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The Last Airbender
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| Genre | Action & Adventure |
| Format | NTSC, AC-3, Dubbed, Subtitled, Widescreen, Dolby, Multiple Formats, Color |
| Contributor | Shaun Toub, Cliff Curtis, Noah Ringer, Summer Bishil, Dev Patel, Aasif Mandvi, Francis Guinan, Seychelle Gabriel, Katharine Houghton, Jackson Rathbone, Nicola Peltz, M. Night Shyamalan, Damon Gupton See more |
| Language | English |
| Runtime | 1 hour and 43 minutes |
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Product Description
Product Description
Experience the thrilling live-action adventure based on the hit Nickelodeon series Avatar: The Last Airbender. Join Aang, an extraordinary boy with incredible “bending” powers, as he journeys through an exotic land filled with magical creatures and powerful friends. As the Avatar, he is the only one who can end the age-old conflict between the four nations: Air, Water, Earth and Fire. An inspirational journey, The Last Airbender is exciting entertainment for the entire family!
Amazon.com
The cartoon epic Avatar: The Last Airbender comes to the big screen as live-action special effects spectacular, with the title simplified to The Last Airbender. The movie is crammed with as much of the show's anime-influenced mythology as can fit: In a fantasy world, different tribes have influence over the elements of air, earth, fire, and water. Only one person can manipulate all four--the Avatar, who is also a bridge between the terrestrial and spirit worlds, and who reincarnates throughout the centuries. But for a hundred years, the Avatar has disappeared--until Katara, a young waterbender, and her brother Sokka discover a young airbender, Aang, frozen under the southern ice. Aang sets off to master the other elements so that he can counter the marauding Fire Nation, who have slain all other airbenders in their campaign to rule the world. Aang's journey and the titanic battles owe a significant debt to the Lord of the Rings trilogy--it's surprising that director M. Night Shyamalan (The Sixth Sense) hasn't made more of an effort to craft something more distinctive. The only character who stands out is Prince Zuko (Dev Patel, Slumdog Millionaire), an exiled firebender who can only regain his place by his father's side if he can capture the Avatar. Everyone else is fairly bland--but this movie isn't about characters, it's about special effects, and lots of money and labor has been lavished on blasts of fire and water flying through the air. Viewers unfamiliar with the cartoon are likely to be confused; some fans will be disappointed at how cramped the story has become, while others will enjoy the visual delights. --Bret Fetzer
Product details
- Is Discontinued By Manufacturer : No
- MPAA rating : PG-13 (Parents Strongly Cautioned)
- Product Dimensions : 0.55 x 5.38 x 7.54 inches; 2.4 Ounces
- Item model number : PRT351894DVD
- Director : M. Night Shyamalan
- Media Format : NTSC, AC-3, Dubbed, Subtitled, Widescreen, Dolby, Multiple Formats, Color
- Run time : 1 hour and 43 minutes
- Release date : November 16, 2010
- Actors : Noah Ringer, Nicola Peltz, Dev Patel, Jackson Rathbone, Shaun Toub
- Language : Unqualified
- Studio : Paramount
- ASIN : B002VPE1BQ
- Best Sellers Rank: #20,394 in Movies & TV (See Top 100 in Movies & TV)
- #2,127 in Action & Adventure DVDs
- Customer Reviews:
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I was right--the movie didn't capture what the series did. But it isn't fair to expect that--the series had 10+ hours to cover the material that the movie covers. M. Night and Co. had a daunting task to try to pull that breadth of storytelling into a cohesive not quite two hour movie, and I have to say that they did it. If you expect every twist and turn of the series to be here, you will be sadly disappointed. What you will get is the important emotional beats to be hit, you will get character development, you will get engaging performances by young actors, and really enjoyable special effects. If you approach this movie like a retelling of a legend you already know, and you won't be disappointed.
Let's talk a little about the script. Some have complained that it is hard to follow--because I knew the series well, the story was easy to follow, but I understand how those who are not familiar with the story might have felt that some things seemed to jump a bit. They do. They also did in Harry Potter 1 when Chris Colombus did it--but the movie was still enjoyable on its own. Don't approach this rigidly--be willing to let it wash over you somewhat. The children do a really wonderful job. They are not veteran actors, and they make some choices that a veteran actor would have avoided. But they bring an excitement, a freshness to the roles that is perfect. The young man who plays Aang and the young lady who plays Kitara in particular do a wonderful job. I loved seeing these folks come to life, and if they weren't as complex as the cartoon characters, remember, they are trying to do this in 1/5th the screen time. Pretty impressive job overall. Aang is very likable and quite a charmer. He must have had signficant martial arts training ahead of time, because he is very impressive in the action sequences.
The movements that bring about the "bending" are beautiful. The entire film is full of asian/eastern cultural references, so from a spiritual perspective, if Buddhist or Taoist inspired elements offend you or are something you want to keep your kids away from, then avoid this film at all costs. If you are willing to discuss the spiritual aspects with your children from whatever spiritual direction you come, then this will actually provide a rewarding platform. Just because I don't particularly admire a spiritual choice doesn't mean that it can't add interest to a fantasy story--and for those who do like the eastern philosophy, I think that there is a lot to enjoy here as long as you aren't looking for the endorsement of a single philosophy, but are willing to take the ride to get a blend of sort of pan-asian things.
The special effects are top notch. The air, fire, and water are all amazing (not much earth moving in this film). The sets are gorgeous, and if some of them look highly stylized and fantastic, well, it is a fantasy world. Momo is a delight, but losing much of his story line made me sad, even if I understood how it was a good thing to cut. Apa was fun, and just as I had hoped. THe bad guys had just the right tone--Prince Suko (I'm not sure if I spelled that right) seemed a little older than I had expected, but his mixture of misplaced loyalty to his unloving father, his desperation to gain his honor and to win the love of a parent was just right. His uncle was cast against type from the cartoon, but the actor pulled it off well, and after my first apprehension that htey had gotten it wrong, I was pleased. I didn't love general zhao or the Firelord, but I don't hink I was supposed to love them. The water princess was adorable, and the scenes between Jackson Rathbone (Sato) and her were great.
I really enjoyed this film quite a bit. As I mentioned, my kids loved it, and it has been playing every night since we got it. If you are in the need of this sort of family adventure, it will fit the bill, and I definitely hope that M. Night will get to make the other two and turn this into the heroic trilogy we know it to be.
I never watched the movie… I bought it as a mean gift for a friend who loves the show, they were very upset, as I’m sure you are too from the first half of the review.
The Last Airbender has great characters, wonderful special effects and a good fantasy story. The story is a basic quest: the young Airbender, living a happy and peaceful life in a isolated temple is presented with the news that he is to be the new Avatar, the ruler of all the clans in this world, ultimate Master of all four Elements, speaker to spirits--a god in all but name! Since he is just a little boy, he is frightened by all this, and runs away. Unfortunately, a cruel fate interferes, and he is trapped in ice, frozen but alive, for 100 years. In his absence, the powerful Fire clan decides to conquer the clans and all its people. When the young Airbender is revived he finds that his single bad decision has had terrible consequences: His entire clan has been murdered, the Fire Clan has declared war on the world, they have destroyed all the temples, and murdered or imprisioned all people capable of Element Bending. The young Avatar now embarks on an epic journey to harness his powers, free the other Element Benders, promote rebellion in the conquered lands, restore balance to the world and realize his destiny.
In this movie, the Element Benders must perform a kind of ritual dance that is part fighting arts, part tai chi, and part ballet, in order to conjure forth their powers, to harness, direct and use them. I did not find anything wrong with that. In fact, I found it beautiful and graceful. It gave the idea that the powers of an Element Bender had to be drawn forth and manipulated with great care, effort and training. It requires dicipline of mind and body, with a spirtual element taken into consideration as well. It isn't like an X-Men spin off, where you point a finger, or wiggle your eyebrows, and blow up buildings.
The special effects are well worth seeing, worth the price of the movie by themselves. And the fighting arts dances of the characters are beautiful. The characters are good and enjoyable to watch. The acting is fine. You have a basic story that is easy to follow and to enjoy. The only thing you should be aware of, if you are like me and not familar with the story, is that the ending does not finish the story. It is a pause in the story telling---rather like watching the first movie in the Lord of the Rings trilogy. But the ending is still a good one: the hero has begun to realize his true powers, the good guys win and the bad guys are in retreat. Of course, that is not the end of the story, not by a long shot! Unfortunately, I do not think that any more movies will follow this one, to finish it. Which is a great shame, as far as I am concerned. What is good is that it may cause more people to check out the book series. But the movie was lovely and entirely enjoyable. If you are looking for a good fantasy movie to watch, this is it.
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The truth is it's so easy to think you can run away from your responsibilities, and that immediately makes it easy to empathize with Aang, as brother and sister Sokka and Katara of the Southern Water Tribe do, played by Jackson Rathbone and Nicola Peltz respectively. Driven by their own instincts for good as well as sympathy and affection for Aang, they become rather like his guardians first and his friends second and all three of them together make a cool team. No, I have not seen the original manga anime television series, but that doesn't mean I have to watch it unless I want to and I am perfectly happy with the film as it is. Noah Ringer is really engaging as Aang; you can get seriously involved with him, particularly when he permanently closes down his mind to the material world and enters the immaterial, which is the spirit world where he is immediately rebuked by a breathtakingly enormous Asian Lung dragon spirit (voiced by the brilliant John Noble who played Denethor in "The Lord Of The Rings") for having been absent from the world for one hundred years, and also when he's being told to concentrate by Katara as she attempts to teach him her skills of water bending. Another character with whom you can sympathize as well is Prince Zuko, played splendidly by Dev Patel, whose quest to find and capture Aang in order to win his father's approval and take back his place as the rightful heir to the throne is constantly hampered by his arch enemy Commander Zhao (Aasif Mandvi), and doubted by his father Fire Lord Ozai (Cliff Curtis) to prove successful, both of whom have plans to preserve their own skills with fire while also eradicating all other nations in the process. This pompous self serving act with no regard to the balance spells out disaster as far as the thinking man of the Fire Nation, General Iroh is concerned when he learns of it, and I just love him; he's noble, honest and wise and the actor Shaun Toub who plays him is also really good looking! I particularly love the scene in which he offers his wise counsel to Princess Yue, another looker with a conscience played very deeply by Seychelle Gabriel, therefore prompting her to do her own responsibility for her people without hesitating. It's also great that she doesn't fall for the devastated look on Sokka's face; she's not going to be swayed by his own desperate need for her to hang around when she's got to mend the balance for others. I also love the growing affection between Aang and Katara; Aang's serious outlook on life just leaves him whenever she's there to support him.
The acts of air bending, fire bending, water bending and earth bending enhanced with top notch special effects and fantastic action are all simply gorgeous (and they're even cooler in the end credits where they're all purely animated and you can also see Aang manipulating fire and earth; therefore showing that he harnesses all four elements in the end), and since the four elements and the exercises that go with them are explained in the featurette "The Origins Of The Avatar" over on the Special Features as well as the three main characters of Aang, Sokka and Katara and their personalities, everything about them in the film just makes perfect sense. True, the character of Fire Lord Ozai is not nearly as villainous a father as he's meant to be in the original television series and I'm not immediately terrified of him, however, the way in which he inquires after his son and afterwards speaks of him with no affection or approval or acceptance is very cold, and he is altogether a self satisfied, power hungry git. Also, Prince Zuko justifies his claim to capture Aang and prove he's a worthy son in the process brilliantly, putting in the facts of his own unhappy upbringing and the shame that he's been led to believe he is within his family, therefore making you want to root for him in the race to find Aang before Commander Zhao; he's got much more sound and positive reasons than Zhao's which are heavily influenced by greed and ambition. It's just sad though that Zuko feels this is a mission he's been given when in fact it was just an excuse his father made to banish him from the Fire Nation completely.
The scenery is just stunning, every single location in the film looks beautiful, from the snows of the South and North Poles to the towns and villages of the Earth Kingdom and the vast golden fields of the Fire Nation. So too are the temples, including the temple that Aang visits only to find all of the reincarnations of himself of previous years captured in still art form. The speech that Aang makes when he is looking at all of the statues is charged both with trepidation and huge solemnity, as well as guilt at having been so unwilling to take up the mantle of all of the lives where he was willing before. It's no wonder then that Aang feels so daunted at having to be the God of his elemental world. The music is also wonderful; it's deep and profound and really touching, especially when Aang finally releases all of his inner conflict over having blindly attempted to run away both from the responsibility to be the Avatar and from all of his teachers and friends who wanted him to be the Avatar, and embraces the power to fend off the Fire Nation. Yes he looks serious a lot of the time, so it's lovely whenever he's happy, and at the same time beautiful to see him bow to everyone at long last as encouraged by Katara. He practically learns the value of accepting the role that destiny carves for him the hard way and it's really hard; you don't get what you want handed to you on a silver platter as Fire Lord Ozai would like to think that he can. Also among the Special Features that I've mentioned before are some deleted scenes, which are pretty cool and also quite funny, like "Talk To The Dead" in which a crazy medium uses simply awful guesswork to pinpoint a presence in the atmosphere until her voice suddenly changes into something else entirely. The outtakes are fantastic, there's a lot of goofing around which is fun, actors trying to stay in character until they slip up and a good amount of dancing, as after all, the exercises for each of the four elements are a bit like a dance, and they're meant to be! Just listen to the creators of the television series, it's got nothing to do with looking weird! I'm very happy with this purchase, it came in great condition and well on time and it's a firm favourite of mine.
The story tells of the Avatar, the reincarnation of the greatest of the elemental benders. Bending is a key part of the mysticism the world is built around in that each of the four elements can be manipulated through mental act. Avatars can bend each of them and presumably the purpose of the Avatar is to keep the balance between the four elements - the word balance appears only once or twice in the entire film which shows how far director M. Night Shyamalan missed the plot.
In suspended animation having run away from his responsibilities, the Avatar is still a child despite having been missing for 100 years. In the intervening period one of the four elements has come to dominate. The people of Fire have broken from nature and have used their element to construct mighty weapons of war such as steam ships. They are led by an exceptionally calculating leader who casts out even his own son in an attempt to quash any hope of the Avatar returning.
Reincarnation is a fundamental part of the Buddhist traditions the premise is built upon. The people of Air reflect those traditions most acutely and are even dressed in somewhat Tibetan costume. Each of the four elements has the reincarnated Avatar in turn, again reinforcing the message of cycle that so much of Eastern Mysticism is based on. With Air being the next in line when the Avatar is reincarnated (and his description of his identity becoming apparent is an explicit reference to the selection of Lamas in Tibet), the Fire people have attacked any Air benders in case they are the Avatar.
The Avatar played by Noah Ringer looks terrific. Visually he is perfectly cast for the role. He is also a decent mover and recreates the Tai-Chi style moves very gracefully. The more complex stick work is clearly performed by an adult stand-in though. Unfortunately Ringer suffers from his being a child and not really having the range of acting skills developed yet. He is wooden and a little annoying in his delivery. The American accent doesn't help.
The Avatar's two main companions are people of Water, one of whom is the last Water bender of the south - Katara. Nicola Peltz is not yet a good actor. Her dialogue is terribly written by Shyamalan and she does not deliver her lines well. Katara's brother Sokka is slightly better acted - perhaps not a coincidence that the oldest of the children (Jackson Rathbone) puts on the better performance. Sokka's character though is the best example of why this film did not work. There is no character development at all, he is not seen to have any emotional response with one exception, and there is no promotion of the premise through his voice.
Very early on in the film, Katara asks Sokka whether he would rescue her should he need to do so and he of course answers in the affirmative. The purpose of the question is to highlight that they should also save the Avatar but it is so clumsily handled that the moral question underlying it is entirely ignored. Equally, when the team head to the North and find a princess, Sokka possibly falls in love with her but the only way to know that is the two of them happen to walk alongside each other in a couple of scenes. As it is not directly germane to the plot, the dialogue was simply skipped.
The Fire people are the bad guys. Interesting in Shyamalan's film that they are Indian. The Fire people feature by far and away the best acting in the film through Shaun Toub. Not a surprise that the best actor in the film puts in the best performance. Toub has gravitas and when his character Iroh challenges the actions of evil Commander Zhao, he does so entirely in keeping with what should have been the moral foundations of the film and with the grace and force that a man of his standing should provide.
Instead of the complexities of morality and personal relationships that made the cartoons so enthralling, the film focusses only on personal responsibility. The responsibility on the shoulders of the Avatar is enormous and a child would undoubtedly find it hard to come to terms with such requirements. One might assume Tenzin Gyatso probably had to go through the same emotional trauma on his way to becoming the foremost spiritualist of his age.
So, with just one layer of character in existence, with relatively poor acting, and weak dialogue The Last Airbender is not going to make a challenge for greatness. It does exceed the terrible level that most critics pin it with because the other elements of the film are excellent. The action sequences are well crafted in making the most of the fighting techniques available. Dev Patel is embarrasingly stiff in his fight scene but Noah Ringer is excellent. Ringer is small enough for the wire work to be believable. His graceful floating, jumping, and landing are much better than similar wirework in more mainstream martial arts films. The moment when the Avatar pulls a standing opponent down into a triangle choke is an awesome bit of jiu-jitsu. Unfortunately though, the combatants are back standing again after a cut in the action.
The special effects are very well rendered. The movement of the elements seems organic and the visualisation of some of the major locations is impressive. The dream sequences where a meditative Avatar meets with his draconic spirit guide are very well lit.
Possibly the best parts of the film are the costume and locations. The location benefits from a couple of excellent places - Vietnam and Greenland. They both look fantastic and if nothing else are an excellent advert for tourism to those places. The costumes are also great. The distinction between the peoples of the different elements is well crafted. The fire people wear inflexible material, probably steel. The air people have the flowing robes of the Tibetan plateau, and the Earth people have colours in harmony with the ground and the trees.
It could be argued that with the positive features of the combat, the special effects, and the locations & costumes, that character development and interesting philosophy are not necessary. After all, The Last Airbender is possibly only a children's film. If it is aimed only at children then the characters would normally be the main point as children tend to prefer films with heroes they can cheer for. The cartoon succeeded because it had the complex features that are missing from the film. Unfortunately M. Night Shyamalan took all of the easy bits of the cartoon and missed what made it great.
The DVD Extras are short and not especially great. The only talking head section is with the creators of the cartoon. It is very interesting that neither the featured actors nor the director wanted to put themselves into an interview for the Extras. The cartoon creators talk about the cartoon exclusively, clearly something they are rightly proud of. Aside from some deleted scenes, the only other Extra is a gag reel which isn't the funniest but is the only behind the scenes action on the DVD.
Overall, a missed opportunity. This one could have been great. A film without interesting characters lacks charm so for all of the excellent effects and action, there isn't enough to keep wanting to watch it. The best way to see the film is to lower expectations beforehand in line with the critiques, and then enjoy the positive parts which do exist even if this film can only ever be seen as at best a missed opportunity.







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