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Lancelot (Tales of King Arthur) Kindle Edition

4.3 4.3 out of 5 stars 11 ratings

Nothing, it seems, can harm the valiant Lancelot. The most brilliant warrior to join the Knights of the Round Table, he vanquishes beasts and villains at every turn. But Lancelot's own pride and conflicts of loyalty threaten to destroy the hero, whose passion and instincts are the source of his greatest strength and gravest danger. In this fourth volume of the Tales of King Arthur picture-book series, Hudson Talbott's dramatic vision sends readers on an unforgettable adventure.

Editorial Reviews

From School Library Journal

Grade 2-4-Talbott continues his retelling of the "Tales of King Arthur." He begins with Lancelot's birth, his adoption by the Lady of the Lake, and his preparation for presentation at King Arthur's court. Accounts of Lancelot's daring adventures as a knight-errant-slaying dragons and rescuing fair damsels-follow his induction into the knighthood. The story continues with Lancelot's discovery of his love for Guinevere. Ashamed to have betrayed his king's trust by falling in love with his wife, the knight flees to the forest and lives in a state of madness. After a time, he is rescued by Elaine the Fair, who restores him to normalcy. In gratitude, Lancelot marries her and when their son, Galahad, is born, they present the child to the King and Queen. Here the book ends, which may leave readers to believe that they all lived happily ever after. The bold, dramatic, full-page watercolor illustrations are similar to those in the earlier titles in the series, with one jarring exception-the picture of Galahad's presentation at court is almost cartoonlike. This retelling, a series of episodes strung together without much of the complex background found in Malory's retellings, may leave adults questioning the value of trying to present the legend to such young children. Perhaps it's better to wait until they can read a fuller account, such as Howard Pyle's The Story of Sir Lancelot and His Companions (S & S, 1985; o.p.).
Virginia Golodetz, Children's Literature New England, Burlington, VT
Copyright 1999 Reed Business Information, Inc.

From Booklist

A clean and energetic rendering of the life of Lancelot, in language full of sound and spirit. The Lady of the Lake rescues the royal child Lancelot when his parents die fleeing their burning realm. She raises him in Avalon, and when he's 18 and has the "grace of an angel and the intensity of a panther," she brings him to Arthur to be made a knight of the Round Table. As Queen Guinevere's champion, he rescues maidens from two hideous giants, and saves Guinevere from Sir Melegrans. He rescues first the fair Elaine and then her father's kingdom from a great dragon, but when he returns under Elaine's colors to fight at Camelot, he so fears his love for Guinevere that he runs away to forget even his own name. Saved by Elaine and the Grail, Lancelot marries her and presents their baby son, Galahad, to Arthur. The finely rendered watercolors range from misty gorgeousness to satisfyingly gruesome blood and guts, and the stories are told simply without eviscerating their power. GraceAnne A. DeCandido

Product details

  • ASIN ‏ : ‎ B008XCJ4JA
  • Publisher ‏ : ‎ StarWalk Kids Media (August 13, 2012)
  • Publication date ‏ : ‎ August 13, 2012
  • Language ‏ : ‎ English
  • File size ‏ : ‎ 12517 KB
  • Text-to-Speech ‏ : ‎ Not enabled
  • Enhanced typesetting ‏ : ‎ Not Enabled
  • X-Ray ‏ : ‎ Not Enabled
  • Word Wise ‏ : ‎ Not Enabled
  • Sticky notes ‏ : ‎ Not Enabled
  • Print length ‏ : ‎ 40 pages
  • Customer Reviews:
    4.3 4.3 out of 5 stars 11 ratings

About the author

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Hudson Talbott
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Hudson Talbott has written and illustrated over twenty- seven books for young readers. His books have been made into films, musicals, and have won several awards, including a Newbury Honor.

Hudson grew up in Louisville, KY, the youngest of four children and the only one with an interest in the arts. Despite his parents' orientation toward sports, they supported his artistic pursuits, allowing him to study art in Italy. After living abroad for several years Hudson began his career in New York as a free-lance designer/illustrator, commissioned by The Metropolitan Museum, The Metropolitan Opera, Bloomingdale's, and the Museum of Modern Art among others. Hudson created his first children's book for the Museum of Modern Art, called How to Show Grown-Ups the Museum. His next book, We're Back! A Dinosaur's Story, was bought and produced as a feature-length animated film by Steven Spielberg, who also bought the film and television rights to other books which followed. Hudson then collaborated with the composer Stephen Sondheim and James Lapine on a book adaptation of their Broadway musical Into the Woods. Two other books, River of Dreams the Story of the Hudson River and O'Sullivan Stew have since been adapted and produced for the stage as musicals for schools and youth theatrical groups.

Hudson's lifelong passion for travel generated the subject matter for several of his books. Amazon Diary came from his experiences in the Amazon Rainforest with Dr. John Walden, a jungle doctor who brought malaria medicine to remote indigenous tribes. Safari Journal came from his travels with Dr. Jan Grootenhuis, a wildlife veterinarian who worked with the Maasai people in Kenya.

In recent years, the subjects of Hudson’s books have have been closer to home. It’s All About Me-ow captures the “catitude” of his two cats who rule his farmhouse in upstate New York. From Wolf to Woof! The Story of Dogs inspired him to get a dog, a golden doodle named Morgan. Picturing America is the story of Thomas Cole, the first great American artist, who lived in nearby Catskill, and is a companion to his book River of Dreams.

Hudson’s newest book, A Walk In The Words, is his own story about how he turned the challenge of being a slow reader to his advantage. By letting his curiosity and love of language lead him into reading he became a storyteller himself, and discovered that he could paint with words.

Customer reviews

4.3 out of 5 stars
4.3 out of 5
11 global ratings

Top reviews from the United States

Reviewed in the United States on March 14, 2016
My children love the stories of King Arthur, Camelot, and his Knights. Hudson Talbott's writing and the gorgeous illustrations which accompany each story are remarkable. His "Tales of King Arthur" stories have quickly become story time favorites at our home. My son has asked to use the illustrations in these stories as a basis to reprint his room, so that it looks "like Camelot and Avalon look".

If you like King Arthur, and want to see those legends told in a truly remarkable way, you need to get the three "Tales of King Arthur" books (King Arthur and the Round Table, Excalibur, and The Sword in the Stone), as well as the accompanying book, "Lancelot".
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Reviewed in the United States on April 9, 2009
The story of Lancelot has inherent issues when presenting it to children. The story of his affair with Guinevere raises difficult questions. Hudson Talbott wisely avoids these questions by covering Lancelot's life from his birth till his marraige to Elaine and the birth of their son, Galahad. Not surprisingly, how Elaine convinces Lancelot to marry her is not explained. Hudson Talbott does a very good job of presenting Lancelot's character to young children. Recommended.
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Reviewed in the United States on April 27, 2010
It's been years since I read and reviewed Hudson Talbott's  King Arthur and the Round Table , but I remember well how much I admired it. I believe it's one of the best adaptations of the King Arthur legends for a young readership, mainly because of the gorgeous illustrations that capture the grandeur, beauty and hardship of the medieval world; in a beautiful blend of realism and idealism.

Along with "King Arthur and the Round Table," are Talbott's preceding books 
The Sword in the Stone  and  Excalibur , though here he draws focus away from King Arthur and in order to concentrate on his most famous knight: Sir Lancelot. There is a huge amount of material that makes up the saga of Lancelot's life, and naturally Talbott can only mine a fraction of it, choosing to end the story on a relatively happy note and avoid the tragedy that follows. Though the text may be a bit wordy for some younger readers, it still captures a fair chunk of Lancelot's early life, and can be considered a good introduction to more weighty adaptations of his story, such as Rosemary Sutcliffe's  The Sword and the Circle  and T.H. White's  The Ill-Made Knight .

As a baby, Lancelot is saved by the Lady of the Lake after his parents' kingdom is overthrown, and when he comes of age he travels to Camelot to become one of the Knights of the Round Table. Swearing his loyalty to King Arthur and becoming the favored champion of Queen Guinevere, Lancelot roams the land in search of adventure. After the usual rescuing damsels, slaying giants and battling false knights, Lancelot is drawn to a haunted tower, where a beautiful maiden called Elaine is cursed to sit day and night in a burning bath, awaiting a champion.

From here the story goes on to include the killing of a dragon, Lancelot's madness and wandering in the wilderness, the Holy Grail, and his marriage to Elaine, ending on a hopeful note with the birth of Galahad.

Talbott chooses to keep the love triangle between Arthur, Guinevere and Lancelot to a minimum, which has its advantages and disadvantages. On the one hand, young readers are not bogged down by themes of adultery, guilt and vengeance, on the other, the onset of Lancelot's madness is not his forbidden love for Guinevere, but rather his shame that he's become Elaine's champion instead of the Queen's without her permission. After Guinevere chides him for: "dishonoring me and the court!" Lancelot jumps out of a nearby window, a scenario which not only casts Guinevere in a negative light, but which makes Lancelot seem a bit of a drama queen.

Still, the real strength of Talbott's retellings have always been his bright and vivid illustrations. There are beautiful vistas here of Guinevere's springtime maying, complete with a May Pole and petals strewn on the ground, in which the pastels of the idyllic meadow is encroached by the black and purple knights of Melegrans. Later, a bedraggled and beaten Lancelot dwells in a murky, grey forest, where birds and deer quietly dwell in the mists. Finally, Lancelot and Elaine are married in the sunset colors of mauve and gold, rowing across a glassy lake to their isle of Joyous Garde. Talbott has a mastery over his palette of colors, making this array of images just as iconic and memorable as any famous renderings of King Arthur and his kingdom.

The pictures are not short on blood and gore when need be (though it's never gratuitous) and Tallbott pays especial attention to shields and insignias (from Arthur's golden dragon to Melegrans' black falcon), lending the illustrations a sense of both authenticity and otherworldliness. His horses are graceful, his dragon terrifying, his knights manly and his maidens winsome.

With just the right blend of mystery and clarity in both the prose and the illustrations, this is another excellent rendering of a Camelot legend for a young reader.
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