Download the free Kindle app and start reading Kindle books instantly on your smartphone, tablet, or computer - no Kindle device required.
Read instantly on your browser with Kindle for Web.
Using your mobile phone camera - scan the code below and download the Kindle app.
Lancelot: Tales of King Arthur (Books of Wonder) Hardcover – January 1, 1999
- Reading age8 - 10 years
- Print length40 pages
- LanguageEnglish
- Grade level3 - 4
- Dimensions9.5 x 0.25 x 11.25 inches
- PublisherMorrow Junior
- Publication dateJanuary 1, 1999
- ISBN-100688148328
- ISBN-13978-0688148324
Customers who viewed this item also viewed
Editorial Reviews
From School Library Journal
Virginia Golodetz, Children's Literature New England, Burlington, VT
Copyright 1999 Reed Business Information, Inc.
From Booklist
About the Author
"Children's book authors have to be among the luckiest people in the world. Not only am I paid to do what I love most, but I get to do it without having to grow up. More accurately, the seven-year-old I Hudson is no longer relegated to an ever-receding file in the memory bank hut is once again out-front, fully engaged, sometimes even calling the shots in an active collaboration with Lis adult counterpart.
"I'll always be grateful for the solid, all-American upbringing I was given in the suburbs of Louisville, Kentucky, but going to school in Rome was a revelation for me. After graduating from Tyler School of Art in Rome, I extended my education by wandering through Europe, settling in Amsterdam for a few years, and then moving to Hong Kong, where I dabbled in the fashion industry. My travels eventually continued through Southeast Asia and culminated with four magical months in Bali. I finally reached New York, fulfilling a childhood ambition, in 1974. Although my original intent was to become a painter, the free-lance illustration work I picked tip to support myself soon predominated as my primary art form. Pursuing my vision in this direction eventually led to writing and illustrating children's books. I had always told stories with pictures. I began to paint with words.
"My series of picture books on the Arthurian legends represents the most ambitious and challenging opportunity that I've ever accepted. Called the central myth of Western civilization by philosopher Joseph Campbell, the Arthurian legends have been evolving over a 1,500 year period, along the way gathering tip and expressing our concepts of love, honor, and courage. Only within the last century have they taken the form of adventure novels for younger readers, and I know of no other attempt to compile the entire cycle into a series of picture books until now. The sheer scale of the material-the vast array of characters and the complexity of their relationships-is beyond Dickens or even "Days of Our Lives."
"The curious occurrence that I've experienced as I've delved deeper through the layers of allegory in my research is that as the underlying truth is revealed to me, I'm not only learning something new about the fine art of storytelling but usually something about myself as well. The first three books, for example, are about Arthur coming into his greatness. In the first book it is thrust upon him by accident of his birth, and in the second he achieves it through his own actions. Finally, in the third, he comes to realize the greatness inherent within himself, as it is within all of us. It is the kind of greatness that finds expression when we finally accept ourselves and embrace the roles open to us in lifewhether it is that of king, gardener, parent, or children's book author.
"My gratitude is boundless for all those who have Supported my creative progress and believed in me long before I believed in myself. By recognizing that writing and illustrating books for young readers is, in fact, my calling, I can serve a greater purpose than fulfilling my own needs. I am reminded of what I heard a blues singer once say: "Talent is God's gift to you. What you do with it is your gift to Him."
Product details
- Publisher : Morrow Junior; First Edition (January 1, 1999)
- Language : English
- Hardcover : 40 pages
- ISBN-10 : 0688148328
- ISBN-13 : 978-0688148324
- Reading age : 8 - 10 years
- Grade level : 3 - 4
- Item Weight : 15.2 ounces
- Dimensions : 9.5 x 0.25 x 11.25 inches
- Best Sellers Rank: #1,791,963 in Books (See Top 100 in Books)
- Customer Reviews:
About the author

Hudson Talbott has written and illustrated over twenty- seven books for young readers. His books have been made into films, musicals, and have won several awards, including a Newbury Honor.
Hudson grew up in Louisville, KY, the youngest of four children and the only one with an interest in the arts. Despite his parents' orientation toward sports, they supported his artistic pursuits, allowing him to study art in Italy. After living abroad for several years Hudson began his career in New York as a free-lance designer/illustrator, commissioned by The Metropolitan Museum, The Metropolitan Opera, Bloomingdale's, and the Museum of Modern Art among others. Hudson created his first children's book for the Museum of Modern Art, called How to Show Grown-Ups the Museum. His next book, We're Back! A Dinosaur's Story, was bought and produced as a feature-length animated film by Steven Spielberg, who also bought the film and television rights to other books which followed. Hudson then collaborated with the composer Stephen Sondheim and James Lapine on a book adaptation of their Broadway musical Into the Woods. Two other books, River of Dreams the Story of the Hudson River and O'Sullivan Stew have since been adapted and produced for the stage as musicals for schools and youth theatrical groups.
Hudson's lifelong passion for travel generated the subject matter for several of his books. Amazon Diary came from his experiences in the Amazon Rainforest with Dr. John Walden, a jungle doctor who brought malaria medicine to remote indigenous tribes. Safari Journal came from his travels with Dr. Jan Grootenhuis, a wildlife veterinarian who worked with the Maasai people in Kenya.
In recent years, the subjects of Hudson’s books have have been closer to home. It’s All About Me-ow captures the “catitude” of his two cats who rule his farmhouse in upstate New York. From Wolf to Woof! The Story of Dogs inspired him to get a dog, a golden doodle named Morgan. Picturing America is the story of Thomas Cole, the first great American artist, who lived in nearby Catskill, and is a companion to his book River of Dreams.
Hudson’s newest book, A Walk In The Words, is his own story about how he turned the challenge of being a slow reader to his advantage. By letting his curiosity and love of language lead him into reading he became a storyteller himself, and discovered that he could paint with words.
Customer reviews
Customer Reviews, including Product Star Ratings help customers to learn more about the product and decide whether it is the right product for them.
To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. It also analyzed reviews to verify trustworthiness.
Learn more how customers reviews work on Amazon-
Top reviews
Top reviews from the United States
There was a problem filtering reviews right now. Please try again later.
If you like King Arthur, and want to see those legends told in a truly remarkable way, you need to get the three "Tales of King Arthur" books (King Arthur and the Round Table, Excalibur, and The Sword in the Stone), as well as the accompanying book, "Lancelot".
Along with "King Arthur and the Round Table," are Talbott's preceding books The Sword in the Stone and Excalibur , though here he draws focus away from King Arthur and in order to concentrate on his most famous knight: Sir Lancelot. There is a huge amount of material that makes up the saga of Lancelot's life, and naturally Talbott can only mine a fraction of it, choosing to end the story on a relatively happy note and avoid the tragedy that follows. Though the text may be a bit wordy for some younger readers, it still captures a fair chunk of Lancelot's early life, and can be considered a good introduction to more weighty adaptations of his story, such as Rosemary Sutcliffe's The Sword and the Circle and T.H. White's The Ill-Made Knight .
As a baby, Lancelot is saved by the Lady of the Lake after his parents' kingdom is overthrown, and when he comes of age he travels to Camelot to become one of the Knights of the Round Table. Swearing his loyalty to King Arthur and becoming the favored champion of Queen Guinevere, Lancelot roams the land in search of adventure. After the usual rescuing damsels, slaying giants and battling false knights, Lancelot is drawn to a haunted tower, where a beautiful maiden called Elaine is cursed to sit day and night in a burning bath, awaiting a champion.
From here the story goes on to include the killing of a dragon, Lancelot's madness and wandering in the wilderness, the Holy Grail, and his marriage to Elaine, ending on a hopeful note with the birth of Galahad.
Talbott chooses to keep the love triangle between Arthur, Guinevere and Lancelot to a minimum, which has its advantages and disadvantages. On the one hand, young readers are not bogged down by themes of adultery, guilt and vengeance, on the other, the onset of Lancelot's madness is not his forbidden love for Guinevere, but rather his shame that he's become Elaine's champion instead of the Queen's without her permission. After Guinevere chides him for: "dishonoring me and the court!" Lancelot jumps out of a nearby window, a scenario which not only casts Guinevere in a negative light, but which makes Lancelot seem a bit of a drama queen.
Still, the real strength of Talbott's retellings have always been his bright and vivid illustrations. There are beautiful vistas here of Guinevere's springtime maying, complete with a May Pole and petals strewn on the ground, in which the pastels of the idyllic meadow is encroached by the black and purple knights of Melegrans. Later, a bedraggled and beaten Lancelot dwells in a murky, grey forest, where birds and deer quietly dwell in the mists. Finally, Lancelot and Elaine are married in the sunset colors of mauve and gold, rowing across a glassy lake to their isle of Joyous Garde. Talbott has a mastery over his palette of colors, making this array of images just as iconic and memorable as any famous renderings of King Arthur and his kingdom.
The pictures are not short on blood and gore when need be (though it's never gratuitous) and Tallbott pays especial attention to shields and insignias (from Arthur's golden dragon to Melegrans' black falcon), lending the illustrations a sense of both authenticity and otherworldliness. His horses are graceful, his dragon terrifying, his knights manly and his maidens winsome.
With just the right blend of mystery and clarity in both the prose and the illustrations, this is another excellent rendering of a Camelot legend for a young reader.



