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Koba the Dread Hardcover – July 17, 2002
by
Martin Amis
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Martin Amis
(Author)
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Print length320 pages
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LanguageEnglish
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PublisherMiramax
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Publication dateJuly 17, 2002
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Grade level8 and up
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Reading age13 years and up
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Dimensions5.5 x 7.5 inches
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ISBN-100786868767
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ISBN-13978-0786868766
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Editorial Reviews
From Publishers Weekly
Everyone knows what the Holocaust was, but, Amis points out, there is no name for and comparatively little public awareness of the killing that took place in the Soviet Union between 1917 and 1933, when 20 million died under a Bolshevik regime that ruled as if waging war against its own people. Why? The U.S.S.R. was effectively a gigantic prison system that was very good at keeping its grisly secrets. Too, communism had widespread support in the rest of the world, as Amis reminds us. Not quite a memoir, this book sandwiches a lengthy treatise on the horror of life in Leninist and Stalinist Russia between Amis's brief personal takes on his gradually dawning awareness of Soviet atrocities. In his first and final pages, he deals with three generations of dupes who supported Soviet rule: that of H.G. Wells and George Bernard Shaw; that of novelist Kingsley Amis, the writer's father and member of the Communist Party in the 1940s; and that of leftist contemporaries of Martin Amis himself, notably the writer Christopher Hitchens. Throughout, Amis snipes at Hitchens in particular ( What about the famine?' I once asked him. There wasn't a famine,' he said, smiling slightly and lowering his gaze. There may have been occasional shortages....' ) Alexander Solzhenitsyn tried to tell the West about Stalinism in the '70s, but this grim patriarch had no appeal for the New Left, a generation interested only in revolution as play, Amis says. Most readers won't be interested in the author's private quarrels, but in the bulk of the book he relates passionately a story that needs to be told, the history of a regime that murdered its own people in order to build a better future for them.
Copyright 2002 Cahners Business Information, Inc.
Copyright 2002 Cahners Business Information, Inc.
From Library Journal
This passionate and intensely personal book by novelist Amis (London Fields) evokes a terrible crime, in fact several million crimes. Koba is Joseph Stalin, the 20 million his victims. Interwoven with his impressionistic narrative (which owes much to Alexander Solzhenitsyn and the Anglo-American historian Robert Conquest) are details of Amis's family history, along with his sparring with the memory of his late father, Kingsley, and a close friend, the English journalist Christopher Hitchens, both one-time defenders of Soviet rule. Amis cuts to and from these and other personalities, throwing in details of the appalling horrors of Stalinist misrule, in a kaleidoscopic narrative flow. Who was worse: the Little Mustache (Hitler) or the Big Mustache (Stalin)? Why is the latter's evil not as widely acknowledged as the former's? Amis concludes his book with a single family death, contrasting its pathos with, in Stalin's celebrated expression, the "mere statistic" of the death of millions. A personal and polemical reaction to human and historical tragedy on both a small and a large scale, this is not an easy read. While the book reveals nothing new historiographically, it will appeal to admirers of Amis's literary panache. Robert H. Johnston, McMaster Univ., Hamilton, ON
Copyright 2002 Reed Business Information, Inc.
Copyright 2002 Reed Business Information, Inc.
From Booklist
This highly regarded British novelist follows his memoir Experience (2000) with another nonfiction book that, loosely defined, may also be called a memoir, and it is absolutely riveting. Amis is the son of novelist Kingsley Amis, and Amis fils recalls his father's affiliation with communism in the 1930s and, along with his "Oxford comrades," their ignorance of Stalin's "domestic cataclysms," namely the Soviet dictator's massacre of anyone who could possibly be thought to be a dissident--the total of which numbered in the millions. Such recollections lead the younger Amis to ponder Stalin's life story; the title of this book refers to a Stalin nickname. Amis' provocative book, the majority of which is given over to the Stalin profile, proves to be difficult reading--not for the style, to be sure, which is rich without being dense ("An additional ten IQ points in Kerensky might have saved Russia from Lenin"), but more for the dark subject matter ("Corpse-disposal was a national tribulation throughout the period of hard Bolshevism, which ended in 1953"). This extended essay presents, in no uncertain terms, the misguidedness of the Western intelligentsia's seduction by the maniacally secretive Stalin in the years before the cold war. Brad Hooper
Copyright © American Library Association. All rights reserved
Copyright © American Library Association. All rights reserved
Review
"...Brilliant job of rubbing the left's face in the mountains of corpses that resulted from its favorite political philosophy." -- LA Weekly
"A very smart and thoughtful writer sharing his knowledge and insights on a fascinating subject...a worthwhile read." -- Atlanta Journal-Constitution
"Amis create[s] a compelling narrative, summarizing vast amounts of information and presenting it in a lucid, accessible form." -- The New York Times
"Koba the Dread is brave and welcome and ultimately a generous act of remembrance from one of our great writers." -- New York Sun
"A very smart and thoughtful writer sharing his knowledge and insights on a fascinating subject...a worthwhile read." -- Atlanta Journal-Constitution
"Amis create[s] a compelling narrative, summarizing vast amounts of information and presenting it in a lucid, accessible form." -- The New York Times
"Koba the Dread is brave and welcome and ultimately a generous act of remembrance from one of our great writers." -- New York Sun
About the Author
Martin Amis is the best-selling author of several books including London Fields, Money, The Information, Experience, and The War Against Cliche. He lives in London.
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Product details
- Publisher : Miramax; First Edition (July 17, 2002)
- Language : English
- Hardcover : 320 pages
- ISBN-10 : 0786868767
- ISBN-13 : 978-0786868766
- Reading age : 13 years and up
- Grade level : 8 and up
- Item Weight : 1.05 pounds
- Dimensions : 5.5 x 7.5 inches
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Best Sellers Rank:
#1,306,880 in Books (See Top 100 in Books)
- #1,000 in Historical Russia Biographies
- #3,554 in Russian History (Books)
- #7,726 in Political Leader Biographies
- Customer Reviews:
Customer reviews
4.4 out of 5 stars
4.4 out of 5
133 global ratings
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Reviewed in the United States on September 10, 2020
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I have read several books concerning the Soviet Holocaust. Stalin was not a human being, but a real flesh and blood monster and psycho-path: his crimes have left an indelible scar on humankind's consciousness. Amis has written yet another account of the slaughter of the Twenty Million, but what makes his version stand out are his writing style and perfect command of the English language. Do not listen to what other reviewers are complaining about, namely not following the usual chronological, historical flow of events (which is favored by historians) and the comparatively few references to primary sources. Amis' book will keep you spell-bound ad horrified, as he guides you through the labyrinth of Soviet madness.
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Reviewed in the United States on July 8, 2019
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On page 205 Amis writes: "As he [Trotsky] lay dying in the hospital he had a strange visitor: the twenty-five year- old Saul Bellow (who remembers the stain of blood and iodine on Trotsky's short gray beard)."
Amis fails to note that Bellows and his girlfriend had been working as secretaries for Trotsky; Bellows even wrote a book bragging about it: "Trotsky Dead"; Bellows' wife also memorialized her piece of the action in "Gloria Mundi" (by Eleanor Clark).
A journalist who puts this information in a footnote but is unable to explain its political significance ought to adopt another profession ... clerk in a restaurant coatroom comes to mind.
Amis fails to note that Bellows and his girlfriend had been working as secretaries for Trotsky; Bellows even wrote a book bragging about it: "Trotsky Dead"; Bellows' wife also memorialized her piece of the action in "Gloria Mundi" (by Eleanor Clark).
A journalist who puts this information in a footnote but is unable to explain its political significance ought to adopt another profession ... clerk in a restaurant coatroom comes to mind.
3 people found this helpful
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Reviewed in the United States on June 21, 2012
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"Koba" is an affecting, concise, and well-written "author's encounter" with the primary literature of the Lenin and Stalin years.
If Amis had not personalized the narrative and also attempted to make it a literary effort, it could have been a deadly dull recitation of a period of horror. Fortunately, he writes about not just the historical facts, but also about what it is for a modern person to learn about these events, and compares the large-scale tragedy to relevant events in his own life. He also draws many perceptive conclusions.
For example, he suggests that it's socially acceptable to laugh at Stalinism but not at Nazism. The reason for this, he argues, is not the mere gap between propoganda and reality (a problem for any government, it seems), but the perfect opposition of Stalinist propoganda and Soviet reality. The Nazis were, to a large extent, candid about what the evil was that they were trying to commit. Stalin was claiming the triumph of a workers' paradise (the high-minded ideal of Communism), while at the same time very intentionally doing everything possible to destroy human solidarity in order to maintain and increase his own power (the triumphant apex of the reactionary low-brow). Amis calls it "negative perfection". It's hard not to have an ironic laugh, though in full solidarity, with citizens who are told that utopia has finally arrived while their children are starving to death. The horror makes all the cheerleading instantly risible, or too absurd perhaps to deserve even a jeer.
But this is not to say that "Koba" lacks for factual matter. In fact it is above all a history text, with as many names and dates and specific events as most readers could possibly desire. It is simply fortunate for us that Amis doesn't leave it there, but also provides ironic, penetrating commentary, and stories and events from his own life that resonate with the grand narrative.
If you don't know much about this core piece of 20th Century history, Amis's survey could be the best available place to start learning, and I think that his thoughtful insights, high-minded though fluid and energetically terse style, and meticulous care for the English language are all very impressive.
If Amis had not personalized the narrative and also attempted to make it a literary effort, it could have been a deadly dull recitation of a period of horror. Fortunately, he writes about not just the historical facts, but also about what it is for a modern person to learn about these events, and compares the large-scale tragedy to relevant events in his own life. He also draws many perceptive conclusions.
For example, he suggests that it's socially acceptable to laugh at Stalinism but not at Nazism. The reason for this, he argues, is not the mere gap between propoganda and reality (a problem for any government, it seems), but the perfect opposition of Stalinist propoganda and Soviet reality. The Nazis were, to a large extent, candid about what the evil was that they were trying to commit. Stalin was claiming the triumph of a workers' paradise (the high-minded ideal of Communism), while at the same time very intentionally doing everything possible to destroy human solidarity in order to maintain and increase his own power (the triumphant apex of the reactionary low-brow). Amis calls it "negative perfection". It's hard not to have an ironic laugh, though in full solidarity, with citizens who are told that utopia has finally arrived while their children are starving to death. The horror makes all the cheerleading instantly risible, or too absurd perhaps to deserve even a jeer.
But this is not to say that "Koba" lacks for factual matter. In fact it is above all a history text, with as many names and dates and specific events as most readers could possibly desire. It is simply fortunate for us that Amis doesn't leave it there, but also provides ironic, penetrating commentary, and stories and events from his own life that resonate with the grand narrative.
If you don't know much about this core piece of 20th Century history, Amis's survey could be the best available place to start learning, and I think that his thoughtful insights, high-minded though fluid and energetically terse style, and meticulous care for the English language are all very impressive.
7 people found this helpful
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Reviewed in the United States on June 1, 2014
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Many critics have complained that Amis 'added no new historical material' in this book. Of course he didn't: he's a novelist, not a historian. But what he does is tell the story of the malevolent Georgian runt better than anyone before, against the background of the small clan of psychopaths and morons that formed Stalin's inner circle. Amis' prose is passionate and sardonic as usual, with moments of pure brilliance dotted about everywhere. All the important facts are there, related in a way at once compassionate and hilarious which compels you to read on,often laughing through tears.
11 people found this helpful
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Reviewed in the United States on July 3, 2015
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A great work. Martin Amis at his best. A chilling portrait of Stalin, sometimes a baffoon sometimes a genius. Successful politicians tend to be ruthless, but in a grim survival of the fittest milieu of the Bolshevik state it seems that a man of Stalin's ability and Machiavellian brilliance would rise to the top. The amazing thing is that even today there are those among us who still deny the Ukrainian famine and the Great Famine or worse yet try to justify them.
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Reviewed in the United States on September 5, 2003
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A well attended panel discussion in London in the nineties featured a high-profile thinker and writer and former apologist for Stalinism. In the discussion, this writer (Christopher Hitchens) acknowledged that, in his youth, he underestimated the evils of Stalinism. At the same time, he was more amused than ashamed of his pro-Stalinist position, since, at least ideologically, Stalin's government was committed to improving life for its citizens. This attitude, Amis observes, had support in the audience, where many people seemed to think Hitchens, while certainly naïve in youth, had his heart in the right place.
This, really, is the central issue of "Koba the Dread". Here, Amis points out that no one today justifies youthful support of Nazism by pointing out that Hitler had an economic program that worked. But, people will sheepishly defend their support of Stalinism and get laughs, provided they present themselves as duped by their idealism. This is possible, Amis contends, because it has not really penetrated our society, despite Solzhenitsyn, that Stalin killed 20 million of his own citizens (the Holocaust claimed 8 million) while presenting a deceptive ideological face to the world.
In writing this book, Amis addresses this issue. Why, he asks, have the evils of Stalinism, which he reviews with great clarity and power, not really penetrated? Why can we laugh at our naiveté despite the murder of 20 million innocent Soviet citizens? In my opinion, this great little book frames this question brilliantly. Highly recommended!
This, really, is the central issue of "Koba the Dread". Here, Amis points out that no one today justifies youthful support of Nazism by pointing out that Hitler had an economic program that worked. But, people will sheepishly defend their support of Stalinism and get laughs, provided they present themselves as duped by their idealism. This is possible, Amis contends, because it has not really penetrated our society, despite Solzhenitsyn, that Stalin killed 20 million of his own citizens (the Holocaust claimed 8 million) while presenting a deceptive ideological face to the world.
In writing this book, Amis addresses this issue. Why, he asks, have the evils of Stalinism, which he reviews with great clarity and power, not really penetrated? Why can we laugh at our naiveté despite the murder of 20 million innocent Soviet citizens? In my opinion, this great little book frames this question brilliantly. Highly recommended!
10 people found this helpful
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Top reviews from other countries
Dymphna
5.0 out of 5 stars
Everyone should read this book
Reviewed in the United Kingdom on July 8, 2014Verified Purchase
This book should be on the National Curriculum.
(For several reasons: to expose the intellectual bankruptcy of the Left in its apologetics (and worse) for Russia; to highlight that Stalin was every bit as evil and tyrannical as Hitler; and to demonstrate the value of our democracy, for all its faults, and what future generations stand to risk by political ignorance and apathy.)
God knows what it cost Amis in researching for this book. The final product is an immensely painful and difficult read. (in terms of content: the style, the writing, and the message are impeccable.) I cannot imagine how haunted he must be by the mass of material he must have read. The torture, cruelty and inhumanity of the regime almost defy description. In a lesser writers hands it would have become an unreadable litany of unendurable pain. But Martin Amis is a great writer and I would argue this is his magnum opus. It starts with the premise; why is it okay to tell jokes about Communist Russia, but not Nazi Germany? and goes on to explain the reasons why with personal honesty, searing insight and absolute humanity. As well as, of course, rigorous and thorough research. (dear God - the research.) You will not forget this book - and that is the intention.
An absolute must-read - of how theories become tyranny, and 20 million people are murdered as a result.
(For several reasons: to expose the intellectual bankruptcy of the Left in its apologetics (and worse) for Russia; to highlight that Stalin was every bit as evil and tyrannical as Hitler; and to demonstrate the value of our democracy, for all its faults, and what future generations stand to risk by political ignorance and apathy.)
God knows what it cost Amis in researching for this book. The final product is an immensely painful and difficult read. (in terms of content: the style, the writing, and the message are impeccable.) I cannot imagine how haunted he must be by the mass of material he must have read. The torture, cruelty and inhumanity of the regime almost defy description. In a lesser writers hands it would have become an unreadable litany of unendurable pain. But Martin Amis is a great writer and I would argue this is his magnum opus. It starts with the premise; why is it okay to tell jokes about Communist Russia, but not Nazi Germany? and goes on to explain the reasons why with personal honesty, searing insight and absolute humanity. As well as, of course, rigorous and thorough research. (dear God - the research.) You will not forget this book - and that is the intention.
An absolute must-read - of how theories become tyranny, and 20 million people are murdered as a result.
12 people found this helpful
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Big Daddy
5.0 out of 5 stars
Great seller
Reviewed in the United Kingdom on September 30, 2018Verified Purchase
Great book, great seller. Book as described. No problems. I would be very happy to purchase from seller again.
GF
5.0 out of 5 stars
Five Stars
Reviewed in the United Kingdom on August 22, 2015Verified Purchase
Great overview of this vile man.
Stoppato Federico
5.0 out of 5 stars
Five Stars
Reviewed in the United Kingdom on January 3, 2015Verified Purchase
o.k.
Londoner
4.0 out of 5 stars
Four Stars
Reviewed in the United Kingdom on May 26, 2015Verified Purchase
Entertaining and informative












