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The Last Bohemia: Scenes from the Life of Williamsburg, Brooklyn Paperback – August 7, 2012
| Robert Anasi (Author) Find all the books, read about the author, and more. See search results for this author |
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A firsthand account of the swift transformation of Williamsburg, from factory backwater to artists' district to trendy hub and high-rise colony
Williamsburg, Brooklyn, is now so synonymous with hipster culture and the very idea of urban revitalization―so well-known from Chicago to Cambodia as the playground for the game of ironized status-seeking and lifestyle one-upmanship―that it's easy to forget how just a few years ago it was a very different neighborhood: a spread of factories, mean streets and ratty apartments that the rest of New York City feared and everyone but artists with nowhere else to go left alone.
Robert Anasi hasn't forgotten. He moved to a $300-a-month apartment in Williamsburg in 1994, and watched as the area went through a series of surreal transformations: the warehouses became lofts, secret cocaine bars became sylized absinthe parlors, barrooms became stage sets for inde-rock careers and rents rose and rose―until the local artists found that their ideal of personal creativity had served the aims of global commerce, and that their neighborhood now belonged to someone else.
Tight, passionate, and provocative, The Last Bohemia is at once a celebration of the fever dream of bohemia, a lament for what Williamsburg has become and a cautionary tale about the lurching transformations of city neighborhoods throughout the United States.
- Print length240 pages
- LanguageEnglish
- PublisherFSG Originals
- Publication dateAugust 7, 2012
- Dimensions5 x 0.54 x 8 inches
- ISBN-100374533318
- ISBN-13978-0374533311
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Williamsburg Transformed: A History of Williamsburg Brooklyn 1903 to 1945Mr. Geoffrey Owen CobbPaperback
Editorial Reviews
Review
"His clear-eyed, heartfelt elegy shows why a Williamsburg―free, fecund, gloriously threadbare―is so vital to the culture."―Publishers Weekly
"With a fine ear for dialogue and a nonjudgmental eye, Anasi conjures the pre-9/11 atmosphere of the place, in which the beer flowed like water and there was always a place to crash after a night of pub crawling. An impressive bit of literary journalism and a sympathetic look at a vanished era."―Kirkus Reviews
About the Author
Robert Anasi is the author of The Gloves: A Boxing Chronicle (North Point Press, 2002). His work has appeared in many publications, including The New York Times, The Times Literary Supplement, The Virginia Quarterly Review, The New York Observer, Salon, and Publishers Weekly. He teaches literary journalism at the University of California, Irvine, where he is a Schaeffer and Chancellor’s Club fellow. He is also a founding editor of the literary journal Entasis.
Product details
- Publisher : FSG Originals (August 7, 2012)
- Language : English
- Paperback : 240 pages
- ISBN-10 : 0374533318
- ISBN-13 : 978-0374533311
- Item Weight : 6.2 ounces
- Dimensions : 5 x 0.54 x 8 inches
- Best Sellers Rank: #1,536,223 in Books (See Top 100 in Books)
- #1,720 in Sociology of Urban Areas
- #7,755 in Traveler & Explorer Biographies
- #9,791 in United States Biographies
- Customer Reviews:
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1. I am now in my mid-sixties years
2. I had an especially cumbersome middle yrs.
3. But, & here’s my point, 16y-26y - “I was it.”
So, I lived that a long time ago, but, this story
and I’m somewhat familiar with ‘the Beats’
I like Auden, Whitman, Kerouac.
—- anyway, I learned a lot of what I might have done, heard, said and meant — if it was
ME in 1994 —- in that place.
That’s what I really really took from this —-
What’s going on. I couldn’t be there - but, you were Robert A. And your friends.
So thank you - for keeping a record of it and sharing it too.
I wanted to know.
These collected personal stories sing, not of “hipsters” as a group but of specific people, misfits—both New York natives and transplants—who forged their own community. Anasi plays anthropologist as well as part-time protagonist, and writes with a hedonistic love of language that most fiction writers would envy.
Anasi skillfully raises the dead, recreating a scene of scavenged lives, heroin habits, and a DIY entertainment ethic that planted the seeds for the North Brooklyn hipster scene including the modern movements of mixology, burlesque, and artisanal everything. That this bohemia exploded into a boomtown landgrab is described without undue bitterness.
Anasi’s personal adventurousness as an explorer is inspiring. Anyone who was here before 2005 crawled through the hole in the fence at the waterfront to look at the view amongst burnt-out cars, but Anasi went far further—and far later in time—proving that the urban jungle offers treasures for the bold.
If we have lost something—and we most certainly have—Anasi has graced it in elegy, and he’s given us hope that further treasures await if we’re only willing to look.




