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Comment: Beautiful condition softcover copy! "Advance Uncorrected Proof". Condition would be "like new" except for red pencil mark inside front cover. No writing within! Pages are clean and crisp! Binding is SOLID! Cover and edges show minor wear. Fulfillment by Amazon!
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Lamb Paperback – September 13, 2011

3.9 out of 5 stars 78 customer reviews

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Four girls on a trip to Paris suddenly find themselves in a high-stakes game of Truth or Dare that spirals out of control. Learn More
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Editorial Reviews

Amazon.com Review

Questions for Bonnie Nadzam on Lamb

Q: Lamb deals with a complicated relationship between a child and an adult that blurs the lines between friendship and intimacy. How did you approach such a difficult subject?

A: The age difference between them is not that essential to me; what is essential to me is the way they communicate, the way Tommie is seduced by the same narratives and lies with which Lamb seems to seduce even himself. In this final draft, some of the more interesting work I think the age difference accomplishes involves the way it points to different kinds of human vulnerability on one hand, and on the other hand, a very common adolescent human desire—regardless of age—to experience at any cost something like beauty, something like love, something bigger than ordinary daily life seems to offer. That’s a powerfully seductive desire—and so ubiquitous it’s easy to miss it’s influence in our lives. It can be a helpful compass point, a misguiding force, or—as I think it is for Tommie and Lamb—both at once. Adolescence is really a state of mind, which Tommie is just entering, and which Lamb seems hopelessly trapped in—and it’s not something that’s easy to outgrow in contemporary American culture. I would hope beyond a knee-jerk reaction to the age difference, some of these issues would become more engaging for readers than, say, a mistaken first association with something like Lolita.

Q: David Lamb behaves badly at times, and yet, there is a sympathetic quality about him. Are you afraid that readers won’t understand your decision to portray him in a somewhat compassionate light?

A: Wow, no. That never crossed my mind. I wasn’t consciously trying to be compassionate, rather to show, as much as possible, that someone making decisions like Lamb doesn’t make them because he thinks or believes they are the wrong decisions to make. I do know other people—and recognize in myself—a capacity for self-delusion that can make almost any horrible thing seem like a good idea, perhaps even divinely inspired. There’s nothing special about Lamb behaving badly.

Q: Lamb has a voyeuristic feel. Was it a conscious decision to write in third person to give the reader some distance from what is unfolding?

A: The questions of who is telling it and why are as vexing for me as I imagine they’d be for any reader. Actually, it isn’t really a third-person point of view. It’s first-person, albeit a distant one, yes. Every now and then this narrator shows his or her hand. I would love to hear from some reader just exactly who this narrator is. Of course I have some theories, myself.

Q: Lamb decides to “save” Tommie by taking her into the wilderness. Do you think that nature played a role in the evolution of their relationship?

A: I think Tommie and Lamb, both, are hoping to find something that transcends ordinary life, or contemporary American culture—and not only their lives in it, but their dependency on and service to that culture, as well. To find it, they look to each other and to this odd, supposedly divine or special romantic friendship with each other; they also look out of the suburbs and into “the West.” Their assumptions about nature and life in the West are so convoluted it’s hard to tease them apart. For example, the very idealized image of ranch life beyond Nebraska that Lamb paints for Tommie is what precludes that particular Western landscape from being an escape from anything like familiar American culture. They see more cattle, cattle tracks and cow patties than anything. The native and endangered species exist mostly in sentences, not in the world they’re traversing. If their friendship seems somehow analogous to the state of what was once a “wild” landscape, I think that’s only because it’s not really possible for anyone—or any two—to be ahead of (or behind) their time. All of their longing and delusion are parts of the age in which they’re living. There is no escape, there is nowhere to go. I do believe they experience some of this, too, about what is valuable—even miraculous—about their relationship and degraded landscape.

Q: Were there certain writers or books that you turned to for inspiration while writing Lamb?

A: I was studying Eighteenth Century literature for a PhD when writing this. Perhaps there’s some Samuel Richardson and Henry Fielding influence. I would love to think so. I hope there isn’t any John Locke in it. I also read an embarrassingly huge amount of Louis L’Amour books while working on the manuscript.

Featured Review by Aimee Bender

Aimee Bender is the author of The Particular Sadness of Lemon Cake

Bonnie Nadzam's debut, Lamb, satisfies a reader on so many levels. For one, it reads like a thriller, and there's a tense and compelling drive to the prose that turns the pages. What will happen to this older man and this girl on the cusp of adolescence as they head into the American West? How unsettled will I be? But then there's no easy answer or moment to make it into an easy-to-dismiss kind of thriller--Nadzam makes sure to keep all the novel's territory in a delicate, complex and unsettling moral territory. I found myself wanting to have easier answers than were offered to me, and I truly appreciated being thwarted so expertly in this way.

And Nadzam's prose is just gorgeous--she writes about people and skies and mountains and landscapes with incredible precision and appreciation of beauty. A reader can swim in these sentences and soak up the landscape via the prose with great pleasure. Nadzam's operating on these three levels and excelling over and over in all three--her language is fine-tuned, she's keenly aware of plot and tension, and most of all, she refuses to compromise in terms of letting us, the readers, off the hook morally.  

This is a remarkable debut, by a writer to watch. Both Tommy and Lamb are characters who linger with the reader, and I found myself caring deeply for Tommy, whose eagerness and vulnerability soar off the page.  What helps us grow and stretches us? What goes too far? Who are our teachers and who hurts us? Can a person be both, and how? What are the stories we tell ourselves? All these kinds of questions hover in the air long after the last page turns.


“Only an immensely promising young writer could bestow such grace on such troubled characters.” —Boston Globe
“A beautiful book. Nadzam’s sentences are admirably clipped and controlled, nesting the emotional turmoil of its two subjects within the stability of their natural surroundings.” —Minneapolis Star-Tribune

“Beautifully written.” —More Magazine, Editor’s Picks: The Hottest Fall Novels

“Brilliant, dark and very disturbing…In this stunning debut, Nadzam takes a lot of risks, and the results are thrilling.” —The Cleveland Plain Dealer 

“Nadzam pulls off a neat trick here…While kneejerk comparisons to Lolita are inevitable, David Lamb is playing a different game than Humbert Humbert.” — The Daily Beast, “Great Weekend Reads”
“Surprisingly tender, highly inappropriate…Nadzam deserves credit for her convincing portrait of a middle-aged male burnout…[Lamb] is difficult and beautiful, and though it may not be normal, it feels very real.” —Time Out New York
“In Bonnie Nadzam’s deliciously dark novel Lamb, the author digs deeper into the human urges that drive us to deviant extremes. Instead of taking the lurid turn of Lolita, Nadzam cracks tougher truths.” —Royal Young, InterviewMagazine.com

“Unnerving and haunting.” —Daily Candy
“A remarkably gentle first novel about the brutality of self-discovery.” —Shelf Awareness
“Lolita gets a 21st-century spin in this gripping debut… Nadzam has a crisp, fluid writing style, and her dialogue is reminiscent of Sam Shepard’s…it’s a fine first effort: storytelling as accomplished as it is unsettling.” —Publishers Weekly

“A disturbing and elusive novel about manipulation and desperate friendship.” —Kirkus Reviews 

“Compelling…[Lamb] will find an audience among serious readers.” —Library Journal

“Bonnie Nadzam manages to write gorgeous prose about people and skies and mountains while still creating tension and suspense on the level of a thriller, while also walking us into complex and delicate and unsettling moral territory with brilliant subtlety and insight. Lamb is a remarkable debut, by a writer to watch. I will be thinking about these characters for a long time.” —Aimee Bender, author of The Particular Sadness of Lemon Cake

Lamb is one of the most powerful and original novels I have read in years. Beautiful, evocative, and brilliant.” —T.C. Boyle, author of When the Killing’s Done

Lamb is a wonder of a novel. Bonnie Nadzam has offered an exploration of interpersonal and sexual manipulation and power that left me reeling. This is a novel about responsibility, complicity, blame, neglect, and finally love.” —Percival Everett, author of I Am Not Sidney Poitier and Erasure

“Every sentence in Bonnie Nadzam’s Lamb teaches us about love, necessity, and the mysteries of the heart. I am haunted by her two protagonists, and by the journey they take together. This utterly compelling novel has launched a major new voice in American fiction.” —David Mason, author of Ludlow

“Bonnie Nadzam’s debut is gripping, gorgeous, and utterly original. The disturbing story resists easy categorization, challenging what we think we know about childhood, adulthood, pain, beauty, and love. This book will jolt you awake.” —Anna North, author of America Pacifica

“Throughout the novel, Nadzam keeps the reader off-balance, veering between sympathy and repulsion for Lamb and his actions. Lamb puts an original spin on the traditional myth of the West through modern-day characters who long to be "saved" and renewed by the Rocky Mountain landscape.” —High Country News

"The reader has no time to wonder what’s going to happen next, Nadzam just pushes the reader into the characters’ lives and forces them forward until they reach the end. This tale will make you question yourself, your virtues, your perceptions of society, and by the end, you still may not have any answers. And that’s okay." -The Examiner

is a complex and beautifully crafted tale...A delightful creepiness extends throughout this novel, but there are also moments of soft, quiet, beauty. That Nadzam managed all of this in her first novel is extraordinary."—NomadReader


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Product Details

  • Paperback: 275 pages
  • Publisher: Other Press; 1 edition (September 13, 2011)
  • Language: English
  • ISBN-10: 9781590514375
  • ISBN-13: 978-1590514375
  • ASIN: 1590514378
  • Product Dimensions: 5.5 x 0.9 x 8.2 inches
  • Shipping Weight: 9.6 ounces (View shipping rates and policies)
  • Average Customer Review: 3.9 out of 5 stars  See all reviews (78 customer reviews)
  • Amazon Best Sellers Rank: #288,744 in Books (See Top 100 in Books)

Customer Reviews

Top Customer Reviews

By Howard Goldowsky on August 16, 2011
Format: Paperback Vine Customer Review of Free Product ( What's this? )
Nazdam's plot revolves around a 50-something man (David Lamb) who coerces an unremarkable 11-year-old girl (Tommie) to run away from her single-parent, not-quite-supportive yet not-quite-unloving home, to his cottage in the mountains of some far western state. Lamb does this shortly after experiencing personal troubles (divorce, father's death). What highlights the psychological impact of this plot is that Nazdam demonstrates a mastery of point of view. She has Lamb embellish a sugar-coated fairy tale to the girl -- a fairy tale similar to what's actually happening, of a girl running away to a place in the mountains with horses, beautiful scenery, etc. -- while he's abducting her; Lamb's narrative to the girl is contrasted to the novel's more balanced, complex third-person narrator telling the actual story to the reader. Sometimes these two narratives get entangled, sometimes literally, sometimes metaphorically. Such technique by Nazdam is quite impressive, and it helps the reader get deep into the mind of the main character.

Occasionally the book's narrator pans out to an omniscient distance, allowing the reader to gain some perspective between the whole moral outrage of kidnapping a girl and the unlikely positive effects such an act could produce. Yes, there are positive effects -- at least Lamb thinks so. In effect, we get deep into the mind of someone most people would consider a criminal.

The result of this masterful sculpting of point of view is that Nazdam is able to show how her adult main character behaves childlike in his actions and desires. In fact, this is the point of the book: all of us, no matter how mature, can behave childlike at times. Is Lamb a criminal or just a 50-something-year-old child?

Lamb has low self-esteem.
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Bonnie Nazdam's dual degree in literature and environmental studies shines in her debut novel about human desire and dependency, and about the beauty and decline of the landscape, resplendent in its rawness and fragile vulnerability. Nature and humanity form a synergistic elixir that permeates the pores of the story.

David Lamb is a disturbed fifty-something man whose private aches are both diminishing and conquering him. His life collides with Tommie, who is only eleven-years-old, when she approaches him on a dare in a parking lot. Soon after that, he has abducted her through his calculated and unctuous intrusions, but she believes in her prepubescent mind that she has consensually agreed to his proposals. He offers to show her the true beauty of nature, and they abscond on a road trip from Chicago to the Rockies without Tommie informing her mother. He promises to return her in a specific amount of time.

What follows is an account, from an unknown narrator, of their trip. The intimacy of the narrator, and the almost oblique and quiet ferocity of narration, brings the reader to a suspenseful, uncomfortable place that is both familiar and alien. It is appalling and suggestive at intervals; the question of personal boundaries lurks on every dangerous, winding road.

The rack and pinion relationship between Tommie and Lamb is both complex and ineluctable. Tommie is not even developed yet, but matures biologically day by day; David Lamb regresses, and his sickness reduces him to predictable behaviors as an outgrowth of his need and desires. He uses reverse psychology and mimics a state of innocence and wonder through his delusion and grandiosity.
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David Lamb has the emotional life of a Rubik's Cube. All the pieces are there but it seems impossible at times to get his emotional life organized, put together, and working well. He's like a chess game played by one person, every piece under his dominion, tutelage and control. Only he can checkmate his own self. Damned if he does, damned if he doesn't.

Who is Lamb? His father just died, he is recently divorced and his boss wants him to take a leave of absence because his affair with a co-worker is detrimental to the functional dynamics of the office-place. Lamb is fifty-four years old going on seventeen, graying in the hair, thickening in the middle, and skin loose in places where it once was tight and firm. He lives with adolescent angst in a world of one where his ego is as big as the universe, a narcissist of the first order.

Lamb lives in Chicago and one day is approached by a pubescent eleven year-old girl named Tommie who asks him for a cigarette. Lamb realizes that Tommie is the brunt of her friends' joke and he decides to get to know her, to make something of her and to teach her about the real world. If this sounds like shades of Pygmalion, it is.

Lamb meets up with Tommie on several occasions and proposes to her that she go on a five-day trip with him to see the true west. He tells her they will go as equals and only if she acquiesces. Tommie agrees and they head out in Lamb's car to a west that exists only in Lamb's head.; for where they go, there is not much more to see than some domesticated cows, deer, birds, and flora mixed in with strip malls and cheap motels. No matter that Tommie has a mother that will most likely report her missing.
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