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The Last Of The Mohicans Soundtrack

Randy Edelman Trevor Jones Format: Audio CD

4.7 1,599 ratings

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The Last Of The Mohicans (Original Motion Picture Soundtrack)

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MP3 Music, January 1, 1992

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Audio CD, Soundtrack, October 6, 1992

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Track Listings

1	Main Title
2	Elk Hunt
3	The Kiss
4	The Glade Part II
5	Fort Battle
6	Promentory
7	Munro's Office/Stockade
8	Massacre/Canoes
9	Top of the World
10	The Courier
11	Cora
12	River Walk and Discovery
13	Parlay
14	The British Arrival
15	Pieces of a Story
16	I Will Find You - Clannad - Clannad

Editorial Reviews

Product Description

The score for Michael Mann's Last of the Mohicans is one of the most acclaimed works of modern film music. Composed by Trevor Jones and Randy Edelman, these 16 tracks wonderfully convey the scope and majesty of the Academy Award winning film. Features "I Will Find You" by Clannad.

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This is a production rife with odd pairings: English actor Daniel Day-Lewis joining up with the Mohawks; James Fenimore Cooper adapted by Michael Mann; disparate composers Trevor Jones and Randy Edelman teaming up. This last pairing seems a suspicious attempt to endow the score of this modern film adaptation of a junior high school literary evergreen with both a golden age of Hollywood dramatic bent (Jones) and a '90s-slick guitar-muzak veneer (Edelman). A strange amalgam that doesn't quite work. --Jerry McCulley

Product details

Is Discontinued By Manufacturer ‏ : ‎ No
Language ‏ : ‎ English, French
Product Dimensions ‏ : ‎ 5.58 x 4.95 x 0.39 inches; 3.04 ounces
Manufacturer ‏ : ‎ Morgan Creek
Item model number ‏ : ‎ 2136165
Original Release Date ‏ : ‎ 1992
Date First Available ‏ : ‎ February 19, 2007
Label ‏ : ‎ Morgan Creek
ASIN ‏ : ‎ B0000042MY
Country of Origin ‏ : ‎ USA
Number of discs ‏ : ‎ 1

Best Sellers Rank: #3,826 in CDs & Vinyl (See Top 100 in CDs & Vinyl)
- #18 in Movie Scores (CDs & Vinyl)
- #59 in Movie Soundtracks (CDs & Vinyl)
- #1,515 in Pop (CDs & Vinyl)

Customer Reviews:
4.7 1,599 ratings

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4.7 out of 5

1,599 global ratings

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Wayne B

Great Service from Vendor even when an issue arose!

Reviewed in the United States on May 19, 2024

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First CD had defects, clicking noise etc. when I reported it and to return the original, a replacement was sent the very same day! Awesome seller and product! Happy buyer!

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Emma Richards

Outstanding

Reviewed in the United States on February 28, 2019

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I own dozens of soundtracks, and this is one of my absolute favorites. Trevor Jones' compositions (which comprise tracks 1-9) are some of the best music ever composed for film, and Randy Edelman's (tracks 10-15) are very good too, even if they never quite reach the heights that Jones' do. The last track, 16, is a shortened version of the beautiful song "I Will Find You" by Clannad (more on that later.)

The reason that there are two composers is that co-writer/director Michael Mann originally tasked Jones (one of my favorite film/TV composers) with composing and performing an electronic score, then realized late in the production process that an orchestral score would work better for a historical epic such as The Last of the Mohicans. Rushed to compose a new score, Jones didn't have time to finish scoring the movie, so Edelman was brought in to compose a handful of pieces. Mann ended up having it both ways, as Jones provided an orchestral score and Edelman a mostly electronic one. This could seem jarring to some, but it really doesn't bother me, as I enjoy both types of music. I think the biggest issue is that Jones got to score most of the big, epic scenes, whereas Edelman's contributions are mostly for the smaller, quiet scenes, so his music seems more "background," while Jones' is front and center in every scene. That's definitely not a criticism of Jones' score, because like I said, it's remarkably breathtaking, but I think it's one of the reasons his pieces are far more memorable than Edelman's.

I like that the album is split into the two composers' scores, track-wise, as it allows you to glory in the majesty of Jones' compositions without being interrupted by Edelman's comparatively weaker contributions, and then to appreciate what is, after all, quite a lovely score by the latter without it being overshadowed every other track by Jones' music. I do find it odd, however, that even when divided between the two composers, the tracks are presented out of order to their corresponding scenes in the film. That's not a criticism, as it doesn't detract from my enjoyment of the album, but it is a bit strange, and I'm curious what the rationale was behind that decision.

I do have two major complaints, though, the lesser of which is that we don't get the full version of the aforementioned Clannad song "I Will Find You," the full-length version of which is over five minutes long; instead we get the short, 1:50 minute version used in the film. While it's still a gorgeous song, I really would've preferred the full version. My biggest complaint is with this version of "Promontory," one of the most stirring and perfect pieces of music ever composed, adapted from Dougie MacLean's "The Gael." The 6:15 minute version on this album, while, again, still gorgeous, is not the version used in the movie, which is about eight minutes long and has a slightly different arrangement. The album version even fades out at about the 4:20 minute mark and transitions into another variation on the main theme for the rest of the track. Why? Why did they have to mess with one of the spectacular pieces of music ever? Like I said, it's still a beautiful track, I just wish they had gone with the movie version.

Anyway, those two criticisms aside, this is pretty much a perfect soundtrack album for a fantastic movie. I highly recommend it.

The standout tracks, for me, are:

1. Main Title*
Love, love, LOVE this theme. I've seen some complaints that it's overused throughout Jones' portion of the score, but I disagree. For one thing, it's one of the most epic movie themes ever composed, in my opinion, so why use it just once? For another, it's woven so skillfully throughout the other tracks it's used in that it doesn't feel like it's just on loop; it's tweaked depending on the mood of the scene. Chills every time.

2. Elk Hunt*
Propulsive and guaranteed to get the blood pumping.

3. The Kiss*
I love that it starts out with the "Promontory" theme and then, slowly, the main theme is incorporated in. One of my favorite love themes from a movie.

5. Fort Battle*
Bombastic and everything that battle music should be.

6. Promontory*
Even with my criticisms of this version, it's still achingly beautiful, and probably the piece of music from this movie people remember most.

8. Massacre/Canoes*
Another excellent battle piece.

9. Top of the World*
The final variation on the soaring main theme, given a bittersweet flavor to appropriately end this beautiful film.

10. The Courier**
This is the one Randy Edelman track that I feel stands (nearly) head and shoulders with the Trevor Jones tracks.

16. I Will Find You***
Even if it's the short version, it's still lovely and a fitting sendoff to this wonderful album.

*by Trevor Jones
**by Randy Edelman
***by Clannad

27 people found this helpful

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Billy, Rachel & Fam…

Affects me like many of my favorite classical pieces do...

Reviewed in the United States on August 22, 2015

Verified Purchase

For me, a lover of classical music, it is rare that I hear a film score that resonates with me; for the most part most movie scores are veiled rip-offs of classical pieces. Emotion in the music therefore becomes frustrating rather than enjoyable, for me. That being said, this soundtrack spoke right to the depths of me, affecting me like many of my favorite classical pieces do, offering what I have only been able to describe as a spiritual experience. I do not offer that to suggest any type of "religious" connotation, rather, I mean to say that, just as the Lord fills me with His light, so also does truly good music shine a light in the darkest corners of my psyche, my mind, my heart.
The main theme, upon which the rest of the score builds and carries, is beautifully dissected and reworked for pieces again and again with differing feelings to each piece offered without growing stale or repetitive in its various layouts for soloists, chamber orchestras or orchestra, tying all the pieces together in what I would call a rhapsody, something many great classical composers drew beautifully. Rachmaninoff's Rhapsody on a Theme of Paganini is a perfect example and, in turn, John Barry's Somewhere In Time score was truly what I would call a 'Rhapsody on a Theme of Rachmaninoff's Rhapsody on a Theme of Paganini' as Rachmaninoff's 18th variation from that Paganini piece was the theme upon which Barry scored the Somewhere in Time sountrack and that 18th variation was not only an inspiration but actually a piece in that score, I recommend this rerecording of Somewhere In Time by John Debney. But I digress...
The main theme is here somewhat melancholy yet still uplifting, brooding yet sentimental, tragic and morose yet somehow vividly bright. The use of Native American folksong as inspiration was perfect (sadly, though this makes perfect sense, most film composers choose to "create" scores using heavily influenced or directly quoted works from classical composers) and leaves me wondering why so many films have scores that simply don't have any connection with the music. Perhaps the most surprising fact about this gorgeous work is that it was composed by a man from South Africa, but perhaps that is why this score was not tainted by European music of the period in which the movie takes place, in a growing United States, and for that I am very grateful as this is in my top three of great soundtracks (I have less than ten that I would put on the same level as true classical music).
At any rate, my point here is that this soundtrack has done what so few filmscores cannot do and that is to compose something that is, dare I type it, original, original music being rare as every piece of music is truly influenced by some form of music. Yet, against all odds, this soundtrack stands above the rest in its glorious minimalism and unique sound.
I love it!

10 people found this helpful

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Not4alltheteainChina

I loved the movie. I love this whole cd.

Reviewed in the United States on January 25, 2024

Verified Purchase

This is great background music to do the laundry...and pretend your in a Daniel Day-Lewis movie. Or go to get groceries....and notice all the trees....just like were so beautiful in this movie. Or run errands...and pretend you're dodging the warpath....when in fact you're dodging road raging drivers....but pretend you're in The Last of the Mohicans: good therapy! Beautiful, majestic music!!! Arrived safe and sound in good packaging.🌲🌳🌲🌿

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Asian O The Time Outlaw

Fantastic score, great pressing

Reviewed in Canada on December 30, 2022

Verified Purchase

If you're even considering this you already know this is great, thus this "review" is just a conformation that it is great to reinforce your steel that you may make the correct choice and purchase this for yourself that you may enjoy the music.

ManouGero~74

Très bonne musique de fim

Reviewed in France on February 27, 2024

Verified Purchase

Le dernier des Mohicans un chef d'œuvre artistique avec des mélodies envoûtantes !!...

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Martin Slater

A timeless sound track

Reviewed in the United Kingdom on September 1, 2023

Verified Purchase

Listening enjoyment

One person found this helpful

Pedro Méndez Alvarez

Funciona correctamente

Reviewed in Spain on July 30, 2022

Verified Purchase

Funciona correctamente

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Günter Stüdemann

Filmmusik zu: Der letzte Mohikaner

Reviewed in Germany on March 16, 2021

Verified Purchase

„Die Neuverfilmung der berühmten Erzählung kontrastiert die Liebesgeschichte mit der brutalen Gewalt, die durch die Kolonialmächte ausgelöst wird, wobei auch die zivilisationskritischen Aspekte der Vorlage sehr konsequent umgesetzt werden. Ein formal durchaus bemerkenswerter, gut fotografierter und ausgezeichnet gespielter Film.“

– Heyne Filmjahrbuch 1994

Dem kann ich einfach nichts hinzufügen. Es trifft es auf den Punkt. Der von mir bestellete Soundtrack per CD ist einfach eine sehr gute Erinnerung an den Film. Wenn man die Augen schliesst, kann man die Bilder zu den Filmausschnitten "sehen". Großartig!! .., und träumen :-)!

4 people found this helpful

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