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LAPD '53 Hardcover – Illustrated, May 19, 2015
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- Print length208 pages
- LanguageEnglish
- PublisherAbrams Image
- Publication dateMay 19, 2015
- Dimensions6.5 x 0.75 x 8.5 inches
- ISBN-101419715852
- ISBN-13978-1419715853
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Product details
- Publisher : Abrams Image; Illustrated edition (May 19, 2015)
- Language : English
- Hardcover : 208 pages
- ISBN-10 : 1419715852
- ISBN-13 : 978-1419715853
- Item Weight : 1.37 pounds
- Dimensions : 6.5 x 0.75 x 8.5 inches
- Best Sellers Rank: #329,537 in Books (See Top 100 in Books)
- #175 in Law Enforcement (Books)
- #213 in Law Enforcement Politics
- #3,883 in U.S. State & Local History
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About the author

James Ellroy was born in Los Angeles in 1948. He is the author of the acclaimed L.A. Qurtet - The Black Dahlia, The Big Nowhere, LA Confidential and White Jazz, as well as the Underworld USA trilogy: American Tabloid, The Cold Six Thousand and Blood's a Rover. He is the author of one work of non-fiction, The Hilliker Curse: My Pursuit of Women. Ellroy lives in Los Angeles.
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Ellroy wasn't able to create sparkling fiction in these pages instead he delivers a rather threadbare hip style of writing with short tabloid style sentences and the vocabulary of thirties hard-boiled 'tec paperback fiction. Here's an example:
'Bunker Hill is gone now. Bunker Hill shabbily thrived in 1953. It was slated for ultimate bulldozing then -- because LA had to build up and out.There were terraced hillsides full of flophouses. They were inhabited by rumdums, hopheads, slatterns, pachucos, fruit hustlers, cough syrup guzzlers and hermaphrodite he-shes. The cribs had to go. The denizens, ditto. Urban expansion beckoned. Development gelt speaks big bucks. Check that dead ginch sprawled in the weeds on West 4th Street. It looks like a sex-snuff snapped by Weegee'.
The book must have been a breeze for Ellroy to write, no need for dialogue, a carefully crafted plot, credible characters as in his fiction. For this book I'll get my roscoe out and put a slug through it.
Reviewed in the United States on February 2, 2017
Ellroy wasn't able to create sparkling fiction in these pages instead he delivers a rather threadbare hip style of writing with short tabloid style sentences and the vocabulary of thirties hard-boiled 'tec paperback fiction. Here's an example:
'Bunker Hill is gone now. Bunker Hill shabbily thrived in 1953. It was slated for ultimate bulldozing then -- because LA had to build up and out.There were terraced hillsides full of flophouses. They were inhabited by rumdums, hopheads, slatterns, pachucos, fruit hustlers, cough syrup guzzlers and hermaphrodite he-shes. The cribs had to go. The denizens, ditto. Urban expansion beckoned. Development gelt speaks big bucks. Check that dead ginch sprawled in the weeds on West 4th Street. It looks like a sex-snuff snapped by Weegee'.
The book must have been a breeze for Ellroy to write, no need for dialogue, a carefully crafted plot, credible characters as in his fiction. For this book I'll get my roscoe out and put a slug through it.
Top reviews from other countries
Ellroy claims to have been present at each of these scenes as a five year old when the photographs were actually taken so that adds flavour and connection to the narrative. As ever, he eloquently summarizes ghoulishly: “from the time the body is found, to the moment the killer sucks gas in the green room at Big Q” being typically neat.
My take on this book is that it offers a subtle and intriguing visual portal to the era when Ellroy’s books are set. Not an outstanding piece of work, but an alternative offering from a master. He specifically states that he’s looking to rebut crime scene chic (and I think he has succeeded) so if you dig him, you’ll dig this.
The foreword and introduction took up the first 50 pages (of a 200 page book) which seemed odd.
I would of preferred more photos and less text, I like ellroys novels, but I was under the impression this was more a photo collection of crimes in LA 1953? Instead I you end up reading a load of over the top Street slang which served no purpose to the photos.
Great coffee table book to flick through but not a recommended read











