This title is not currently available for purchase
Last Night a DJ Saved My Life: The History of the Disc Jockey by [Brougbton, Frank, Bill Brewster]
Kindle App Ad

Last Night a DJ Saved My Life: The History of the Disc Jockey Kindle Edition

4.8 out of 5 stars 62 customer reviews

See all 10 formats and editions Hide other formats and editions
New from Used from
"Please retry"

Length: 448 pages Enhanced Typesetting: Enabled Page Flip: Enabled

"Blue Man Group"
The first-ever Blue Man Group book reveals everything you ever wanted to know about the Blue Men. Learn more | Kindle book
click to open popover

Enter your mobile number or email address below and we'll send you a link to download the free Kindle App. Then you can start reading Kindle books on your smartphone, tablet, or computer - no Kindle device required.

  • Apple
  • Android
  • Windows Phone
  • Android

To get the free app, enter your mobile phone number.

Editorial Reviews

From Publishers Weekly

Beginning with the contention that the disc jockey is "dance music's most important figure," Brewster and Broughton persuasively argue that the contemporary DJ is the epitome of the postmodern artist and that disc jockeys have long influenced the evolution of American musical tastes. Brewster and Broughton's ardent history is one of barriers and sonic booms, spanning almost 100 years, including nods to pioneers Christopher Stone, Martin Block, Douglas "Jocko" Henderson, Bob "Wolfman Jack" Smith and Alan "Moondog" Freed. Along the lines of Kurt B. Reighley's recent Looking for the Perfect Beat: The Art and Culture of the DJ, this is an obsessively unabridged and ever-unraveling (the authors will offer updates at chronology of DJs and the musicAnorthern soul, reggae, disco, hip-hop, garage, house and technoAthey have fostered, and, more accurately perhaps, the music that has fostered them. So as not to miss a note, the authors, both former editors at Mixmag USA and contributing writers to The Face, interviewed more than 100 DJs, dancers and scenesters and elicited some vibrant, pull-quote anecdotes, especially in the hip-hop chapters. What comes to light makes sense: readers learn that the DJ is a distinctly American invention (Reginald A. Fessenden in 1906), but they came into their own, and into wealth and fame, in Britain (case in point: Paul Oakenfold). Brewster and Broughton's subtext is refreshing: rather than draw curt lines between American and British contributions, they show how intimate the countries were in forging a communications phenomenon. (Aug.)
Copyright 2000 Reed Business Information, Inc.

From the Inside Flap

The DJ has been at the center of music history for the last forty years-from the first time a record was played over the airwaves, through reggae and Northern Soul, the births of disco, hip hop, house, and techno, to the current global underground. The club economy now brings in billions and superstar DJs like Paul Oakenfold and Fatboy Slim are overtaking rock stars in popularity and earning power. Last Night a DJ Saved My Life is the first comprehensive history of the disc jockey, a figure who has revolutionized the way music is conceived, created, and consumed. Drawing on in-depth interviews with the world's most important DJs and the revelers at some of the century's most legendary parties, this book is nothing less than the life story of dance music.

"Brewster and Broughton...have written a lively and--to anyone with a more than casual interest in the history of popular music in the latter half of the 20th century--necessary volume."--The New York Times Book Review

"A riveting look at record spinning from its beginnings to the present day, the authors show that the history and art of deejaying makes for a grander and more fascinating story than one would think..... The book is intricately detailed and informative, filled with grand themes and historical anecdotes, all leavened with a wiseass humor that keeps the whole thing from getting too pretentious."--Time Out

"What makes [Last Night a DJ Saved My Life] so good, besides the crisp, lucid writing, is that it also gives a fascinating, episodic history of the jive-talking radio DJs and Parisian discos that established the themes that would play out in hip-hop, disco and rave culture."--Salon

"These British music-mag writers deliver the goods with humor and a basic sense of good storytelling."--Vibe

"Brewster and Broughton exhibit considerable skill in rendering the meta-story seamless, subtly turning what is essentially an oral history, culled from original interviews and other published sources, into an orchestral piece."--Hartford Courant

"Very informative...takes you way back into the 'true roots' of dance music and hip hop's culture, then smoothly brings you into the future."--Danny Tenaglia

"This is for anyone who has ever found themselves lost on the dancefloor."--The Face

"Exhaustive yet entertaining...a definitive history of the disc jockey.... The book lovingly captures a host of compelling stories from every seminal DJ across the last century.... Energy jumps from the book's pages."--iD

"From counterculture to mainstream leisure, the DJ has always been at the heart of clubland.... An illuminating, thoughtful, and insightful tome."--Muzik

Excerpts Last Night a DJ Saved My Life:

"Today (no offense to priests and ministers, who try their best), it is the DJ who presides at our festivals of transcendence. Like this witchdoctor, we know he's just a normal guy really--I mean, look at him--but when he wipes away our everyday lives with holy drums and sanctified basslines, we are quite prepared to think of him as a god, or at the very least a sacred intermediary, the man who can get the great one to return our calls.

"In a good club, and even in most bad ones, the dancers are celebrating their youth, their energy, their sexuality. They are worshipping life through dance and music. Some worship with the heightened levels of perception that drugs bring; but most are carried away merely by the music and the people around them. The DJ is the key to all this. By playing records in the right way the average DJ has a tremendous power to affect people's states of mind. A truly great DJ, just for a moment, can make a whole room fall in love. Because, you see, DJing is not just about choosing a few tunes. It's about generating shared moods; it's about understanding the feelings of a group of people and directing them to a better place. In the hands of a master, records become the tools for rituals of spiritual communion that for many people are the most powerful events in their lives."

Bill Brewster has been editor of Mixmag's Update USA. His writing appears reg

Product Details

  • File Size: 1143 KB
  • Print Length: 448 pages
  • Publisher: Grove Press; 1st American Ed edition (August 1, 2000)
  • Publication Date: August 1, 2000
  • Language: English
  • ASIN: B0015T6GA8
  • Text-to-Speech: Enabled
  • X-Ray:
  • Word Wise: Not Enabled
  • Lending: Not Enabled
  • Enhanced Typesetting: Enabled
  • Amazon Best Sellers Rank: #908,457 Paid in Kindle Store (See Top 100 Paid in Kindle Store)
  •  Would you like to give feedback on images or tell us about a lower price?

Customer Reviews

Top Customer Reviews

By P. Gunderson on March 31, 2002
Format: Paperback
Frankly, I bought this book because I was interested in learning more about techno/trance DJs, and was initially disappointed by the relative dearth of discussion of current trends (a discussion of these comes only in the last quarter of this book). However, my disappointment turned into appreciation as I realized this book truly is a history of the DJ, from way back in the early 1900s to today. This history offers a vast amount of information about who the first DJ pioneers were, and it is divided up into sections on the first radio DJs, northern soul DJs, reggae, disco, rap, and--finally--techno.
The authors point out that they're not doing any academic, high-fallutin' theoretical study of the DJ, but I think they took this anti-academicism too far. The DJ is a fascinating figure because s/he challenges so many of Western culture's ideas about what constitutes "music" and what constitutes "artistry." This book could have been much enriched by delving into the ways the DJ changes how we think about music.
As it is, the history in this study is admirably exhaustive; but because it doesn't connect this history to a larger history of music and aesthetics, it sometimes becomes just exhausting.
Comment 19 people found this helpful. Was this review helpful to you? Yes No Sending feedback...
Thank you for your feedback.
Sorry, we failed to record your vote. Please try again
Report abuse
Format: Paperback
Coming across this book has been one of the most enlightening finds of my music loving life. I picked it up and read it in it's entirety in 2 days. It is a thorough history of the DJ and the music forms that DJ's have spawned since the advent of vinyl as a medium of auditory stimulation and satisfaction. Just the discography alone, a listing of the top fifty or hundred songs and artist on the playlists of fundamental dance floors (like The Roxy, Paradise Garage, Warehouse, and The Loft to name a few) makes this book worth its weight in gold. The history that this book attempts to recount isn't end all to be all, but it covers enough ground to satisfy even the most discriminating old club lover like myself. And even the most well versed club historian and afficionado will find something entertianing and educational within this books covers. I've bought three copies of this book, just to put some of my friends forever in my debt.
Comment 15 people found this helpful. Was this review helpful to you? Yes No Sending feedback...
Thank you for your feedback.
Sorry, we failed to record your vote. Please try again
Report abuse
Format: Paperback
I've only gone through the sections on Chicago house music and am astonished by the detail collected on this low-profile era of dj history. Though I was only a young bystander. the authors managed to unearth the mythical names, long desolate locations, and key events of the day. WBMX Jams on Saturday and Sunday mornings going down to Maxwell street, where last night's pressings were available on too thin, recycled vinyl (sometimes with pieces of gym shoe in them). If they could discover this, I suspect the rest is as solid. Well written.
Comment 15 people found this helpful. Was this review helpful to you? Yes No Sending feedback...
Thank you for your feedback.
Sorry, we failed to record your vote. Please try again
Report abuse
Format: Paperback Verified Purchase
A must read for all aspiring and current DJ's alike. This well reasearched book covers it all: from the beginning of single-turntable jocks to US and European Big Band spinners; it treks thru the Motown/Stax DJs, with a quick nod to the Jamacian "Sound System" approach before taking you thru Northern Soul and the NY Gay Disco trend-setting dual-turntable "mixing" innovators. With many "choice" classic cuts pointed out along the way, there's a myriad of names you will undoubtedly recognize from their many remixes in the dance/house/diva-pop genre. On a personal note it was thrilling to see both Robbie Leslise (Studio 54, The Saint) and Shep Pettibone (Mastermix remix/Productions too many to list, and co-author of Vogue & many other Madonna hits,) mentioned in the book. Not only do I have the utmost honor of being a resident DJ in Shep's amazing "Paradise" niteclub, but I also just had the privilege to spin alongside Robbie on a recent RSVP Caribbean Cruise. Living Legends both, and sweetheart gents to boot! (by dj Mick Hale, 2013)
Comment 4 people found this helpful. Was this review helpful to you? Yes No Sending feedback...
Thank you for your feedback.
Sorry, we failed to record your vote. Please try again
Report abuse
By AlexSP on September 30, 2013
Format: Kindle Edition Verified Purchase
Being a DJ myself since the mid-80's, it was an immense pleasure to remember a lot from scene that I lived my youth in, partied and played and followed since then. But it was even better to LEARN a HUGE lot about the history and development of this art before I fell in love with dance music and DJing.

The book shows an enormous amount of research and data, names, tracks, labels, clubs and everything. And it's cleverly written, in such a way you feel like following a novel. It goes well into advancing through the time, showing all the different, multiple and sometimes parallel scenes that took place in sometimes far away places, connecting the dots and highlighting influences, as they happened in fact.

Today, with internet and iTunes and online music stores one can read the book and go search for the artists, DJs and the music playlisted in the book while reading it, making up for an amazing "timeline" soundtrack that encompasses a great part of modern life. I did exactly that of course, and had such a good time discovering new stuff as well as "crate digging" my collection of records, most listed on the book, But even if you don't I certainly recomend you look around and hear every track as you read the book, it's a lesson and I'm sure you'll have lots of fun while learning a lot too.

DJing is no longer a "career" for me, though I still play clubs, gigs and radio shows frequently. I guess you love music and that's it, you can't leave it or get left by it if you really love playing. This book shows why, the people who love finding new music, people who are daring, creative, passionate about discovering new sounds and showing to people to make them dance, that's such an amazing craft.
Read more ›
Comment Was this review helpful to you? Yes No Sending feedback...
Thank you for your feedback.
Sorry, we failed to record your vote. Please try again
Report abuse

Most Recent Customer Reviews