Other Sellers on Amazon
+ $4.54 shipping
97% positive over last 12 months
Image Unavailable
Color:
-
-
-
- Sorry, this item is not available in
- Image not available
- To view this video download Flash Player
Land of the Dead (Unrated Director's Cut) (Combo HD DVD and Standard DVD)
Enhance your purchase
| Format | Anamorphic, Color, Dolby, Widescreen, Multiple Formats, Subtitled |
| Contributor | George A. Romero, Robert Joy, Maxwell McCabe-Lokos, Asia Argento, Shawn Roberts, Simon Baker, Dennis Hopper, Boyd Banks, John Leguizamo, Mark Canton, Tony Nappo, Pedro Miguel Arce, Jasmin Geljo, Jennifer Baxter, Peter Grunwald, Eugene Clark, Joanne Boland See more |
| Language | English |
| Runtime | 3 hours and 14 minutes |
Customers who viewed this item also viewed
Product Description
Product Description
Packed with more heart-pounding and blood-curdling thrills than any theater could show, this special Unrated Director's Cut unleashes the ultimate vision of George A. Romero's latest living-dead shock-fest! Starring Simon Baker, Dennis Hopper and John Leguizamo, Land of the Dead finds humanity's last remnants battling to survive the unspeakable truth: the ravenous zombie hords besieging their fortified city...are evolving!
Amazon.com
Bolstered by the success of 28 Days Later, Shaun of the Dead, the Resident Evil movies and the hit remake of his own Dawn of the Dead, George A. Romero returns to the horror subgenre he invented with Land of the Dead. The fourth installment in Romero's zombie cycle (and the first since 1985's Day of the Dead) presents a logical progression of events since 1968's horror classic Night of the Living Dead: Zombies (also known as "stenches" for their rotting odor) are the dominant population, and they've begun to show signs of undead intelligence and gathering power. The wealthiest survivors live comfortably in a luxury high-rise within a barricaded safe zone, ignoring the horrors of the outside world while armed scavengers stage raids in the zombie-zone to gather much-needed food and supplies. Simon Baker and John Leguizamo play mercenaries-for-hire; Dennis Hopper is their nefarious boss; and horror favorite Asia Argento (daughter of Suspiria director Dario Argento) plays a former hooker recruited into Baker's scavenger squad. While none of this seems particularly fresh or inspired, Land of the Dead benefits from hints of the social satire that made Romero's earlier zombie films so memorable. Not so much funny as gruesomely peculiar, Romero's plot isn't as inventive as it could've been, but as a big-scale B-movie, Land of the Dead delivers a handful of shocks and horror-celebrity cameos (including gore-masters Tom Savini and Greg Nicotero) that should keep horror buffs happy until the next zombie opus comes along. --Jeff Shannon
Product details
- Aspect Ratio : 2.35:1
- Is Discontinued By Manufacturer : No
- MPAA rating : NR (Not Rated)
- Product Dimensions : 7.5 x 5.5 x 0.5 inches; 4 Ounces
- Director : George A. Romero
- Media Format : Anamorphic, Color, Dolby, Widescreen, Multiple Formats, Subtitled
- Run time : 3 hours and 14 minutes
- Release date : September 26, 2006
- Actors : Simon Baker, John Leguizamo, Dennis Hopper, Asia Argento, Robert Joy
- Dubbed: : Spanish
- Subtitles: : French, Spanish
- Producers : Mark Canton, Peter Grunwald
- Language : English (Dolby Digital 5.1), English (Dolby Digital-Plus 5.1), Spanish (Dolby Digital-Plus 5.1)
- Studio : Universal Studios Home Entertainment
- ASIN : B000GFLEGI
- Writers : George A. Romero
- Number of discs : 1
- Customer Reviews:
Customer reviews
Customer Reviews, including Product Star Ratings help customers to learn more about the product and decide whether it is the right product for them.
To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. It also analyzed reviews to verify trustworthiness.
Learn more how customers reviews work on AmazonReviewed in the United States on July 28, 2018
-
Top reviews
Top reviews from the United States
There was a problem filtering reviews right now. Please try again later.
As the story, set in the present, begins, we learn the living dead phenomena has spread worldwide, forcing people to seek refuge within outposts, some utilizing geographic boundaries such as rivers (such as the one in this film) to maintain a perimeter from the hungry dead, or `stenchers', as they're referred throughout the film (presumably because they smell bad, a result of the rotting flesh and poor hygiene skills). Within this one particular enclave, there are two classes, the wealthy, which populate a shiny skyscraper called `Fiddler's Green', and the laborers who live in the slums around the building (they basically do all the day to day work to keep Fiddler's Green running). I suppose the zombies themselves could be considered a third class, sort of the disenfranchised rabble, but anywhoo...the city seems to depend on raiding parties that scour the surrounding, zombie infested small communities for supplies, with a fellow by the name of Riley (Baker) overseeing the operation, his second in command being Cholo (Leguizamo). Turns out this is both Riley and Cholo's last foray, as Riley is planning on heading north, while Cholo, sort of a lacky for the man (the man being Mr. Kaufman played by Hopper), is planning on taking residence in the opulent Fiddler's Green community. Well, events conspire to spoil both men's plans, as Riley's deal falls through, and the slightly sleazy Cholo's given the runaround by the bigoted (among other things) Kaufman (heck, even I knew the brown skinned Cholo had no chance in hell of gaining entry into the highly exclusive community). Anyway, Cholo hijacks the Dead Reckoning, a heavily armored, packed with weapons (including missiles), battle wagon designed by Riley to not only defending the city, but also assist in the raiding parties in dealing with the zombies (think of it like that personnel carrier from the 1986 movie Aliens, only bigger, but not as sophisticated). Cholo now threatens to use the weapons against Fiddler's Green, unless Kaufman pays up, but Kaufman has other plans as he makes a deal with Riley to take Cholo out...oh, by the way, the zombies have begin to develop rudimentary cognitive abilities and are mobilizing, preparing to march on the city...
If you're just interested in the bloody entrails spewing, bone gnawing, flesh peeling (there's a particularly memorable scene where a victim gets his face peeled off), blood spurting, limb-rendering gore often found in movies like this, then this is definitely a solid four star film. The special effects teams did really amazing work with not only the make up, but also the nastier bits, many of which I've already eluded to...I've seen worse (the 1980 film Cannibal Holocaust, for one), but the visceral action is still pretty heavy duty here, especially for the uninitiated...and I do believe `Unrated Edition', which has about four minutes of extra footage, features extended sequences of these grisly scenes, pared down for the theatrical release. Now on to the stuff that didn't suit me...I guess it was sort of natural to expect an evolution of the zombies (or else a gimmick to differentiate this film from the others), in terms of them developing very simplistic, cognitive skills, but I didn't swing that way...zombies have always been a mindless automaton horde with one goal, to eat the flesh of the living. They're not good, they're not evil, they just are...inuring them with certain sensibilities, as was done here, seemed wrong, unnecessary, and pointless. Romero's `Dead' films have generally stuck to a formula, featuring imagery reflecting the quasi-sociological atmosphere of the time, but here seems more obvious than before, as the undead begin to organize, ultimately revolting against the unjust treatment heaped on them low these many years...rise up my desiccated, rotting brethren, and fight the power! Fight the power and eat the brains! Whatever...I don't mind that filmmakers infuse their own ideas and beliefs into their stories, but find a way to do it so it doesn't screw things up. Everyone's got an agenda, just be wary how you foist it upon your audience. As far as the characters go, the only one I cared for was Asia Argento's as Slack, and that was only because she was very easy on the eyes, and not because hers was actually an interesting character. Did anyone like Simon Baker's character? I thought he was annoying, wishy washy, and I doubt he would have survived as long as he did in a world populated with the undead. Supposedly he was responsible for the vehicle Dead Reckoning, a highly sophisticated battlewagon, yet he's unable to secure a simple automobile to leave the city. This guy seemed hardly the hero, but more like a secondary character, one who dies a nasty, hurty death early on...as far as Leguizamo, I'm still hurting from that role of his as Luigi Mario in Super Mario Bros. (1993). Some wounds never heal...Hopper plays his role surprisingly subdued, which was a refreshing change of pace from his normally overblown, over the top villain characters seen in films like Waterworld (1995)...oh wait, Hopper also appeared with Leguizamo in Super Mario Bros., as King Koopa...the nightmare continues...overall I enjoyed the film, and the action was paced well throughout, the effects amazing and brutal, with the story lacking, and the characters disposable. My favorite scene had to be the zombies rising from the river...very spooky. As far as my rating goes, 3 stars for the film, and one extra for the special features and a decent effort put forth.
I won't go into all the special features included with this release, as the Amazon website details them well enough, but I feel I should warn people there are a number of different releases available for this film, primarily fullscreen and widescreen, and the Amazon website doesn't do that great of a job differentiating the two for the causal buyer. If you really look, you can determine which version is the widescreen, but the fullscreen version isn't as clearly defined. I've listed as much as I know below...
ASIN: B000B2YR7Y (97 minute Extended version Fullscreen, aspect ratio 1.33:1)
ASIN: B00005JO16 (97 minute Extended version Widescreen Anamorphic, aspect ratio 2.35:1)
ASIN: B000B2YR7O (93 minute Theatrical version, aspect ratio unknown)
Cookieman108
If I learned anything from this film it is zombies like fireworks...and a zombie growl is actually a form of communication.
I've been a big G.R. zombie fan ever since "Night of the Living Dead" became a Halloween staple on local TV. Around 1980, KTLA advertised a Halloween showing of "the most horrifying movie ever made" and launched a big PR push for "Night of the Living Dead" (or NOTLD, if you're a Dead Head). For about a week prior to showing the movie, they'd run these promo's that were brief shots of Barbara (played by Judith O'Dea) running while a grim sounding announcer warned that the movie contained "extremely graphic depictions of terror and cannibalism." Adult supervision was recommended and so I had to watch. I was, at 20, technically an adult, so I watched with my kid brother and thoroughly enjoyed the flick.
You gotta understand that Halloween was (and is) practically a religious holiday with Jeff and me. We'd buy a ton of dry ice, dress up as slaughter victims and scare the hell out of anyone old enough that we wouldn't feel bad about it. At the time, we lived in a particularly rough neighborhood of the I.E., and keeping an axe handle close at hand was considered common-sense on most nights and especially Halloween. Anyone taller than me who showed up looking for free candy might get breakfast instead: sour milk and stale cereal in a plastic bag designed to leak all over the place. But you had to be quick to get it into their sack.
Then we'd spend the rest of the night on top of the garage armed with a garden-hose or a super-soaker loaded with vinegar to dissuade the malcontents who'd come back and try to egg our house. What can I say? We were teen jerks in a town that boasted the founding of the Hell's Angels. But I've grown up since then. Sort of.
At any rate, Halloween was a big deal. So we watched NOTLD and got a big kick out of it's simple plot line - people hole up in a remote farm-house and try not to get eaten by zombies. The formula is simple and it is the exact same story line for every zombie movie Romero ever made. Stray from the formula and it's just not an Authentic Zombie Tale.
"Land of the Dead" is pretty much the same tale, expanded. The time frame is sorta the present. Romero correctly assumes that everyone pretty much knows the story and we're thrown into it with only a modicum of introduction. A large city is fortuitously situated on a triangle of land surrounded on two sides by large (think Pittsburgh) rivers. The 3rd side is a no-man's land of barricades and barbed wire. Or maybe it's on an island with connecting bridges - it's not really explained. But the main plot twist is how the city is managed by yuppie scum living in high rise apartments on top of a converted shopping mall called "Fiddler's Green."
The non-yuppie scum live in Bladerunner-esque slums on the street serving up rat stew and dressing in clothing so moldy and disreputable that the Salvation Army would say, "uh, no thanks..."
Except for our heroes, that is, who are very fashionably attired in the sort of neo-goth clothing made fashionable by the heroes of "The Matrix." This is a group of mercenary/scavenger's that raid local towns and cities for supplies to keep the bourgeois up to their ears in liquor, cigars and caviar. Why they do this is beyond me and is really the weakest point of the movie.
George has always considered himself, (though not your typical self-absorbed, egotistical, hollywood wonk), more of a social commentarian rather than a guy who makes his money peddling the socially acceptable big-screen version of snuff films. So he uses this interplay of haves and have-nots to maintain this fiction, a sub-plot that was entirely missing from the original NOTLD, and only hinted at in "Dawn of the Dead." So he throws this unbelievable social construct into the move. Frankly, it just distracts from what the audience came for - zombies eating people shooting zombies.
After the plot is established you're left with the unanswered question, "why would anybody do this?" By that, I mean the scavengers. They risk life and limb to bring back food that supports their friends and family, sure, but most of it, it's made clear, is going to the wealthy in their high-rise apartments. And what is their reward?
Money. As in greenbacks.
Well, that's just silly. With the total breakdown of the economic and political system, food is the real currency. What would the movie have looked like if the leader of the scavengers (a little too-pure-to-be-true guy named Riley and played by Simon Baker) had told the king of the yuppies, Kaufman (played with chilling detachment and subtle arrogance by Dennis Hopper) to get bent - no food until he embraces democracy or communism or just plain starves? What's he gonna do - shoot the only people competent enough to feed a city? Let them eat Gucci's!
So that's the story, except that there's a large hungry mob of zombies waiting just the other side of the river. Which brings me to the second weakest part of the story. In all of George's previous movies, he featured a strong black character as a lead actor. In 1968, this was rather daring. By "Day of the Dead," it was merely de riguer. Here the strong minority character is a "smart" zombie (rather well played by Eugene Clark) who realizes that a hot meal is waiting just on the other side of the river.
I don't have any problem with a strong minority character - it's the "smart zombie" part that's just silly. This guy becomes the undead equivalent of Che Guevarra, teaching the "dumb" zombies how to find and use weapons and proceeds to march on the city. Upon reaching the river, they look around and you can almost see the cartoon light-bulbs over their heads, "hey, we're already dead! Let's just stroll across the bottom and come up on the other side..." I'm not the world's best swimmer and it's all I can do to push down and touch the bottom. But this bunch of decaying biology experiments are not only not carried away by the tide, but they walk like they're loaded with lead and move in straight line right towards the target. I know this is a zombie flick, but seriously... I remember thinking that one of the ghouls must've been a boy scout and still remembered how to use a compass...
The rest of the cast turns in a competent performance, with the exception of Simon Baker who, like Tom Cruise, appears to have just one facial expression ("Grim Determination") for the entire flick. Asia Argento plays an eye-candy part as the heart-of-gold hooker who really wants to be Sigourney Weaver's Ripley, but can't escape the fact that she got this job by being the producer's neice. The most interesting character in the whole flick is played by Robert Joy, Riley's mentally-challenged second banana, who just happens to be the world's best sniper.
The gore is what we've come to expect from Romero, no big surprises there. The movies proceeds in a formulaic fashion that results in no tension - it goes from point A to point B to it's entirely predictable conclusion with no deviation. There's a couple of really poor CGI and blue screen effects that, at least in my audience, produced giggles instead of drama.
"28 Days Later" and Zach Snyder's "Dawn of the Dead" remake were gorier and more dramatic, with some scenes of great pathos. (The scene in Zack's DOTD where a daughter pleads for the life of her zombie-disease infected father is truly heart-breaking.) But, all that said, this movie will be a big hit with zombie dead-heads like me. It's got Romero's name on it and the formula is what we've come to expect and, frankly, what we wanted. Look for this movie to make most of it's money in DVD sales to die-hards (like me) that have every version of the first three movies on both VHS and DVD.
Everyone else may be left wondering why anybody greenlighted this movie in the first place.
I watched this show 17 years after it was released, so for its time it was pretty good.
Top reviews from other countries
Its got some great performances from Simon Baker, Dennis Hopper and Asia Argento (and Eugene Clark as zombie leader Big Daddy), and some terrific old-school gore. This is a film to delight fans of Romero’s “dead” series.
The movie is good, not something I can complain about
Bravo!!
Dripping with atmosphere and campy horror tropes, it's well worth a watch.

![Day Of The Dead (Collector's Edition) [Blu-ray]](https://images-na.ssl-images-amazon.com/images/I/91VLRVrrIRL._AC_UL160_SR160,160_.jpg)

![Dawn of the Dead / George A. Romero's Land of the Dead Double Feature [Blu-ray]](https://images-na.ssl-images-amazon.com/images/I/51HlmSod78L._AC_UL160_SR160,160_.jpg)

![Night of the Living Dead (1990) [Blu-ray]](https://images-na.ssl-images-amazon.com/images/I/71-f+dAm8EL._AC_UL160_SR160,160_.jpg)
![Dawn of the Dead - Collector's Edition 4K Ultra HD + Blu-ray [4K UHD]](https://images-na.ssl-images-amazon.com/images/I/81Sp0DM9BOL._AC_UL160_SR160,160_.jpg)



