feel comfortable recommending which might have slipped under fans' radars. A Knight of the Seven Kingdoms is a compilation of three novellas (The Hedge Knight, The Sworn Sword, and The Mystery Knight) written by George R.R. Martin for various anthologies.
The premise is a young hedge knight, Ser Duncan the Tall (a self-granted title since his master never knighted him), takes on a squire named Egg after the death of his mentor Ser Arlan. A hedge knight is a knight with no prestige or lineage but has the training as well as equipment to be a mounted soldier in the Seven Kingdoms. At the absolute bottom of the social hierarchy's warrior class but still part of it, Duncan has a unique perspective on events occurring in the century before A Game of Thrones.
The three novellas take place in a very different Westeros from the one described in the books because the Targaryens are still at, if not the height of the rule then some distance from their twilight. The lands have been at peace for a decade and the nobility, if not following the example of chivalry in spirit, is at least trying to follow the example of chivalry in appearance. In a very real way, the book serves as an argument for a Targaryen Restoration because it shows everyone more or less getting along and the peasants able to live reasonably secure lives.
George R.R. Martin, the father of grimdark, still treats the Medieval romance with a good deal of disdain but it's not nearly as cynical in many respects. Ser Duncan's basic decency makes him a far better knight than those born into the role but the absence of Gregor Cleganes, Boltons, Bloody Mummers, and even Lannisters make the villains of a decidedly more sympathetic bent. They're still very realistic fantasy with only the occasional prophetic dream keeping it from being absent magic together but the heart of the stories is a peasant-born warrior trying to navigate the complicated social dynamics of Westeros' knightly class.
The Hedge Knight is, in a weird way, not that dissimilar from Heath Ledger's A Knight's Tale. Duncan is a peasant knight from Fleabottom who has a vision of becoming a famous warrior after Ser Arlan's death. Unfortunately, Ser Duncan lacks William Thatcher's godlike skill with a lance and swiftly finds himself in hot water with a Targaryen prince. In a very real way, this is a sports story and the deadly stakes of the event make it all the more entertaining to read about. Of the three, The Hedge Knight is my least favorite as I never really found that much interest in jousting and its central role in peacetime Medieval life.
The Sworn Sword is a follow up to The Hedge Knight where Duncan has managed to find himself as an actual proper sworn knight to a lord--sort of. Having taken up service to a lord of something which barely qualifies as a tower, Duncan ends up caught up in a conflict between his lord and the beautiful widow across the river. The central conflict turns out to be not one of good and evil but the legacy of a war which had, to quote George Lucas, heroes on both sides. I like how it managed to take a very Medieval concept of fighting for a ladies' honor and play it straight while also illustrating how absurd it was.
The Mystery Knight is, bluntly, one of my favorite stories in fantasy. I've re-read this novella five times and am probably going to do so again. It's a story with a lot of parallels to Bonnie Prince Charlie's revolt and is basically a Medieval spy novel set against the backdrop of a tournament. I love the characters of Lord Butterwell, the Fiddler, and Fireball's bastard. They are eccentric, larger than life, and yet believable. I also loved finally getting a chance to meet
These stories are,obviously, going to be enjoyed more by fans of the books than by the show. Aside from the possible relationship between Duncan and Brienne, many of the details of the history will fly by television viewers. Despite this, I think they would be enjoyable even to those who have no experience with the world. Fans of grimdark will find the stories a good deal more idealistic and pleasant but still possessed of the moral ambiguity as well as "realism" which made the original books so enjoyable.
The chief draw of the books for me is the relationship between Ser Duncan and Egg. Duncan is, to be honest, dumb but decent while Egg is highly-intelligent and somewhat more ruthless than his master. The contrast between their social positions, viewpoints, and attitudes provides an endless array of interesting conversations. It's kind of sad I know how their story works out due to The World of Ice and Fire but their tale is one I could follow through its own series. They're hilarious, insightful, and fun together--and what more can you ask from your heroes?
In conclusion, I really really recommend this book. I almost wish George R.R. Martin would take more time from The Winds of Winter to do more of these stories. They're fun, light, and entertaining reads which deserve to be looked into. This version of the story is illustrated and while I tend to prefer the comic book versions of these story, it lends a sort of "Illustrated King Arthur" feel to things.
9.5/10
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Reviewed in the United States on November 10, 2017
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I’m not the type of reviewer that uses flowery words or gives a blow by blow account of what makes this a book not to be read. Suffice it to say Ser Duncan is delightful to follow as an everyday common hero. Egg is terrific. Most of all Martin writes here in a style of old that flows like water and goes down smooth. He lets you chuckle when appropriate while painting a picture so vivid it fills the room. I couldn’t put it down and that’s the best compliment I can give a writer.
PS: I also enjoyed the illustrations - it’s a shame that is not used in more books
PS: I also enjoyed the illustrations - it’s a shame that is not used in more books
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Reviewed in the United States on May 5, 2016
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Story:
This book is actually three books merged into one. Taking place a century before the events of A Song of Ice and Fire, the story follows Ser Duncan, a man who was recently knighted before his master passed away. While traveling to a tourney, he meets a bald boy named Egg who, despite Duncan's efforts to have it otherwise, becomes his squire. Duncan learns some surprising things while at the tourney, but ends up making a name for himself in front of the Targaryans, who are the family of kings and queens in Westeros. Afterwards, he and Egg have several adventures, including trying to help a disgraced lord save his lands and his smallfolk (peasants) from a drought while a rival house is taking all the resources, and participating in a tourney while looking for a performer that is hinted that Duncan might have feelings for. Underneath it all is the threat of the embers of a rebellion that had been beaten years ago, but is struggling to rise to power again. Will Duncan and Egg be able to help the Seven Kingdoms?
I was pleased to see another story that takes place in Westeros, and isn't part of the main series. It helps add to the world's history, and allows us to see characters we read about in The World of Ice and Fire to get some attention. While not as intense as the series A Song of Ice and Fire, it still has that flare of Martin's to explore real people facing real medieval problems. The illustrations done by Gary Gianni also help bring this world and time period to life. It's definitely worth reading.
Caution:
Some swearing, including some uses of the F-word. Some violence and gore. Some people are seen naked in some of the illustrations (though one is the result of a dream and another is part of a marriage ceremony in Westeros).
Lessons:
Honor and nobility are found in the heart. You can find good people in unexpected places. The Devil will try to strike us when we are not expecting it.
This book is actually three books merged into one. Taking place a century before the events of A Song of Ice and Fire, the story follows Ser Duncan, a man who was recently knighted before his master passed away. While traveling to a tourney, he meets a bald boy named Egg who, despite Duncan's efforts to have it otherwise, becomes his squire. Duncan learns some surprising things while at the tourney, but ends up making a name for himself in front of the Targaryans, who are the family of kings and queens in Westeros. Afterwards, he and Egg have several adventures, including trying to help a disgraced lord save his lands and his smallfolk (peasants) from a drought while a rival house is taking all the resources, and participating in a tourney while looking for a performer that is hinted that Duncan might have feelings for. Underneath it all is the threat of the embers of a rebellion that had been beaten years ago, but is struggling to rise to power again. Will Duncan and Egg be able to help the Seven Kingdoms?
I was pleased to see another story that takes place in Westeros, and isn't part of the main series. It helps add to the world's history, and allows us to see characters we read about in The World of Ice and Fire to get some attention. While not as intense as the series A Song of Ice and Fire, it still has that flare of Martin's to explore real people facing real medieval problems. The illustrations done by Gary Gianni also help bring this world and time period to life. It's definitely worth reading.
Caution:
Some swearing, including some uses of the F-word. Some violence and gore. Some people are seen naked in some of the illustrations (though one is the result of a dream and another is part of a marriage ceremony in Westeros).
Lessons:
Honor and nobility are found in the heart. You can find good people in unexpected places. The Devil will try to strike us when we are not expecting it.
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Reviewed in the United States on November 13, 2018
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Finally, a George R.R. Martin book in which the good guy is not killed off! This is part 1 of the story of Ser Duncan the Tall and his squire Aegon, known to each other as Dunk and Egg. The setting is Martin’s Westeros universe, but 100 years before the events in the Game of Thrones books occur.
Martin tells a story full of intrigue, deception and brutality. Dunk, though of humble origins and a mere hedge knight, defends the powerless and acts with integrity. Predictably, this gets him into trouble. I enjoyed the read and look forward to more stories of the adventures of Dunk and Egg!
The book is beautifully illustrated with line drawings by Gary Gianni.
Martin tells a story full of intrigue, deception and brutality. Dunk, though of humble origins and a mere hedge knight, defends the powerless and acts with integrity. Predictably, this gets him into trouble. I enjoyed the read and look forward to more stories of the adventures of Dunk and Egg!
The book is beautifully illustrated with line drawings by Gary Gianni.
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Reviewed in the United States on November 16, 2017
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If you're like me and have read all the Song of Ice and Fire books and the television trips to Westeros aren't filling that need for your Thrones fix then this book is a very welcome arrival.
It's actually three separate stories that build on each other and of the relationship between a hedge knight, Dunk and his squire Egg. These are more personal stories and lacking the myriad of plotlines that can run through a typical ASOIAF novel.
Taking place 100 years before the events in ASOIAF it's only recognizable as such by the house names. But it's those names Lannister, Baratheon, Targeryon.....and Martin's style and comfort in this world that makes it feel you're right at home in this place.
I'm looking forward to more stories of Ser Duncan the tall and his bald squire Egg.
It's actually three separate stories that build on each other and of the relationship between a hedge knight, Dunk and his squire Egg. These are more personal stories and lacking the myriad of plotlines that can run through a typical ASOIAF novel.
Taking place 100 years before the events in ASOIAF it's only recognizable as such by the house names. But it's those names Lannister, Baratheon, Targeryon.....and Martin's style and comfort in this world that makes it feel you're right at home in this place.
I'm looking forward to more stories of Ser Duncan the tall and his bald squire Egg.
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Top reviews from other countries
R. A. Young
5.0 out of 5 stars
Great fun.
Reviewed in the United Kingdom on March 24, 2018Verified Purchase
A different style of writing from the Game of Thrones series that it spins out of, the tales of Dunk & Egg are squarely in the chivalry and derring-do arena of storytelling. It is fantasy, but but not fantastical, in as much as it has the flavour of something that could have happened, a ring of authenticity to it, but touched with myth all the same.
It is grounded in the world of GoT, so readers of that series will have something to get their teeth into, though by no means is that required. You could come to this having read none of those books and seen nothing of the TV show. It also has a more innocent feel to it, in keeping with the chivalry/derring-do theme.
Martin has a particularly easy writing style, fluent and unfussy, which makes for a smooth and engaging read and his skill with plotting and characterisation makes for a genuine page turner.
It is grounded in the world of GoT, so readers of that series will have something to get their teeth into, though by no means is that required. You could come to this having read none of those books and seen nothing of the TV show. It also has a more innocent feel to it, in keeping with the chivalry/derring-do theme.
Martin has a particularly easy writing style, fluent and unfussy, which makes for a smooth and engaging read and his skill with plotting and characterisation makes for a genuine page turner.
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John C Adams
5.0 out of 5 stars
Westeros, a century before Jon Snow
Reviewed in the United Kingdom on February 12, 2019Verified Purchase
A Knight of the Seven Kingdoms by George R R Martin
Illustrations by Gary Gianni
Westeros, a century before Jon Snow encounters Aemon Targaryen up at the Wall, with delightful pen and ink drawings running alongside the text. What's not to love?
In The Hedge Knight, Dunk and Egg meet quite by chance. Dunk wants to be a knight. He possesses the bare equipment, which he inherited from the knight he squired for. Sir Arlan of Pennytree has just died of a fever and Dunk now has to make his own way in the world. But his old knight taught him well. Egg is masquerading as a stable boy when Dunk stops at an inn for a rest. The little lad's real name is Aegon, and we all have a pretty good idea what that means even before we spot his silver hair and violet eyes. Dunk and Egg cross paths again, at a tourney in Ashford meadow.
"He felt foolish standing there with sword in hand over an eight-year-old orphan. He sheathed it, glowering so the boy would see that he would suffer no nonsense. I ought to give him a good beating at the least, he thought, but the child looked so pitiful he could not bring himself to hit him. He glanced around the camp. The fire was burning merrily with a neat circle of rocks. The horses had been brushed, and clothes were hanging from the elm, drying above the flames."
Continuing their journey in the second tale, The Sworn Sword, Dunk and Egg are returning from a trip to Dorne. They are heading for the broken-down castle of Sir Eustace Osgrey. Drought has made the local villagers desperate and an adjoining landowner, the Red Widow, has diverted the river further upstream to irrigate her own crops. Dunk loyally raises the best army he can from among Sir Eustace's tenants.
"The next day a dozen would-be warriors found their way to Standfast to assemble among the chickens. One was too old, two were too young, and one skinny boy turned out to be a skinny girl. Those Dunk send back to their villages, leaving eight: three Wats, two Wills, a Lem, a Pate, and Big Rob the lackwit."
In the final story, The Mystery Knight, Dunk and Egg make for Lord Butterwell's castle, hoping for a chance to enter the tourney and win a dragon's egg. The uproar of a wedding and bedding provides the perfect opportunity for someone to snatch the prize, rather than earning it on the field.
Each tale was very different to the others, but all were thoroughly likeable in their own way. In fact, just like Dunk and Egg themselves! It was lovely to follow the two heroes as they faced a variety of enemies with good humour, and came to understand each other along the way. You can't ask for more than that in a book.
Gary Gianni's drawings elevated my enjoyment of the book to a whole new level, informing the action and deepening the vivid portrayal of the wealth of secondary characters. The style of illustration was a perfect match for the writing. There are some books where the reviewer feels that the drawings were a late add-on or that the text could have done just fine without them. This isn't one of them!
Enjoy!
Illustrations by Gary Gianni
Westeros, a century before Jon Snow encounters Aemon Targaryen up at the Wall, with delightful pen and ink drawings running alongside the text. What's not to love?
In The Hedge Knight, Dunk and Egg meet quite by chance. Dunk wants to be a knight. He possesses the bare equipment, which he inherited from the knight he squired for. Sir Arlan of Pennytree has just died of a fever and Dunk now has to make his own way in the world. But his old knight taught him well. Egg is masquerading as a stable boy when Dunk stops at an inn for a rest. The little lad's real name is Aegon, and we all have a pretty good idea what that means even before we spot his silver hair and violet eyes. Dunk and Egg cross paths again, at a tourney in Ashford meadow.
"He felt foolish standing there with sword in hand over an eight-year-old orphan. He sheathed it, glowering so the boy would see that he would suffer no nonsense. I ought to give him a good beating at the least, he thought, but the child looked so pitiful he could not bring himself to hit him. He glanced around the camp. The fire was burning merrily with a neat circle of rocks. The horses had been brushed, and clothes were hanging from the elm, drying above the flames."
Continuing their journey in the second tale, The Sworn Sword, Dunk and Egg are returning from a trip to Dorne. They are heading for the broken-down castle of Sir Eustace Osgrey. Drought has made the local villagers desperate and an adjoining landowner, the Red Widow, has diverted the river further upstream to irrigate her own crops. Dunk loyally raises the best army he can from among Sir Eustace's tenants.
"The next day a dozen would-be warriors found their way to Standfast to assemble among the chickens. One was too old, two were too young, and one skinny boy turned out to be a skinny girl. Those Dunk send back to their villages, leaving eight: three Wats, two Wills, a Lem, a Pate, and Big Rob the lackwit."
In the final story, The Mystery Knight, Dunk and Egg make for Lord Butterwell's castle, hoping for a chance to enter the tourney and win a dragon's egg. The uproar of a wedding and bedding provides the perfect opportunity for someone to snatch the prize, rather than earning it on the field.
Each tale was very different to the others, but all were thoroughly likeable in their own way. In fact, just like Dunk and Egg themselves! It was lovely to follow the two heroes as they faced a variety of enemies with good humour, and came to understand each other along the way. You can't ask for more than that in a book.
Gary Gianni's drawings elevated my enjoyment of the book to a whole new level, informing the action and deepening the vivid portrayal of the wealth of secondary characters. The style of illustration was a perfect match for the writing. There are some books where the reviewer feels that the drawings were a late add-on or that the text could have done just fine without them. This isn't one of them!
Enjoy!
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I. Jones
5.0 out of 5 stars
A great bit of escapism while waiting for season 8 of Game of Thrones
Reviewed in the United Kingdom on April 11, 2019Verified Purchase
I bought this book after reading the A Song of Ice and Fire series and seeing Game of Thrones season 1-7 on TV. It doesn’t have the intensity or scope of the big epic, but the three tales of Ser Duncan the Tall and his squire, Egg are a pretty good read, especially if you like the mediaeval milieu. There’s a good mix of action here: jousting, murder, hidden identity, treason. Ser Duncan has a very brief glimpse of possible romance (his first) with a young woman. Nothing happens and we’re told she’s crossed over the Narrow Sea, so there’s the prospect of something developing if there is a sequel. He has a second glimpse of romance with the enigmatic Red Widow but loses out to an old grey widower. Very poignant.
I have to say that the illustrations didn’t do a great deal for me. I tend to think if a novel is worth reading it doesn’t need illustrations. They can be a distraction and aren’t needed if the characters and action are well described. I would have found a map of Westeros a lot more helpful. Of course the ASOIAF novels all have maps but it’s irritating to have to keep dashing over to the bookcase to check where Maidenpool or Lannisport are.
It’s a good bit of escapism and I would read more books about these two characters. We’re told that Ser Duncan’s plan is to head north to Winterfell to fight against the Ironmen, which reminds me of Theon Greyjoy, and look what happened to him. No good ever came of trying to take Winterfell…..
I have to say that the illustrations didn’t do a great deal for me. I tend to think if a novel is worth reading it doesn’t need illustrations. They can be a distraction and aren’t needed if the characters and action are well described. I would have found a map of Westeros a lot more helpful. Of course the ASOIAF novels all have maps but it’s irritating to have to keep dashing over to the bookcase to check where Maidenpool or Lannisport are.
It’s a good bit of escapism and I would read more books about these two characters. We’re told that Ser Duncan’s plan is to head north to Winterfell to fight against the Ironmen, which reminds me of Theon Greyjoy, and look what happened to him. No good ever came of trying to take Winterfell…..
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Dean
5.0 out of 5 stars
100% recommend. High quality and a real page turner.
Reviewed in the United Kingdom on April 25, 2018Verified Purchase
It has been a few years since I read the other Song of Ice and Fire books. While reading this book, I was reminded why I enjoyed GRRM's books and why I've stuck with the TV show - despite it starting to suck.
Split into 3 different short stories which are about 100'ish pages each. I consumed each story quite quickly, as they're excellent.
The story is set 100 years before the Song of Ice and Fire story begins with Game of Thrones, so you could read this before starting that. It is quality, standalone writing which leaves you wanting more.
Split into 3 different short stories which are about 100'ish pages each. I consumed each story quite quickly, as they're excellent.
The story is set 100 years before the Song of Ice and Fire story begins with Game of Thrones, so you could read this before starting that. It is quality, standalone writing which leaves you wanting more.
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Mav617
5.0 out of 5 stars
Quality Reading
Reviewed in the United Kingdom on July 20, 2017Verified Purchase
Really an excellent read - could not put it down once I started reading and wanted it to go on and on, very much like GoT - Dunk and Egg are really well drawn characters, and the descriptions of the heraldy of various knights and their houses is really interesting. Off to find anything else from Martin that relates to Westeros in any way.
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