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The Language of the Goddess Paperback – February 1, 2001
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The Goddess is the most potent and persistent feature in the archaeological records of the ancient world, a symbol of the unity of life in nature and the personification of all that was sacred and mysterious on earth.
In this pioneering and provocative volume, Marija Gimbutas resurrects the world of the Goddess-worshipping, earth-centered cultures, bringing ancient matriarchal society vividly to life. She interweaves comparative mythology, early historical sources, linguistics, ethnography, and folklore to demonstrate conclusively that Goddess-worship is at the root of Western civilization. Illustrated with nearly 2,000 symbolic artifacts, Gimbutas' magnum opus is at once a "pictorial script" of the prehistoric Goddess religion and an authoritative work that takes these ancient cultures from the realm of speculation into that of documented fact. Over 500 illustrations.
- Print length424 pages
- LanguageEnglish
- PublisherThames & Hudson
- Publication dateFebruary 1, 2001
- Dimensions7.36 x 9.13 inches
- ISBN-100500282498
- ISBN-13978-0500282496
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- Publisher : Thames & Hudson; 1st edition (February 1, 2001)
- Language : English
- Paperback : 424 pages
- ISBN-10 : 0500282498
- ISBN-13 : 978-0500282496
- Item Weight : 2.07 pounds
- Dimensions : 7.36 x 9.13 inches
- Best Sellers Rank: #1,061,839 in Books (See Top 100 in Books)
- #1,786 in Comparative Religion (Books)
- #1,974 in Archaeology (Books)
- #2,840 in Folklore & Mythology Studies
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The link between the images from Neolithic and Paleolithic sites arises at least in part from those cultures' shared worship of the Goddess. In the text accompanying the images, Gimbutas tries to reconstruct the world-view of the European Goddess-centered people. She works by inference, looking at various found objects and their markings--not just in their historical context but also in relation to each other.
For instance, in her chapter entitled "Net Motif," she writes, "Signs associated with the framed net -- parallel lines, zig-zags, tri-lines, M's, and chevrons -- place it within the aquatic symbol family. . .the framed net also appears with symbols of becoming: egg, vulva, uterus, fish bladder forms, and plant leaves. This implies that the net is linked with aqua-cosmogony, the life source, and the birth of human, animal, and plant life. . .in other words, it must have been a symbol of the "water of life" well known to us from myths. The net design. . .probably emphasizes the life-giving power of the Goddess."
It is interesting that we still speak of "the web of life," and the "interconnectedness of all beings." The web is an ancient image, and just one of many in the book that readers can recognize as still resonating for us now. Some other images which Gimbutas presents are Meander and Water Birds, Streams, Tri-Line and Power of Three, and Deer and Bear as Primeval Mothers.
This book is wonderful for textile artists, potters, painters, or poets - indeed for anyone interested in drawing inspiration from the furthest reaches of human history. These are powerful symbols for study, which come alive when given careful attention.
She envelops us in a conscious and conscientiously conceived, irresistible tribal dance across the pages.
We know Her by name. Only a fool dares to deny the power.
a possible evolution from another primate...possibly orangatans....neandethals...cro-magnon....to this culture based on the original female/male principals...









